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What Is “Creative Placemaking”?
What is “Creative Placemaking”? The term “creative placemaking” is used commonly in community development and city/urban planning. But what does it really mean? How will you know it when you see it? Creative Placemaking is generally understood as the use of arts and culture by diverse partners to strategically shape the physical and social character of a place in order to spur economic development, promote enduring social change and improve the physical environment.1 1. Use of arts and culture. This could involve a painter, musician, sculptor, historian, architect – or any other expression of “arts and culture”. The project could be many things including a mural, a street carnival, busker musicians on a street corner, or a public art sculpture about the place’s history. Artists are involved in the planning, execution and activity. 2. Diverse partners. Contributors to projects might include neighborhood residents, businesses, non-profits, churches, government agencies, etc. Diverse partners who invest time, talent and/or financial support will strengthen the project and take greater ownership in its maintenance and stewardship long-term. 3. Shape a place. The combination of arts, culture, and diverse partners can convert an under-utilized place and make it something useful, safe, beautiful and vibrant. 4. To spur, promote and improve. Whether the project is big or small, low-budget or very expensive, successful creative placemaking projects attract people. People want to be near other people. Places that attract people also attract new -
Gentrification, Displacement & Creative Placemaking
Gentrification, Displacement & Creative Placemaking: Evaluation Methods for Nonprofit Arts and Cultural Organizations by Grace Komarek-Meyer [email protected] Capstone Research Report Submitted in Partial Fulfillment of the Requirements for the Master of Nonprofit Administration Degree in the School of Management directed by Dr. Marco Tavanti San Francisco, California Summer 2019 1 Abstract Gentrification, Displacement & Creative Placemaking: Evaluation Methods for Nonprofit Arts and Cultural Organizations focuses on the cultural strategies of creative placemaking projects, the role of the nonprofit organization in combating gentrification and displacement, and the task of evaluation and measurement program impact of creative placemaking projects. The first section of this report contains a literature review that is divided into two main focuses: (1) the history, context, and research of gentrification and displacement, and (2) Creative Placemaking and cultural strategies to support community development and resist the negative effects of gentrification and displacement for community members, neighbors, and key stakeholder groups. The second section of this report contains primary data collected in the form of three expert interviews with nonprofit arts and cultural organizations and one urban planning professional. The final component of this report consists of a set of recommendations for nonprofit arts and cultural organizations to take into consideration when carrying out various creative placemaking projects. 2 Acknowledgments I would like to thank my fellow cohort members in the Masters of Nonprofit Administration program at the University of San Francisco’s School of Management for their continued support and generosity over the past year and a half. I have learned so much from each and every one of you, and am excited to see the amazing things that you all do with your careers with the unique knowledge, skills, and perspectives you all bring to the nonprofit sector. -
Leseprobe 9783791384900.Pdf
NYC Walks — Guide to New Architecture JOHN HILL PHOTOGRAPHY BY PAVEL BENDOV Prestel Munich — London — New York BRONX 7 Columbia University and Barnard College 6 Columbus Circle QUEENS to Lincoln Center 5 57th Street, 10 River to River East River MANHATTAN by Ferry 3 High Line and Its Environs 4 Bowery Changing 2 West Side Living 8 Brooklyn 9 1 Bridge Park Car-free G Train Tour Lower Manhattan of Brooklyn BROOKLYN Contents 16 Introduction 21 1. Car-free Lower Manhattan 49 2. West Side Living 69 3. High Line and Its Environs 91 4. Bowery Changing 109 5. 57th Street, River to River QUEENS 125 6. Columbus Circle to Lincoln Center 143 7. Columbia University and Barnard College 161 8. Brooklyn Bridge Park 177 9. G Train Tour of Brooklyn 195 10. East River by Ferry 211 20 More Places to See 217 Acknowledgments BROOKLYN 2 West Side Living 2.75 MILES / 4.4 KM This tour starts at the southwest corner of Leonard and Church Streets in Tribeca and ends in the West Village overlooking a remnant of the elevated railway that was transformed into the High Line. Early last century, industrial piers stretched up the Hudson River from the Battery to the Upper West Side. Most respectable New Yorkers shied away from the working waterfront and therefore lived toward the middle of the island. But in today’s postindustrial Manhattan, the West Side is a highly desirable—and expensive— place, home to residential developments catering to the well-to-do who want to live close to the waterfront and its now recreational piers. -
The Schematic of God
The Schematic of God For The First Time An Extraordinary Journey Into Humanity’s Nonphysical Roots Warning! Reading this material may change your reality. William Dayholos January/2007 © E –mail address: [email protected] ISBN: 978-1-4251-2303-1 Paperback copy can be ordered from Trafford Publishing – www.trafford.com Illustrations by Wm. Dayholos ©Copyright 2007 William Dayholos II Acknowledgments The value of ones existences can always be measured by the support they receive from others. Be it family or not it is still unselfish support for another human being who is asking for help. Thank you Rose Dayholos, Marjory Marciski, Irene Sulik, Grace Single, Janice Abstreiter, and Robert Regnier for your editing help. This book is dedicated to my partner in life. To me a partner is one whom you can share your ideas with, one who can be trusted not to patronize these ideas, one who can differentiate their own truth from yours. A person who has an equal spiritual level and understanding, and encourages only through support of your ideas and not to through expectation. A true partner is one who balances out any weaknesses you have in the same fashion as you do for them. One’s weakness is the other’s strength, together you create a whole, a relationship that is stronger than the individuals themselves. In true fashion my partner has both helped and supported this book’s creation. Without this partner’s help it might have run the risk of being too much “me”! This was never the reason for the book. -
Intervenciones Urbanas Hechas Por Ciudadanos: Estrategias Hacia
Intervenciones urbanas hechas por ciudadanos: Estrategias hacia mejores espacios públicos INTERVENCIONES URBANAS HECHAS POR CIUDADANOS: ESTRATEGIAS HACIA MEJORES ESPACIOS PÚBLICOS [Versión preliminar] 1ª Edición (CC) Ocupa Tu Calle Calle General Silva 767, Miraflores, Lima Perú Tel. +51-1-234-0232 www.ocupatucalle.com (CC) Programa de las Naciones Unidas para los Asentamientos Humanos (ONU- Habitat) P.O. Box 30030 00100 Nairobi GPO KENYA Tel: +254-020-7623120 (Oficina Principal) www.onuhabitat.org EXENCIÓN DE RESPONSABILIDAD (CC) Fundación Avina Calle Evelio Lara, Casa Nº131-B, Ciudad del Saber, Clayton, Ciudad de Panamá, Las designaciones empleadas y la presentación del material en el presente informe República de Panamá no implican la expresión de ninguna manera de la Secretaría de las Naciones Unidas Tel. +507-317-1121 con referencia al estatus legal de cualquier país, territorio, ciudad o área, o de sus http://www.avina.net autoridades, o relativas a la delimitación de sus fronteras o límites, o en lo que hace a sus sistemas económicos o grado de desarrollo. Los análisis, conclusiones y recomendaciones del presente informe no necesariamente reflejan el punto de ISBN: No. 978-92-1-132845-5 vista del Programa de Asentamientos Humanos de las Naciones Unidas o de su Consejo de Administración. Alentamos el uso y reproducción del material incluido en esta publicación La referencia efectuada en esta publicación sobre algún producto comercial, siempre y cuando se utilice para promover una ciudad mejor; que no se utilice nombres de marcas, procesos o servicios, o la mención de alguna razón social, firma o con fines de lucro y se consigne adecuadamente la referencia a Ocupa Tu Calle, empresa, no constituye necesariamente endoso, recomendación o preferencia por ONU-Habitat y Fundación Avina. -
A Guide to Placemaking for Mobility
REPORT SEPTEMBER 2016 A GUIDE TO PLACEMAKING FOR MOBILITY 4 A BETTER CITY A GUIDE TO PLACEMAKING FOR MOBILITY ACKNOWLEDGMENTS CONTENTS A Better City would like to thank the Boston Transportation 5 Introduction Department and the Public Realm Interagency Working Group for their participation in the development of this research. 6 What is the Public Realm? This effort would not have been possible without the generous 7 Boston’s Public Realm funding support of the Barr Foundation. 7 Decoding Boston’s Public Realm: A Framework of Analysis TEAM 15 Evaluating the Public Realm A Better City 16 Strategies for Enhancing • Richard Dimino the Public Realm • Thomas Nally 21 Small Interventions lead • Irene Figueroa Ortiz to Big Changes Boston Transportation Department 23 Envisioning a Vibrant Public Realm • Chris Osgood • Gina N. Fiandaca • Vineet Gupta • Alice Brown Public Realm Interagency Working Group • Boston Parks and Recreation Department • Boston Redevelopment Authority • Department of Innovation and Technology • Mayor’s Commission for Persons with Disabilities • Mayor’s Office • Mayor’s Office of New Urban Mechanics A Better City is a diverse group • Mayor’s Youth Council of business leaders united around a • Office of Arts and Culture common goal—to enhance Boston and • Office of Environment, the region’s economic health, competi- Energy and Open Space tiveness, vibrancy, sustainability and • Office of Neighborhood Services quality of life. By amplifying the voice • Public Works Department of the business community through collaboration and consensus across Stantec’s Urban Places Group a broad range of stakeholders, A Better • David Dixon City develops solutions and influences • Jeff Sauser policy in three critical areas central • Erin Garnaas-Holmes to the Boston region’s economic com- petitiveness and growth: transporta- tion and infrastructure, land use and development, and energy and environment. -
Introduction Methodology
Introduction The City of Sacramento implemented a three-week virtual community workshop for the Sacramento Valley Station Master Plan to engage with community members and station users in the Sacramento Region. The virtual workshop was open to the public from Wednesday, January 15, 2020 to Friday, February 7, 2020. The project team received more than 280 responses from community members. In 2018, the City concluded work on an initial conceptual planning that resulted in two master plan concepts. Currently, the City is developing a preferred option and multi-phase implementation plan. In addition, the Bus/Mobility Center has moved forward to 30% design documents for the construction funds grant application. In 2020, the Sacramento Valley Station Specific Plan will be completed and provide a pathway for expanding regional transportation services and developing the Sacramento Valley Station site, with transportation in mind. The goals of the design concept are to establish a well-connected transit center, be a gateway to the city, and provide a mixed-use destination with infill development for the 17-acres of property around the historic depot. The plan area on the City-owned site will be designed with sustainable principles, under the framework of the International Living Futures Institute’s Living Community Challenge Vision Plan certification. Methodology This Virtual Community Workshop served as a forum for participants to learn about the project and Master Plan, as well as contribute their input on the design elements and concepts to be integrated into the new station area. The project team implemented a three-week virtual workshop to notify and engage with community members who frequent the Sacramento Valley Station. -
Reimagining Contemporary Urban Planning with Placemaking
Reimagining Contemporary Urban Planning with Placemaking Abhishek Behera Master of City and Regional Planning Georgia Institute of Technology May 2017 Advisor: Prof. William J. Drummond Looking Ahead with Placemaking I Cover Artist with his works on 40th St New York City, adjacent to Bryant Park (Source: Author) II Applied Research Paper Reimagining Contemporary Urban Planning with Placemaking Abhishek Behera Master of City and Regional Planning Georgia Institute of Technology May 2017 Advisor: Prof. William J. Drummond Looking Ahead with Placemaking III For the following cities: Delhi, for being my home, Paris, for making me fall in love, Mumbai, for showing me a dream, Libreville, for bringing me closer to nature, Ahmedabad, for teaching me how to succeed, Atlanta, for introducing me to the free world, San Francisco, for preparing me to let go, New York, for letting me find myself, And all the other cities who have been part of my journey thus far. IV Applied Research Paper Acknowledgment I express my heartfelt gratitude to Professor Bill Drummond for his encouragement and guidance through the process of this paper. I am also grateful to Professors Bruce Stifftel and Mike Dobbins for supporting me, whenever I have doubted myself. I want to thank Meg Walker, Senior Vice President Project for Public Spaces, Anabelle Rondon, Manager, Massachusetts Smart Growth Alliance, and Greg Giuffrida, Corridor Executive, Memorial Drive Atlanta for taking out time and sharing their experiences in urban planning and community engagement. I wish to acknowledge my friends in the United States, from the program and otherwise, who have been always on by my side and helped me explore and learn about a new culture in the past two years. -
Placemaking in the European Context. the Movement Is Here to Stay
The Journal of Public Space ISSN 2206-9658 2019 | Vol. 4 n. 1 https://www.journalpublicspace.org VIEWPOINT Placemaking in the European context. The movement is here to stay Jeroen Laven, Anna Bradley STIPO / Placemaking Europe, The Netherlands [email protected] | [email protected] SPACE Levente Polyak Eutropian, Austria [email protected] PUBLIC OF Abstract The importance of public space as a foundation for good cities is recognised across Europe at a policy level and also amongst practitioners. Placemaking Europe, previously known as the European Placemaking Network, is a fresh network connecting a growing JOURNAL number of practitioners, academics, community leaders, market parties and policy makers working on public spaces in ways that give due consideration to placemaking and the City at Eye Level. Through this approach, Placemaking Europe shares knowledge, exchanges THE ideas, and actively shapes collaborative projects. Keywords: placemaking, city at eye level, ground floor, STIPO, Europe To cite this article: Laven , J., Bradley, A., Polyak, L. (2019). Placemaking in the European context. The movement is here to stay. The Journal of Public Space, 4(1), 135-154, DOI 10.32891/jps.v4i1.1159 This article has been reviewed and accepted for publication in The Journal of Public Space. This work is licensed under a Creative Commons Attribution - Non Commercial 4.0 International License https://creativecommons.org/licenses/by-nc/4.0/ ISSN 2206-9658 | 135 City Space Architecture / UN-Habitat Placemaking in the European context Public space quality is the backbone of a sustainable city. To ensure quality in the public realm, cities need; great streets supported by places that intuitively captivate users, compelling them to want to stay longer; a human scale inspired by the interaction between buildings and streets; user ownership; placemaking; good plinths (active ground floors); and a person-centered approach based on user experience1. -
Sustaining the Liveliness of Public Spaces in El Houma Through Placemaking
The Journal of Public Space ISSN 2206-9658 2020 | Vol. 5 n. 1 https://www.journalpublicspace.org Sustaining the Liveliness of Public Spaces in El Houma through Placemaking. The Case of Algiers Mohamed Yazid Khemri, Alessandro Melis University of Portsmouth, United Kingdom School of Architecture [email protected] | [email protected] Silvio Caputo University of Kent, United Kingdom School of Architecture [email protected] Abstract This paper takes Algiers as a case study, highlighting the social use of urban spaces in El Houma, in the Algerian capital, as a form of placemaking, a people-centred approach aimed at improving urban spaces within a neighbourhood. El Houma is a word for neighbourhood in North Africa synonymous with Hara and THE JOURNAL OF PUBLIC SPACE THE JOURNAL Mahalla in the Middle East. El Houma is not a typical neighbourhood that only houses people, it is a socio-spatial product formed by social relations between residents of the same neighbourhood. It is, therefore, a way of representing urban space though social practices, creating a strong sense of community, a sense of place and social interaction. Based on theories and mapping techniques from urban sociology and urban design, the research applies a methodology of activity mapping, in order to investigate patterns of outdoor social activities in public spaces and their correlation with the physical design of the neighbourhood. The research will measure the liveliness of public spaces exploring how people adapted their lifestyle to the built environment and vice versa. The findings demonstrate how the different social activities are spatially distributed, and their impact on the liveliness of el Houma. -
The Acoustic City
The Acoustic City The Acoustic City MATTHEW GANDY, BJ NILSEN [EDS.] PREFACE Dancing outside the city: factions of bodies in Goa 108 Acoustic terrains: an introduction 7 Arun Saldanha Matthew Gandy Encountering rokesheni masculinities: music and lyrics in informal urban public transport vehicles in Zimbabwe 114 1 URBAN SOUNDSCAPES Rekopantswe Mate Rustications: animals in the urban mix 16 Music as bricolage in post-socialist Dar es Salaam 124 Steven Connor Maria Suriano Soft coercion, the city, and the recorded female voice 23 Singing the praises of power 131 Nina Power Bob White A beautiful noise emerging from the apparatus of an obstacle: trains and the sounds of the Japanese city 27 4 ACOUSTIC ECOLOGIES David Novak Cinemas’ sonic residues 138 Strange accumulations: soundscapes of late modernity Stephen Barber in J. G. Ballard’s “The Sound-Sweep” 33 Matthew Gandy Acoustic ecology: Hans Scharoun and modernist experimentation in West Berlin 145 Sandra Jasper 2 ACOUSTIC FLÂNERIE Stereo city: mobile listening in the 1980s 156 Silent city: listening to birds in urban nature 42 Heike Weber Joeri Bruyninckx Acoustic mapping: notes from the interface 164 Sonic ecology: the undetectable sounds of the city 49 Gascia Ouzounian Kate Jones The space between: a cartographic experiment 174 Recording the city: Berlin, London, Naples 55 Merijn Royaards BJ Nilsen Eavesdropping 60 5 THE POLITIcs OF NOISE Anders Albrechtslund Machines over the garden: flight paths and the suburban pastoral 186 3 SOUND CULTURES Michael Flitner Of longitude, latitude, and -
Now 601 LEXINGTON AVENUE
Landmarks Preservation Commission December 6, 2016, Designation List 491 LP-2582 CITICORP CENTER (now 601 LEXINGTON AVENUE) including SAINT PETER’S CHURCH 601 Lexington Avenue (aka 601-635 Lexington Avenue, 139-153 East 53rd Street, 140-160 East 54th Street, 884-892 Third Avenue), Manhattan Built, 1973-78; architects, Hugh A. Stubbins & Associates and Emery Roth & Sons Landmark Site: Borough of Manhattan Tax Map Block 1308, Lot 7501 (1001, 1002, 1005) On September 13, 2016, the Landmarks Preservation Commission held a public hearing on the proposed designation of Citicorp Center (now 601 Lexington Avenue), including Saint Peter’s Church, and the proposed designation of the related landmark site. The hearing had been duly advertised in accordance with provisions of law. Four people spoke in support of designation, including representatives of Saint Peter’s Church, Manhattan Borough President Gale A. Brewer, the New York Landmarks Conservancy, and the Municipal Art Society of New York. The principal owner, Boston Properties, and the Real Estate Board of New York submitted written testimony in support of designation. Summary The former Citicorp Center is a major example of late 20th century modern architecture. Designed by Hugh A. Stubbins & Associates, in association with Emery Roth & Sons, this early mixed-use complex contains three interlocking buildings: a 59-story office tower, a 6-story retail-and-office structure, and Saint Peter’s Church. Commissioned by First National City Bank (now Citibank), the 915-foot-tall office tower is one of New York City’s most recognizable skyscrapers. Important for its slanted top, four “super” columns that rise over 100 feet and generous public spaces, it plays a major role on the Manhattan skyline.