Teaching Lifelong Learners
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Butch-Femme by Teresa Theophano
Butch-Femme by Teresa Theophano Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com A butch-femme couple The concept of butch and femme identities have long been hotly debated within the participating in a group lesbian community, yet even achieving a consensus as to exactly what the terms wedding ceremony in "butch" and "femme" mean can be extraordinarily difficult. In recent years, these Taiwan. words have come to describe a wide spectrum of individuals and their relationships. It is easiest, then, to begin with an examination of butch-femme culture and meaning from a historical perspective. Butch and femme emerged in the early twentieth century as a set of sexual and emotional identities among lesbians. To give a general but oversimplified idea of what butch-femme entails, one might say that butches exhibit traditionally "masculine" traits while femmes embody "feminine" ones. Although oral histories have demonstrated that butch-femme couples were seen in America as far back as the turn of the twentieth century, and that they were particularly conspicuous in the 1930s, it is the mid-century working-class and bar culture that most clearly illustrate the archetypal butch-femme dynamic. Arguably, during the period of the 1940s through the early 1960s, butches and femmes were easiest to recognize and characterize: butches with their men's clothing, DA haircuts, and suave manners often found their more traditionally styled femme counterparts, wearing dresses, high heels, and makeup, in the gay bars. A highly visible and accepted way of living within the lesbian community, butch-femme was in fact considered the norm among lesbians during the 1950s. -
For Love and for Justice: Narratives of Lesbian Activism
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 For Love and for Justice: Narratives of Lesbian Activism Kelly Anderson Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/8 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] For Love and For Justice: Narratives of Lesbian Activism By Kelly Anderson A dissertation submitted to the faculty of The Graduate Center, City University of New York in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History 2014 © 2014 KELLY ANDERSON All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Blanche Wiesen Cook Chair of Examining Committee Helena Rosenblatt Executive Officer Bonnie Anderson Bettina Aptheker Gerald Markowitz Barbara Welter Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract For Love and for Justice: Narratives of Lesbian Activism By Kelly Anderson Adviser: Professor Blanche Wiesen Cook This dissertation explores the role of lesbians in the U.S. second wave feminist movement, arguing that the history of women’s liberation is more diverse, more intersectional, -
Reiterations of Misogyny Embedded in Lesbian and Feminist Communities' Framing of Lesbian Femme Identities
Uncompromising Positions: Reiterations of Misogyny Embedded in Lesbian and Feminist Communities' Framing of Lesbian Femme Identities Anika Stafford is a PhD student with the Introduction Centre for Women's and Gender Studies at There is a popular conception that the University of British Columbia. Her work misogyny, a hatred of women, is solely has been published in anthologies such as perpetuated by "men" as a group against Queers in American Popular Culture and "women" as a group. This notion has Who's Your Daddy? And Other Writings on contributed to the idea that lesbians and/or Queer Parenting. She is currently conducting feminists would not be capable of institutional ethnographic research on perpetuating misogyny. However, misogynist transgender people and elementary school conceptualizations of female bodies have experience. created insidious cultural norms wherein associations with traits deemed feminine Abstract come to be seen in a derogatory light. As Queer femmes in 1950s bar cultures were everyone, regardless of gender or gender often not viewed as "real lesbians;" radical expression, is indoctrinated into dominant feminism condemned femmes as trying to cultural misogynist systems of power, please patriarchy. This paper investigates everyone is implicated in reproducing or ways such views regarding femmes reiterate challenging such norms. misogynist notions of female bodies. It places Within feminist/queer theory, much femme narratives challenging such debate has taken place regarding lesbian conceptualizations as contesting butch-femme bar cultures of the 1950s and counter-cultural reiterations of misogyny. 1960s. Despite myriad debates regarding Résumé revolutionary potentials of such gendered Les femmes queer dans la culture des bars identities, an examination of how views of des années 50 souvent n’étaient pas vues femininity within feminist/queer discourses comme de “vraies lesbiennes”, le féminisme can reiterate misogynist views of female radical condamnait les femmes queer disant bodies has remained under-theorized. -
Representation of Lesbian Images in Films
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-2003 Women in the dark: representation of lesbian images in films Hye-Jin Lee Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Lee, Hye-Jin, "Women in the dark: representation of lesbian images in films" (2003). Retrospective Theses and Dissertations. 19470. https://lib.dr.iastate.edu/rtd/19470 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. women in the dark: Representation of lesbian images in films by Hye-Jin Lee A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Journalism and Mass Communication Program of Study Committee: Tracey Owens Patton, Major Professor Jill Bystydzienski Cindy Christen Iowa State University Ames, Iowa 2003 11 Graduate College Iowa State University This is to certify that the master's thesis of Hye-Jin Lee has met the thesis requirement of Iowa State University Signatures have been redacted for privacy 111 TABLE OF CONTENTS ACKNOWLEDGEMENTS iv ABSTRACT v INTRODUCTION 1 CHAPTER 1: REVIEW OF LITERATURE The Importance of Studying Films 4 Homosexuality and -
Teaching Lesbian Poetry
City University of New York (CUNY) CUNY Academic Works Women's Studies Quarterly Archives and Special Collections 1980 Teaching Lesbian Poetry Elly Bulkin How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/wsq/446 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] would value being in a class that did so, and that it would make presentation of role models of strong, self-actualizing women history much more interesting. I am encouraged by their can have a powerful , positive influence on both boys and girls. response and determined to integrate the history of women with the material presented in the traditional text. Students on the Sandra Hughes teaches sixth grade at Magnolia School in elementary school level are eager to learn about women, and the Upland, California. The list of women studied included : Jane Addams , Susan B. Anthony, Martha Berry , Elizabeth Blackwell, Mary Mcleod Bethune, Rachel Carson, Shirley Chisholm , Prudence Crandall , Marie Curie , Emily Dickinson , Emily Dunning , Amelia Earhart , Anne Hut chinson , Jenny Johnson , Helen Keller , Abby Kelley , Mary Lyon, Maria Mitchell, Deborah Moody, Lucretia Mott , Carry Nation , Annie Oakley, Eleanor Roosevelt, Sacajawea , Margaret Chase Smith, Elizabeth Cady Stanton , Harriet Beecher Stowe , Harriet Tubman, and Emma Willard . Teaching Lesbian Poetry * By Elly Bulkin In all that has been written about teaching women's literature, between nonlesbian students and lesbian material. Although I about classroom approaches and dynamics , there is almost no do think that a nonlesbian teacher should teach lesbian writing in discussion of ways to teach lesbian literature. -
“Grisley L Business”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Loughborough University Institutional Repository 10 ‘Grisley “L” business’1? Re-Valuing Female Masculinity and Butch Subjectivity in Tipping the Velvet and The Night Watch Claire O’Callaghan According to the lesbian cultural critic Emma Healey, the figure of the butch lesbian not only carries ‘the weight of nearly one hundred years of stereotyping on her shoulders’, but suffers homophobic ‘scorn and ridicule’ from heterosexist culture as well as ‘internalised lesbophobia’ within lesbian communities.2 As Gayle Rubin indicates, the term ‘butch’ is ‘the lesbian vernacular for women who are more comfortable with masculine gender codes, styles or identities than with feminine ones’ and ‘encompasses a variety of ways of and motivations for using masculine gender codes and preferences’.3 Butchness exists, therefore, as Jack Halberstam points out, on a varied continuum of female masculinities that signify ‘differently gendered bodies’ and female subjectivities.4 Boyish, masculine and/or butch women feature in nearly all of Sarah Waters’s novels. In Tipping the Velvet (1998), Nancy King’s foray into the world of music hall male impersonation and her investment in modes of female masculinity facilitate her discovery of lesbian desire and, as I will discuss later, are integral to her expression of gender and her sexual coming-of-age. Likewise, in Affinity (1999), domestic servant Ruth Vigers is able to pass as male spirit ‘Peter Quick’ in part because of her -
LGBTQ Terminology
LGBTQ Terminology Below is a list of words and terms that are common within the LGBTQ community. This is not an all encompassing list, but is a good place start if you are unfamiliar. You may have heard some of these words and didn’t know what they meant. The purpose of this list is to help you understand the terms, and to educate on common terms and preferred terms within the LGBTQ community. AIDS / Acquired Immune Deficiency Syndrome – The stage of HIV infection. An HIV positive person is diagnosed with AIDS when their immune system is so weakened that it is no longer able to fight off illness. People with immune deficiency are much more vulnerable to infections such as pneumonia and various forms of cancer. These diseases are called opportunistic infections because they take advantage of the weakened immune system. Ultimately, people do not die from AIDS itself, they die from one or more of these opportunistic infections. It is believed that all people who become HIV+ will eventually have AIDS. Ally – Someone who confronts heterosexism, homophobia, biphobia, transphobia, heterosexual and gender-straight privilege in themselves and others; a concern for the well-being of lesbian, gay, bisexual, trans, and intersex people; a belief that heterosexism, homophobia, biphobia and transphobia are social. Androgynous - An appearance and/or identification that is neither man nor woman, presenting a gender either mixed or neutral. Asexual – Someone who does not experience sexual attraction. Unlike celibacy, which people choose, asexuality is an intrinsic part of who we are. Asexual people still have the same emotional needs as anyone else, and experience attraction. -
Bi,Butch,And Bar Dyke:Pedagogical Performances of Class,Gender,And Sexuality
SEP-CCC1.QXD 8/11/00 8:57 AM Page 69 Michelle Gibson, Martha Marinara, and Deborah Meem Bi,Butch,and Bar Dyke:Pedagogical Performances of Class,Gender,and Sexuality Current theories of radical pedagogy stress the constant undermining, on the part of both professors and students, of fixed essential identities. This article examines the way three feminist, queer teachers of writing experience and perform their gender, class, and sexual identities. We critique both the academy’s tendency to neutralize the political aspects of identity performance and the essentialist identity politics that still inform many academic discussions. Current theories of radical pedagogy stress the constant undermining, on the part of both professors and students, of fixed essential identities. Trinh Minh-Ha, for example, describes an “Inappropriate/d Other who moves about with always at least two/four gestures: that of affirming ‘I am like you’ while pointing insistently to the difference; and that of reminding ‘I am different’ while unsettling every definition of otherness arrived at” (8). Elizabeth Ells- worth applies Minh-Ha’s idea to “classroom practices that facilitate such mov- ing about” and the nature of identity that obtains in such classrooms: Identity in this sense becomes a vehicle for multiplying and making more com- plex the subject positions possible, visible, and legitimate at any given historical CCC 52:1 / SEPTEMBER 2000 69 SEP-CCC1.QXD 8/11/00 8:57 AM Page 70 CCC 52:1 / SEPTEMBER 2000 moment, requiring disruptive changes in the way social technologies of gender, race, ability, and so on define Otherness and use it as a vehicle for subordination. -
Femalemasculi Ni Ty
FEMALE MASCULINITY © 1998 Duke University Press All rights reserved Printed in the United States of America on acid-free paper oo Designed by Amy Ruth Buchanan Frontispiece: Sadie Lee, Raging Bull (1994) Typeset in Scala by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. FOR GAYAT RI CONTENTS Illustrations ix Preface xi 1 An Introduction to Female Masculinity: Masculinity without Men r 2 Perverse Presentism: The Androgyne, the Tribade, the Female Husband, and Other Pre-Twentieth-Century Genders 45 3 "A Writer of Misfits": John Radclyffe Hall and the Discourse of Inversion 7 5 4 Lesbian Masculinity: Even Stone Butches Get the Blues nr 5 Transgender Butch: Butch/FTM Border Wars and the Masculine Continuum 141 6 Looking Butch: A Rough Guide to Butches on Film 175 7 Drag Kings: Masculinity and Performance 231 viii · Contents 8 Raging Bull (Dyke): New Masculinities 267 Notes 279 Bibliography 307 Filmography 319 Index 323 IL LUSTRATIONS 1 Julie Harris as Frankie Addams and Ethel Waters as Bernice in The Member of the Wedding (1953) 7 2 Queen Latifahas Cleo in Set It Off(19 97) 30 3 Drag king Mo B. Dick 31 4 Peggy Shaw's publicity poster (1995) 31 5 "Ingin," fromthe series "Being and Having," by Catherine Opie (1991) 32 6 "Whitey," fromthe series "Being and Having," by Catherine Opie (1991) 33 7 "Mike and Sky," by Catherine Opie (1993) 34 8 "Jack's Back II," by Del Grace (1994) 36 9 "Jackie II," by Del Grace (1994) 37 10 "Dyke," by Catherine Opie (1992) 39 11 "Self- -
Appearance and Visual Identities Among Bisexual Women
Visible Lesbians and Invisible Bisexuals: Appearance and Visual Identities among Bisexual Women Visible Lesbians and Invisible Bisexuals: Appearance and Visual Identities among Bisexual Women Nikki Hayfield*, Victoria Clarke, Emma Halliwell, and Helen Malson Word count: 10,386 *Corresponding author: Email: [email protected] Telephone: +44(0)117 3282139 Department of Psychology, University of the West of England (UWE), Frenchay Campus, Coldharbour Lane, Bristol, BS16 1QY, UK. Nikki Hayfield is a Lecturer in Social Psychology, Victoria Clarke is an Associate Professor in Sexuality Studies, Emma Halliwell is a Senior Lecturer in Psychology, and Helen Malson is an Associate Professor in Social Psychology. They are all members of the Centre for Appearance Research and based in the Department of Psychology at the University of the West of England, Bristol. Acknowledgement This research was funded by a University of the West of England (UWE) PhD bursary (H38A1154). The authors would like to thank two anonymous reviewers for their thoughtful comments on an earlier version of this paper. The first author would also particularly like to thank the women who participated in this research, and Nicky Rumsey and the Centre for Appearance Research (CAR). 1 Visible Lesbians and Invisible Bisexuals: Appearance and Visual Identities among Bisexual Women Visible Lesbians and Invisible Bisexuals: Appearance and Visual Identities among Bisexual Women Abstract A number of feminist scholars have argued that dress and appearance can be used to critique the dominant culture and explore alternative subjectivities. Research on non- heterosexual visual identities has explored the role that appearance and clothing practices can play in the construction of individual identities and collective communities. -
Butch, Femme, Dyke, Or Lipstick, Aren't All Lesbians the Same?: an Exploration of Labels and "Looks" Among Lesbians in the U.S
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Butch, Femme, Dyke, Or Lipstick, Aren't All Lesbians The Same?: An Exploration Of Labels And "Looks" Among Lesbians In The U.S. South Danielle Kerr University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Sociology Commons Recommended Citation Kerr, Danielle, "Butch, Femme, Dyke, Or Lipstick, Aren't All Lesbians The Same?: An Exploration Of Labels And "Looks" Among Lesbians In The U.S. South" (2013). Electronic Theses and Dissertations. 1153. https://egrove.olemiss.edu/etd/1153 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. BUTCH, FEMME, DYKE, OR LIPSTICK, AREN'T ALL LESBIANS THE SAME? AN EXPLORATION OF LABELS AND "LOOKS" AMONG LESBIANS IN THE U.S. SOUTH A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Sociology and Anthropology The University of Mississippi by DANIELLE E. KERR August 2013 Copyright Danielle E. Kerr 2013 ALL RIGHTS RESERVED ABSTRACT This thesis is an exploratory qualitative sociological analysis of gender, sexuality, and race among “out” lesbians in the U.S. South. In this thesis, I explore the following questions: (1) what labels are self-identified lesbians in the South using and/or applying to themselves, and how do they use them? (2) How do they talk about and experience their dress as a part of their identity? (3) How are lesbians doing gender and sexuality in both private and professional environments? (4) How does Southern location influence lesbians’ conceptualization of their gender and sexuality? This research expands current understandings in the literature regarding the complex intersections of gender, sexual identity, and race in a Southern lesbian group. -
Guide-To-Lesbian-Allyship.Pdf
A Guide for Lesbian Allyship What is Lesbian? “ The dictionary definition states: Noun: a homosexual woman. A person, especially a female, who is sexually attracted to people of the same sex or gender. A gay woman. Historically“ The terms lesbian, invert and homosexual were interchangeable with sapphist and sapphism The word lesbian comes from the name of the around the turn of the 20th century. The use of Greek island Lesbos, the birthplace of the poet lesbian in medical literature became prominent; by Sappho (the origin of the word sapphic). The use of 1925, the word was recorded as a noun to mean the lesbian to mean gay woman or female female equivalent of a sodomite. homosexuality dates back to 1732. Before this was used, the word lesbian meant "of Lesbos", such as Today "Lesbian wine" or "Lesbian culture". Recently there are more women that are likely to Romantic and sexual relationships between women choose other terms to describe their identity go back far in human history, including to ancient (queer, bi, pansexual/pan) and reserve “lesbian” to times. Most ancient civilizations were surprisingly describe their relationship. Women who Love LGBT+ friendly, thinking that it was just human Women (WLW) have also developed a distinct nature to crave sexual or romantic contact with the community, creating their own pride flags and same gender. Use of the word lesbianism to slang words. Celebrities such as Cynthia Nixon and describe erotic relationships between women had Lindsay Lohan commenting openly on their been documented in 1870. In 1890, lesbian was relationships with women and reality television used in a medical dictionary as an adjective to portraying same-sex relationships.