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A#1140 -: Chilatenslibrarians Are Increasingly ,Aware- of The
DOCOMEMS RESUME .p)- 077237 M 011 160 47'44 Ends in Children's Programs. A Bibliography Prepared by the Film Committee of the Children's and Young* People's Services Section oftheWisconsin Library Association. INSTITUTION Wisconsin Library Association; Madison. POEDATE 72 -NOTE 39p. AVAlIAELEFROMWisconsin Library, Association, 261 West Mifflin Street,,MadleOn-, j_WiscfOnSin-53703 = EDNS-PBICE MF-$O.65HC Not Available from DESORI-PTONS Bibliographies; : CatalCgSt. *Children;4Ti lm.Libraries;1 4,E-110S; -Guides A#1140 -: ChilatenSlibrarians are increasingly ,aware- of the 'value offilmsin programing::: films -are_ attractive to _children, -they _-_-illnitinate,the familiar ,;and i suggest new areas_ of interest to .explore,- and theyc:an_.ttoii-cw -,backgroundand open new -vistas : for the 41-71i*.a11.4-401411,40t.af40-0-111.-This -t-lti-P5.1-0cliti-On.,of the liStifig, -presentS-selections for-US!:in _- - ---,.. _-prfOgraMS--With-_-Children- frObs- gtadeS- three through _Sit,- with -information _ -,-,- -.- -- - .on- xi-inning,time,_-Prcidlider, :01S4i:biltCr 0'price, Whether itS-- black-and-white or -color,: and the :content. N bibliography of aids : forlibrary:use,a-_list of sources for- the selection of films, and a-cliktor--ofdistributors for purchase andrentalare riialtidEd: ._(SH)- ,=;-:±. FILMED FROM BEST AVAILABLE COPY 434odfosts, A_= Bibliography prepared.,by the Film Coamittee-=of' and xeisig;kekiii._!ir*!t*icks Sebtion:of the; A060.-ittion- WISCONSIN LIBRARY-ASSOCIATION 1 201 West Mifflinstieet- Nadiloti,Wis.3703 FILMS! IN'tifILDNEN'SiTNOGNANS-, A :Bibliography prepared' bzittie-FilmCommittee =of the Childten_is andYoungpeoPle!s Seitides -Section-ofthe Wisconsin Library AsSociation- 1972 U.S. DEPARTMENT OF HEALTH. -
Aerospace Power Journal, Published Quarterly, Is the Professional Flagship Publication of the United States Air Force
Air Force Chief of Staff Gen John P. Jumper Commander, Air Education and Training Command Gen Donald G. Cook http://www.af.mil Commander, Air University Lt Gen Donald A. Lamontagne Commander, College of Aerospace Doctrine, Research and Education Col Bobby J. Wilkes Editor http://www.aetc.randolph.af.mil Lt Col Scott G. Wierschke Associate Editors Dr. Doris Sartor Maj Donald R. Ferguson Professional Staff Marvin W. Bassett, Contributing Editor Larry Carter, Contributing Editor http://www.au.af.mil Mary J. Moore, Editorial Assistant Steven C. Garst, Director of Art and Production Daniel M. Armstrong, Illustrator L. Susan Fair, Illustrator Mary P. Ferguson, Prepress Production Manager Aerospace Power Chronicles Luetwinder T. Eaves, Managing Editor http://www.cadre.maxwell.af.mil The Aerospace Power Journal, published quarterly, is the professional flagship publication of the United States Air Force. It is designed to serve as an open forum for the presentation and stimulation of innova tive thinking on military doctrine, strategy, tactics, force structure, readiness, and other matters of na tional defense. The views and opinions expressed or implied in the Journal are those of the authors and should not be construed as carrying the official sanc tion of the Department of Defense, the Air Force, Air Education and Training Command, Air University, or other agencies or departments of the US government. Articles in this edition may be reproduced in whole or Visit Aerospace Power Journal on-line at in part without permission. If they are reproduced, http://www.airpower.maxwell.af.mil the Aerospace Power Journal requests a courtesy line. -
Vol. 3 Issue 4 July 1998
Vol.Vol. 33 IssueIssue 44 July 1998 Adult Animation Late Nite With and Comics Space Ghost Anime Porn NYC: Underground Girl Comix Yellow Submarine Turns 30 Frank & Ollie on Pinocchio Reviews: Mulan, Bob & Margaret, Annecy, E3 TABLE OF CONTENTS JULY 1998 VOL.3 NO.4 4 Editor’s Notebook Is it all that upsetting? 5 Letters: [email protected] Dig This! SIGGRAPH is coming with a host of eye-opening films. Here’s a sneak peak. 6 ADULT ANIMATION Late Nite With Space Ghost 10 Who is behind this spandex-clad leader of late night? Heather Kenyon investigates with help from Car- toon Network’s Michael Lazzo, Senior Vice President, Programming and Production. The Beatles’Yellow Submarine Turns 30: John Coates and Norman Kauffman Look Back 15 On the 30th anniversary of The Beatles’ Yellow Submarine, Karl Cohen speaks with the two key TVC pro- duction figures behind the film. The Creators of The Beatles’Yellow Submarine.Where Are They Now? 21 Yellow Submarine was the start of a new era of animation. Robert R. Hieronimus, Ph.D. tells us where some of the creative staff went after they left Pepperland. The Mainstream Business of Adult Animation 25 Sean Maclennan Murch explains why animated shows targeted toward adults are becoming a more popular approach for some networks. The Anime “Porn” Market 1998 The misunderstood world of anime “porn” in the U.S. market is explored by anime expert Fred Patten. Animation Land:Adults Unwelcome 28 Cedric Littardi relates his experiences as he prepares to stand trial in France for his involvement with Ani- meLand, a magazine focused on animation for adults. -
The Impact of Life Behind the Barbed Wire on World War II Prisoners of War
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Fall 2008 Vanishing Voices: The Impact of Life Behind the Barbed Wire on World War II Prisoners of War James Reginald Burgess Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Recommended Citation Burgess, James Reginald, "Vanishing Voices: The Impact of Life Behind the Barbed Wire on World War II Prisoners of War" (2008). Electronic Theses and Dissertations. 466. https://digitalcommons.georgiasouthern.edu/etd/466 This dissertation (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. 1 VANISHING VOICES: THE IMPACT OF LIFE BEHIND THE BARBED WIRE ON WORLD WAR II PRISONERS OF WAR by JAMES REGINALD BURGESS (under the direction of John A. Weaver) ABSTRACT This dissertation is an exploration into the lived experiences and interconnectedness of World War II prisoners of war (POWs). It is driven by the personal accounts of four men who experienced life on the wrong side of the barbed wire: my father, the late William Austin Burgess, formerly of Hinesville, Georgia; C. Neill Baylor, of Vidalia, Georgia; Herman Cranman, of Savannah, Georgia; and Robert Waldrop, of Beaufort, South Carolina. The impetus for this exploration began with the stories I received as a child when my father would share his wartime military experiences with me and continues with the learning of pre-war, wartime, and post-war experiences. -
February 2017
The Bijou Film Board is a student-run UI organization dedicated to the exhibition FilmScene Staff of American independent, foreign and classic cinema. Established in 1972, the Joe Tiefenthaler, Executive Director Bijou Film Board assists FilmScene with program curation and operations. Andy Brodie, Program Director Andrew Sherburne, Associate Director Free Mondays! UI students admitted FREE to the late showing of any new release film every Monday. Emily Salmonson, Dir. of Operations Ross Meyer, Head Projectionist and Facilities Manager AFTER HOURS A late-night series featuring HORIZONS STAMP YOUR PASSPORT for a five Aaron Holmgren, Shift Supervisor cult classics and fan favorites. Saturdays at 11pm. film cinematic world tour. One UI student who attends Kate Markham, Operations Assistant every screening will win a study abroad scholarship! Dominick Shults, Projection and DARKMAN (1990) Facilities Assistant Dir. Sam Raimi. A Abby Thomas, Marketing Assistant SAT, 2/4 SAT, brilliant scientist exacts Graham Bly, Galen Hawthorne, revenge on the people TUE, 2/7 TUE, 2/21 Emma Husar, Ben Johnson, who burned him alive. Sunday, Feb. 5, 11am Brad Pollpeter, Spencer Williams, Free Admission BLACK COAL, LAND AND SHADE Theater Staff CEMETERY MAN (2016, (2016, Columbia) Dir. (1994) Dir. Michele THIN ICE Cara Anthony, Felipe Disarz, FILM LOUNGE China) Dir. Yinan Diao. César Augusto Acevedo. Soavi. The dead must Tyler Hudson, Jack Tieszen, WATCH PARTY 2/11 SAT, Two cops rekindle an A humble country sugar die a second time when Projectionists Join Iowa Public Televi- investigation into the cane worker returns home they become zombies. sion, Iowa Arts Council murder case that ended to meet his grandson and Board of Directors and Produce Iowa for a their careers when the deal with the hardships his Laura Bergus, Chair LIFEFORCE (1985) special screening of their killings start again. -
Catalog Number Eight of the R. I. Library Film the Collection of The
DOCUMENT RESUME ED 119 717 IR 003 188 TITLE Catalog Number Eight of the R. I. Library Film Cooperative at Warwick Public Library. INSTITUTION Warwick Public Library, R.I. PUB DATE 75 NOTE 58p.; Not available in H.C. due to type size AVAILABLE FROM R. I. Library Film Cooperative, 600 Sandy Lane, Warwick, Rhode Island 02886 ($1.25 postpaid). EDRS PRICE MF-$0.83 Plus Postage. HC Not Available from EDRS. DESCRIPTORS *Catalogs; College libraries; Film_Libraries; *Films; Library Cooperation; Public Libraries; Special Libraries IDENTIFIERS *Rhode Island Film Cooperative ABSTRACT This catalog lists all the 16mm films available in the collection of the Rhode Island Film Cooperative, a central film depository which loans films and media equipment to member libraries. Filmt are listed alphabetically by title, and each listing includes the name of the filmmaker, the length of the film, the intended audience level, and a brief synopsis of the contents. Each film is also listed according to subject. (EMH) *******************************************************#*************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). EDRS is not * responsible for the quality of the original document. Reproductions * * supplied by EDRS are the best that can be made from the original. ***************#******************************************************* BEST U;k--7 AVAILABLE CATALOG NO. 8 OF THE R. I. LIBRARY FILM COOPERATIVE at WARWICK PUBLIC LIBRARY 600 Sandy Lane Warwick, R. -
Timeline of the Development of the Horse
SINO-PLATONIC PAPERS Number 177 August, 2007 Timeline of the Development of the Horse by Beverley Davis Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. Sinographs (hanzi, also called tetragraphs [fangkuaizi]) and other unusual symbols should be kept to an absolute minimum. Sino-Platonic Papers emphasizes substance over form. -
BS Catalogue Jul 2016
CINEMA FOR ALL BOOKING SCHEME JULY 2016 (Top L-R: Sweet Bean; The Crow's Egg; Aloys; Race; Little Men) (Bottom L-R: Journey to the Shore, Court; Mary is Happy, Mary is Happy; Tangerines; Where to Invade Next) A list of current, new and forthcoming titles available on the Cinema For All Booking Scheme. The Scheme is a service available to Cinema For All Members and Associates and contains a diverse range of titles, both from the UK and across the world. Designed as the cheapest and easiest to use source of non-theatrical screening licenses, the Booking Scheme is tailor made for film societies and community cinemas. Films on the Cinema For All Booking Scheme are offered for a flat rate of £85 with no additional charge or fees, with the exception of titles under the MPLC collection which are issued on a minimum guarantee basis. For more information on the Scheme go to www.cinemaforall.org.uk, contact [email protected] or telephone 0114 221 0314. Cinema For All Unit 411, The Workstation Key for codes on catalogue 15 Paternoster Row DVD = available on DVD Sheffield BR = available on Blu-Ray S1 2BX OC = only available to screen from own copy Tel: 0114 221 0134 [email protected] www.cinemaforall.org.uk Cinema For All is the trading name of the British Federation of Film Societies COMING SOON - AVAILABLE TO BOOK NOW SCREEN TITLE DIR. COUNTRY YR. MIN. GENRE FROM Dra, Fan, Journey to the Shore Kiyoshi Kurosawa JAP 2015 127 01-Jul-16 Rom UK, PSE, USA, Speed Sisters Amber Fares QAT, DNK, 2015 78 Dra, Adv, Doc 08-Jul-16 CAN Com, Dra, -
Recent Acquisitions, 1956—1959
TEDDY AT THE THROTTLE (1916) Recent Acquisitions, 1956—1959 1909 HEKSEN OG CYKLISTEN (The Witch and the 1922 THE PRIMITIVE LOVER, produced by Joseph Bicyclist), Denmark, director unknown. An early M. Schenck for First National, directed by Sidney trick film. Acquired through the courtesy of the Franklin, scenario by Frances Marion, based on a Danske Filmmuseum, Copenhagen. 16mm, 1 reel. story by Edgar Selwyn, photography by David Abel; with Constance Talmadge, Harrison Ford, Kenneth 1916 TEDDY AT THE THROTTLE, produced by Harlan, Joe Roberts, Charles Stevens. Gift of Paul Mack Sennett for Triangle-Keystone, directed by Killiam. 35mm, 5 reels. Clarence Badger, photographed by J. C. Bitzer; with Bobbie Vernon, Gloria Swanson, Wallace Beery, 1924 WAXWORKS, produced by Viking Film, Germany, May Emory, Blanche Phillips, and Teddy, the Key- directed and designed by Paul Leni, scenario by Henrik stone dog. Acquired through the courtesy of Paul Galeen, photography by Helmar Lerski; with Wilhelm Killiam. 16mm, 2 reels. Dieterle, John Gottowt, Olga Belajeff, Emil Jannings, Conrad Veidt, Werner Krauss. Acquired through the 1919 TRUE HEART SUSIE, directed by D. W. Griffith courtesy of the British Film Institute, London, and for Artcraft, story by Marian Fremont; with Lillian Brandon Films, Inc. 16mm, 7 reels. Gish, Robert Harron, Clarine Seymour, Carol Demp- 1925 UAFFICHE, produced by A.B.C. Films, directed ster, Walter Higby, Loyola O'Connor, Kate Bruce. by Jean Epstein, with Nathalie Lissenko, Camille Purchase, 16mm, 6 reels. Bardou, Genica Missiro. Gift of the Cinematheque de 1920 L9 HOMMEDU LARGE, produced by A.B.C. Film, Belgique. 35mm, 5 reels. directed by Marcel L'Herbier, based on the novel by 1925 STRIKE, produced by Goskino, Moscow, written Balzac; with Marcelle Pradot, Roger Karl, Jacques and directed by Sergei Eisenstein, photographed by Catelain. -
“Remember the Man at the Front”
MILITARY SERVICE, COMBAT, AND AMERICAN IDENTITY IN THE PROGRESSIVE ERA by Sebastian Hubert Lukasik Department of History Duke University Date:_______________________ Approved: ___________________________ Alex Roland, Supervisor ___________________________ Claudia Koonz ___________________________ Peter Wood ___________________________ Richard H. Kohn Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2008 ABSTRACT MILITARY SERVICE, COMBAT, AND AMERICAN IDENTITY IN THE PROGRESSIVE ERA by Sebastian Hubert Lukasik Department of History Duke University Date:_______________________ Approved: ___________________________ Alex Roland, Supervisor ___________________________ Claudia Koonz ___________________________ Peter Wood ___________________________ Richard H. Kohn An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2008 Copyright by Sebastian Hubert Lukasik 2008 Abstract During the First World War, approximately two million troops served with the American Expeditionary Forces (AEF), the army that functioned as the material and symbolic focal point of America’s commitment to the defeat of the Central Powers. This dissertation examines the impact of training, active service and combat on the social identity of the draftees and volunteers who comprised the AEF. Reigning historiography -
Le Ballon Rouge Director: Albert Lamorisse Guión
FICHA TÉCNICA El globo rojo Título original: Le ballon rouge Director: Albert Lamorisse Guión: Albert Lamoriss Música: Maurice Le Roux Fotografía: Edmond Séchan Productora Films Montsouris Género Drama, Infantil País: Francia Año: 1956 Duración: 36 min. Reparto: Pascal Lamorisse, Georges Sellier, Vladimir Popov, Paul Perey, Sabine Lamorisse, Michel Pezin, Renée Marion, Renaud, David Séchan Premios: 1956: Oscar: Mejor guión original 1956: Prix Louis Delluc; El globo rojo, Albert Lamorisse. 1956: Cannes Film Festival: Palme d'Or du court métrage por El globo rojo, Albert Lamorisse. 1957: Círculo de Críticos de Nueva York: Nominada a Mejor película extranjera 1957: National Board of Review: Top mejores películas extranjeras 1957: Oscar; The Red Balloon, mejor guion original, Albert Lamorisse. 1957: BAFTA; The Red Balloon, premio especial, Francia. 1960: Venice Film Festival: OCIC Award; Le Voyage en ballon. 1960: Venice Film Festival: Golden Lion; Le Voyage en ballon. Nominación: 1960: Venice Film Festival: Golden Lion; Le Voyage en ballon. Sinopsis: Pascal es un niño de seis años que de camino a la escuela se encuentra un globo rojo trabado en lo alto de una farola. El niño trepa para liberarlo y ambos se hacen amigos. A partir de ese momento el globo rojo seguirá a Pascal por las calles de París. Ambos forjarán una amistad incondicional y libre. Un poético mediometraje (protagonizado por el propio hijo del director; un niño de 4 años de edad). 1 Federación Internacional de Mujeres Universitarias Federación Mexicana de Universitarias Universidad Nacional Autónoma de México Museo de la Mujer Bolivia 17 Centro Histórico, Ciudad de México. Cine-Club de género, 28 de Marzo de 2017. -
An Interdisciplinary Approach: an English-Social Studies-Art-Music Seminar, Senior High School
DOCUMENT RESUME ED 066 768 CS 200 110 AUTHOR Russell, Frances TITLE An Interdisciplinary Approach: An English-Social Studies-Art-Music Seminar, Senior High School. INSTITUTION Maine Council of Teachers of English. PUB DATE 70 NOTE 14p. JOURNAL CIT Maine English Bulletin; v2 n2 p19-31 Fall 1970 EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS Art; Bulletins; Course Descriptions; *Curriculum Design; English; *Humanities; *Humanities Instruction; *Interdisciplinary Approach; Music; Resource Materials; *Seminars; Senior High Schools; Social Studies; Student Participation; Teaching Techniques; Team Teaching; Unit Plan ABSTRACT An interdisciplinary English-Social Studies-art-music seminar taught by several staff members is proposed in an article in the Maine English Bulletin. Required courses such as English and Social Studies represent the core of the program which is enriched by the introduction of art and music. The curriculum is constructed around broad questions such as "What are the universal themes?". Course work include individual reading, independent study projects, and field trips in addition to seminar discussions. Although the course is designed for heterogeneously-grouped students, a bibliography of readings, films, and records is suggested for slow learners. (RS) U L DEPARTMENT OF HEALTH. EDUCATION WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING ITPOINTS Of VIEW OR OPINIONS STATED 00 NOT NECES SARILY REPRESENT OFFICIAL OFFICE OF LOU Maine English Bulletin CATION POSITION OR POLICY A Bulletin of English and the Language Arts Published by the Maine Council of Teachers of English FALL 1970 VOLUME H NUMBER 2 Contents Focus ON TEACHING 3: Heart of Macbeth: An Afterword, PATRICIA V.