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UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
Spaces and Identities in Border Regions
Christian Wille, Rachel Reckinger, Sonja Kmec, Markus Hesse (eds.) Spaces and Identities in Border Regions Culture and Social Practice Christian Wille, Rachel Reckinger, Sonja Kmec, Markus Hesse (eds.) Spaces and Identities in Border Regions Politics – Media – Subjects Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Natio- nalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de © 2015 transcript Verlag, Bielefeld All rights reserved. No part of this book may be reprinted or reproduced or uti- lized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any infor- mation storage or retrieval system, without permission in writing from the publisher. Cover layout: Kordula Röckenhaus, Bielefeld Cover illustration: misterQM / photocase.de English translation: Matthias Müller, müller translations (in collaboration with Jigme Balasidis) Typeset by Mark-Sebastian Schneider, Bielefeld Printed in Germany Print-ISBN 978-3-8376-2650-6 PDF-ISBN 978-3-8394-2650-0 Content 1. Exploring Constructions of Space and Identity in Border Regions (Christian Wille and Rachel Reckinger) | 9 2. Theoretical and Methodological Approaches to Borders, Spaces and Identities | 15 2.1 Establishing, Crossing and Expanding Borders (Martin Doll and Johanna M. Gelberg) | 15 2.2 Spaces: Approaches and Perspectives of Investigation (Christian Wille and Markus Hesse) | 25 2.3 Processes of (Self)Identification(Sonja Kmec and Rachel Reckinger) | 36 2.4 Methodology and Situative Interdisciplinarity (Christian Wille) | 44 2.5 References | 63 3. Space and Identity Constructions Through Institutional Practices | 73 3.1 Policies and Normalizations | 73 3.2 On the Construction of Spaces of Im-/Morality. -
Bruno Bozzetto
26/5/2015 www.unibg.it/static_content/presentazioneateneo/lhbozzetto.htm#conferimento Bruno Bozzetto laurea specialistica honoris causa in Teoria, tecniche e gestione delle arti e dello spettacolo a.a. 2006/2007 lectio magistralis conferimento elogio Bruno Bozzetto Lectio Magistralis Magnifico Rettore, Professori, Autorità, amici e studenti, non credo d'essere molto originale dicendo di sentirmi emozionato, e questo non solo per il grande onore che oggi mi viene reso, ma perché il mio mezzo di comunicazione sono sempre stati i disegni, e ora devo invece usare le parole... Un mezzo che, nel mio caso personale, non esiterei a definire decisamente "improprio". Proprio per questo, ben conoscendo i miei limiti, ho deciso di scrivere le mie parole e di farmi sostenere con la proiezione di qualche film. Prima di iniziare desidero però ringraziare sentitamente il Magnifico Rettore, professor Alberto Castoldi, e tutti coloro che mi hanno proposto per questa onorificenza, che rappresenta per me, per la mia professione e per tutti i collaboratori uno dei momenti più gratificanti. Desidero innanzitutto cogliere questa bella opportunità per ricordare pubblicamente la figura di mio padre Umberto, una persona straordinaria, senza il cui aiuto morale e finanziario non avrei mai potuto intraprendere questa attività. Nella vita la fortuna gioca sempre un ruolo fondamentale, e probabilmente tutti noi, se non ci fossimo trovati nel luogo giusto al momento giusto, avremmo scelto altre carriere ed altre direzioni. La mia grande fortuna è stata quella di nascere in una splendida famiglia com'era la mia, con un padre eccezionale, creativo, dinamico e soprattutto lungimirante, che ha sempre rappresentato per me, oggi come allora, una fonte inesauribile d'ispirazione, da cui ho attinto idee, spirito critico e soprattutto il coraggio di intraprendere una carriera così particolare ed a quei tempi così poco promettente. -
VERBAL BEHAVIOR by B. F. Skinner William James Lectures Harvard
VERBAL BEHAVIOR by B. F. Skinner William James Lectures Harvard University 1948 To be published by Harvard University Press. Reproduced by permission of B. F. Skinner† Preface In 1930, the Harvard departments of psychology and philosophy began sponsoring an endowed lecture series in honor of William James and continued to do so at irregular intervals for nearly 60 years. By the time Skinner was invited to give the lectures in 1947, the prestige of the engagement had been established by such illustrious speakers as John Dewey, Wolfgang Köhler, Edward Thorndike, and Bertrand Russell, and there can be no doubt that Skinner was aware that his reputation would rest upon his performance. His lectures were evidently effective, for he was soon invited to join the faculty at Harvard, where he was to remain for the rest of his career. The text of those lectures, possibly somewhat edited and modified by Skinner after their delivery, was preserved as an unpublished manuscript, dated 1948, and is reproduced here. Skinner worked on his analysis of verbal behavior for 23 years, from 1934, when Alfred North Whitehead announced his doubt that behaviorism could account for verbal behavior, to 1957, when the book Verbal Behavior was finally published, but there are two extant documents that reveal intermediate stages of his analysis. In the first decade of this period, Skinner taught several courses on language, literature, and behavior at Clark University, the University of Minnesota, and elsewhere. According to his autobiography, he used notes from these classes as the foundation for a class he taught on verbal behavior in the summer of 1947 at Columbia University. -
The Physical Basis of the Direction of Time (The Frontiers Collection), 5Th
the frontiers collection the frontiers collection Series Editors: A.C. Elitzur M.P. Silverman J. Tuszynski R. Vaas H.D. Zeh The books in this collection are devoted to challenging and open problems at the forefront of modern science, including related philosophical debates. In contrast to typical research monographs, however, they strive to present their topics in a manner accessible also to scientifically literate non-specialists wishing to gain insight into the deeper implications and fascinating questions involved. Taken as a whole, the series reflects the need for a fundamental and interdisciplinary approach to modern science. Furthermore, it is intended to encourage active scientists in all areas to ponder over important and perhaps controversial issues beyond their own speciality. Extending from quantum physics and relativity to entropy, consciousness and complex systems – the Frontiers Collection will inspire readers to push back the frontiers of their own knowledge. InformationandItsRoleinNature The Thermodynamic By J. G. Roederer Machinery of Life By M. Kurzynski Relativity and the Nature of Spacetime By V. Petkov The Emerging Physics of Consciousness Quo Vadis Quantum Mechanics? Edited by J. A. Tuszynski Edited by A. C. Elitzur, S. Dolev, N. Kolenda Weak Links Life – As a Matter of Fat Stabilizers of Complex Systems The Emerging Science of Lipidomics from Proteins to Social Networks By O. G. Mouritsen By P. Csermely Quantum–Classical Analogies Mind, Matter and the Implicate Order By D. Dragoman and M. Dragoman By P.T.I. Pylkkänen Knowledge and the World Quantum Mechanics at the Crossroads Challenges Beyond the Science Wars New Perspectives from History, Edited by M. -
NATIONAL FILM BOARD of CANADA FEATURED at Moma
The Museum off Modern Art 50th Anniversary NO. 16 ID FOR IMMEDIATE RELEASE March 3, 1981 DOCUMENTARY FILMS FROM THE NATIONAL FILM BOARD OF CANADA FEATURED AT MoMA NATIONAL FILM BOARD OF CANADA: A RETROSPECTIVE is a three-part tribute presented by The Museum of Modern Art in recog nition of NFBC's 41 years Of exceptional filmmaking. PART TWO: DOCUMENTARY FILMS, running from March 26 through May 12 in the Museum's Roy and Niuta Titus Auditorium, will trace the develop ment of the documentary form at NFBC, and will be highlighted by a selection of some of the finest films directed by Donald Brittain, whose work has won wide acclaim and numerous awards. PART TWO: DOCUMENTARY will get off to an auspicious start with twelve of Donald Brittain's powerful and unconventional portraits of exceptional individuals. Best known in this country for "Volcano: An Inquiry Into The Life and Death of Malcolm Lowry" (1976), Brittain brings his personal stamp of creative interpretation to such subjects as America's love affair with the automobile in "Henry Ford's America" (1976) ; the flamboyant Lord Thompson of Fleet Street (the newspaper baron who just sold the cornerstone of his empire, The London Times) in "Never A Backward Step" (1966); Norman Bethune, the Canadian poet/ doctor/revolutionary who became a great hero in China when he marched with Mao ("Bethune" 1964); and the phenomenal media hysteria sur rounding the famous quintuplets in "The Diorme Years" (1979) . "Memo randum" (1965) accompanies a Jewish glazier from Tcronto when he takes his son back to the concentration camp where he was interned, an emotion al and historical pilgrimage of strong impact and sensitivity. -
Crime, Violence and Apartheid in Selected Works of Richard Wright and Athol
CORE Metadata, citation and similar papers at core.ac.uk Provided by South East Academic Libraries System (SEALS) Crime, violence and apartheid in selected works of Richard Wright and Athol Fugard: a study. Name: RODWELL MAKOMBE A thesis submitted in fulfilment of the requirements of the degree of Doctor of Literature and Philosophy in the Department of English and Comparative Studies at the University of Fort Hare Student Number: 200904755 Name of Institution: UNIVERSITY OF FORT HARE Supervisor: DR. M. BLATCHFORD Year: 2011 Contents DECLARATION .............................................................................................................. iii DEDICATION ..................................................................................................................iv ACKNOWLEDGEMENTS ............................................................................................... v ABSTRACT .....................................................................................................................vi CHAPTER ONE .............................................................................................................. 1 Crime, violence and apartheid: the postcolonial/criminological approach .................... 1 Statement of the Problem ......................................................................................... 1 Background .............................................................................................................. 2 Aims of the research ................................................................................................ -
Film Studies (FILM) 305.10 - Lecture 01 Canadian Documentary Film Fall 2011 Lecture Wednesday 14:00 - 15:50 Lab 01 Friday 14:00 – 16:50
Film Studies (FILM) 305.10 - Lecture 01 Canadian Documentary Film Fall 2011 Lecture Wednesday 14:00 - 15:50 Lab 01 Friday 14:00 – 16:50 Dr. Brian Rusted Instructor: Office Location: SS-340 Office Phone: 220-7766 E-Mail: [email protected] Office Hours: Monday 14:00-16:00, or by appointment Additional Information Some films screened for this course may contain content that is sexually explicit, emotionally disturbing, or offensive. Please feel free to discuss this with the instructors if you have concerns. Students may find the need to attend and pay for films screened off campus in order to complete some of the assignments for this course. Course Description The course explores the contributions of Canadian filmmakers to the development of the documentary genre. Particular emphasis will be given to the history and evolution of films produced by the National Film Board with attention to the work of directors such as Colin Low, Michael Rubbo, Alanis Obomsawin, Bonnie Klein, etc Objectives of the Course This course will provide students with the opportunity to explore distinctive contributions made by Canadian directors and producers to the documentary genre. Course objectives include providing students with a sense of the following: 1. The institutional character of documentary production in Canada; 2. The historical movement from government propaganda to social action; 3. The cinematic strategies that produce realism, cinéma vérité, reflexivity, engagement and social change; 4. The technological developments that have contributed to Canadian documentary style. Internet and electronic communication device information No cell phone use during class. Laptops and pads to be used only for purposes related to the course. -
DOCUMENT RESUME ED 368 394 IR 054 978 TITLE Read
DOCUMENT RESUME ED 368 394 IR 054 978 TITLE Read Arizona. INSTITUTION Arizona Center for the Book, Phoenix.; Arizona State Dept. of Library and Archives, Phoenix. SPONS AGENCY Office of Educational Research and Improvement (ED), Washington, DC. Office of Library Programs. PUB DATE 91 NOTE 175p. PUB TYPE Guides Non-Classroom Use (055) Reports Descriptive (141) Tests/Evaluation Instruments (160) EDRS PRICE MF01/PC07 Plus Postage. DESCRIPTORS Children; *Childrens Libraries; Elementary Education; Library Role; *Library Services; Program Descriptions; Program Guides; Publicity; *Public Libraries; Questionnaires; Reading Materials; *Reading Programs; State Libraries; *Summer Programs; Vacation Programs IDENTIFIERS *Arizona ABSTRACT This manual is designed to help public libraries in Arizona to plan their summer reading programs. The theme of the 1991 program is Arizona and its characteristics. The material in the manual is prepared for libraries to adapt for their own uses. Topics covered include: goals, objectives, and evaluation; procedures for getting started; common summer program structures; planning timelines; hints for publicity and promotion; braille and talking books; suggestions for awards and incentives; involving parents/family; reading motivation ideas and activities for parents and educators (also in Spanish); ideas for displays and decorations; complete program ideas; a guide for general crafts; book, film, and videos bibliographies; resources; activity sheets; calendars; evaluation questionnaire; sample letters; and clip art.(JLB) -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
Issue URL May 30, 2015
REVUE D’ÉTUDES INTERCULTURELLES DE L’IMAGE JOURNAL OF CROSS-CULTURAL IMAGE STUDIES IMAGINATIONS JOURNAL OF CROSS_CULTURAL IMAGE STUDIES | REVUE D’ÉTUDES INTERCULTURELLES DE L’IMAGE Publication details, including open access policy and instructions for contributors: http://imaginations.csj.ualberta.ca Issue URL http://imaginations.csj.ualberta.ca/?p=6547 May 30, 2015 To Link to this issue: http://dx.doi.org/10.17742/IMAGE.ONF.6-1 The copyright for each article belongs to the author and has been published in this journal under a Creative Commons Attribution NonCommercial NoDerivatives 3.0 license that allows others to share for non-commercial purposes the work with an acknowledgement of the work’s authorship and initial publication in this journal. The content of this article represents the author’s original work and any third-party content, either image or text, has been included under the Fair Dealing exception in the Canadian Copyright Act, or the author has provided the required publication permissions. REVUE D’ÉTUDES INTERCULTURELLES DE L’IMAGE JOURNAL OF CROSS-CULTURAL IMAGE STUDIES L’ONF PAR ONF.CA - FABRICATION, VALORISATION ET CÉLÉBRATION DU PATRIMOINE À L’OFFICE NATIONAL DU FILM DU CANADA 2015. 6-1 RÉDACTRICE INVITÉE • MICHÈLE GARNEAU JAMES CISNEROS CAROLINE ZÉAU NINA BARADA CHRISTINE ALBERT STÉPHANIE CROTEAU DOMINIC GAGNON DOLORÈS PARENTEAU-RODRIGUEZ L’ONF par ONF.ca Fabrication, valorisation et célébration du patrimoine à l’Office national du film du Canada 2015 | 6-1 Editor in Chief | Rédacteur en chef | Sheena Wilson Guest -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.