Baen Books Teacher's Guide to the Star Beast by Robert A. Heinlein
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Librarian As Fair Witness: a Comparison of Heinlein's Futuristic
LIBRES Library and Information Science Research Electronic Journal Volume 21, Issue 1, March 2011 Librarian as Fair Witness: A Comparison of Heinlein’s Futuristic Occupation and Today’s Evolving Information Professional Julie M. Still Paul Robeson Library Rutgers University Camden, NJ [email protected] There has been a continuing discussion in library literature on the library as place and on the image of librarians in popular media, but there is little information on the librarian as person. The discussion on librarianship as a profession tends to focus on technology and not so much the people, other than the people skills needed in reference or teaching skills needed for instruction. The worth of the individual librarian tends to get lost in the shuffle. Before we disappear into the machine, it is useful to look at other future scenarios and similar occupations, either reality based or fiction. In this particular case, it is interesting to compare librarians to those in an occupation created by a renowned science fiction author. Robert Heinlein’s Stranger in a Strange Land, his most famous and most controversial novel, is a science fiction classic. The science fiction community recognized it with a Hugo Award, and the book was the first science fiction title to be on the New York Times bestseller list (Stover, 1987, p. 45). Heinlein outlined the novel in 1949 and finished the first draft in 1955 but on the advice of his wife set it aside. It was not published until 1961. The manuscript was edited heavily and an uncut version was published in 1991. -
The 2021 Guide to Manuscript Publishers
Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing .................................................................................................. -
Master Class with George R.R. Martin: Selected Filmography 1 The
Master Class with George R.R. Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the master class Game of Thrones (2011-2013). 2 seasons, 20 episodes. Creators: David Benioff and D.B. Weiss, U.S.A. Airs on HBO. Production Co.: HBO / Television 360 / Grok! Studio / Generator Entertainment / Bighead Littlehead / Embassy Films. The Twilight Zone (1959-1964). 5 seasons, 156 episodes. Creator: Rod Sterling, U.S.A. Originally aired on CBS. Production Co.: Cayuga Productions / CBS. Captain Video and His Video Rangers (1949-1955). 7 seasons, number of episodes unknown. Creator: James Caddiga, U.S.A. Originally aired on DuMont Television Network. Production Co.: DuMont Television Network. Rocky Jones, Space Ranger (1954). 2 seasons, 39 episodes. Creator: Roland D. Reed, U.S.A. Originally aired on DuMont Television Network. Production Co.: Roland Reed Productions / Space Ranger Enterprises. Tom Corbett, Space Cadet (1950-1955). 4 seasons, number of episodes unknown. Creator: unknown, U.S.A. Originally aired on CBS (1950), ABC (1951-1952), DuMont Television Network (1953-1954), and NBC (1954-1955). -
The Founder Effect
Baen Books Teacher Guide: The Founder Effect Contents: o recommended reading levels o initial information about the anthology o short stories grouped by themes o guides to each short story including the following: o author’s biography as taken from the book itself o selected vocabulary words o content warnings (if any) o short summary o selected short assessment questions o suggested discussion questions and activities Recommended reading level: The Founder Effect is most appropriate for an adult audience; classroom use is recommended at a level no lower than late high school. Background: Published in 2020 by Baen Books, The Founder Effect tackles the lens of history on its subjects—both in their own words and in those of history. Each story in the anthology tells a different part of the same world’s history, from the colonization project to its settlement to its tragic losses. The prologue provides a key to the whole book, serving as an introduction to the fictitious encyclopedia and textbook entries which accompany each short story. Editors’ biographies: Robert E. Hampson, Ph.D., turns science fiction into science in his day job, and puts the science into science fiction in his spare time. Dr. Hampson is a Professor of Physiology / Pharmacology and Neurology with over thirty-five years’ experience in animal neuroscience and human neurology. His professional work includes more than one hundred peer-reviewed research articles ranging from the pharmacology of memory to the first report of a “neural prosthetic” to restore human memory using the brain’s own neural codes. He consults with authors to put the “hard” science in “Hard SF” and has written both fiction and nonfiction for Baen Books. -
Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black .................................. -
Program Book Is Copyright © 199 File Science Fiction Assn., Inc., P.O Isville, KY 40268-0009
Jui^O-Ikl, IW B iCmtive West -Um Louisvim -Nmikw (w Of fclJII -Cw IB. Fjiibo {jin Guffi W -UoMM Pm £ -Poca fnm flw (lUBT (imw ill. WiLU-nms Trnim Ima Watt-C / Program Book is copyright © 199 file Science Fiction Assn., Inc., P.O isville, KY 40268-0009. WWW: http://memb 5rcon. Email: [email protected] ited by Bob Roel m. All rights reserved for the con thousand copies have been prints Beechmont Press Inc., Louisville, Kentucky. Addition railable for sale for $3.00 each. Rive is a non-profit, all ■volunteer organization dedicated ti of science fiction and sf fandom. r^^NCE AGAIN, FOR THE NEXT”TO“LAST TIME, We you have any news you'd like included in the news M welcome you to RiverCon. Enjoy yourselves, letter, leave it in the container marked for it at the k. -Jrelax, revel in our shared interest—even volunteers and information desk, which is located at passion—for all things science-fictional. the west end of the hallway opposite the Mary Room. Deadline for each morning's issue is 9:00 p.m. the With only two more RiverCons to go, we want previous evening. everyone to have the best experience possible. So let us know if there's anything we can do to make Information Tables your weekend more pleasant. Please come back Representatives of some upcoming Worldcons and next year for our final celebration. future convention bidders are expected to be at tables along the hallway near the registration area. They will Badges be happy to provide you with all the information you Everyone: PLEASE WEAR YOUR RIVERCON MEM need in order to make an informed choice in site BERSHIP BADGE! Any time you are in a convention selection voting. -
SFC Bulletin Shall Be Published at All Officers of the SFC Must Reside Within the Confederacy
THE SOUTHERN FANDOM CONFEDERATION BULLETIN Volume 8 Number 5 March 2004 The Southern Fandom Confederation Bulletin Volume 8 Number 5 SOUTHERN FANDOM CONFEDERATION BULLETIN CONTENTS PAGE Ad Rates Cleary Comments 3 Separated At Birth? 3 Type Full Page Half Page ¼ Page Convention Reports 4 Fan $50.00 $25.00 $12.50 Pro $100.00 $50.00 $25.00 Book Reviews 4 Treasurer’s Report 5 SFC Handbooks Doomsday Book Word Search Puzzle 5 Annotated Fanzine Listings 6 This amazing 196 page tome of Southern Fannish lore, The Chronicles of Narnia Scramblet Puzzle 7 edited by T.K.F.W. Reinhardt, is now available to all comers News 8 for $5, plus a $2 shipping and handling charge if we have to Southern Convention List 11 mail it. The Handbook is also available online, thanks to the SFC By-Laws 13 efforts of Samuel Smith, at www.smithuel.net/sfcbh/. The Letters of Comment 15 SFC Handbook Errata page is: www.smithuel.net/sfchb/hberrata.html. Policies T-Shirts The Southern Fandom Confederation Bulletin Volume 8, Number 5, March 2004, is the official publication of the Sizes Quantity (Animals) Quantity (States) Southern Fandom Confederation (SFC), a not-for-profit Medium 1 2 literary organization and information clearinghouse Large 2 4 dedicated to the service of Southern Science Fiction and XXL 1 Not Available Fantasy Fandom. The Bulletin is edited by R. B. Cleary and is published at least three times per year. Membership in the T-Shirts are $10 each plus $3 shipping and handling fee SFC is $15 annually, running from DeepSouthCon to if we have to mail it. -
Science Fiction Stories with Good Astronomy & Physics
Science Fiction Stories with Good Astronomy & Physics: A Topical Index Compiled by Andrew Fraknoi (U. of San Francisco, Fromm Institute) Version 7 (2019) © copyright 2019 by Andrew Fraknoi. All rights reserved. Permission to use for any non-profit educational purpose, such as distribution in a classroom, is hereby granted. For any other use, please contact the author. (e-mail: fraknoi {at} fhda {dot} edu) This is a selective list of some short stories and novels that use reasonably accurate science and can be used for teaching or reinforcing astronomy or physics concepts. The titles of short stories are given in quotation marks; only short stories that have been published in book form or are available free on the Web are included. While one book source is given for each short story, note that some of the stories can be found in other collections as well. (See the Internet Speculative Fiction Database, cited at the end, for an easy way to find all the places a particular story has been published.) The author welcomes suggestions for additions to this list, especially if your favorite story with good science is left out. Gregory Benford Octavia Butler Geoff Landis J. Craig Wheeler TOPICS COVERED: Anti-matter Light & Radiation Solar System Archaeoastronomy Mars Space Flight Asteroids Mercury Space Travel Astronomers Meteorites Star Clusters Black Holes Moon Stars Comets Neptune Sun Cosmology Neutrinos Supernovae Dark Matter Neutron Stars Telescopes Exoplanets Physics, Particle Thermodynamics Galaxies Pluto Time Galaxy, The Quantum Mechanics Uranus Gravitational Lenses Quasars Venus Impacts Relativity, Special Interstellar Matter Saturn (and its Moons) Story Collections Jupiter (and its Moons) Science (in general) Life Elsewhere SETI Useful Websites 1 Anti-matter Davies, Paul Fireball. -
Space Cadet Free
FREE SPACE CADET PDF Robert A Heinlein | 223 pages | 31 Oct 2006 | St Martin's Press | 9780765314512 | English | New York, United States 3D Pinball for Windows: Space Cadet - Play online At SpaceCadet, we passionately believe that knitting and crocheting makes people happier — deep down inside — and nothing does that more than working with gorgeous, vibrant yarn. For us, dyeing is a cosmic adventure — a wonderful process of mixing each colour by hand and seeing where it takes us. The result is yarn that is as exciting for you as it is for us. We want you to feel welcome. And we really mean that! Open NOW! Reopens in Oct Re-Opens Dec Why SpaceCadet? It was always said with love, tinged with exasperation. There was a Space Cadet of Space Cadet in the house while I was growing up, but I also did a Space Cadet of dumb things. Eventually the nickname started to stick, and I began to feel like I really was a space cadet. Sometimes I still do. I would baptise that nickname with a whole new meaning. I love what I do. I love creating colours, creating yarns, and giving my customers something beautiful to feed their creative juices. And so I can say, at last, that I am truly proud to be the SpaceCadet. Stephanie has been fascinated by fiber ever since she first took spinning lessons at the age of She taught herself to knit at 19, went back to spinning and actually got the hang of it ten years later and, along the way, picked up a bit Space Cadet experience in weaving, a smidge of crochet, and a degree in Textiles and Clothing. -
ASK the Academy Volume 3 Anthology
ASK THE ACADEMY VOLUME 3 ANTHOLOGY TABLE OF CONTENTS ABOUT ASK THE ACADEMY ..................................................................................................... 5 MESSAGES FROM THE ACADEMY DIRECTOR .......................................................................... 7 THE POWER OF A VISION .................................................................................................. 7 T RENDS IN PROJECT MANAGEMENT ................................................................................. 7 KNOWLEDGE EXPLOSION ................................................................................................... 8 LESSONS FROM TORINO .................................................................................................... 9 C HANGE MANAGEMENT AND ADAPTIVE CHALLENGES .................................................... 9 V IRTUAL PROJECT TEAMS AND LEARNING ..................................................................... 10 THE GOOD IDEA PARADOX .............................................................................................. 11 ACADEMY BRIEFS .................................................................................................................... 13 PM CHALLENGE LEADERSHIP ROUNDUP ....................................................................... 13 PM CHALLENGE INTERNATIONAL FORUM ROUNDUP .................................................... 14 J EAN-JACQUES DORDAIN ON GLOBAL OPPORTUNITIES AND CHALLENGES ................ 15 M ASTERS WITH MASTERS EVENT HIGHLIGHTS INTERNATIONAL -
1 BAEN BOOKS TEACHER's GUIDE to a BEAUTIFUL FRIENDSHIP by DAVID WEBER Contents: • Recommended Reading Levels • Biographic
BAEN BOOKS TEACHER’S GUIDE TO A BEAUTIFUL FRIENDSHIP BY DAVID WEBER Contents: • recommended reading levels • biographical material and links • background of the book and plot summary • character sketches • guides for segments of the book which include plot summaries of each chapter and may also include some of the following: o prepare to read . § vocabulary § focus questions or initiating activity o quiz/reading comprehension questions—multiple choice/short answer questions to testing reading comprehension o reflection and discussion questions—may be used to initiate classroom discussion, as short writing assignments, or as test questions o suggested activities/inquiry-based exploration—suggestions for activities and projects Recommended reading levels: A Beautiful Friendship is appropriate for a young adult audience. Classroom use of the book is probably most appropriate for middle school students. Biographical information on David Weber: David Weber is a popular, best-selling author of science fiction and fantasy. He was born in Cleveland, Ohio in 1952. He graduated from Hillcrest High School in Simpsonville, South Carolina in 1970 and received a bachelor’s degree from Warren Wilson College. Weber also did graduate work in history at Appalachian State University. He started 1 writing poetry and short fiction when he was in the fifth grade. His mother was an advertising copywriter and trained him in that craft. Before becoming a full time writer of fiction, he worked in advertising, public relations, and war-game design. His first novel, Insurrection, was published in 1990. This book, a collaboration with Steve White, grew out of Weber’s experience as a game designer. -
The New Heinlein Opus List
Nhol.fm Page 253 Wednesday, March 22, 2000 7:21 PM Excerpted from the book Robert A. Heinlein: A Reader’s Companion. This excerpt is from the final press version of the book, and the numbering scheme herein can be considered final. Any updates or changes to this list will use the addendum numbering described on the second page. ©1996–2000 James Gifford. All Rights Reserved. May be duplicated and quoted from according to the terms described in “Reproduction & Use of the Hew Heinlein Opus List” within. The author may be contacted at: [email protected] www.nitrosyncretic.com Nitrosyncretic Press PO Box 4313, Citrus Heights, CA 95611 916-723-4765 voice & fax The New Heinlein Opus List This section presents a complete listing of every known work by Robert A. Heinlein, in the order of creation. Each work is prefaced by a unique identify- ing number, the New Heinlein Opus Number. These numbers, in the format ‘G.nnn,’ have been used throughout this book to identify the work in ques- tion. These numbers have not been used previously for Heinlein’s works. Those readers who are familiar with Heinlein’s opus list may wonder why I did not use Heinlein’s own numbers for these works. The answer is simple: Heinlein’s list was developed and maintained as the core of a filing system for the business management of his works. It was not created until about 1948, with the number of existing works approaching three digits. It is neither complete nor completely accurate in its numbering: there are minor works that do not appear on it, as well as some works that appear out of sequence.