Letter from the Chair Symposium Committee
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Hugos Ceremony
“World Science Fiction Society”, “WSFS”, “World Science Fiction Convention”, “Worldcon”, “NASFiC”, “Hugo Award”, and the distinctive design of the Hugo Award Rocket are service marks of the World Science Fiction Society, an unincorporated literary society. Loncon 3 is the trading name of London 2014 Ltd, a company limited by guarantee and registered in England. Company number: 7989510. Registered Office: 176 Portland Road, Jesmond, Newcastle-upon-Tyne, NE2 1DJ Front cover design: Vincent Docherty 2/2014 Hugo Awards Ceremony Good Evening Welcome to the 2014 Hugo Awards Ceremony, being held as part of the 72nd World Science Fiction Convention, Loncon 3, in London at the ExCeL Exhibition Center. Although the stage tonight has a very British feel (well, London at least), this ceremony celebrates the worldwide appeal of science fiction. Presenting awards tonight, there are guests from Britain and America, but also Nigeria, China, Canada, and even Australia – just to mention a few of the countries as the members of this convention come from all over the globe – and our list of nomi- nees hail from around the world too. However, it is not just the geographical diversity of our field that we celebrate tonight – it’s the diversity within fandom. Although you might not like the styles of all of the nominated works and you might not choose to read all the myriad sub-genres that exist within speculative fiction, tonight they have their place as Hugo Award nominees, chosen by the community of fans. As Ray Bradbury put it, “Anything you dream is fiction, and anything you accomplish is science. -
The Art of Brom Ebook
THE ART OF BROM PDF, EPUB, EBOOK Gerald Brom,John Fleskes,Arnie Fenner | 210 pages | 10 Oct 2013 | Flesk Publications | 9781933865492 | English | Santa Cruz, United States The Art of Brom PDF Book Sign up now. The Art Of Gerald Br Lynne Pickering ;Art and Interiors. Beach Art. Reward no longer available 1 backer. Log in Sign up. Your name will be listed in a special thank you page of the book. Skirt Drawing. Learn about new offers and get more deals by joining our newsletter. Rose Drawing Realistic. Accept all Manage Cookies. Includes an extra pages not found in the trade edition. This sumptuous coffee table book weaves together poetry, literature, culture, and art to illuminate the Brom Painting. Eucalyptus Leaves Drawing. Imagery from the Bird's Home: The Art of. Full color fine art representations throughout the large format volume. John Fleskes is the president and publisher of Flesk Publications. Product Details About the Author. Gerald Brom - Brom P Are you happy to accept all cookies? Mean Jellybean Brom Painting Of Womans Face. Bonnard World of Art. Caduceus Drawing. About the Author At age twenty, Brom began working full-time as a commercial illustrator in Atlanta, Georgia. He has since gone on to lend his distinctive vision to all facets of the creative industries, from novels and games, to comics and film. Brom has collected together the very best of his art spanning his 30 year career. Dispatched from the UK in 2 business days When will my order arrive? Also included is the 5. His head is constantly Art Of Brom - Brom P Free delivery worldwide. -
The 2021 Guide to Manuscript Publishers
Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing .................................................................................................. -
Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UNL | Libraries University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sociology Department, Faculty Publications Sociology, Department of 1986 Sexism in Space: The rF eudian Formula in "Star Trek" Mary Jo Deegan University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/sociologyfacpub Part of the Family, Life Course, and Society Commons, and the Social Psychology and Interaction Commons Deegan, Mary Jo, "Sexism in Space: The rF eudian Formula in "Star Trek"" (1986). Sociology Department, Faculty Publications. 368. http://digitalcommons.unl.edu/sociologyfacpub/368 This Article is brought to you for free and open access by the Sociology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sociology Department, Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THIS FILE CONTAINS THE FOLLOWING MATERIALS: Deegan, Mary Jo. 1986. “Sexism in Space: The Freudian Formula in ‘Star Trek.’” Pp. 209-224 in Eros in the Mind’s Eye: Sexuality and the Fantastic in Art and Film, edited by Donald Palumbo. (Contributions to the Study of Science Fiction and Fantasy, No. 21). New York: Greenwood Press. 17 Sexism in Space: The Freudian Formula in IIStar Trek" MARY JO DEEGAN Space, the final frontier. These are the voyages of the starship Enterprise, its five year mission to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before. These words, spoken at the beginning of each televised "Star Trek" episode, set the stage for the fan tastic future. -
“Our World with One Step to the Side”: YALSA Teen's Top Ten Author
Shannon Hale “Our World with One Step to the Side”: YALSA Teen’s Top Ten Author Shannon Hale Talks about Her Fiction TAR: This quotation in the Salt Lake City Deseret News the workshopping experience is helpful because I would probably be of interest to inspiring creative learned to accept feedback on my own work, even writing majors: “Hale found the creative-writing if ultimately it didn’t take me where I want to go program at Montana to be very structured. ‘You get (it’s all for practice at that point!). As well, reading in a room with 15 people and they come at you and giving feedback on early drafts of other with razors. I became really tired of the death- people’s work was crucial for training me to be a oriented, drug-related, hopeless, minimalist, better editor of my own writing. existential terror stories people were writing.’” This What I don’t like (and I don’t think this is a seems to be the fashion in university creative writing program-specific problem) is the mob mentality programs, but it is contrary to the philosophy of that springs from a workshop-style setting. Any secondary English ed methods of teaching composi thing experimental, anything too different, is going tion classes (building a community of writers to get questioned or criticized. I found myself where the environment is trusting and risk-taking is changing what I wrote, trying to find what I encouraged as opposed to looking for a weakness thought would please my professors and col and attempting to draw blood). -
Experience in 2D, CGI, and Flash/Animate TV Productions and Short film
[email protected] www.katebrusk.com Los Angeles, CA 586.306.2436 I’m a story artist with experience in 2D, CGI, and Flash/Animate TV productions and short film. My drive is bringing character-driven stories to Hi! life. I love constrasting personalities and characters with a fiery spirit. This is a resume! Experience Nickelodeon Storyboard Artist May 2016 - present SKILLS Storyboarding for seasons 2,3 & 4 of Shimmer and Shine. Storytelling Reiteration & Revision Responsible for storyboarding a 16-20 page script over 4 Structuring Pipelines weeks. Character Animation Specializing in song sequences, action, and chorography. Communication Tight Deadlines Working closely with Executive Producer and Directors to Putting it to a montage create a cohesive storytelling style. Contributing to reseach and concept for new environments. SOFTWARE Acted as team consultant using 3D models in Storyboard Pro, Storyboard Pro, and developed effecient internal workflow. SBP 3d Integration Flash/Animate Photoshop Soup 2 Nuts Storyboard Artist Sept 2013 - Oct 2014 Sketchup Storyboarded seasons 1 & 2 of Astroblast using Flash in a After Effects timeline-based process. Revised scenes on a 24 hour turnaround using producer & EDUCATION director notes. College for Creative Studies Supervised storyboards for 3 episodes, which included BFA in Entertainment Arts handling internal and network notes and overseeing a team May2012 of both on- and offsite artists. Focus in Character and experimental animation Freelance Animation and Design 2012 - 2016 RECOGNITION Worked with a range of clients and studios in a variety of TAFFI Best of Show 2013 styles on commercial projects including Perrier, FOX ADHD, Tour Skechers, Biore, and Cosmic Toast Studios. -
The Founder Effect
Baen Books Teacher Guide: The Founder Effect Contents: o recommended reading levels o initial information about the anthology o short stories grouped by themes o guides to each short story including the following: o author’s biography as taken from the book itself o selected vocabulary words o content warnings (if any) o short summary o selected short assessment questions o suggested discussion questions and activities Recommended reading level: The Founder Effect is most appropriate for an adult audience; classroom use is recommended at a level no lower than late high school. Background: Published in 2020 by Baen Books, The Founder Effect tackles the lens of history on its subjects—both in their own words and in those of history. Each story in the anthology tells a different part of the same world’s history, from the colonization project to its settlement to its tragic losses. The prologue provides a key to the whole book, serving as an introduction to the fictitious encyclopedia and textbook entries which accompany each short story. Editors’ biographies: Robert E. Hampson, Ph.D., turns science fiction into science in his day job, and puts the science into science fiction in his spare time. Dr. Hampson is a Professor of Physiology / Pharmacology and Neurology with over thirty-five years’ experience in animal neuroscience and human neurology. His professional work includes more than one hundred peer-reviewed research articles ranging from the pharmacology of memory to the first report of a “neural prosthetic” to restore human memory using the brain’s own neural codes. He consults with authors to put the “hard” science in “Hard SF” and has written both fiction and nonfiction for Baen Books. -
Program Grid
Welcome to Renovation! Renovation THE 69TH WORLD SCIENCE FICTION CONVENTION Because the Convention Guide had to go to press prior to the convention, some late changes were not included. Look for the “pink sheets” of program changes at the convention, both when you register and as the convention progresses. Program changes may be announced in the newsletter as well. You can see the most current program online at www.RenovationSF.org, or through our mobile app, available at the same site. Note: The Sunday grid is on the back of the Thursday evening schedule, to allow Friday and Saturday to each fit on a single sheet, for those of you who like to take one day at a time (as it were). Wednesday Morning/Early Afternoon 10:00a 10:30a 11:00a 11:30a noon 12:30p 1:00p 1:30p 2:00p 2:30p Tourists: Creating Breaking into Comics A01+6 Characters and Stories in an Existing World A02 Welcome to Reno A Trip to the Creation Adventures in Gaming: The Museum Business of Game Design A03 Designing Believable Physics A04 Green Chemistry Molecular Gastronomy Tour of Historic Nevada A05 Reading: Cory Doctorow Not My Fandom: Other A10 Fandoms and Their Worldcon Experience I Think I Want to Make a A11 Costume—What do I do Next? Teaching SF: Teaching SF: Friends of Bill W A13 Introduction Motivation (9am, A18) (9:15, A18) Teaching SF: Teaching SF: Teaching SF: Lunch and Teaching SF: Stellar Evolution/Alien Design Teaching SF: Give the Kid A18 Keynote Scientific Video a Book Literacy D07 Read or Die—OVA Tokyo Godfathers Claymore Anime D08 Enchanted Alice in Wonderland -
2020 Croner Animation Position Grids.Xlsx
Survey Position Grids STORY / VISUAL DEVELOPMENT ANIMATION Family 200 210 220 230 240 250 260 280 300 Production TV Animation / Character Visual Character Level Story Design / Art Pre-Visualization Modeling Layout Shorts Design Development Animation Direction Executive Management 12 Head of Production Management Generates and Manages the Creates the look Creates characters Creates and Creates sequences of Creates, builds and Creates 3D layouts. Defines, leads and 14 Head of Animation Studio develops story ideas, animation process of and artistic to meet established presents concepts shots that convey the maintains models Translates sketches into 3D executes major 16 Top Creative Executive sequences, an animated deliverables to vision for the and designs for the story through the of story elements, layouts and shot sequences character animation storyboards, television or short film meet the artistic, production, production, including application of traditional including and scenes. May create for productions, elements and production, ensuring creative and including look, character, sets, filmmaking principles in characters, sets and scenes. including personality Brief Job Family Descriptions enhancements that the creative aesthetic vision of personality, lighting, props, key a 3D computer graphics environments, Determines camera and animation style. throughout desires, as well as a production. movement, art. Creates plan environment. elements, sets, placement, blocks production. production expression. views and blue structures. characters, -
Fantastic Art Revisited: Exhibiting Old Masters & Contemporary Art
Fantastic Art Revisited: Exhibiting Old Masters & Contemporary Art A symposium presented by Nicholas Hall and Yuan Fang in conjunction with the exhibition at David Zwirner Endless Enigma: Eight Centuries of Fantastic Art Saturday Afternoon October 27, 2018 The Kitchen 512 W 19th Street, New York RSVP required for entry. Please email [email protected] or telephone +1 212-772-9100 Please arrive promptly as no one shall be seated once the presentation begins Fantastic Art Revisited: Exhibiting Old Masters and Contemporary Art is a symposium organized by Nicholas Hall and Yuan Fang, to take place on the closing day of the accompanying exhibition Endless Enigma: Eight Centuries of Fantastic Art at David Zwirner. The symposium brings into focus the legacy of Alfred H. Barr Jr.’s 1936 MoMA exhibition Fantastic Art, Dada, Surrealism. A key point of reference for Endless Enigma, Barr’s exhibition brought art by Dada and Surrealist artists into the context of what he called ‘fantastic art’ by European Old Masters, whose works displayed unexpected thematic and formal relationships with those of the avant- garde. It was, in fact, one of the earliest modern museum exhibitions to explore the continuous conversation between art of the past and art of the present – a dialogue that has enjoyed increasing popularity in recent years across the museum and commercial art world. The half-day event will consist of presentations by curators and academics from leading European and American institutions. Divided into two sessions, the presentations will cover a diverse range of topics referencing a single work, subject or concept touched upon in Endless Enigma; the first session explores the earlier history of fantastic art, while the following session presents topics pertaining to museology and display. -
Dark Matter #4
Cover Page DarkIssue Four Matter July 2011 SF, Fantasy & Art [email protected] Dark Matter Issue Four July 2011 SF, Fantasy & Art [email protected] Dark Matter Contents: Issue 4 Dark Matter Stuff 1 News & Articles 7 Gun Laws & Cosplay 7 Troopertrek 2011 8 Hugo Award Nominees 10 2010 Aurealis Awards 14 2011 Aurealis Awards to be held in Sydney again 15 2011 Ditmar Awards 16 2011 Chronos Awards 20 Renovation WorldCon 22 Iron Sky update 28 Art by Ben Grimshaw 30 Ebony Rattle as Electra, Art by Ben Grimshaw 31 The Girl in the Red Hood is Back … But She’s a Little Different 32 Launching & Gaining Velocity 34 Geek and Nerd 35 Peacemaker - A Comic Book 36 Continuum 7 Report 38 Starcraft 2 - Prae.ThorZain 46 Good Friday Appeal 50 FAQ about the writing of Machine Man, by Max Barry 65 J. Michael Straczynski says... 67 Interviews 69 Kevin J. Anderson talks to Dark Matter 69 Tom Taylor and Colin Wilson talk to Dark Matter 78 Simon Morden talks to Dark Matter 106 Paul Bedford talks to Dark Matter 115 Cathy Larsen talks to Dark Matter 131 Madeleine Roux talks to Daniel Haynes 142 Chewbacca is Coming 146 Greg Gates talks to Dark Matter 153 Richard Harland talks to Dark Matter 165 Letters 173 Anime/Animation 176 The Sacred Blacksmith Collection 176 Summer Wars 177 Evangelion 1.11 You are [not] alone 178 Evangelion 2.22 You can [not] advance 179 Book Reviews 180 The Razor Gate 180 Angelica 181 2 issue four The Map of Time 182 Die for Me 183 The Gathering 184 The Undivided 186 the twilight saga: the official illustrated guide 188 Rivers -
Program Book Is Copyright © 199 File Science Fiction Assn., Inc., P.O Isville, KY 40268-0009
Jui^O-Ikl, IW B iCmtive West -Um Louisvim -Nmikw (w Of fclJII -Cw IB. Fjiibo {jin Guffi W -UoMM Pm £ -Poca fnm flw (lUBT (imw ill. WiLU-nms Trnim Ima Watt-C / Program Book is copyright © 199 file Science Fiction Assn., Inc., P.O isville, KY 40268-0009. WWW: http://memb 5rcon. Email: [email protected] ited by Bob Roel m. All rights reserved for the con thousand copies have been prints Beechmont Press Inc., Louisville, Kentucky. Addition railable for sale for $3.00 each. Rive is a non-profit, all ■volunteer organization dedicated ti of science fiction and sf fandom. r^^NCE AGAIN, FOR THE NEXT”TO“LAST TIME, We you have any news you'd like included in the news M welcome you to RiverCon. Enjoy yourselves, letter, leave it in the container marked for it at the k. -Jrelax, revel in our shared interest—even volunteers and information desk, which is located at passion—for all things science-fictional. the west end of the hallway opposite the Mary Room. Deadline for each morning's issue is 9:00 p.m. the With only two more RiverCons to go, we want previous evening. everyone to have the best experience possible. So let us know if there's anything we can do to make Information Tables your weekend more pleasant. Please come back Representatives of some upcoming Worldcons and next year for our final celebration. future convention bidders are expected to be at tables along the hallway near the registration area. They will Badges be happy to provide you with all the information you Everyone: PLEASE WEAR YOUR RIVERCON MEM need in order to make an informed choice in site BERSHIP BADGE! Any time you are in a convention selection voting.