Experience in 2D, CGI, and Flash/Animate TV Productions and Short ﬁlm

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Experience in 2D, CGI, and Flash/Animate TV Productions and Short ﬁlm

[email protected] www.katebrusk.com Los Angeles, CA 586.306.2436 I’m a story artist with experience in 2D, CGI, and Flash/Animate TV productions and short film. My drive is bringing character-driven stories to Hi! life. I love constrasting personalities and characters with a fiery spirit. This is a resume! Experience Nickelodeon Storyboard Artist May 2016 - present SKILLS Storyboarding for seasons 2,3 & 4 of Shimmer and Shine. Storytelling Reiteration & Revision Responsible for storyboarding a 16-20 page script over 4 Structuring Pipelines weeks. Character Animation Specializing in song sequences, action, and chorography. Communication Tight Deadlines Working closely with Executive Producer and Directors to Putting it to a montage create a cohesive storytelling style. Contributing to reseach and concept for new environments. SOFTWARE Acted as team consultant using 3D models in Storyboard Pro, Storyboard Pro, and developed effecient internal workflow. SBP 3d Integration Flash/Animate Photoshop Soup 2 Nuts Storyboard Artist Sept 2013 - Oct 2014 Sketchup Storyboarded seasons 1 & 2 of Astroblast using Flash in a After Effects timeline-based process. Revised scenes on a 24 hour turnaround using producer & EDUCATION director notes. College for Creative Studies Supervised storyboards for 3 episodes, which included BFA in Entertainment Arts handling internal and network notes and overseeing a team May2012 of both on- and offsite artists. Focus in Character and experimental animation Freelance Animation and Design 2012 - 2016 RECOGNITION Worked with a range of clients and studios in a variety of TAFFI Best of Show 2013 styles on commercial projects including Perrier, FOX ADHD, Tour Skechers, Biore, and Cosmic Toast Studios. Toronto Animated Arts Festival: Honorable Mentions forAudience Choice and Hook Studios Motion Graphics Artist June 2012 - Sept 2013 Best Student Film Motion design and animation for a range of clients in online Anchorage International advertising and rich media experiences. Film Festival: Best Specialized in character animation and creative solutions to Animation the limitations of standard 40k banners. FUN THINGS Paper Craft, Crochet, Lemons Short Film Sept 2011 - May 2012 Bicycle Repair, Perfecting Created and animated an undergraduate thesis film my Screen Printing combining frame-by-frame and symbol based Flash animation Technique, with stop-motion footage of a hand made paper craft set. DM/Game Master, and Lego Collector.

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2020 Croner Animation Position Grids.Xlsx
Survey Position Grids STORY / VISUAL DEVELOPMENT ANIMATION Family 200 210 220 230 240 250 260 280 300 Production TV Animation / Character Visual Character Level Story Design / Art Pre-Visualization Modeling Layout Shorts Design Development Animation Direction Executive Management 12 Head of Production Management Generates and Manages the Creates the look Creates characters Creates and Creates sequences of Creates, builds and Creates 3D layouts. Defines, leads and 14 Head of Animation Studio develops story ideas, animation process of and artistic to meet established presents concepts shots that convey the maintains models Translates sketches into 3D executes major 16 Top Creative Executive sequences, an animated deliverables to vision for the and designs for the story through the of story elements, layouts and shot sequences character animation storyboards, television or short film meet the artistic, production, production, including application of traditional including and scenes. May create for productions, elements and production, ensuring creative and including look, character, sets, filmmaking principles in characters, sets and scenes. including personality Brief Job Family Descriptions enhancements that the creative aesthetic vision of personality, lighting, props, key a 3D computer graphics environments, Determines camera and animation style. throughout desires, as well as a production. movement, art. Creates plan environment. elements, sets, placement, blocks production. production expression. views and blue structures. characters,
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Women Creating Machinima Jenifer Vandagriff Georgia Institute Of
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CG CHARACTER ANIMATOR 253, Rue Saint Denis 75002 Paris, France
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Download Your Free Digital Copy of the June 2018 Special Print Edition of Animationworld Magazine Today
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Artist Name Work Title Description Year Duration Language Subtitles Disc # Contribution Of
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SKETCHY Characters
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Pegboard ANIMATION GUILD and AFFILIATED ELECTRONIC and GRAPHIC ARTS Los Angeles, California, January 2016 Vol
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2-D Or Not 2-D?: How the Iris Closed on Hand-Drawn Feature Animation
City University of New York (CUNY) CUNY Academic Works Capstones Craig Newmark Graduate School of Journalism 12-31-2014 2-D or Not 2-D?: How the Iris Closed on Hand-Drawn Feature Animation Thad Komorowski How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gj_etds/17 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 2-D or Not 2-D? How the Iris Closed on Hand-Drawn Feature Animation By Thad Komorowski The Digital Age We Live In In just 20 years, an entire industry went from an all-time zenith to complete annihilation. As the art of 3-D computer-generated imagery triumphed, the hand-drawn animated feature’s position sunk from its position as a centerpiece of mainstream entertainment to a dank corner of seeming nonexistence. For the last decade, acclaimed Japanese filmmaker Hayao Miyazaki has swam against that prevailing cultural tide by making animated feature films with 2-D hand-drawn animation. Films like Howl’s Moving Castle (2004) and Ponyo (2008) exemplify how poetic, dreamlike fantasy is still capable in animation without using pixels to pixilate. Yet time, economics and, seemingly, public taste have finally caught up with Miyazaki. In November, he announced his retirement and confirmed that his Studio Ghibli has put the kibosh on feature film production. After last year’s The Wind Rises, the 73-year-old director accepts the reality that is a disheartening future for the art form he holds dearest: “I do think the era of pencil, paper and film is coming to an end.” One of the gem scenes from Hayao Miyazaki’s Ponyo might have cried for CGI effects in another filmmaker’s movie.
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