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The Year Book
Salem State University Digital Commons at Salem State University All Yearbooks Yearbooks 1932 The Year Book Salem Teachers College Follow this and additional works at: https://digitalcommons.salemstate.edu/all_yearbooks Recommended Citation Salem Teachers College, "The Year Book" (1932). All Yearbooks. 23. https://digitalcommons.salemstate.edu/all_yearbooks/23 This Book is brought to you for free and open access by the Yearbooks at Digital Commons at Salem State University. It has been accepted for inclusion in All Yearbooks by an authorized administrator of Digital Commons at Salem State University. Digitized by the Internet Archive in 2014 https://archive.org/details/salemstatenormal1932sale Z\)t Class of 1032 bebtcatefi tijis book to Lena jf Jftt^ugf) "QTlje mtlbcgt manners, ant) t\)c gentlest fjeart." The Tear ^Book 1932 ©ur Jfacultp DR. J. ASBURY PITMAN, President "Finally, education alone can conduct us to that enjoyment which is, at once, best in quality and infinite in quantity." 6 1932 S. T. C. (iLRTKUDE B. GOLDSMITH, M A. CHARLES E. DONER WALTER G. WHITMAN, A.M. Nature Study Penmanship Science ''Gome forth inn; the Ji^ht things, of "Diffused knowledge immortalizes itself." 'And what is reason? Be she thus denned Let Nature be your teacher." Reason is upright stature in the soul." ALEXANDER H. SPROUL, M.S. AMY E. WARE, M.A. FLORENCE Ii. CRUTTENDEN, A.M. Director Commercial Education Geography History "He is wise who cm instruct us and assist "Go where he will, the wise man is at home, "The glory of a firm capacious mind." u s in the business of daily virtuous living." His hearth the earth, his hall the azure dome. -
Atlantic Salmon Fly Tying from Past to Present
10 Isabelle Levesque Atlantic Salmon Fly Tying from past to present Without pretending to be an historian, I can state that the evolution of salmon flies has been known for over two hundred years. Over that time, and long before, many changes have come to the art of fly tying; the materials, tools, and techniques we use today are not what our predecessors used. In order to understand the modern art, a fly tier ought to know a bit of the evolution and history of line fishing, fly fishing, and the art of tying a fly. Without going into too much detail, here is a brief overview of the evolution and the art of angling and fly tying. I will start by separating the evolution of fly tying into three categories: fly fishing, the Victorian era, and the contemporary era. Historians claim that the first scriptures on flies were from Dame Juliana Berners’s Book of Saint Albans (1486), which incorporated an earlier work, A Treatise of Fishing with an Angle. The Benedictine nun wrote on outdoor recreation, the origin of artificial flies, and fly-fishing equipment. This book was updated in 1496 with additional fishing techniques. In the early 1500s, a Spanish author by the name of Fernando Basurto promoted fishing among sportsmen with hisLittle Treatise on Fishing; but the first masterpiece of English literature on fishing wasThe Compleat Angler by Izaak Walton and Charles Cotton, published in 1653. Walton was a passionate fisherman who wanted to promote fishing as an activity in communion with nature. Unlike modern books about fishing, Walton’s did not specify equipment or techniques to use in particular fishing situations. -
By Joseph D. Bates Jr. and Pamela Bates Richards (Mechanicsburg, Pa.: Executive Assistant Marianne Kennedy Stackpole Books, 1996)
Thaw HE FEBRUARYTHAW comes to Ver- "From the Old to the New in Salmon mont. The ice melts, the earth loosens. Flies" is our excerpt from Fishing Atlantic TI splash my way to the post office ankle Salmon: The Flies and the Patterns (reviewed deep in puddles and mud, dreaming of being by Bill Hunter in the Winter 1997 issue). waist deep in water. It is so warm I can smell When Joseph D. Bates Jr. died in 1988, he left things. The other day I glimpsed a snow flur- this work in progress. Pamela Bates Richards, ry that turned out to be an insect. (As most his daughter, added significant material to anglers can attest, one often needs to expect the text and spearheaded its publication, to see something in order to see it at all.) Se- working closely with Museum staff during ductive, a tease, the thaw stays long enough her research. The book, released late last year to infect us with the fever, then leaves, laugh- by Stackpole Books, includes more than ing as we exhibit the appropriate withdrawal 160 striking color plates by photographer symptoms. Michael D. Radencich. We are pleased to re- By the time these words are printed and produce eight of these. distributed, I hope the true thaw will be Spring fever finds its expression in fishing upon us here and that those (perhaps few) of and romance in Gordon M. Wickstrom's us who retire our gear for the winter will reminiscence of "A Memoir of Trout and Eros once again be on the water. -
Modernist Women's Poetry and the Limits Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository LINES OF FEELING: MODERNIST WOMEN’S POETRY AND THE LIMITS OF SENTIMENTALITY BY MELISSA GIRARD DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2009 Urbana, Illinois Doctoral Committee: Professor Cary Nelson, Chair Professor Jed Esty, University of Pennsylvania Professor Stephanie Foote Professor Siobhan Somerville LINES OF FEELING: MODERNIST WOMEN’S POETRY AND THE LIMITS OF SENTIMENTALITY Melissa Girard, Ph.D. Department of English University of Illinois at Urbana-Champaign, 2009 Cary Nelson, Adviser Modernist sentimental poetry is frequently cast as an unfortunate literary and cultural mistake. In an era defined by its novel feats of poetic ambition, modernist sentimental poetry seems inexplicably to regress to the familiar forms and feelings of the nineteenth century. Alongside the modernist proliferation of “new” poetic forms, modernist sentimental poetry has thus been seen as decidedly “old”: an atavistic remnant of an earlier time and place, out of sync with high modernism’s progressive aesthetic vision. This is a foundational rift, which continues to divide the field of poetic modernism. Poets like T.S. Eliot, Ezra Pound, and H.D. are routinely credited with formal theories of poetic innovation. In stark contrast, the so-called “sentimental” poets who comprise this study, figures such as Edna St. Vincent Millay, Sara Teasdale, Genevieve Taggard, and Louise Bogan, have been categorized as conventional lyric poets. -
Pictures on My Wall a Lifetime in Kansas FLORENCE L
Pictures On My Wall A Lifetime in Kansas FLORENCE L. SNOW From a Portrait by Helen Hodge Pictures On My Wall A Lifetime in Kansas By FLORENCE L. SNOW UNIVERSITY OF KANSAS PRESS LAWRENCE *945 COPYRIGHT, 1945, BY THE UNIVERSITY OF KANSAS PRESS All rights reserved. No part of this book may be repro• duced in any form, except by reviewers of the public press, without written permission from the publishers. TO THE MEMORY OF MY SISTER EMILY SNOW PREFACE Kansas has often been called the perfect flowering of the New England conscience. Sometimes this is meant to be a com• pliment and at others it is plainly an insult. Either way I doubt if it is a fact. What we did get from New England, particularly in the days of ''bleeding Kansas/' was the habit of talking, writing and philosophizing about conscience. This gave the impression that we had a very active and painful conscience, though it was frequently only an excuse for talking about ourselves, like an operation. Even after our convalescence from the Civil War we never stopped talking and. writing, despite the fact that when we wanted to point out the scar we could no longer find it. In this way Kansas became the most articulate state in the Union. Whether New England should receive credit (or blame) for the habit is beside the point; the conscience and the language are pure Kansas. However, this is only one explanation. Another is that only in Kansas and New England is the climate so warm, cold, windy, calm, unpredictable and preposterous that it is always a fresh topic of conversation. -
SALMON Anf D SEA TROUT the LIBRARY of the UNIVERSITY of CALIFORNIA LOS ANGELES
ROUTIEDGE'S COUNTRY BOOKS. p3 i SALMON ANf D SEA TROUT THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES W. J. CUMMINS, North of England Works, BISHOP AUCKLAND, ANGLO-AMERICAN SPLIT CANE RODS. 13 feet -500 Best Bronzed Ferrules 14 - 5 5 O and Fittings, Bayonet 15 - 6 6 Joints, Cork Handle, Two 16 - 7 7 Tops. 17 GUARANTEED FOR -880 TWO YEARS. 18 -990 " EDWARD KENNARD, Esq., says : I am delighted with the the has stood hard work ii has been way Anglo-American ; subjected to the greatest possible strain in very long casting in all weathers, and has killed all my fish this season." Send 4d. for finest Catalogue of Tackle published. 6, LITTLE & GO,, FISHING TACKLE MAKERS, 63 Haymarket, London, S.W. SPECIALITIES FOR SALMON FISMING. Major Cumberland's Patent Brake for Salmon Reels. Used with great success in NORWAY, SCOTLAND, FINLAND, <fec. Salmon Casts tested. Salmon Flies, &c. Write for full Illustrated Catalogue, sent post free to any address. Telegraphic Address: "TROUTING, LONDON." ESTABLISHED OVER 20 YEARS. Every Purchaser of the FISHING GAZETTE is INSURED against Accident w/ii/e Travailing on a A'aihvay, also in case of d'ath from Dr<nvning. THE FISHING GAZETTE A JOURNAL FOR ANGLERS. Edited by R. B. MARSTON, Hon. Treasurer of the Fly Fishers' Club, &c. PUBLISHED WEEKLY, PRICE 2d. Subscription, 10s. 6d. per Annum. The GAZETTE contains every week Original Articles on Angling of every kind. The Paper has recently been much enlarged and improved, and Illus- trati .ns appear nearly every week. ''Under the editorship of Mr. -
Maine Woods : Vol. 28, No. 47
VOL. XXVIII. NO. 46. PHILLIPS, MAINE, FRIDAY, JUNE 29, 1906. PRICE 3 CENTS SPORTSMEN’S SUPPLIES I SPORTSMEN’S SUPPLIES Fish and Game Oddities. SPORTSMEN’S SUPPLIES SPORTSMEN’S SUPPLIES Boxing Tomcats. Ginger, a 13-year old six-toed boxing tomcat, u- dead at Hughes’ morgue in Jersey City. He had lived with his side partner, Charlie, in the undertak- i ig rooms all his life, and was the par Smokeless Powder Shells ticular pride of Edward Weston and “LEADER” and “REPEATER” James Hughes, the assistants. Ginger and Charlie, who were broth The superiority of Winchester ers, were trained in their kittenhood Smokeless Powder Shells is to stand on their hind legs and box with their forepaws. They never put undisputed. Among intelligent on gloves. The cats were ready for a shooters they stand first in pop / o r every gun In camp goodnatured go almost any time, and ularity, records and shooting it didn’ t take much encouragement Different men differ as to their favorite kind of rifle. Practically all atrree, however, on U. M. C Cartridges. A glimpse at the interior of most any hunting shack presents these facts. There is a from their masters to set them at it. qualities. Always use them reason U. M. C. Cartridges are made to fit and are tested in all the different styles of rifles made by the different arms companies. They were about evenly matched, and Every rifle does better shooting with U. M. C. Cartridges. apparently took a keen delight in cuf For Field or Tra|> Shooting. fing each otner around the rooms. -
EAGERLY Little House La the Woods
EL PASO HERALD I I XcClvre Newjaper Syndicate. Bedtime Stories For The Little Ones SCHOOL M YS Copyricbt. 1SJ8. by ByDWIGl UNCLE WIGGILY AND TOKMIE KAT. nr HOWAHD GARXS I I I I .1 Ml "E upon time, when Uncle : said Mrs. Sat. "Bat I thoturht von Buying' , Vrig-il- Long-ears- bunny rab- - wouia use 10 see ue inn. .1 Are the Folks "I do." said Uncle Wlggily. Tm glad it gentleman, was out nar his hoi- -. you called me over. Look at Tommie I llper ccWr.es wxtr rnaYil I w rtump bunpalow, taking; a walk, dance in the sheila, would your Tom-Jo- Really. e s. w Mrs. Kat, the mother of ie Tommie was flineinar and flopping" about with the empty walnut ' and Kiltie Kat, waring her soeiis stock: on nts paws, lust tm-a 7a.tc at him from the window of her though be intended to grow up and be Comm." "tkfc EAGERLY little house la the woods. a regular dancing cat. lia' wu:i ii jv mutr w j j longer ana then ae went soztly out. t tie kitten frienrie have gone to sleep not letting Tommie. Joie or Kittle see L-- J is.'le a big ball of yarn?" thought ihIm ,or ler wonW P their Ll days conclusively i past several has proven that ucle Wlggtly. That's the story I told Well, the bnnny rabbit gentleman The tou just before this one. If yon will looked all over for an adventure that ..mdly remember. "I'll just go see what day and seem to find any. -
An Engineer Cantonment Bestiary: the Art of Titian Ramsay Peale
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Mammalogy Papers: University of Nebraska State Museum Museum, University of Nebraska State 2018 An Engineer Cantonment Bestiary: The Art of Titian Ramsay Peale Hugh H. Genoways University of Nebraska - Lincoln, [email protected] Thomas E. Labedz University of Nebraska - Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/museummammalogy Part of the American Art and Architecture Commons, Archaeological Anthropology Commons, Biodiversity Commons, Biological and Physical Anthropology Commons, Entomology Commons, History of Science, Technology, and Medicine Commons, Science and Mathematics Education Commons, and the Zoology Commons Genoways, Hugh H. and Labedz, Thomas E., "An Engineer Cantonment Bestiary: The Art of Titian Ramsay Peale" (2018). Mammalogy Papers: University of Nebraska State Museum. 305. https://digitalcommons.unl.edu/museummammalogy/305 This Article is brought to you for free and open access by the Museum, University of Nebraska State at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Mammalogy Papers: University of Nebraska State Museum by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Genoways and Labedz in Archeological Investigations at Engineer Cantonment: Winter Quarters of the 1819-1820 Long Expedition, Eastern Nebraska Edited by J. R. Bozell, G. F. Carson, and R. E. Pepperl Lincoln, Nebraska: History Nebraska, 2018 Engineer Cantonment I 2 74 History Nebraska Publications in Anthropology, number 12 Copyright 2018, History Nebraska. Used by permission. 11.2 An Engineer Cantonment Bestiary: The Art of Titian Ramsay Peale Hugh H. Genoways and Thomas E. Labedz Introduction Philadelphia Museum where the images and specimens from the Long Expedition had been deposited along with The first modem biographer of Titian Ramsay the material resulting from the Lewis and Clark Expedition. -
1 American Girl Barbie in #1660 Evening Gala. 2 Blonde Bubblecut Barbie in #0872 Cinderella
1 AMERICAN GIRL BARBIE IN #1660 EVENING GALA. 2 BLONDE BUBBLECUT BARBIE IN #0872 CINDERELLA. (2) BARBIES - SKIPPER IN #1911 DAY AT THE FAIR AND TITIAN BUBBLECUT 3 IN #1624 FUN AT THE FAIR. (2) SKIPPERS - #1935 LEARNING TO RIDE AND #1928 RAINY DAY 4 CHECKERS. 5 TITIAN PONYTAIL BARBIE IN #986 SHEATH SENSATION. 6 BRUNETTE CASEY IN TAGGED FRANCIE OUTFIT. 7 TNT IN #1478 SHIFT INTO KNIT. 8 BEND LEG MIDGE IN #931 GARDEN PARTY. 9 MALIBU FRANCIE IN TAGGED OUTFIT. 10 BLONDE CASEY IN #1251 IT'S A DATE. 10A BLYTH DOLL ~ Eyes work, outfit not tagged, doll has been played with. 11 BRUNETTE BUBBLE CUT BARBIE IN #946 DINNER AT EIGHT. 12 (2) SKIPPERS - #1910 SUNNY PASTELS AND #1905 BALLET CLASS. 13 (2) FRANCIES - GROW HAIR AND TNT. 14 (2) FRANCIES INCLUDING #1267 GO, GRANNY, GO. 15 (2) BARBIE FRIENDS - MIDGE AND ALLAN IN TAGGED OUTFITS. (2) BARBIE FRIENDS - RICKY IN #1504 LITTLE LEAGUER AND SKIPPER IN 16 #1901 RED SENSATION. 17 BEND LEG FRANCIE IN #1253 TUCKERED OUT. 18 BLONDE BUBBLE CUT BARBIE IN BLACK AND WHITE SWIMSUIT. 19 BEND LEG FRANCIE IN #1274 ICED BLUE. 20 #6 BLONDE PONYTAIL BARBIE IN #1656 FASHION LUNCHEON. 21 SKOOTER IN ORIGINAL BOX WITH TAG, LINER, STAND, ETC 22 (2) SKIPPER'S - #1918 SHIP AHOY AND #1917 LAND AND SEA. (2) BARBIE FRIENDS - SKIPPER IN #1908 SKATING FUN, SKOOTER IN #1948 23 VELVET-N-LACE. 24 TNT P.J. IN ORIGINAL SWIMSUIT. 25 #5 BRUNETTE PONYTAIL BARBIE IN #0874 ARABIAN NIGHTS. 26 BRUNETTE TNT FLIP HAIR BARBIE IN #1792 MOOD MATTERS. -
Maine Woods : Vol. 33, No. 50 July 13,1911 (Local Edition)
VOL. XXXIII. NO. 5r 4 ITS. PHILLIPS, MAINE, THURSDAY, J U L Y 13, 1911. JrcenWood LOCAL EDITION—12 PAGES. W 3novif ---- ----------- FLY ROD’S NOTE BOOK. 15 S1 H 0T S When at Upper Dam one day re as Quick as a Flash cently I saw Asa Ellingwood coming across the clam with a roll of tele That’s what you get when phone wire in one hand and a large you’ re shooting with the gray hawk in the other. When lie Stevens Visible Loading reached the piazza I noticed the REPEATING Repeating Rifle. guides and sportsmen were all very Here it is much interested in w’hat he was RIELES telling them, and one of the boys There are many makes of hunting said, “ Don't, you want to see a man rifles, but only one that is reliable; that’s killer, Fly Hod, come over here,” the Winchester. W inchester rifles repeat. and this is ’ Jfe story Asa had to .22 short. They don’t jam , catch or fail to extract. And every cart- ♦> tell. He .had been down on the ridge is VISIBLE as * telephone line on the way to Bemis From the eleven different models of W inches it goes into the cham working, when suddenly he saw this ter Repeaters, you can easily select a rifle ber. big hawk make a circle in the air adapted for hunting your favorite game, be it and come direct for his head. Of There’s no danger squirrels or grizzly bears. W inchester rifles are of THINKING that * course he trie i to hit the hawk with the rifle is loaded ? the hatchet he had in his hand, but made for low, medium or high power cartridges in all desir *when it isn’t you a . -
November 2014 the Angler’S Creel
November 2014 The Angler’s Creel The Cleveland Museum of Natural History Trout Club Promoting Knowledge of cold water fisheries, Volume 14 Issue 2 fish habitat, conservation and stream ecology Roll casts from the President’s desk: Eric Baumann Upcoming Events November Fish Fry Wednesday, November 19, 2014 DINNERS Tuck Scott will speak on: (For Reservations see page 3 & 4) Wednesday, November 19, 2014 “Fly Fishing South Carolina Low Tuck Scott: Fly Fishing South Caro- lina’s Low Country Saltwater Marsh Country Saltwater Marsh” Wednesday, December 17, 2014 Jerry Darkes: Fly Fishing Across the Great Lakes Wednesday, January 21, 2015 On Saturday, November 1st, 2014, the Museum honored the Trout Club by making us a mem- Dan Leavens: Montana Fishing; Big ber of the Museum’s Arkite Society for donors who have made an annual gift to the museum Hole, Beaverhead, Madison, Jefferson, of $1,000 or more for over 25 consecutive years. This great honor is a reflection of the stew- and Ruby Rivers. ardship the Trout Club has enjoyed over the years through the ongoing support of our mem- Friday, March 6, 2015 bers, the enduring work of our Committees that touches everything we do, the unsung efforts Film Festival: Note change of of our Executive / Advisory Committee, our club officers, the Museum, and donors who gen- date. erously support our fund raising efforts. Saturday, April 25, 2015 Banquet and Benefit Thanks to members Bill Grake, Jim DeCoker, Cheri Baumann, Ara Hamamjian and new mem- bers Samantha Butler and Bob Barnes (both graduates of Ara’s Fly Tying Class) for volunteer- ing to share their knowledge and experiences about the artful sport of fishing at the Museum’s Outings & Classes Think and Drink with the Extinct event last month.