Pentangle the Collection Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Pentangle The Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Collection Country: UK Released: 1988 Style: Folk Rock, Acoustic MP3 version RAR size: 1202 mb FLAC version RAR size: 1592 mb WMA version RAR size: 1474 mb Rating: 4.3 Votes: 871 Other Formats: MP4 ASF AAC AA MMF FLAC VOC Tracklist A1 Let No Man Steal Your Thyme 2:47 A2 Bells 3:59 A3 Hear My Call 3:05 A4 Turn Your Money Green (Live) 2:19 A5 I've Got A Feeling (Live) 4:28 B1 Bruton Town 5:20 B2 Goodbye Pork Pie Hat (Live) 3:50 B3 When I Was In My Prime 2:58 B4 Sweet Child (Live) 5:17 C1 Light Flight 3:17 C2 Once I Had A Sweetheart 4:38 C3 Sally Go Round The Roses 3:38 C4 A Maid That's Deep In Love 5:31 D1 Lord Franklin 3:25 D2 When I Get Home 5:01 D3 Rain And Snow 3:50 D4 Will The Circle Be Unbroken 4:09 Companies, etc. Licensed From – Transatlantic Records Ltd. Phonographic Copyright (p) – Transatlantic Records Ltd. Copyright (c) – Castle Communications PLC Credits Bass – Danny Thompson Drums, Percussion – Terry Cox Guitar, Sitar, Vocals – John Renbourn Guitar, Vocals – Bert Jansch Mastered By – Porky Vocals – Jacqui McShee Notes Gatefold sleeve. Barcode and Other Identifiers Barcode (Printed): 5 013428 031841 Barcode (String): 5013428031841 Matrix / Runout (Side 1, hand-etched, variant 1): CCSLP 184 A1 A PORKY PRIME CUT Matrix / Runout (Side 2, hand-etched, variant 1 ): CCSLP 184 B1 Matrix / Runout (Side 3, hand-etched, variant 1): CCSLP 184 C2 Matrix / Runout (Side 4, hand-etched, variant 1 ): CCSLP 184 D1 A PORKY PRIME CUT Matrix / Runout (Runout side A, etched, variant 2): CCSLP 184 A1 A PORKY PRIME CUT Matrix / Runout (Runout side B, etched, variant 2): CCSLP 184 B1 Matrix / Runout (Runout side C, etched, variant 2): CCSLP 184 C1 Matrix / Runout (Runout side D, etched, variant 2): CCSLP 184 D1 A PORKY PRIME CUT Other versions Category Artist Title (Format) Label Category Country Year The Collection (CD, CCSCD 184 Pentangle Castle Communications CCSCD 184 UK 1988 Comp) The Collection (2xLP, 305 12617 Pentangle Zafiro 305 12617 Spain 1990 Comp) The Collection (Cass, CCSMC 184 Pentangle Castle Communications CCSMC 184 UK 1988 Comp) The Collection (CD, CCSCD 184 Pentangle Castle Communications CCSCD 184 UK 1988 Comp) Related Music albums to The Collection by Pentangle TransAtlantic - Conversations: 11 Piece Band Live Pentangle, The - Sweet Child The Pentangle - Sweet Child The Pentangle - Basket Of Light Pentangle, The - The Pentangle Pentangle - In The Round Pentangle - Essential Pentangle Volume Two Pentangle - Reflection Billy Connolly - Live Pentangle - Sweet Child Bert Jansch - Bert Jansch Pentangle - Live.

Copy Link

Recommended publications

Rosemary Lane the Pentangle Magazine
Rosemary Lane the pentangle magazine Issue No 12 Summer 1997 Rosemary Lane Editorial... (thanks, but which season? and we'd Seasonal Greetings! rather have had the mag earlier!) o as the summer turns into autumn here we extensive are these re-issues of the Transatlantic are once more with the latest on Pentangle years - with over 30 tracks on each double CD in Rosemary Lane. In what now seems to be that the juxtaposition of the various musical its characteristic mode of production - i.e. long styles is frequently quite startling and often overdue and much anticipated - thanks for the refreshing in reminding you just how broad the reminders! - we nevertheless have some tasty Pentangle repertoire was in both its collective morsels of Pentangular news and music despite and individual manifestations. More on these the fact that all three current recording projects by in news and reviews. Bert and John and Jacqui remain works in progress - (see, Rosemary Lane is not the only venture that runs foul of the limitations of one human being!). there’s a piece this time round from a young Nonetheless Bert has in fact recorded around 15 admirer of Bert’s who tells how he sounds to the or 16 tracks from which to choose material and in ears of a teenage fan of the likes of Morrissey and the interview on page 11 - Been On The Road So Pulp. And while many may be busy re-cycling Long! - he gives a few clues as to what the tracks Pentangle recordings, Peter Noad writes on how are and some intriguing comments on the feel of Jacqui and band have been throwing themselves the album.
[Show full text]
Goodbye Pork Pie Hat Words & Music: Joni Mitchell & Charles Mingus
Goodbye Pork Pie Hat Words & Music: Joni Mitchell & Charles Mingus Joni set words to many of Mingus' jazz tunes on the 1979 album Mingus. Luckily, Charles Mingus was able to hear the results of the collaboration before his death that same year. If you don't know Mingus' work, go discover it. Works like "Fables of Faubus", "Better Git It In Your Soul" & "Slop" are sublime. The noted Jeff Beck cover of this tune earned the rare honor of a complete transcription in the November 2004 issue of Guitar Player. Chords are courtesy of Vivek Ayer. It is hard to map them to the words exactly, due to the free nature of the singing, but use Vivek's map & notes below. "This is a blues song with cool/weird changes written by Charles Mingus famously covered Beck, John Mclaughlin and Joni Mitchell. It's a 12 bar blues (can be read as 3 sections of 4 bars each) These chords can be played as a chord melody arrangement: | Ebm* B13| EM7+11 A7b5 | C#m9 B9| C#9 Eb7 | | Abm7 B13| EM7+11 Bb7#9#5 | C7b5 F7| B7 EM7| | A13 Ab7 | Bb7 C#7** | Ebm B7 | E A7 || * If you're not playing the melody I'd recommend Eb7#9 ** Some versions just play B9 for 2 bars here Eb7#9[Ebm] B13 EM7+11 A7b5 When Charlie speaks of Lester, you know someone great has gone. C#m9 B9 C#9 Eb7 The sweetest, swinging music man had a Porky Pig hat on. Abm7 B13 EM7+11 Bb7#9#5 A bright star in a dark age when the bandstands had a thousand ways C7b5 F7 B7 EM7 A13 Ab7 Of refusing a black man admission, black musician.
[Show full text]
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames
[Show full text]
Edgar Aaron Jay Charles
MUSIC + FESTIVAL 2019 THE UNIVERSITY OF ARIZONA TWELFTH ANNUAL COMPOSERS FESTIVAL OCTOBER 12-13 TUCSON, ARIZONA VarèseEdgar · AaronKernis Jay · MingusCharles COLLEGE OF FINE ARTS Fred Fox School of Music Music + Festival 2019: Edgard Varèse, Aaron Jay Kernis, Charles Mingus Twelfth Annual Composers Festival The University of Arizona Fred Fox School of Music October 12-13, 2019 The 2019 Music + Festival: Varese, Kernis, and Mingus will present the lives and music of these three composers within a rich and broad intellectual framework. The festival consists of a symposium providing the historical and artistic context in which these composers lived as well as what to listen for in this music; and four concerts: one chamber, one devoted to music of Charles Mingus, one featuring a mixture of electronic and concert music, and one including large ensembles. The festival features the faculty members and major student ensembles of the Fred Fox School of Music and guest artists and scholars. Despite his output of only slightly more than a dozen compositions, Edgard Varèse is regarded as one of the most influential musicians of the twentieth century. His concept of “organized sound” led to experiments in form and texture. He was constantly on the lookout for new sound sources, and was one of the first to extensively explore percussion, electronics, and taped sounds. He was, as Henry Miller called him, “The stratospheric Colossus of Sound.” Pulitzer Prize-winning composer Aaron Jay Kernis draws artistic inspiration from a vast and often surprising palette of sources, among them the limitless color spectrum and immense emotional tangle of the orchestra, cantorial music in its beauty and dark intensity, the roiling drama of world events, and the energy and drive of jazz and popular music.
[Show full text]
The Annual Bell Jazz Lecture, 2001 Mandy Sayer
AAAAAAAAAA.AAAAAAkkAAAA.AAAAAAAAA DOUBLY GIFTED • TT TTTTT ••••TTTTTTTTTTTTTTTTr TT The Annual Bell Jazz lecture, 2001 Mandy Sayer The Annual Bell Jazz lecture, 2001 Mandy Sayer The Ninth Annual Bell jazz Lecture Delivered 22nd September, 2001 Waverley Library © Mandy Sayer ISBN 0-9585157-5-1 Published by and printed at Waverley Library 32-48 Denison Street, Bondi Junction, 2022 Telephone: (02) 93861111 Fax: (02) 9386 7700 Introduction The Annual Bell Lecture in Jazz has now reached its ninth year in 2001. Once again the Doubly Gifted Committee wishes to thank the staff of the 'Waverley Library, the Friends of Waverley Library and the Waverley Council for making both the Doubly Gifted Exhibition and the Lecture possible. The Exhibition and the Bell Lecture in jazz were initiated by the late Harry Stein and therefore the Doubly Gifted Committee continues to present these as a tribute to his memory and as a tribute to the great Australian jazz musician, Graeme Bell. This year we are honoured to have as our lecturer, a well-known and highly - respected successful author, Mandy Sayer. She has published a number of novels and continues to delight her reading public with a variety of subjects. Mandy Sayer is the daughter of jazz drummer, the late Gerry Sayer, who travelled overseas with Mandy at his side. She has experienced a most unusual jazz life and will surely draw on some of these experiences to dehver a very informative and entertaining lecture. Mandy Sayer will be introduced by last year's lecturer Peter J.F. Newton. Kate Dunbar Co-Convenor Doubly Gifted Committee Mandy Sayer Mandy Sayer attended twelve public schools before touring the U.S.
[Show full text]
Cockroach Olympics! (415)821-4990 Social and Cultural Issues
PAGE 16 AUGUST 1979 ENLISTED TIMES Together of pedal steel guitar, mandolin and it works. Mitchell's lyrics to by McCoy Tyner fiddles to carry it home. Carry it Mingus' classics are vivid and witty, Gsmofon inlha Haw UJoHd home. and her singing is Rzrfwmad bq ttxt Ciamslen Sort of Lion Milestone Records (M-9087) surprisingly ver satile. Particularly good are the (JAZZ) The latest by pianist and moving, affectionate remake of composer McCoy Tyner is a joy. "Goodbye Pork Pie Hat" and the Precise, vigorous playing joins tasty hilarious "The Dry Cleaner From arrangements, as Tyner stretches Des Moines." Herbie Hancock on out in the company of an all-star piano, Wayne Shorter on sax and lineup that includes Freddy Jaco Pastorius on bass provide Hubbard on trumpet, Hubert Laws added texture and mood. on flute and Stanley Clarke on acoustic bass. The quietly powerful "Ballad for Aisha" and the mus cular, swirling percussion of Communique "Bayou Fever" are blue-ribbon by Dire Straits winners. Barren County Warner Brothers Records (HS 3330) by Newgrass Revival (ROCK) Bandleader Mark Knopf- Flying Fish Records (083) ler's much-praised lyrics strike me (BLUEGRASS) Newgrass Revival's as unexceptional. Vague threats of fusion of bluegrass and rock is violence if the hero doesn't get what Rickie Lee Jones shown off to good advantage on he wants (usually The Girl) are not by Rickie Lee Jones Barren County. Their trademark exactly new in rock and roll. How Warner Brothers Records airtight harmonies are here on ever, Knopfler's whispery vocals (BSK 3296) "Dancin* With the Angels," as are and liquid guitar lines grow on you, (ROCK/POP) The Jones lady's got it the spirited, lickety-split.picking (on and before you know it, you find a supple, sensual voice that can "Lee Highway Blues") and under yourself humming these quietly sing 'em fast or slow, a clever stated way with words (on "Crazy ominous songs.
[Show full text]
Model Music Curriculum: Key Stages 1 to 3 Non-Statutory Guidance for the National Curriculum in England
Model Music Curriculum: Key Stages 1 to 3 Non-statutory guidance for the national curriculum in England March 2021 Foreword If it hadn’t been for the classical music played before assemblies at my primary school or the years spent in school and church choirs, I doubt that the joy I experience listening to a wide variety of music would have gone much beyond my favourite songs in the UK Top 40. I would have heard the wonderful melodies of Carole King, Elton John and Lennon & McCartney, but would have missed out on the beauty of Handel, Beethoven and Bach, the dexterity of Scott Joplin, the haunting melody of Clara Schumann’s Piano Trio in G, evocations of America by Dvořák and Gershwin and the tingling mysticism of Allegri’s Miserere. The Model Music Curriculum is designed to introduce the next generation to a broad repertoire of music from the Western Classical tradition, and to the best popular music and music from around the world. This curriculum is built from the experience of schools that already teach a demanding and rich music curriculum, produced by an expert writing team led by ABRSM and informed by a panel of experts – great teachers and musicians alike – and chaired by Veronica Wadley. I would like to thank all involved in producing and contributing to this important resource. It is designed to assist rather than to prescribe, providing a benchmark to help teachers, school leaders and curriculum designers make sure every music lesson is of the highest quality. In setting out a clearly sequenced and ambitious approach to music teaching, this curriculum provides a roadmap to introduce pupils to the delights and disciplines of music, helping them to appreciate and understand the works of the musical giants of the past, while also equipping them with the technical skills and creativity to compose and perform.
[Show full text]
Album Title ） 01
2005/12/31 （ ALBUM TITLE ） 01. Paint It Black / Tim Ries The Rolling Stones Project 02. You're Gonna Make Me Lonesome When You Go / Madeleine Peyroux Careless Love 03. Lord Protect My Child / Susan Tedeschi Hope and Desire 04. Brown Baby / Oscar Brown Jr. Sin & Soul...and then some 05. The Gift Of God Is Eternal Life / Sister Gertrude Morgan Let's Make A Record 06. Call Me / Aretha Franklin Live At Fillmore West - Don't Fight The Feeling 07. Soul Serenade / King Curtis Live At Fillmore West - Don't Fight The Feeling 08. Sweet and Lovely / Thelonious Monk Quartet with John Coltrane At Carnegie Hall 09. Drown In My Own Tears / John Scofield That's What I Say 10. Soon / Souad Massi Honeysuckle (Mesk Elil) 11. Sister Morphine / Marianne Faithfull The Jack Nitzsche Story - Hearing Is Believing 12. Maha Shakti / Debashish Bhattacharya Calcutta Slide Guitar 2005/12/24 （ ALBUM TITLE ） 01. Everybody Cryin' Mercy / Georgie Fame The Blues And Me 02. Diamonds / Jet Harris & Tony Meehan No.1 British Beat 03. Blues In The Bottle / Jim Kweskin Jug Band Greatest Hits! 04. Mr. Pitiful / Otis Redding The Very Best Of Otis Redding 05. (Night Time Is) The Right Time / Ray Charles The Best of Ray Charles: The Atlantic Years 06. Sailin'Into Walker's Cay / Taj Mahal Sing A Happy Song 07. Blue Skies / Dr. John Afterglow 08. World I Never Made / Dr. John Our New Orleans 2005 - A Benefit Album 09. The Black Balloon / John Renbourn The Black Balloon 10. Strange Journey / Michael McGoldrick Wired 11. The Jewels of the Ocean / Sharon, Gavin, McGoldrick & Murray Tunes 12.
[Show full text]
Graduate Lecture Recital: the Art of the Vocalese Hannah Martin
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-6-2019 Graduate Lecture Recital: The Art of the Vocalese Hannah Martin Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Martin, Hannah, "Graduate Lecture Recital: The Art of the Vocalese" (2019). All Concert & Recital Programs. 6030. https://digitalcommons.ithaca.edu/music_programs/6030 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. The Art of the Vocalese Graduate Lecture Recital Hannah Martin, jazz voice Emmett Scott, piano Zane Carnes, bass Jacob Graham, percussion Nabenhauer Recital Room Saturday, April 6th, 2019 8:15 pm Program Lecture: The Art of the Vocalese Intermission Moody's Mood for Love Composer: Jimmy McHugh Soloist: James Moody Lyricist: Eddie Jefferson Yardbird Suite Composer: Charlie Parker Soloist: Charlie Parker Lyricist: Bob Dorough In Walked Jon Composer: Thelonious Monk Soloist: Jon Hendricks Lyricist: Hannah Martin Goodbye Pork Pie Hat Composer: Charles Mingus Lyricist: Joni Mitchell Those Clouds Are Heavy, You Dig? Composer: Dave Inspired by Dave Brubeck's "Balcony Rock" Brubeck Soloist: Paul Desmond Lyricist: Kurt Elling Jackie Composer: Hampton Hawes Soloist: Wardell Grey Lyricist: Annie Ross Arr. New York Voices This recital is in fulfillment of the degree M.M. in Vocal Performance. Hannah Martin is from the studios of Dr. Ivy Walz & Kim Nazarian..
[Show full text]
Bert Jansch Bert Jansch Mp3, Flac, Wma
Bert Jansch Bert Jansch mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues / Folk, World, & Country Album: Bert Jansch Country: Japan Released: 2016 Style: Folk MP3 version RAR size: 1742 mb FLAC version RAR size: 1631 mb WMA version RAR size: 1599 mb Rating: 4.4 Votes: 705 Other Formats: AUD MP1 FLAC RA MPC DMF AIFF Tracklist 1 Strolling Down The Highway 2 Smokey River 3 Oh How Your Love Is Strong 4 I Have No Time 5 Finches 6 Ramblings Going To Be The Death Of Me 7 Veronica 8 Needle Of Death 9 Do You Hear Me Now? 10 Alice's Wonderland 11 Running From Home 12 Courting Blues 13 Kasbah 14 Dreams Of Love 15 Angie Credits Liner Notes – 小西勝* Written-By – Bert Jansch (tracks: 1 to 14), Davy Graham (tracks: 15) Other versions Category Artist Title (Format) Label Category Country Year Bert Bert Jansch (LP, Transatlantic TRA 125 TRA 125 UK 1965 Jansch Album) Records Bert Bert Jansch (Cass, Transatlantic ZCTRA 125 ZCTRA 125 UK Unknown Jansch Album) Records Bert Bert Jansch (8-Trk, Transatlantic Y8TRA 125 Y8TRA 125 UK Unknown Jansch RE) Records Bert Bert Jansch (LP, Transatlantic TRA 125 TRA 125 UK Unknown Jansch Album, RE) Records Bert Bert Jansch (LP, Transatlantic YZ-153-LA YZ-153-LA Japan 1982 Jansch Album, Mono, RE) Records Related Music albums to Bert Jansch by Bert Jansch Bert Jansch - When The Circus Comes To Town The Pentangle - Sweet Child Bert Jansch - A Rare Conundrum The Pentangle - Basket Of Light Bert Jansch - Blues Pentangle - Travellin' Song Bert Jansch - Jack Orion Pentangle, The - The Pentangle Bert Jansch - Rosemary Lane Pentangle - In The Round Bert Jansch - It Don't Bother Me Bert Jansch - Oh My Father / The First Time Ever I Saw Your Face.
[Show full text]
Winter 2011-2012
NNootteess The Newsletter of Readifolk Issue 12 Reading's folk song Winter 2011/12 and music club McKinnon & Anne Tarrant and Bob & Gill Berry for giving us Welcome two really enjoyable evenings. But on a sadder note, it was because of serious illness that to another Readifolk Johnny Silvo had to cancel his UK Autumn tour, which included an appearance at Readifolk. Reports indicate that his illness newsletter has now become terminal. Our thoughts are with Johnny and his family as we recall the many happy times shared with him. Rumblings from the Roots Looking forward to the new year, we have already booked Welcome to the Winter edition of Notes. With this edition we many excellent guests. You will see from the previews and the welcome in another New Year and we take this opportunity of listing on the back page that we have several newcomers to wishing you all a very happy and successful 2012. the club in the first quarter. Some of them are wellestablished artists and some are younger performers who we feel are We are delighted with the new format of Notes which Stewart destined for greater things. Do look up their details on their has compiled. As well as several interesting articles and news web sites etc., and you can listen to tracks from all of the items, we include previews of all the forthcoming artists in the artists in a special preview edition of The Readifolk Radio first quarter of the year. It was felt preferable to give previews Show, broadcast on Reading4U, Reading's community radio of artists rather than reviews of past performances, so that you station on www.reading4u.co.uk on Friday 30 December.
[Show full text]
Safaris to the Heart of All That Jazz
Safaris to the heart of all that jazz.... JoniMitchell.com 2014 Biography Series by Mark Scott, Part 6 of 16 In January of 1974, Joni began an extensive tour of North America with the L.A. Express, wrapping up with three concerts at the New Victoria Theatre in London, England. The final concert at the New Victoria was videotaped and an edited version was broadcast on the BBC television program The Old Grey Whistle Test in November of 1974. Larry Carlton and Joe Sample were playing with The Crusaders at the time and both opted not to go on the road with Joni and the L.A. Express. Guitarist Robben Ford replaced Larry Carlton and Larry Nash filled in for Joe Sample on piano. In a 2011 interview for JoniMitchell.com, Max Bennett said that although the pay was good for this tour, the musicians could have made more money playing gigs in L.A. and doing session work in the recording studios. Max said that the musicians loved the music, however, and that they were treated royally in every way throughout the tour. Excellent food, first class accommodations, limousines, private buses and private planes were all provided for the band’s comfort. Max also made a point of mentioning the quality of the audiences that attended the concerts. Attention was focused on the performances so completely that practically complete silence reigned in the theaters and auditoriums until after the last note of any given song was performed. For Max Bennett, “As far as tours go - I've been on several tours - this was the epitome of any great tour I've ever been on.
[Show full text]