DOCSLIB.ORG

Nor'easter News Volume 5 Issue 3

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nor'easter News Volume 5 Issue 3 Established 2007 R'EASTER NEWS C.O.M.'s 15thAnnual White Coat Ceremony must make when Maine Center for Disease Con­ Dean for Educational Programs taking on the role trol and Prevention in the De­ and Vice Dean), welcomed the of physicians. This partment of Human services, first-year medical students into new responsibility is warned students about the dif­ the field of medicine. UNECOM noted by presenting ficulty ahead. Pinette also serves Alumni Association president students with white on the board of Community and class of 2000 graduate Adam medical coats to sig­ Physicians of Maine. She related Laurer, D.O., led the students nify their new func­ to the students, explaining that in reciting the osteopathic oath. tion in society. The she knew that although they are Other noteworthy member of the first ceremony took entering into a trying journey, osteopathic community were also place in 1993 at Co­ those who become successful will in attendance, including Nancy lumbia's College of feel extremely accomplished and Cummings, M.D., president of Physicians and Sur­ proud to have reached such an the Maine Medical Association. geons. ambitious goal. Pinette also spoke The White Coat Ceremony UNE President to medical students about he dif­ is not unique to UNECOM; Danielle Ripich ferences they would be making in many medical schools throughout spoke to the UN­ the lives of people. She advised the U.S. and other nations partake ECOM students, students to "remain humble and in similar traditions. The ceremo­ saying, "Your intel­ devoted" and to never forget what ny was the idea of the Arnold P. UNE students receiving white coats from Dr. Chris Pezzullo (left) &Dr. Ken Johnson (right} ligence, compassion they are taught in the years to Gold Foundation and was created and dedication will come. She reminded them to stay to help remind students of their BY JOCELYN KOLLER Hahn, Senior Vice President for be the most impor­ motivated by "a sense of purpose duty as professionals and em­ Nor'easter Staff Health Affairs and Dean of the tant factors in the care of future and tremendous pride in what pathetic practicers of medicine. College of Osteopathic Medicine patients." She also mentioned [they] do." become an important supplier of On Thursday, Oct. 6, the spoke to welcome the students as the importance of adjusting in After the speakers, current Maine physicians. More licensed University of New England Col­ well as their friends and family. the face of new technology, new physicians presented students physicians in the state of Maine lege of Osteopathic Medicine The White Coat Ceremony, methods, and ideas that are up­ with their white coats. Dean come from UNECOM than presented 123 hopeful physicians now in its 15th year as a UN­ and-coming within the field. Hahn, accompanied by Chris Pez­ from any other medical school with white medical coats to mark ECOM tradition, emphasizes Keynote speaker Dr. Sheila zullo, D.O. (Maine Osteopathic in the county. Further, 11 percent their advent into the field. Marc B. the transition medical students Pinette, a graduate ofUNECOM Association President) and Ken­ of all physicians are UNECOM and the current director of the neth Johnson, D.O. (Associate grad1;1ates. Building Community During Coming Out Week BYJOCELYN KOLLER identities. On Thursday, October Nor'easter Staff 20, a film night will take place in the cultural exchange lounge, be­ UNE's annual Coming Out ginning at 7PM and will close out Weck began on Monday, Octo­ the week. ber 17 with the "Out and Allied As part of Coming Out Project Production." Coming Week, the University also of­ Out Week is an important event fered Safe Space Training on that UNE hosts each year to help Tuesday, October 18. This is one promote awareness and equality of the multiple opportunities the throughout campus. The events university affords to students to run through Thursday, October take the training. The training 20 and include a number of top­ presents students with curriculum ics. Coming Out Week is based that helps them to become pro­ on National Coming Out Day, viders of a "safe space" to others which is October 11. Coming in their community. It helps to Out Week is hosted by the Of­ rid students of preexisting ideas fice of Multicultural Affairs and and informs them on how to be Diversity, but many other depart­ sensitive to current issues that ments and students help to col­ others may be dealing with. The laborate on events. training gives participants specific The event for Octover 19, tools they may need in order to be "Gues Who's Gay," will take supportive of the LGBTQcom­ place in the Campus Center munity. Those who complete the MPRs. Students who attend can training will receive a small card expect a game-show-like event in to display in their rooms, on a which the audience is able to ask window, or put on their door not­ panelists questions in attempt to ing that they have completed the dinator, says about Coming Out for who they are: a loving, caring, In addition, The Alliance, guess their identity. The objective training and they are now a safe Week: "Coming Out Week is an resilient community that is only UNE's LGBTQgroup on cam­ of thi event is to help UNE stu­ space and available to others. This opportunity for everyone to gain asking for recognition and ac­ pus, will be decorating campus dents become aware of per onal helps many UNE students feel a better appreciation not only for ceptance. Through the programs with encouraging messages as a tereotypes they may hold without that there is a support system in individuals from the LGBT com- we have scheduled, we believe part of the Coming Out Week realizing or acknowledging them. place if they were to need it at any munity, but also the world we in- the sensations of togetherness events. The Alliance is a resource It will al o help create a com­ point. habit. As the theme suggests, we and understanding can grow and for all LGBTQstudents at UNE munity that is able to look pa t Jonathan Osborne, newly want people to look 'Beyond the mature here at UNE and foster a as well as allies. tereotypical exual and gender appointed Multicultural Coor- Reflection' society has erected to welcoming environment for ev­ marginalize a group and see them ervone on campus." NEW: FEATURES: SPORTS: OPINIONS: Article continued, page 2-3 StaffSpoilight, page 4 Women's Soccer, page 10 Seville Student Interview, page 5 Mediocrity, page 16 Occupy Wall treet, page 2 Men's Cross Country, page 10 Scrivs and Diva, page 6 Women's Cross Country, page 11 Voices in the Crowd, page 17 • E ecurity Blotter, page3 Darndest page 7 Things, Intramural Player, page 11 Who is the 99%?, page 17 2 NEWS NOR'EASTER NEWS WEDNESDAY, OCTOBER 19, 2011 \ UniversityofNew England University Health Care and SMMC Partner to whats a? Expand Healthcare in Saco w:th the BY AUBREYWHITE clinic for those in need of minor Medical Center located in Port­ can now provide that relationship Nor'easter Staff medical care. This is the first ever land, this is the first major step in as well as the best possible care. walk-in clinic in the area where providing care locally to the areas According to the most re­ Weather? Effective December 31,2011, no appointment is needed to get surrounding Biddeford, including cent press release on September the University Health Care clinic basic medical care. Saco, Scarborough, and Old Or­ 27, 2011, many of the university's located at 655 US Route 1 in Saco In addition to all of these chard Beach. administrators had only positive TODAY will expand to include physicians services being newly accessible What will happen to the comments on this collaboration. affiliated with the Southern to residents of the Saco area, residents who are already patients It is a two-fold benefit, in which Mainly cloudy and Maine Medical Center in Bidd­ SMMC PrimeCare physicians of the University Health Care the community receives better rainy. Highs in the eford. The announcement of the will be collaborating with the clinic? Current University Health health care through a more lo­ low 60s and lows in plans to expand came recently, University's College of Osteo­ Care patients who see providers calized clinic site, and the medi­ the mid 50s. although there has been talk for pathic Medicine to provide ad­ at the Saco office will experience cal students of UNECOM can many months. The partnership ditional academic faculty support no disruption and will continue to partner with many more profes­ TOMORROW between the University of New and enhanced clinical opportuni­ receive the best possible health­ sionals on their way to becoming Partly cloudy. Highs England (UNE) and Southern ties for the University's medical care, as University Health Care a physician. Even more changes in the low 60s and Maine Medical Center (SMMC) students. The University of New physicians and staff will continue will occur throughout the process, lows in the mid 40s. will be beneficial to all those in­ England College of Osteopathic at that site as SMMC PrimeCare as SMMC PrimeCare plans to volved. Medicine, located in Biddeford, is services. Patients of Saco's Uni­ renovate the Saco· office space to What does this mean for the Maine's leading supplier of physi­ versity Health Care will receive accommodate additional physi­ WEEKEND FORECAST Saco community? In a nutshell, cians, with greater than 60% prac­ mailed notification of the transi­ cian offices, diagnostic x-ray ser­ Friday the office will become a suite ticing in primary care, a field that tion to SMMC PrimeCare facili­ vices, and the Walk-in Clinic.
Load more

Recommended publications
  • Music from a Darkened Room
    DELTA GREEN-MUSIC FROM A DARKENED ROOM DENNIS DETWILLER Music from a Darkened Room A DELTA GREEN INVESTIGATION FOR 1 TO 4 AGENTS Wherein the Agents learn some threats are more tangible than others... BY DENNIS DETWILLER laces, like people, sometimes P go wrong. They turn off the The House on Spooner path and head into the shadows; Avenue becoming something other than Spooner Avenue is a quiet street normal. Black places filled with that can be set in any suburban BREAKDOWN OF INTEL blank rooms, closed doors and location in the United States. empty hallways lined with dust. 1206 Spooner Avenue is a small 1 THE HOUSE ON SPOONER AVENUE ! In these places your voice house, originally built in 1907, 2 THE AGENTS ARRIVE catches in your throat, the air and amended with additional 3 WHAT’S GOING ON AT 1206 SPOONER seems to hum and things hap- construction in the 1940’s. It’s not 4 TRAILS pen. People get hurt, objects van- pretty or ugly; it’s just plain. Few 4 1206 SPOONER — THE EXTERIOR ish. Bad feelings flow like the notice anything past the vibrant 4 INSIDE 1206 SPOONER loose tap in the bathroom and growth of ivy that scales the 4 THE COUNTY SEAT hate hangs in the air like old north side of the building. It is 8 SHUT DOORS, CLOSED SHADES paint. It smells of time and cir- wholly unremarkable in appear- 8 THE LUCKY FEW cumstance and something just a ance. But the neighbors are not 10 BREAK OUT THE BADGES little beyond the world.
    [Show full text]
  • Fitter and Faster Ep 14 Mixdown
    Fitter and Faster: Ep 14 - Indoor Cycling Emma-Kate: Welcome to Fitter and Faster. My name is Emma-Kate Lidbury, your host and managing editor here at Triathlete Magazine. Each month on Fitter and Faster, we tackle one triathlon training topic in-depth. Giving you everything you need to know. This month with winter training in full effect, and many of us stuck inside, we're talking all things indoor cycling. What are the pros and cons of indoor riding? How can it help your training and how has indoor riding changed in recent years? After we’ve covered some of the basics, we'll be joined later in the episode by pro athlete and Ironman champion Meredith Kessler, who's been crushing it on Zwift racing scene lately. We'll get her insights from an athlete's perspective about making the most of your training indoors, her preferred setup, and her tips for Zwift racing. Plus we'll have our senior editor and resident gear guru Chris Foster joining us to get you set up with all the gear you need from smart trainers to fans to rolling tables and plenty more. All of that after this short break… __ OK, so riding inside! it's something that until fairly recently, we only did because of adverse weather or because you needed to squeeze in a workout after a long day at the office, but the rise of programs like Zwift and Rouvy and the huge tech advances in indoor trainers has us looking at indoor riding in a whole new light.
    [Show full text]
  • T H E L a W R E N T I a N Law Rence Key in a P Ril 6 Election
    T H E LAWRENTIAN VOL. XCVII NO. 13 LAWRENCE UNIVERSITY. APPLETON, WISCONSIN 54911 FRIDAY. APRIL 2. 1982 Lawrence key in A pril 6 election by Ted Franti too many voters, others too Utschig, Swanson says Holmes have ‘‘slight impact on the tax ‘‘ludricrous.” Jan Holmes, former Social few. Consequently, the Alder­ is ‘‘completely wrong”. Swan­ rate; not more than 30 dollars Says 4th Ward Alderman Studies teacher at Appleton man is suing the county and ci­ son says that all necessary pro­ per year. Running added that Dan Balliet, ‘‘there’s a power East High School and daughter ty in an effort to change the cedures for redistricting were payments from residents would group against Tony”. He says of two Lawrence graduates, is districting that the City Coun­ followed. last only for the first few years that Holmes is closely running for alderman in <5ur 2 nd cil and County Board enacted. The main proposal for of the program schedule. Runn­ associated with the City Hall. Ward. She says that downtown Of the redistricting, Holmes downtown redevelopment that ing says that increased tax He favors unaffiliated issues helped her decide to run. said, “I can live with it.” has been before the City Coun­ Anthony Utschig, presently Mr. Utschig offered three cil in the last two years is the conflicting plans for redistric­ the 11th Ward Alderman, is issue of tax incremental financ­ “Students rarely have the opportunity to make a difference ting to the County Board, City ing. (While the City is suing to running against Holmes for the in their institution while they are in it Holmes says the elec­ 2nd Ward seat.
    [Show full text]
  • Family Album
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-15-2009 Family Album Mary Elizabeth Bowen University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Bowen, Mary Elizabeth, "Family Album" (2009). University of New Orleans Theses and Dissertations. 909. https://scholarworks.uno.edu/td/909 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Family Album A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by Mary Elizabeth (Missy) Bowen B.A., Grinnell College, 1981 May, 2009 © 2009, Mary Elizabeth (Missy) Bowen ii Table of Contents Abstract .........................................................................................................................................
    [Show full text]
  • Leaves of Grass
    Leaves of Grass by Walt Whitman AN ELECTRONIC CLASSICS SERIES PUBLICATION Leaves of Grass by Walt Whitman is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any pur- pose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. Leaves of Grass by Walt Whitman, The Electronic Clas- sics Series, Jim Manis, Editor, PSU-Hazleton, Hazleton, PA 18202 is a Portable Document File produced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Depart- ment of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages are not copyrighted within the United States; however, the fonts used may be. Cover Design: Jim Manis; image: Walt Whitman, age 37, frontispiece to Leaves of Grass, Fulton St., Brooklyn, N.Y., steel engraving by Samuel Hollyer from a lost da- guerreotype by Gabriel Harrison. Copyright © 2007 - 2013 The Pennsylvania State University is an equal opportunity university. Walt Whitman Contents LEAVES OF GRASS ............................................................... 13 BOOK I. INSCRIPTIONS..................................................... 14 One’s-Self I Sing .......................................................................................... 14 As I Ponder’d in Silence...............................................................................
    [Show full text]
  • Arnett Kathryn Comps Final Draft
    1 Kathryn Arnett Honors Senior Comps American Studies April 15, 2015 “Music in Our Hearts, Not Music in the Charts”: An Analysis of the Contemporary Electronic Dance Music Scene A room drips with sweat as hundreds of young people in bright colors dance sporadically to blaringly loud electronic music. Most are on MDMA, the amphetamine drug that produces feelings of empathy and increases tactile and auditory sensation. The disc jockey spins house music at 128 beats per minute, and as the bass pulsates through the room, the normal boundaries between self, other, music, and space dissolve into a euphoric oneness. This scene could accurately describe a rave during the scene’s fruition in the United States in the early 1990s, or it could describe an electronic dance music event held today, in 2015. However, it is virtually unarguable that there has been a drastic change since the rave scene’s glory days of the 1990s, mainly due to commercialization and subsequent expansion (Anderson 319). The contemporary scene is now known as the scope of events that play electronic dance music, or EDM, and raves are a thing of the past. Many argue the change represents a disintegration and corruption of a significant subcultural scene grounded in the unique and anti-American ideals of PLUR: Peace, Love, Unity, and Respect (Anderson 319; Romero). As electronic dance music, or EDM, comes to connote big room house played by celebrity artists in multi-million-dollar-grossing Las Vegas clubs, musical legends and old ravers alike decry the mainstreaming a scene they knew as authentic and creative (Jarvis; Various interviews).
    [Show full text]
  • The Glass Castle: a Memoir
    The Glass Castle A Memoir Jeannette Walls SCRIBNER New York London Toronto Sydney Acknowledgments I©d like to thank my brother, Brian, for standing by me when we were growing up and while I wrote this. I©m also grateful to my mother for believing in art and truth and for supporting the idea of the book; to my brilliant and talented older sister, Lori, for coming around to it; and to my younger sister, Maureen, whom I will always love. And to my father, Rex S. Walls, for dreaming all those big dreams. Very special thanks also to my agent, Jennifer Rudolph Walsh, for her compassion, wit, tenacity, and enthusiastic support; to my editor, Nan Graham, for her keen sense of how much is enough and for caring so deeply; and to Alexis Gargagliano for her thoughtful and sensitive readings. My gratitude for their early and constant support goes to Jay and Betsy Taylor, Laurie Peck, Cynthia and David Young, Amy and Jim Scully, Ashley Pearson, Dan Mathews, Susan Watson, and Jessica Taylor and Alex Guerrios. I can never adequately thank my husband, John Taylor, who persuaded me it was time to tell my story and then pulled it out of me. Dark is a way and light is a place, Heaven that never was Nor will be ever is always true ÐDylan Thomas, "Poem on His Birthday" I A WOMAN ON THE STREET I WAS SITTING IN a taxi, wondering if I had overdressed for the evening, when I looked out the window and saw Mom rooting through a Dumpster.
    [Show full text]
  • Discorder April 200 1 That Fluffy Tailed Magazine from Citr 101.9 Fm
    DISCORDER APRIL 200 1 THAT FLUFFY TAILED MAGAZINE FROM CITR 101.9 FM WEIGHTS & MEASURES • ANION TOBIN • FROG EYES • KIA KADIRI SOLARBABY • LADYTRON • CANNED HAMM DIARY i— t^n\jr g MO INJ -IT TOUR DE with special guests I Tickets Available At I I ucHotmaaror | At Richards on Richards j (604) 280-4444 f 1036 Richards St. AND ONE BASSIX Vancouver, BC IIMM* h*£ 217 W. Hastings & Landscape Body Machine (604) 689 - 7734 Doors at 8 pm *MP Jr? ?f J ROC CATCH'EM WFJ ©THE COMMODORE SATURDAY APRIL 28TH, NOISE CONSPIRACY R0CK1T FROM THE CRYJPJL JHE (I NTERNATIONAl) NOISE CONSPIRACY ^GROUP SOUNDS" "SURVIVAL SICKNESS" RES QVAGRANT > WATER STREET VANCOUVER CANADA Events at a glance: heavily sedated: Barbara Andersen frffi#lffffi in training: Lyndsay Sung kia kadiri by hancunt p. 12 ad rep: DJ Z-TRIP @ CROSSFADE FRIDAYS solarbaby by spike p. 13 Maren Hancock art directrix: frog eyes by jay aouillara p. 14 Lori Kiessling ladytron by Christine gfroerer p. 15 assistant art director: amon tobin by luke meat and robert robot p. 16 Matt Searcey THURSDAY APRIL 19 weights and measures by lia kiessling p. 17 producfion mananger: Christa Min MARQUES WYATT canned hamm tour diary by little hamm p. 19 photo editor: Ann Goncalves real live action editor: STRICTLY RHYTHM, KING STREET i... _ Steve DiPasquale •fe AmaHnrl* "Hn.iR« Music" On YOSHITOSHI, layout: interview hell p. 5 Russ "Switch" Davidson, Farah Dharshi, Lori, Matt Searcy, Tara 7" p. 6 Westover radio free press p. 7 photography and illustrations: SATURDAY APRIL 21 Hoi strut and fret p.
    [Show full text]
  • Early West Coast Jazz
    1 Index Early West Coast Jazz & 'Reb' spikes - 2 Bands in Los Angeles - 75 Garland - 19 New Orleans Musician on the West Coast - 77/78 More on 'Reb' - 21 Carey-78, Petit-91, Coycault-94, Garland-95 Jelly Roll - 33 Bios of Famous West coast Musicians - 103 Norskog & first Negro Jazz Record - 38 Clay-103, Howrd-125, Woodman-131, Anderson-134, Hightower-134 Johnny spikes - 59 Los Angeles Bands - 134 Adam 'Slocum" Mitchell - 66 Mosby & The Blueblowers-137, Mitchell-145 Black & Time Line of 'Reb' Spikes - 70 Tan Band-134, Sunnyland Jazz Band-16 Places in Los Angeles - 71 Joe Darrenbourg - 147 Bands in Los Angeles - 75 Photos - 153-185 2 Early West Coast Jazz and The Spike Brothers of Los Angeles And New Orleans Musicians “Any talk of jazz on the West Coast must bring to mind the activities of the famous Spikes Brothers, for indeed they were, for a long period, the hub around which everything revolved.” Thus wrote Ray MacNic in his article on ”Reb Spikes-Music Maker.” Reb Spikes (1888-1982) Reb Spikes was born October 31, 1888 in Dallas, Texas. He was the youngest child in a family with three brothers and two sisters (three other children died in childbirth). His mother’s name was Medora Kirby Spikes. His father’s name was Munroe Spikes. In about 1893 or 1894 there was an awful fire to the family house and the family moved into one of their rental houses. There was a white woman named Miss Augustine that taught music, coming weekly to teach at the Spikes’ house.
    [Show full text]
  • Strange Sounds Strange Sounds This Page Intentionally Left Blank Strange Sounds
    Strange Sounds Strange Sounds This page intentionally left blank Strange Sounds Music, Technology, &Oulture TIMOTHY D. TAYLOR ROUTLEDGE NEW YORK LONDON Published in 2001 by Routledge 270 Madison Ave, NewYorkNY 10016 Published in Great Britain by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Routledge is an imprint of the Taylor & Francis Group. Transferred to Digital Printing 2010 Copyright © 2001 by Routledge All rights reserved. No part of this book may be printed or reproduced or utilized in any form or by electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording or in any information storage or retrieval system, without permission in writing from the publisher. The publisher and author gratefully acknowledge permission to reprint the following: An earlier version of chapter 7 appeared as "Music at Home, Politics Afar" in Decomposition: Post-Dis­ ciplinary Performance, edited by Sue-Ellen Case, Philip Brett, and Susan Leigh Foster, © 2000 by Indiana University Press. Example 4.1, an exceprt from "Moon Moods," music by Harry Revel, © 1946, reprinted by permission of Michael H. Goldsen, Inc., and William C. Schulman. Figure 4.5 used courtesy of Capitol Records, Inc. Figure 7.2 and figure 7.3 reprinted by permission of Geert-Jan Hobijn. Figure 8.1 and figure 8.2 reprinted by permission of Synthetic Sa:dhus. Figure 8.3, figure 8.4, and figure 8.5 reprinted by permission of Tsunami Enterprises, Inc. Cataloguing-in-Publication Data is available from the Library of Congress. ISBN 0-415-93683-7 (hbk.) - ISBN 0-415-93684-5 (pbk.) Publisher's Note The publisher has gone to great lengths to ensure the quality of this reprint but points out that some imperfections in the original may be apparent.
    [Show full text]
  • Playnetwork Business Mixes
    PlayNetwork Business Mixes ERA: Classic DESCRIPTION: All tempos and styles that had hits during the heyday of the 50's and into the early 60's, including some country as well. REPRESENTATIVE ARTISTS: Elvis, Fats Domino, Steve Lawrence, Brenda Lee, Dinah Washington, Frankie Valli and the Four Seasons, Chubby Checker, The Impressions APPEAL: People who can remember and appreciate the major musical moments from this era. FEEL: All tempos MARKETING STRATEGY: Hamburger/Soda Fountain themed cafes, period themed establishments, bars, pizza establishments, and clothing stores. COMPATIBLE MUSIC STYLES: Jukebox classics, Chicago, Doobie Brothers, Brothers Johnson, Alan Parsons Project, Jim Croce, Joni Mitchell, Sugarloaf, Steely Dan, Earth Wind & Fire, Paul Simon, Crosby, Stills Nash, Creedence Clearwater Revival, Average White Band, Bachman, Turner Overdrive, Electric Light Orchestra, Fleetwood Mac, Guess Who, Billy ERA: Classic Joel, Jefferson Starship, Steve Miller Band, Carly DESCRIPTION: Good-time pop and rock legends Simon, K. C & The Sunshine Band, Van Morrison. FEEL: A warm blanket of familiar music that helped marked the end of an era. All solid hits and quality define the analog sound of the 70s including the album cuts so vital to this period. one hit wonders and the best known singer- REPRESENTATIVE ARTISTS: Three Dog Night, songwriters and bands of the decade. Supremes, Badfinger, Simon & Garfunkel, Herb Alpert APPEAL: Wide appeal to boomers and lovers of & the Tijuana Brass, Beach Boys, Animals, Chicago, iconic pop, rock and oldies. Byrds, Creedence Clearwater Revival, Neil Diamond, MARKETING STRATEGY: Period-themed, fast Donovan, Four Tops, Aretha Franklin, Grass Roots casual dining, burger & brew, pizza, lunchtime almost FEEL: A feel-good mixed tempo and energy with a anywhere.
    [Show full text]
  • Film Music and Film Genre
    Film Music and Film Genre Mark Brownrigg A thesis submitted for the degree of Doctor of Philosophy University of Stirling April 2003 FILM MUSIC AND FILM GENRE CONTENTS Page Abstract Acknowledgments 11 Chapter One: IntroductionIntroduction, Literature Review and Methodology 1 LiteratureFilm Review Music and Genre 3 MethodologyGenre and Film Music 15 10 Chapter Two: Film Music: Form and Function TheIntroduction Link with Romanticism 22 24 The Silent Film and Beyond 26 FilmTheConclusion Function Music of Film Form Music 3733 29 Chapter Three: IntroductionFilm Music and Film Genre 38 FilmProblems and of Genre Classification Theory 4341 FilmAltman Music and Genre and GenreTheory 4945 ConclusionOpening Titles and Generic Location 61 52 Chapter Four: IntroductionMusic and the Western 62 The Western and American Identity: the Influence of Aaron Copland 63 Folk Music, Religious Music and Popular Song 66 The SingingWest Cowboy, the Guitar and other Instruments 73 Evocative of the "Indian""Westering" Music 7977 CavalryNative and American Civil War WesternsMusic 84 86 PastoralDown andMexico Family Westerns Way 89 90 Chapter Four contd.: The Spaghetti Western 95 "Revisionist" Westerns 99 The "Post - Western" 103 "Modern-Day" Westerns 107 Impact on Films in other Genres 110 Conclusion 111 Chapter Five: Music and the Horror Film Introduction 112 Tonality/Atonality 115 An Assault on Pitch 118 Regular Use of Discord 119 Fragmentation 121 Chromaticism 122 The A voidance of Melody 123 Tessitura in extremis and Unorthodox Playing Techniques 124 Pedal Point
    [Show full text]