218 ACCOUNTANT PROFILE IN THE CINEMA OF THE 21ST CENTURY PERFIL DO CONTADOR NO CINEMA DO SÉCULO XXI PERFIL DEL CONTADOR EN EL CINEMA DEL SIGLO XXI DOI: http://dx.doi.org/10.18028/2238-5320/ rgfc.v7n2p218-239 Joyce Dominic Alves Tavares Graduada em Ciências Contábeis (UFRN) Endereço: Rua Luiz XV, 287 – Bairro Nordeste 59.042-140 – Natal/RN, Brasil Email:
[email protected] Marke Geisy da Silva Dantas Mestre em Ciências Contábeis (UnB, UFPB, UFRN) Professor Substituto da Universidade Federal do Rio Grande do Norte (UFRN) Endereço: Avenida Governador Rafael Fernandes, 930 – Alecrim 59.040-040 – Natal/RN, Brasil Email:
[email protected] ABSTRACT This study aims to analyse the portrayed image of the accounting professional in the cinematographic production of the 21st century. Six movies were chosen for this analysis: Casino Royale, Wanted, The Dark Knight, RocknRolla, Too Big to Fail and The Accountant. The results indicate that some stereotypes remain linear in relation to previous studies. The demystification of some stereotypes is already being made in film production, as it is also noticeable that the accountant characters have more performances in the films. In general, considering the movies in this analysis, the accountants were portrayed in a positive way. However, some features are still represented negatively. In the movies, the professional was characterized as neutral (not exactly good or bad), peaceful, unhappy, neutral (not exactly cheerful or grumpy), intelligent, efficient, fulfilled, confident, trustworthy, incommunicative, influential and proactive. This research brings to light the accountants presented in the films, contributing to the public and society views of how accountants really behave.