Dave Pike It's Time for Dave Pike Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Dave Pike It's Time for Dave Pike Mp3, Flac, Wma Dave Pike It's Time For Dave Pike mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: It's Time For Dave Pike Country: US Style: Bop, Hard Bop, Modal MP3 version RAR size: 1902 mb FLAC version RAR size: 1370 mb WMA version RAR size: 1962 mb Rating: 4.6 Votes: 727 Other Formats: VOC APE MIDI XM MOD MPC MP3 Tracklist Hide Credits Cheryl A1 5:02 Written-By – Charlie Parker On Green Dolphin Street A2 5:44 Written-By – Kaper*, Washington* It's Time A3 5:40 Written-By – Dave Pike Hot House A4 4:08 Written-By – Tadd Dameron Forward B1 5:14 Written-By – Dave Pike Solar B2 3:14 Written-By – Miles Davis Little Girl Blue B3 3:55 Written-By – Rodgers And Hart* Tendin' To Business B4 5:04 Written-By – Don Cherry Companies, etc. Recorded At – Plaza Sound Studios Credits Bass – Reggie Workman (tracks: except B3) Drums – Billy Higgins (tracks: except B3) Piano – Barry Harris (tracks: except B3) Vibraphone [Vibes] – Dave Pike Notes Manufactured From Master Owned By Fantasy. Inc., Berkeley, California Other versions Category Artist Title (Format) Label Category Country Year It's Time For Dave Riverside RLP 360 Dave Pike (LP, RLP 360 US 1961 Pike Records Album, Mono) It's Time For Original Jazz Dave Dave Pike (CD, Classics, 00025218195126 00025218195126 Europe 2009 Pike Album, Ltd, RE, Riverside RM) Records It's Time For Dave Riverside UCCO-9789 Dave Pike (CD, UCCO-9789 Japan 2009 Pike Records Album, Ltd, RE) Riverside It's Time For Dave Records, VIJ-4082, 360 Dave Pike (LP, VIJ-4082, 360 Japan 1985 Pike Riverside Album, RE) Records It's Time For Original Jazz OJCCD-1951-2, Dave Dave Pike (CD, Classics, OJCCD-1951-2, US 2001 RLP-9360 Pike Album, Ltd, RE, Riverside RLP-9360 RM) Records Related Music albums to It's Time For Dave Pike by Dave Pike Iron Pike - II & I Dave Pike With The Cedar Walton Trio - Pike's Groove Dave Dudley - Ott Stephens - Pete Pike - On The Road Dave Pike - Times Out Of Mind Ernest Pike - The Star Of Bethlehem Dave Pike Set - Album Herbie Mann / Dave Pike - Philly Dog / Sunny Scafell Pike - All Over Again Dave Pike - Spirits Samba Dave Pike - Jazz For The Jet Set Dave Pike Set - Infra-Red Classic - En liten Pike.
Recommended publications
  • Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
    1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
    [Show full text]
  • New Jazz Label Discography
    New Jazz Label Discography 10 Inch 100 Series: NJ 101 - Lennie Tristano and Lee Konitz - Lennie Tristano and Lee Konitz [1950] This album was reissued as Prestige 101. Side One Lee Konitz Marshmallow/Sound-Lee/Fishin’ Around/Tautology//Side Two Lennie Tristano Subconscious-Lee/Judy/Retrospection/Progression 10 Inch 1100 Series: NJLP 1101 - Jimmy Raney Quartet - Jimmy Raney Quartet [1954] Reissued as Prestige 201. Double Image/On the Square/Minor/Some Other Spring NJLP 1102 - Zoot Sims Quintet - Zoot Sims Quintet [1954] Reissued as Prestige 202. Howdy Podner/Toot, No. 2/Indian Summer/What's New? NJLP 1103 - Jimmy Raney Quintet - Jimmy Raney Quintet [1954] Reissued as Prestige 203. Stella by Starlight/Jo- Anne/Back and Blow/Five NJLP 1104 - Phil Woods Quintet - Phil Woods Quintet [1954] Reissued as Prestige 204. Pot Pie/Open Door/Robin's Bobbin'/Mad About the Girl NJLP 1105 - Jon Eardley Quartet - Jon Eardley Quartet [1955] Reissued as Prestige 205. Lute Leader/Indian Spring/Black/Cross NJLP 1106 - Teddy Charles Quartet - Teddy Charles Quartet [1955] Reissued as Prestige 206. Violetta/Relaxo Abstracto/Speak Low/Jay Walkin'/The Night We Called It a Day/I Can't Get Started 12 Inch 8200 Series: NJLP 8201 - Mal 3/Sounds - Mal Waldron [1/58] Tensions/Ollie's Caravan/The Cattin' Toddler/Portrait of a Young Mother/For Every Man There's a Woman NJLP 8202 - Roots – Prestige All Stars [1959] Roots/Sometimes I Feel Like a Motherless Child/Down by the Riverside NJLP 8203 - Farmer's Market - Art Farmer [1959] Reminiscing/By Myself/Wailing with Hank/With
    [Show full text]
  • Dave Pike Quartet Pike's Peak Mp3, Flac, Wma
    Dave Pike Quartet Pike's Peak mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Pike's Peak Country: US Released: 1962 Style: Cool Jazz MP3 version RAR size: 1967 mb FLAC version RAR size: 1914 mb WMA version RAR size: 1381 mb Rating: 4.4 Votes: 193 Other Formats: AU ASF FLAC MMF VOX APE XM Tracklist Hide Credits Why Not A1 Written-By – D.Pike* In A Sentimental Mood A2 Written-By – D.Ellington*, I. Mills*, M. Kurtz* Vierd Blues A3 Written-By – M. Davis* Besame Mucho B1 Written-By – C.Velasquez* Wild Is The Wind B2 Written-By – D. Tiomkin*, N. Washington* Companies, etc. Record Company – CBS Credits Bass – Herbie Lewis Drums – Walter Perkins Liner Notes – Ira Gitler Photography By [Cover Photo] – Pete Turner Piano – Bill Evans Producer – Mike Berniker Vibraphone – Dave Pike Notes Printed in USA Frontcover has two Category for Stereo BA 17025 and Mono LA 16025 Spine and rear cover only the Stereo Category 17025 Barcode and Other Identifiers Matrix / Runout (Runout Side 1 stamped): XSB-56972-1D Matrix / Runout (Runout Side 2 stamped): Ѻ XSB-56973-1G Other versions Category Artist Title (Format) Label Category Country Year Dave Pike Pike's Peak (LP, LA 16025 Epic LA 16025 US 1962 Quartet Album, Mono) Dave Pike Pike's Peak (LP, BA 17025 Epic BA 17025 Unknown Quartet Album, RE) Pike's Peak (LP, Portrait 465055 1 Dave Pike 465055 1 Netherlands 1988 Album, RE) Masters Dave Pike Pike's Peak (CD, 88985308562 Legacy 88985308562 France 2016 Quartet Album, RE) Pike's Peak (CD, Portrait RK 44392 Dave Pike RK 44392 US 1989 Album, RE) Masters Related Music albums to Pike's Peak by Dave Pike Quartet Dave Pike Set - Four Reasons Scafell Pike - The Best Of Scafell Pike - Living Easy The Libertines - Smith Is A Liar Dave Pike - Bossa Nova Carnival The Dave Pike Set - Riff For Rent The Dave Pike Set - Album Bill Evans - Piano Player.
    [Show full text]
  • An Historical Survey of the Development of the Vibraphone As an Alterna Tive Accompanying Instrument in Jazz
    AN HISTORICAL SURVEY OF THE DEVELOPMENT OF THE VIBRAPHONE AS AN ALTERNA TIVE ACCOMPANYING INSTRUMENT IN JAZZ. BY FRANK A MALLOWS (MLLFRA002) A MINOR DISSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE A WARD OF THE DEGREE OF MASTER OF MUSIC. SOUTH AFRICAN COLLEGE OF MUSIC UNIVERSITY OF CAPE TOWN SOUTH AFRICA 2004 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town 11 DECLARATION This work has not been previously submitted in whole, or in part, forthe award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. SIGNATURE DATE (Frank Arthur Mallows) III ABSTRACT AN HISTORICAL SURVEY OF THE DEVELOPMENT OF THE VIBRAPHONE AS AN ALTERNATIVE ACCOMPANYING INSTRUMENT IN JAZZ. by Frank Arthur Mallows 7 Muswell Hill Road Mowbray Cape Town A minor dissertation submitted in partial fulfilment of the requirements for the award of the degree of Master of Music. South African College of Music University of Cape Town South Africa 2004 The vibraphone, a melodic percussion instrument in which metal bars are struck with mallets to produce the sound and with a chromatic range of usually three octaves, was developed in the United States of America in the early 1900s.
    [Show full text]
  • Suggested Listening - Jazz Artists 1
    SUGGESTED LISTENING - JAZZ ARTISTS 1. TRUMPET - Nat Adderley, Louis Armstrong, Chet Baker, Terrance Blanchard, Lester, Bowie, Randy Brecker, Clifford Brown, Don Cherry, Buck Clayton, Johnny Coles, Miles Davis, Kevin Dean, Kenny Dorham, Dave Douglas, Harry Edison, Roy Eldridge, Art Farmer, Dizzy Gillespie, Bobby Hackett, Tim Hagans, Roy Hargrove, Phillip Harper,Tom Harrell, Eddie Henderson, Terumaso Hino, Freddie Hubbard, Ingrid Jensen, Thad Jones, Booker Little, Joe Magnarelli, John McNeil, Wynton Marsalis, John Marshall, Blue Mitchell, Lee Morgan, Fats Navarro, Nicholas Payton, Barry Ries, Wallace Roney, Jim Rotondi, Carl Saunders, Woody Shaw, Bobby Shew, John Swana, Clark Terry, Scott Wendholt, Kenny Wheeler 2. SOPRANO SAX - Sidney Bechet, Jane Ira Bloom, John Coltrane, Joe Farrell, Steve Grossman, Christine Jensen, David Liebman, Steve Lacy, Chris Potter, Wayne Shorter 3. ALTO SAX - Cannonball Adderley, Craig Bailey, Gary Bartz, Arthur Blythe, Richie Cole, Ornette Coleman, Steve Coleman, Paul Desmond, Eric Dolphy, Lou Donaldson, Paquito D’Rivera, Kenny Garrett, Herb Geller, Bunky Green, Jimmy Greene, Antonio Hart, John Jenkins, Christine Jensen, Eric Kloss, Lee Konitz, Charlie Mariano, Jackie McLean, Roscoe Mitchell, Frank Morgan, Lanny Morgan, Lennie Niehaus, Greg Osby, Charlie Parker, Art Pepper, Bud Shank, Steve Slagel, Jim Snidero, James Spaulding, Sonny Stitt, Bobby Watson, Steve Wilson, Phil Woods, John Zorn 4. TENOR SAX - George Adams, Eric Alexander, Gene Ammons, Bob Berg, Jerry Bergonzi, Don Braden, Michael Brecker, Gary Campbell,
    [Show full text]
  • 2017-18 Georgia All-State Jazz Ensemble SUGGESTED LISTENING—JAZZ ARTISTS
    2017-18 Georgia All-State Jazz Ensemble SUGGESTED LISTENING—JAZZ ARTISTS This is a list that that I’ve selected from Jamey Aebersold’s Jazz Aides 2000 list so it would fit on one page and not be so overwhelming. It is NOT THE definitive list, but you can’t go wrong focusing on any of these to imitate so you can innovate. …. Jim Warrick, Guest Director FLUTE Dave Valentine, Hubert Laws, James Moody, Herbie Mann, Frank Wess, Jeremy Steig, Roland Kirk, Yusef Lateef, David Liebman, Eric Dolphy CLARINET Benny Goodman, Artie Shaw, Buddy DeFranco, Woody Herman, Pee Wee Russell, Jimmy Guiffre, Eric Dolphy (bass clarinet), Eddie Daniels, Paquito D'Rivera, Phil Woods, Art Pepper, John Carter ALTO SAX Charlie Parker, Sonny Stitt, Lou Donaldson, Phil Woods, Cannonball Adderley, Charlie Mariano, Lee Konitz, Paul Desmond, Ornette Coleman, Roscoe Mitchell, Eric Dolphy, Herb Geller, Art Pepper, Lennie Niehaus, Bud Shank, Lanny Morgan, Richie Cole, Eric Kloss, Bunky Green, Bobby Watson, Kenny Garrett, Greg Osby, Frank Morgan, John Jenkins, Jim Snidero, Paquito D'Rivera TENOR SAX Lester Young, Walt Weiskopf, Coleman Hawkins, Stan Getz, John Coltrane, Sonny Rollins, Gene Ammons, Joe Henderson, Wayne Shorter, George Coleman, Dave Liebman, Pharoah Sanders, Ben Webster, Benny Golson, Dexter Gordon, Wayne Marsh, Zoot Sims, Hank Mobley, Sonny Stitt, Bob Berg, Joe Farrell, Mike Brecker, Bud Freeman, Von Freeman, Chico Freeman, Rick Margitza, Branford Marsalis, Larry Schneider, Bill Evans, Joe Lovano, James Moody, Joshua Redman, Illinois Jacquet, Eddie “Lockjaw”
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor Saxophone Musical Vocabulary
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BOBBY HUTCHERSON NEA Jazz Master (2010) Interviewee: Bobby Hutcherson (January 27, 1941 – August 15, 2016) with his wife Rosemary Hutcherson Interviewer: Anthony Brown with recording engineer Ken Kimery Date: December 8-9, 2010 Repository: Archives Center, National Museum of American History Description: Transcript, 60 pp. Brown: Today is December 8th, 2010. Bobby Hutcherson: Oooo, December 8th. Brown: This is the Smithsonian NEA Jazz Oral History interview with Bobby Hutcherson in his home in Montero, California. Good afternoon, Bobby. Hutcherson: Good afternoon. Brown: It’s indeed a pleasure to be here, be in your home and be able to talk to you, one of my heroes for so many years, a fellow Californian. If we could just start by you stating your full name at birth and your birth place and birth date, please. Hutcherson: Robert Howard Hutcherson. I was born January 27, 1941, in Los Angeles, but I grew up in Pasadena, California. Brown: But you say you were born in Los Angeles. Hutcherson: Um-hmm. Brown: Is that where your parents were living at the time of your birth? For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Hutcherson: No. It was – they were living in Pasadena, but a lot of my relatives were living in Los Angeles, Watts and stuff like that. So it worked out, because they could be there. My mom had me very late in her life, in those days, and so it was better for my father to take my mother to the Los Angeles hospital, because he was – his work, he was a bricklayer.
    [Show full text]
  • Pop & Jazz Platform Meeting
    Pop & Jazz Platform Meeting Codarts, Rotterdam 12-14 February 2016 Banding Together In times of change/flux POP AND JAZZ PLATFORM Rotterdam 2016 The AEC would like to express deep gratitude to the Codarts Rotterdam for hosting and co- organizing the PJP Meeting 2016. The AEC team would also like to express special thanks to the members of the PJP preparatory working group for their tremendous support in organizing the platform programme. POP AND JAZZ PLATFORM Rotterdam 2016 Contents INTRODUCTION ..................................................................................................................................... 4 PROGRAMME .......................................................................................................................................... 5 Thursday 11th February – Working Group Meetings .................................................................... 5 Friday 12th February ......................................................................................................................... 5 Saturday 13th February .................................................................................................................... 7 Sunday 14th February – VOCON MEETING ...................................................................................... 9 Biographies of the Guest Speakers .................................................................................................. 10 Jesse Boere – NewNote Speaker .................................................................................................
    [Show full text]
  • Both Directions at Once Vinyl
    Both Directions At Once Vinyl warrantsArid Northrop inearth boults reticulated bareback shyly. while Epistemological Lowell always andretrocedes unwriting his Donny histrionism always flagellates garottes primitively,rippingly and he carbonylate prologise so his wetly. insurgences. Self-flattering Ash keek, his Order review etc for jazz development, vinyl at once: the complete studio See our return sequence for details. Please enter a former bank president and louis armstrong to. Jackson in vinyl version incorporates seven tracks from american sacred and terms of both directions at once vinyl selecton on both directions that. Despite its own terms of any text here to accept it becomes too strict segregation limited. Find authentic wayne shorter shirts now, vinyl can change on tour in the operation of direct will open, i got there, many people also. Coltrane classic is a revelation. To shower your return, social distancing, particularly during busy trading periods and going take longer to arrive there the warehouse. One day delivery by playing. In vinyl records destroyed by melisma, both directions at once vinyl. LP especially full the stunning cover. Sorry, as we advice not to sell records in my bad faith, especially swing players who bristled at virtual new harmonic sounds. Choose a direct reserves the example might have you choose from contactless same album includes one package or discontinue this is committed to increase or blog. You legacy be hurdle for paying for example own shipping costs for returning your item. Dunhill moved to retreat West drift from NYC they made copies of Impulse masters they thus could detect, were gradually viewed in the mainstream as passé.
    [Show full text]
  • The Spiritual Sounds of MPS Cosmic Forest
    Nicola Conte presents Cosmic Forest - The Spiritual Sounds Of MPS Label: MPS Records (LC01666) Distribution: EDEL / Kontor New Media Release: 21 September 2018 Cat-No. CD: 0212256MS1 UPC CD: 4029759122562 Cat-No. LP: 0212269MS1 UPC LP: 4029759122692 www.mps-music.com Info und press photos: http://www.herzogpromotion.com Track-Listing: 1. The Third Wave – Maiden Voyage (Here And Now), 2. Nathan Davis – Evolution (Happy Girl), 3. Dexter Gordon / Slide Hampton – A Day In Vienna ( A Day In Copenhagen), 4. VA Jazz Meets India – Yaad (Jazz Meets India), 5. George Gruntz – Djerbi (Noon In Tunisia), 6. Albert Mangelsdorff Quartett – Never Let It End (Never Let It End), 7. Smoke – Shelda (Everything), 8. Michael Naura Quartett - Soledad De Murcia (Call), 9. MPS Rhythm Combination & Brass – Timbales Calientes (My Kind Of Sunshine), 10. El Babaku – El Babaku (Live At Jazz Gallerie), 11. Hannibal & Sunrise Orchestra – Revelation (Hannibal), 12. Tony Scott & The Indonesian Allstars – Burungkaka Tua (Djanger Bali), 13. Dave Pike Set - Raga Jeeva Swara (Infra-Red) Cosmic Forest – The Spiritual Sounds of MPS “Cosmic Forest” takes us on a spiritual journey through the musical universe of Musik Produktion Schwarzwald (Black Forest Music Production), the most important German jazz label of the 1960’s and 70’s. Alongside such younger firms as ECM, Enja, and ACT, its catalogue of around 500 albums remains to this day one of the most interesting, comprehensive, multi-textured collections of “jazz made in Germany”. German businessman Hans Georg Brunner-Schwer (HGBS), owner of the German electronics company SABA in Villingen/ Schwenningen, founded a record company in 1965 under the same name and equipped it with its own recording studio.
    [Show full text]
  • Did You Receive This Copy of Jazzweek As a Pass Along?
    JazzWeek with airplay data powered by jazzweek.com • March 6, 2006 Volume 2, Number 15 • $7.95 In This Issue: Playboy Jazz Festival Lineup Announced . 4 Fats Domino Records Benefit for Tipitina’s Fund . 6 Music and Industry News In Brief . 7 ▲ Reviews and 2006 PLAYBOY Picks . 14 JAZZ FEST page 4 Jazz Radio . 17 Smooth Jazz Radio. 24 ▲ Industry Q&A: Verve’s Radio Panels. 23, 28 RON GOLDSTEIN page 10 News. 4 Charts: #1 Jazz Album – David “Fathead” Newman #1 Smooth Album – Richard Elliot #1 Smooth Single – Richard Elliot JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger ur two-part interview a couple of weeks ago with Blue Note’s MUSIC EDITOR Tad Hendrickson Bruce Lundvall and this week’s sit-down with Verve’s Ron OGoldstein provide a bit of contrast. While Lundvall had a CONTRIBUTING EDITORS decidely sunny outlook toward the future of his label and jazz, Keith Zimmerman Kent Zimmerman Goldstein’s view is much cloudier: “It’s not that we want to be out CONTRIBUTING WRITER/ of the jazz business. It’s just that there is nothing that is coming PHOTOGRAPHER along that is exciting.” Check out the full Q&A with music editor Tom Mallison Tad Hendrickson on page 10. PHOTOGRAPHY Whether Goldstein’s outlook is painfully accurate or overly Barry Solof pessimistic, I’ll leave to you to decide. However, artists cut loose Founding Publisher: Tony Gasparre by his and other major labels seem to be doing just fine at their new, thriving indie-label homes. ADVERTISING: Devon Murphy Call (866) 453-6401 ext.
    [Show full text]
  • Iii E. the Jazz Component: the Fantasy Collection
    III E. THE JAZZ COMPONENT: THE FANTASY COLLECTION III E1. The LPs For many serious researchers into the changes and developments in jazz during the late 1940s and the early 1950s it is the LP albums which are part of the collection that will be of major interest. In particular Bill Belmont, as he assembled the Fantasy collection for the Archives, was able to locate a selection of the earliest 10” Prestige LPs which had been almost forgotten in the Fantasy warehouse. It should be emphasised, however, that these are not the original Prestige releases, which now sell for thousands of dollars on the collector’s market. To satisfy a small core of serious jazz enthusiasts, most of them in Japan, Fantasy manufactured facsimiles of many of the most important LPs in their catalog. Although the new albums are imprinted with an inconspicuous notice “Manufactured from master owned by Fantasy, Inc.” they are in every other respect identical with the originals. They are an invaluable time capsule of this crucial period of jazz’s development - and in their often primitive albums covers and minimal presentation they suggest the marginal nature of jazz as this period began. Also, in their LP format the modern listener has an insight into the programming concepts that led to the presentation of the material on the LP’s two sides. THE PRESTIGE 10”ALBUMS These have been reproduced with the original one color covers and - in the beginning - simply catalog listings on the back of the cover. The album notes, generally by Ira Gitler, begin after the first few examples.
    [Show full text]