The Aura of Colaura

Total Page:16

File Type:pdf, Size:1020Kb

The Aura of Colaura Demi-Permanent Conditioning Color Shade Chart Contributing N B V NC NW NR R RO NO O GO G The Aura of Colaura Pigment LEVELS Neutral Blue Violet Neutral Cool Neutral Warm Neutral Red Red Red Orange Neutral Orange Orange Gold Orange Gold brown + blue/violet brown + yellow/orange brown +orange EXTRA YELLOW APPLICATION TECHNIQUES LIGHT WHITE BLONDE 10 Service Instructions Hair Type/Processing Note Application Enhancing, changing 1. Start with dry, or damp clean hair. FINE HAIR: 5-10 mins. at If hair is porous, dilute with Sparkle LIGHT Technique or increasing color intensity Divide into 4 sections. room temperature Clear Gloss within your color YELLOW formulation. BLONDE 9 Toning Pre-lightened hair 2. Apply Colaura Demi-Permanent to NORMAL HAIR: 5-15 mins. re-growth, taking 1/4 inch partings. at room temperature Blending or coloring YELLOW MEDIUM gray hair 3. Apply and fully saturate mid-shaft and RESISTANT: 5-20 mins. ends. Process as directed. with plastic cap check ORANGE BLONDE 8 8G Promise RETOUCH coverage. If needed Warm Gold Retouching Colaura 4. Rinse, shampoo and condition. process an additional Demi-Permanent Color 5 mins. (heat optional) Coming ORANGE DARK Retouching gray hair BLONDE 7 7O Spunk Light Copper Refresh Refreshing mid-shaft 1. Shampoo hair twice with Organic ALL HAIR TYPES: 15 mins. and ends. Cleanse Shampoo. Divide into heat optional (heating will RED LIGHT Coming Coming Utilizing Colaura Semi- 4 sections. give a more intense color ORANGE BROWN 2. Apply Colaura Semi-Permanent from refreshing) 6 6NR Rapture 6R Rage 6RO Fury 6GO Solace Permanent Red Brown Deep Red Medium Red Orange Dark Golden Copper root to ends for full saturation. Color 3. Process as directed. ALL HAIR TYPES: process at 4. Emulsify rinse, shampoo and condition. room temperature 20 mins. RED MEDIUM BROWN 5 5N Calm 5O Vibe Correct Fill over-lightened hair Select the appropriate Colaura Demi Fill formulas should be approxi- demi Light Medium Brown Copper Permanent shade approximately one mately one level lighter than the Correct uneven, brassy or level lighter than the undertone of the desired color. RED DARK too vibrant results desired level. VIOLET BROWN Fill formulas must be warm. 4 4NW Essence 4G Unity Warm Brown Golden Brown Select appropriate tone and level to Example 8G Promise balance current results. Once completed apply your desired VIOLET DARKEST 3 shade, and process as normal. BROWN 3V Majestic 3NC Evolution 3NW Heritage 3NR Bliss 3NO Ambiance Deep Plum Darkest Brown Darkest Warm Brown Dark Red Brown Orange Brown GRAY COVERAGE FORMULATION & TIMING GUIDE BLUE NATURAL VIOLET BLACK 2 % of Gray/Timing Formulation Results 2NC Sanctuary Natural Black Gray 10-25% GRAY: 10-20 mins. with plastic cap Colaura Demi Levels 1-2 100% Coverage 10-20 mins. with plastic cap under a Coverage 50% GRAY: Colaura Semi Levels 1-2 BLUE BLACK preheated dryer, and 10-15 min. cool down Slight coverage with some 1 75% GRAY: N/A Or 1–1.5 levels darker than natural level blending 1B Secret 1NC Enigma Midnight Black Jet Black Gray 25% GRAY: 10-20 mins. without heat Colaura Demi Levels 3 and higher Blend gray hair so that the gray Blending 50% GRAY: 10-20 mins. with plastic cap (dryer optional) Or same level or lighter than natural level strands appear highlighted. aura intensifiers Violet Aura Red Aura Orange Aura Gold Aura 75% GRAY: 10-30 mins. with plastic cap (dryer optional) 9-10 Semi-Permanent Conditioning Color Refreshers YELLOW 8 N B V NC NW NR R RO NO O GO G YELLOW-ORANGE YELLOW-GREEN LEVELS Neutral Blue Violet Neutral Cool Neutral Warm Neutral Red Red Red Orange Neutral Orange Orange Gold Orange Gold brown + blue/violet brown + yellow/orange brown +orange 7 7 Harmony ORANGE GREEN Warm Gold 6 Chimera Copper 6 COLOR 5 Passion RED-ORANGE BLUE-GREEN Deep Red WHEEL 4 Earth Medium Brown 5 1 3 Precision Desire RED BLUE Dark Warm Brown Wine Brown semi 2 Masque Natural Black 4 2 RED-VIOLET BLUE-VIOLET 1 Domination Blue Black 3 VIOLET Swatches Client Consultation Mixing and processing Colaura Semi-Permanent Colaura Sparkle All swatches are full-strength formulas on level 10 hair. An essential element to any color service is to conduct Colaura Demi-Permanent Color is mixed in a 1:1 Ratio Colaura Semi-Permanent Color is a direct dye which Clear Gloss Colaura Demi-Permanent color, and Colaura Semi- a thorough consultation with the client. The following of Aura Energizer 5 or 8 Volume. Always mix in equal means there is no mixing involved. Standard timing is 25 Colaura Sparkle Clear Gloss is a high gloss clear demi Permanent color results will vary based on the level and factors are important to consider during the consultation: parts and use immediately. Standard timing is 5-20 minutes (dryer optional). For more intense results permanent that provides lasting shine and softness condition of hair to which it is applied. Minutes at room temperature. For longer lasting results process 25 minutes under a pre-heated dryer, without a I Texture can affect the color’s ability to penetrate to all hair types. It is ideal for clients who have lost their and excellent penetration on resistant hair process 15 plastic cap and allow 10 minutes cool down. natural sheen due to chemical services such as the hair shaft. Understanding the label minutes with plastic cap under a pre-heated warm Guidelines for gray hair. Relaxers, Permanent Wave, or over processed hair. I determines absorption and distribution of dryer. Remove cap and cool for 5 minutes. It may also be used to dilute any of the Demi- The level of deposit of Colaura Demi-Permanent Label Porosity color along the strand. Colaura Aura Intensifiers Permanent shades to create customized formulations Demi-Permanent color is HERITAGE described with the numbers 1, 2, DARKEST WARM BROWN Aura Energizer 8 Volume Colaura Aura Intensifiers is a concentrated pigment for your clients. 3NW I Elasticity helps decide if hair is strong enough to 3, 4, 5, 6, 7, and 8. The letters N, B, Utilize when hair is Resistant, Natural or Gray designed to be mixed into any formulation to add an Level 3 accept color. V, NC, NW, NR, R, RO, NO, O, GO, Neutral Warm intense color reflect. Available in four vibrant shades of Mixing is 1:1 ratio with the 5 volume Aura Energizer, and the processing time is 20 minutes at room temperature and G identify the 12 tonal fami- I Density helps determine the amount of product Aura Energizer 5 Volume Gold, Orange, Red, and Violet they allow for numerous Semi-Permanent Label with a plastic cap. lies. Colaura Semi-Permanent needed to cover all strands. Utilize on normal, chemically treated, and porous hair. combinations. Add desired Aura Intensifier shade as Color is described with first the PRECISION 25% of your formulation for best results. Processing time I dark brown I Chemical History must be examined closely. and developer choice will remain consistent to the name followed by the back- 3NW ground color then finally the level Level 3 Relaxers, Permanent Waving, previously color chart above. and tone. Neutral Warm treated hair, and Decolorizing will affect color McBride Research Laboratories Inc. selection and processing time. To insure accurate P.O. Box 360254 Decatur, GA 30035 S.A.M. results a strand test is recommended. 1(800) 535-8683 www.designessentials.com 6.5 - 7.0 pH range pH 7.0 - 6.5 I Wheat, Soy and Oat Amino Acids for conditioning for Acids Amino Oat and Soy Wheat, I Covers up to 50% gray and blends gray over 50% over gray blends and gray 50% to up Covers I Long lasting color color lasting Long I Easy to mix, no drip formula drip no mix, to Easy I vice vice ser chemical a as day same the used be Can I Perfect for all hair textures textures hair all for Perfect I FEATURES: esults. r lasting long Aura Energizer Developer provides vibrant, vibrant, provides Developer Energizer Aura that when combined in equal parts with Colaura with parts equal in combined when that ® Colaura manent Conditioning Color is a no lift, no ammonia conditioning color color conditioning ammonia no lift, no a is Color Conditioning manent Demi-Per ® demi Conditioning Hair Color Hair Conditioning Demi-Permanent Colaura ® maximum coverage. maximum sheen. It is recommended for use on resistant and gray hair for hair gray and resistant on use for recommended is It sheen. This developer creates longer lasting depth and incredible and depth lasting longer creates developer This Aura Energizer 8 Volume 8 Energizer Aura 9.0 – 9.5 pH range pH 9.5 – 9.0 I elaxed and otherwise chemically treated hair. treated chemically otherwise and elaxed ural, r ural, Hydrolyzed Silk conditioning system conditioning Silk Hydrolyzed I This developer creates vibrant shades and intense sheen on nat- on sheen intense and shades vibrant creates developer This Refreshes color treated hair treated color Refreshes I Aura Energizer 5 Volume 5 Energizer Aura Perfect for toning hair toning for Perfect I with Colaura with Demi-Permanent Conditioning Color. Conditioning Demi-Permanent Gives dull, drab hair vivid depth and dimensions and depth vivid hair drab dull, Gives I ® Colaura Aura Energizer should be combined in equal parts equal in combined be should Energizer Aura vice ser chemical a as day same the used be Can ® I FEATURES: depth and sheen that is safe to use on chemically treated hair. treated chemically on use to safe is that sheen and depth The combination creates rich color with long lasting long with color rich creates combination The .
Recommended publications
  • Paint Codes: 2014 - 2021 Crestliner Color Model Years Used Sierra Color PPG Color Match Codes
    2.2 Paint Codes: 2014 - 2021 Crestliner Color Model Years Used Sierra Color PPG Color Match Codes Metallic Clear Coat 2020-2021 n/a HSC941891 Bright White 2019-2021 n/a HSL912859 True Blue Metallic 2019-2021 n/a HSL951442 Fire Red Metallic 2019-2021 n/a HSL951440 Volt Green Metallic 2019-2020 n/a HSL952273 Gunmetal Metallic 2019-2021 n/a HSL951441 Blue Flame Metallic 2014-2018 n/a HSL936056 Red Flame Metallic 2014-2018 n/a HSL936314 Charcoal Metallic 2014/2015 n/a HSL936054Q Storm Blue Metallic 2014-2016 n/a FDGH936057 Silver Metallic 2014-2018 n/a HSL935579 Black Metallic 2014-2018 n/a HSL939695 Pebble 2014/2015 78874 Pebble Tint Grams Amount DMC 900 1007.11 1007.11 DMC 908 19.03 1026.14 DMC 903 37.27 1063.41 DMC 929 3.17 1066.58 DX 995 85.64 1152.23 Summit White 2016-2018 FDGH941677 Canyon Brown 2017-2021 FDGH936055 Metallic Paint Codes: 1996 to 2013 Crestliner Color Model Years Sierra Color PPG Color Match Per Quart Used Tint Grams Amount Admiral Blue 2008 - 2009 78364 Blue DMC 923 268.55 268.55 DMC 900 55.05 323.6 DMC 903 392.21 715.81 DMC 931 209.13 924.94 DMC 929 20.43 945.37 Almond 1998 - 2002 7881 Doe DMC 900 1105.4 DX 995 1200.6 DMC 908 1281.6 DMC 929 1315.9 This data is internal to Brunswick. DMC 923 1325 Aluminum 2002 - 2003 7890 Gray Metallic Low DMC 981 800.61 800.61 Gloss DMC 983 103.94 904.55 Ash Gray 1999 7864 Ranger Light Gray DMC 900 830.1 DMC 984 1015.6 DMC 902 1143.8 DX 995 1234.5 DMC 923 1242.3 Baroque Burgundy 1999 7822 Burgundy 1999 DMC 933 641.4 DX 995 762.1 DMC 900 870.9 DMC 931 966.5 DMC 929 1044.9 DMC 901 1089.3
    [Show full text]
  • Welcome to the Skagway Historic District Color Palette
    Skagway Historic District Architectural Paint Color Palette INTRODUCTION The 80 paint colors listed here are those that may be used on the exterior of buildings in the Skagway Historic District. Unless you have good historical evidence that your building was painted otherwise, you must choose from the colors shown here. Many of the colors in this palette have been identified by laboratory analysis of actual paint samples collected from Skagway’s historic buildings and can be seen on buildings that have been restored by the National Park Service. The remaining colors are those that were offered by U.S. paint manufacturers of the 1897‐1910 period and were likely available in Skagway. Period Aesthetics and Paint Schemes Generally, late Victorian paint schemes (i.e.: c.1870‒1900) were characterized by earth colors and greens, often in surprisingly dark shades. Whites and creams were not in fashion. Closely related body and trim colors were often favored. (An example of this may be seen on the Mascot Saloon building which has been restored by the NPS to its 1898 appearance.) Sash colors were usually dark green, black, or occasionally, red. (Sash refers to the wooden parts of a window that surround the glass. It does not include the trim surrounding the window such as the window frame and sill.) High Victorian style buildings, (The Pack Train building, the Golden North Hotel building, and the Mulvihill house in Skagway are examples of this style), having multiple stories and complicated patterns and structures such as scalloped shingles, multiple beltcourses, bracketed cornices, towers, etc., were often painted with two or three body colors as well as two trim colors, a sash color, and sometimes even an accent color.
    [Show full text]
  • RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
    RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey
    [Show full text]
  • W Ella Color Charm
    technology liquifuse Wella Color Charm PERMANENT LIQUID HAIRCOLOR EDUCATION WORKBOOK 02 Introduction 03 Liquifuse Technology™ 04 Wella Color Charm 5 Tonal Families 05 Wella Color Charm Level & Tone Numbering System 06 Wella Color Charm Level System 07 Wella Color Charm Tonal Identifiers 08 Wella Color Charm Shade Palette Table of Contents of Table 10 Selecting Your Shade 12 Mixing Instructions 13 Wella Color Charm Shade Level & Developer Chart 14 Wella Color Charm Application Instructions 16 Wella Color Charm Additives 17 High Lift Blonding 18 Wella Color Charm Toners 19 Optimum Gray Hair Coverage 20 Consultation Guide 21 Step-by-Step Technique 24 Wella Color Charm Creative Formulation Guide 26 Comparison Chart 01 vibrant colors as creative as you are Rediscover Wella Color Charm VIBRANT, LONG LASTING, FADE RESISTANT RESULTS • Infuses the hair with vibrant color molecules • Intense color and up to 43% more shine*, even on darker hair • Long-lasting, true to tone color GREAT CONDITIONING Saturates each strand to deliver great conditioning. EXCELLENT GRAY COVERAGE Colors the most resistant hair every time. GENTLE FLORAL FRAGRANCE For a much more pleasurable coloring experience. * Versus untreated hair 02 Liquifuse TechnologyTM Liquifuse Technology™ saturates, penetrates and fuses with the hair to deliver vibrant color that is exceptionally fade resistant. Here’s how it works: liquifuse technology 1. SATURATES: Liquid color coupler molecules combine with color activator to form a gel. You can put it exactly where you want and it will stay there, saturating every strand of hair as you apply. 2. PENETRATES: The gel penetrates the hair shaft to deliver vibrant color molecules.
    [Show full text]
  • A New Species of Oxyptilus Zeller from the Southwestern United States (Lepidoptera, Pterophoridae)
    A peer-reviewed open-access journal ZooKeys 698: 75–93A (2017) new species of Oxyptilus Zeller from the southwestern United States... 75 doi: 10.3897/zookeys.698.14999 RESEARCH ARTICLE http://zookeys.pensoft.net Launched to accelerate biodiversity research A new species of Oxyptilus Zeller from the southwestern United States (Lepidoptera, Pterophoridae) Deborah L. Matthews1 1 McGuire Center for Lepidoptera and Biodiversity, Florida Museum of Natural History, University of Florida, P.O. Box 112710, Gainesville, Florida 32611-2710, USA Corresponding author: Deborah L. Matthews ([email protected]) Academic editor: Bernard Landry | Received 11 July 2017 | Accepted 28 August 2017 | Published 18 September 2017 http://zoobank.org/37FB04B0-BD23-40EF-A39A-049147FC4B7F Citation: Matthews DL (2017) A new species of Oxyptilus Zeller from the southwestern United States (Lepidoptera, Pterophoridae). ZooKeys 698: 75–93. https://doi.org/10.3897/zookeys.698.14999 Abstract Oxyptilus eleanerae sp. n., is described from New Mexico, Arizona, and Southwest Texas, and compared with the only other Oxyptilus occurring in the Nearctic Region, O. delawaricus Zeller. A redescription is provided for O. delawaricus. Adults and male and female genitalia are illustrated for both species. Key morphological characters, distributions, and relationships within the genus are discussed. Keywords Davis Mountains, Crombrugghia, Hieracium, Madrean Archipelago, Nearctic Region, new species, Paliza Canyon, sky islands Introduction The genus Oxyptilus Zeller (type species Pterophorus pilosellae Zeller) formerly included 28 species worldwide (Gielis 2003). A recent review and phylogenetic analysis of the tribe Oxyptilini (Alipanah et al. 2011) recovered only five species O.[ pilosellae (Zeller), O. parvidactyla (Haworth), O. chrysodactyla (Denis and Schiffermüller), O.
    [Show full text]
  • Model-Air-Vallejo-CC071-Rev20.Pdf
    Colores acrílicos para aerografía - Acrylic airbrush colors - Acrylfarben für die Airbrush - 喷涂色系列 喷涂专用色 Imprimaciones: Imprimaciones de acrílico-poliuretano a base de agua. El secado al tacto es Primer: Die wasserbasierenden Acryl-Polyurethan-Primer trocken schnell, matt und grifffest FEDERAL GUNZE Colores acrílicos para aerografía Equivalencias / Equivalencies MODEL AIR RAL RLM ANA BS GUNZE TAMIYA TESTOR muy rápido, mate y auto nivelante. La imprimación forma una película de extraordinaria dureza auf, sind selbstausgleichend und dabei außergewöhnlich beständig, dadurch kann das weitere STANDARD MR. COLOR FEDERAL GUNZE 71.119 9002 Introducción: Model Air es una gama de colores acrílicos mates, a base de agua, que permite proseguir con el proceso de pintura de inmediato. aufbringen von Farben auf das Modell schnell fortgesetzt werden. MODEL AIR RAL RLM ANA BS GUNZE TAMIYA TESTOR desarrollado especialmente para aerografía. En la formulación de la gama se emplean Chipping Medium: El producto se puede emplear a pincel o aerógrafo para crear efectos de Chipping Medium: Das Produkt kann mit Pinsel oder Airbrush verwendet werden, um damit STANDARD MR. COLOR 71.120 36320 307 307 71.001 37925 9016 21 11 62 XF2 2142 71.121 36440 602/620 325 325 resinas de última generación, con cualidades hasta ahora no disponibles en colores a base de desgaste, roces y desconchones sobre los colores acrílicos. Effekte wie Abrieb, Kratzer und Verwitterung durch das gezielte Abreiben (Chippen) von 71.002 XF3 2011 71.122 33446 53 XF53 MODEL agua; su resistencia, dureza y poder de cubrición es superior a cualquier acrílico de aerografía. Seguridad/Toxicidad: Model Air cuenta con las siguientes certificaciones internacionales: Acrylfarbe zu erzeugen.
    [Show full text]
  • Guide to Formulating Glazes and Root Shadows with Redken Shades EQ
    Guide to Formulating Glazes and Root Shadows with Redken Shades EQ COOL NEUTRALS: WARM NEUTRALS: N: Black to gray background blue/violet tone. Cool neutral contains equal parts warm and cool making it ideal for slight toning of yellow and for root shadows (If additional cooling is needed mix NB: You must include a minimum of 1oz. of an NB in your mix when using equal parts with a V at the same level). Looking for a level 10? Add shades to cover grey. It has a brown to tan background color with a equal parts clear to your mix and a level 9 will be more sheer and red/violet base perfect choice when you want warmth without brass. behave as a 10. WG: Brown to tan background with a yellow/orange base. Don’t let the GN: Equal parts of green and yellow, it is available in levels 6 and 8 and mention of orange scare you. This is the IDEAL shade to reach for is excellent for cancelling red tones. Tip: if you are looking for when taking a client back to brown from blonde. It is perfect to fill in green and don’t have GN or you want a deeper number you can what the hair needs to tint back especially the level 8WG. create it using a G and a B together. GG: Brown to tan background with a pure gold tone. Ideal for a warm golden blonde result, or for using as a filler on pale white hair to add deeper tones. COOL TONES: NW: Natural warm has a brown to tan background and Gold tone.
    [Show full text]
  • Warrenadvanced.Pdf
    010 020 030 040 050 060 010 020 030 040 050 060 070 080 060 070 080 090 100 110 010 020 030 040 050 060 070 080 010 020 030 040 050 060 080 090 100 110 060 070 080 090 100 110 080 090 100 110 Number Name: Strands Stitches DMC 310 Black 2 19 DMC 3864 Mocha Beige LT 2 30 DMC 3862 Mocha Beige DK 2 47 DMC 3770 Flesh Ultra VY LT 2 37 DMC 612 Drab Brown light 2 59 DMC 613 Drab Brown very light 2 50 DMC 422 Hazel Nut Brown ligh 2 106 DMC 611 Drab Brown 2 55 DMC 610 Drab Brown dark 2 67 DMC 3021 Brown Grey very dark 2 17 DMC 3031 Mocha Brown very dark 2 22 DMC 738 Tan very light 2 129 DMC 3371 Black Brown 2 123 DMC 437 Tan light 2 85 DMC 938 Coffee Brown ultra dk 2 50 DMC 3781 Mocha Brown dark 2 25 DMC 167 Yellow Beige very dark 2 61 DMC 3045 Yellow Beige dark 2 70 DMC 436 Tan 2 128 DMC 420 Hazel Nut Brown dark 2 120 DMC 3828 Hazel Nut Brown 2 86 DMC 831 Golden Olive medium 2 42 DMC 898 Coffee Brown very dark 2 35 DMC 869 Hazel Nut Brown very 2 36 DMC 829 Golden Olive very dark 2 43 DMC 830 Golden Olive dark 2 35 DMC 801 Coffee Brown dark 2 26 DMC 842 Beige Brown very light 2 44 DMC 950 Desert Sand light 2 43 DMC 3047 Yellow Beige light 2 51 DMC 3782 Mocha Brown light 2 56 DMC 3033 Mocha Brown very lig 2 55 DMC 543 Beige Brown ultra 2 19 DMC 3863 Mocha Beige medium 2 37 DMC 642 Beige Grey dark 2 23 DMC 640 Beige Grey very dark 2 29 DMC 676 Old Gold light 2 112 DMC 3856 Mahogany ultra very 2 31 DMC 3827 Golden Brown pale 2 63 DMC 712 Cream 2 21 DMC 746 Off White 2 61 DMC 951 Tawny light 2 95 DMC 3823 Yellow ultra pale 2 54 DMC 677 Old Gold very
    [Show full text]
  • North American Species of Lactarius Lacking Rosettes, Lactifers Colorless in KOH
    Subgenus Tristes 369 81315, 81316, 81317,81318,81327,81328,81335,81344,81345,81390, 81391, 81392, 81394,81415,81416,81479,81524,81603,81713,81820, 81821, 82165, 84154,84165,84180,84193,84194,84228,84245,84246, 84251, 84275, 84424, 84456, 84458; Weber, August 25, 1973, 3895, 3896,3897,3918,3925,3956,3957,3965,3990,4123, 4158, 4180, 4225, 4233 (all MICH); MINNESOTA: Weaver 1853 (MICH); NORTH CAROLINA: Guravieh 539 (MICH); VERMONT: Bigelow 12935, 13357, 13256 (all MASS). Canada. NOVA SCOTIA: Harrison 11676, 11706 (all MICH). 130a. Lactarius argillaceifolius var. megacarpus var. nov. lllus. PI. 70. Pileus 14-27 em latus, viseidus, azonatus, luteolus vel ad mar­ ginem pallido-avellaneus. Latex albus, eOI).stans, branehias colore brunnaeeotingens. Lamellae adnatae, paene subdistantes, luteolae. Stipes 16-20 em longus, 40-50 mm crassus, leviter viscidus, basi albus, apice sordide luteolus. Sporae 7.5-10.5 X 6.5-8 I./" Specimen typicum in Herbarium University of Tennessee, Thiers 18556 (TENN 35424), legit prope Santa Barbara, California, 28 Jan 1967. Pileus 14-27 cm broad, broadly depressed with the margin highly irregular and undulating, viscid, glabrous, disc near light buff to warm buff (pale yellow) becoming nearly pale avellaneous toward the mar­ gin, azonate, margin strongly incurved. Context up to 3 cm thick, whitish or off-white, unchanging upon exposure; odor not distinctive, taste decidedly acrid. Lamellae ad nate, close to subdistant, very pale at first, then near warm buff (pale yellow) with a slightly avellaneous cast, darkening with age, staining brownish, numerous tiers of lamellulae present. Stipe 16-20 em long, 40-50 mm thick at apex, very slightly vis­ cid, glabrous, white at base, becoming very pale buff colored toward the apex, turgid, somewhat wrinkled, flesh white, stuffed to hollow.
    [Show full text]
  • Colour Guide
    © Humbrol Model-Master Battlefront Miniatures Ltd (2002) Permission is granted to print or photocopy this page for personal use Colour Enamel Enamel Tamiya Acrylic VallejoAcrylic Games Workshop your local storeowner on painting, or where there might be clubs in area you can test out army. Guide worry about being exactly correct at this point, with the get hold of from your local model store. Don’t begin with select a range of colours you can easily up your own mind as to the colours for particular unit. To As you do more research, will be able to make This guide gives you the basic colours required for each army. Tanks and Helmet Olive Drab 155 2050 XF62 887 Catachan Green Tank Camouflage Dark Earth 29 2054 XF52 874 Graveyard Earth be afraid to ask advice from you’ll have the basics you need for now until get more confident. Don’t Infantry Jacket Olive Drill 121 1792 XF57 988 Kommando Khaki FLAMES OF WAR COLOUR GUIDE FLAMES OF WAR COLOUR US Infantry Pants Field Drab 118 1702 XF49 873 Snakebite Leather Belts and Webbing Khaki 83 1704 XF60 886 Camo Green Boots Brown 62 1701 XF10 818 Scorched Brown Tanks and Helmet Light Stone 121 1706 XF60 847 Kommando Khaki Tank Camouflage Dark Green 75 1710 XF11 980 Catachan Green Infantry Uniform Khaki Drill 72 1706 XF57 819 Graveyard Earth Belts and Webbing Buff 28 1730 XF55 978 Kommando Khaki British (Desert) Boots Black 33 1749 XF1 950 Chaos Black Tanks and Helmet Khaki Brown 26 2052 XF49 879 Graveyard Earth Tank Camouflage Dark Earth 29 2054 XF52 873 Beastial Brown Infantry Uniform Khaki 26 2052
    [Show full text]
  • Proceedings of the United States National Museum
    PROCEEDINGS OF THE UNITED STATES NATIONAL MUSEUM issued l^jfvA- \!?^J1 ^y '^* SMITHSONIAN INSTITUTION U. S. NATIONAL MUSEUM Vol. 86 Washington: 1939 No. 3063 NEW SPECIES OF MOTHS OF THE FAMILIESTNOTODON- TIDAE AND BOMBYCIDAE IN THE UNITED_STATES NATIONAL MUSEUM By William Schaus This paper contains the descriptions of 34 new species of moths, some of the specimens being received from friends for identification and some gained by purchase. Twenty-four of the species are from various parts of Brazil, the remaining ten from scattered localities in Central and South America. Twenty-six are assigned to the family Notodontidae; eight belong to the Bombycidae, one in the subfamily Epiinae and seven in Zanolinae. The material is all in the__United States National Museum. Family NOTODONTIDAE Genus PRONERICE Schaus PRONERICE LUDECIA, new speciea Female.—Head and collar mottled fuscous, buffy olive and white, the patagia with numerous white-tipped scales; abdomen above buffy olive with faint pale transverse Hues, underneath shell pink with dark olive-buff transverse lines. Fore wing dark citrine with a brownish tinge; costal margin with transverse black lines and white points before apex; veins from cell finely darker; an antemedial irregular black Une, black Une; a white line on discocellular ; a postmedial partly punctiform, lunular from vein 3 to inner margin; a subterminal 124776—39 643 ; 544 PROCEEDIXGS OF TPIE JTATIONAL MUSEUM vol. 8tJ sinuous fine white line expanding at apex; terminal small white streaks on interspaces. Hind wing dull buffy brown; a small white line above anal angle; ciha white. Wings below brownish drab ; fore wing with the costa finely, the termen narrowly pale -vinaceous-pink hind wing deep olive-buff, the outer margin broadly brownish drab; the termen vinaceous-pink.
    [Show full text]
  • Type II Anodize Colors
    Type II Anodize Colors: Desert Tan Gray Dark Earth Olive Drab Olive Brown Brown Blue Gray Titanium Gray Yellow Outside Gold Inside Gold Gold Mango Orange Orange Green Monster Green Moss Green Red Fiery Red Bordeaux Red Pink Purple Violet Blue Turquoise Pewter Clear Black Optical Black Green Bay - Black, Blue, Blue Gray, Brown, Outside Gold, Green, Orange, Purple, Red, Titanium Gray Minneapolis - Black, Blue, Inside Gold, Outside Gold, Pewter, Red (Colors also available in Bright Dip) Monroe - Black, Blue Portland - Black, Blue, Bordeaux Red, Dark Earth, Desert Tan, Fiery Red, Gold, Outside Gold, Gray, Green, Mango Orange, Monster Green, Moss Green, Olive Brown, Olive Drab, Optical Black, Orange, Pink, Turquoise, Violet, Yellow (Colors also available in Bright Dip) South Bend - Black, Blue, Red -The colors on the chart can vary due to variable in the material and the anodize process. Contact Pioneer and we will work diligently to meet your specic need. -Colors are not exact. Color chips available upon request. 800-944-7634 .www.pioneermetal.com .request a quote [email protected] Bright Dip Colors: Clear Desert Tan Dark Earth Olive Drab Olive Brown Pewter Gray Mango Orange Orange Outside Gold Inside Gold Gold Green Monster Green Moss Green Red Fiery Red Bordeaux Red Blue Turquoise Yellow Violet Pink Black -The colors on the chart can vary due to variable in the material and the anodize process. Contact Pioneer and we will work diligently to meet your specic need. -Colors are not exact. Color chips available upon request. 800-944-7634 .www.pioneermetal.com .request a quote [email protected].
    [Show full text]