Reception of Counterculture in Eastern Europe
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Die 68Er CARTOONS
Bulletin of the Transilvania University of Braşov Series IV: Philology and Cultural Studies • Vol. 12 (61) No. 2 – 2019 https://doi.org/10.31926/but.pcs.2019.61.12.22 The German protests of ’68 as the source of humour in Die 68er CARTOONS Ioana Andreea DIACONU1 The paper presents a series of cartoons on the German student movement from the sixties created 50 years later and tries to identify the sources and mechanisms of humour as well as the trigger of laughter of the sketches. A short presentation of this movement, its importance and echoes to the present and the description of the cartoon technique are indispensable in understanding the cartoons. There will also be an attempt to place these works in the history of German cartoon. In the end, an attempt will be made to identify, whether the publication of translated versions of the examined cartoons would be in any way successful, or rather useless. Key-words: cartoons, visual humour, sixty - eighters 1. Introduction At the 50th anniversary of the Protests of ‘68, the Caricatura – Galerie für komische Kunst (Caricatura - Gallery of Comic Art) in Kassel hosted the exhibition of 37 cartoonists on the 68 student movement in Germany, their cartoons being afterwards published by Saskia Wagner in the anthology Die 68er CARTOONS (Wagner 2018). The motivation of the event is given in the presentation of the exhibition and the book: “But what became of the so-called "old 68ers"? Where did the march through the institutions lead them? Are they still roughing up the establishment or are they part of it? Do they spontaneously re-create slogans? Do they let their descendants read to them from “the Capital”? The exhibition Die 68er CARTOONS looks for answers for these questions. -
Missouri Historical Review
Historiostl ZR,evie*w BOYS and GIRLS! Tlbu can helpyour Uncle Sam Win the War Save jyour Quarters Buy War Savings Stamps The State Historical Society of Missouri COLUMBIA, MISSOURI HgisiSllill^ The front cover illustration is one of artist-author M James Montgomery Flagg's World War I patriotic posters, g] Flagg, born in 1877, studied at the Art Students League M in New York and at Herkomer's Art School in Bushey, M England; he later studied with Victor Marec of Paris. An illustrator for various magazines including St. Nicholas Magazine, Judge and Life, Flagg's portrait paintings were exhibited at the Paris Salon and the National Academy of Design. He prepared patriotic posters during both World Wars. His writings include the books: Yankee Girls Abroad, Why They Married, City People and the autobiographical H Roses and Buckshot. Flagg died on May 27, 1960. || Flagg's poster is one of many varied items in the So- M ciety's latest gallery and corridor exhibition entitled, "Con- [§] flict: Men, Events and Artists." Among the artists and || lithographers included in the exhibition are: George Caleb jS Bingham, Thomas Hart Benton, Daniel R. Fitzpatrick, S. J. H Ray, George Wilhelm Fasel, Louis Kurz, Alexander Allison, g| Gladys Wheat and William Knox. Paintings, lithographs, B posters and drawings are some of the items constituting SI the exhibit. "Conflict: Men, Events and Artists" can be n viewed Monday through Friday, 8:00 a.m.-4:30 p.m. M m MISSOURI HISTORICAL REVIEW Published Quarterly by THE STATE HISTORICAL SOCIETY OF MISSOURI COLUMBIA, MISSOURI RICHARD S. -
October 14, 1976 I Yol.Xll, No
-v who liked our music a lot and some who new album (and other alternative didn't tike it at ¿ll) and after struggling a.lbums). Their letters tell incredible life with the question of oubeach vs. slories, sharing their eicitement, their compromise among ourselves, we fear, their discoveries, their risks. Being decided to do ourthird album on Red- a small company, they figured I might wood, once again. I am telieved that I'm gettheirletters. And I dol There is the not having to deal with the pressure of joy that must match the disappointment the industry but I'm sad when I think of in nof reaching all the women who don't all the people who don't have (oreven have access to an FM radio or altetnative October 14, 1976 I Yol.Xll, No. 34 know about) any optigns. So they watch concerts or womens' records etc. Alice Coopei whip a woman in one of his Right now Redwood Records is only on shocking displays recently performed on the distributing arm for the records and 4. Continental Walk Converges certainly bad news the Billboard Rock Music Awards. songbooks produced to date. We are not Washington / Crace Hedemann for the Portuguese Undet current conditions "energizing- working class, since it means, atbest, capital" can only be accomplishedby How are we going to get options to going to do any new things fot a while. and Murray Rosenblith But we hope that you will continue to the maintenance of the status quo. How- speedups, cutting real'rvages and people? Some people ate working within 6. -
Music As Rhetoric in Social Movements
IRA-International Journal of Management & Social Sciences ISSN 2455-2267; Vol.09, Issue 02 (November 2017) Pg. no. 71-85 Institute of Research Advances http://research-advances.org/index.php/RAJMSS 1968: Music as Rhetoric in Social Movements Mark Goodman1#, Stephen Brandon2 & Melody Fisher3 1Professor, Department of Communication, Mississippi State University, United States. 2Instructor, Department of English, Mississippi State University, United States. 3Assistant Professor, Department of Communication, Mississippi State University, United States. #corresponding author. Type of Review: Peer Reviewed. DOI: http://dx.doi.org/10.21013/jmss.v9.v2.p4 How to cite this paper: Goodman, M., Brandon, S., Fisher, M. (2017). 1968: Music as Rhetoric in Social Movements. IRA- International Journal of Management & Social Sciences (ISSN 2455-2267), 9(2), 71-85. doi:http://dx.doi.org/10.21013/jmss.v9.n2.p4 © Institute of Research Advances. This work is licensed under a Creative Commons Attribution-Non Commercial 4.0 International License subject to proper citation to the publication source of the work. Disclaimer: The scholarly papers as reviewed and published by the Institute of Research Advances (IRA) are the views and opinions of their respective authors and are not the views or opinions of the IRA. The IRA disclaims of any harm or loss caused due to the published content to any party. Institute of Research Advances is an institutional publisher member of Publishers Inter Linking Association Inc. (PILA-CrossRef), USA. The institute is an institutional signatory to the Budapest Open Access Initiative, Hungary advocating the open access of scientific and scholarly knowledge. The Institute is a registered content provider under Open Access Initiative Protocol for Metadata Harvesting (OAI-PMH). -
An Intimate Revolution
AN INTIMATE REVOLUTION FASCISM, SEXUALITY, AND KOMMUNE I IN 1960S WEST GERMANY Hannah Ryan A thesis submitted in partial fulfilment of the requirements of the degree of Bachelor of Arts (Honours) in History. University of Sydney October 2011 Acknowledgements My thanks go firstly to Dr Margarite Poulos for her guidance and gentle pressure to get on with the job. Thanks too to Dr Frances Clarke and Dr John Gagné, whose seminars showed me how thrilling History can be. My still startled gratitude to Associate Professor Dirk Moses, who moved to Florence and so kindly bestowed many of his precious German texts onto me. They have found a good home on my bookshelf and in my bibliography. My love to Joseph, whose staggering confidence in me inspired me to work harder than was my inclination. I am grateful to Mala and Josh for their heartening Honours solidarity. Matthew and Lucy’s alternate offerings of comfort and critique were also very welcome. Finally, I must thank my mother Victoria Black and my father Christopher Ryan for not asking too many questions but being prepared to sit down with a red pen and a draft when I requested it. I hope they have not taken my writing on the bourgeois family to heart. A note on translation: All translations from German are my own. CONTENTS Introduction 1 Chapter One 14 Socialism with a Sexy Face Chapter Two 37 A Commune with a View Chapter Three 64 Promiscuity and Provocation Conclusion 85 Sexual Revolution? Appendix 88 Bibliography 91 INTRODUCTION Sex is not just sex. -
Thomas Demand Roxana Marcoci, with a Short Story by Jeffrey Eugenides
Thomas Demand Roxana Marcoci, with a short story by Jeffrey Eugenides Author Marcoci, Roxana Date 2005 Publisher The Museum of Modern Art ISBN 0870700804 Exhibition URL www.moma.org/calendar/exhibitions/116 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art museumof modern art lIOJ^ArxxV^ 9 « Thomas Demand Thomas Demand Roxana Marcoci with a short story by Jeffrey Eugenides The Museum of Modern Art, New York Published in conjunction with the exhibition Thomas Demand, organized by Roxana Marcoci, Assistant Curator in the Department of Photography at The Museum of Modern Art, New York, March 4-May 30, 2005 The exhibition is supported by Ninah and Michael Lynne, and The International Council, The Contemporary Arts Council, and The Junior Associates of The Museum of Modern Art. This publication is made possible by Anna Marie and Robert F. Shapiro. Produced by the Department of Publications, The Museum of Modern Art, New York Edited by Joanne Greenspun Designed by Pascale Willi, xheight Production by Marc Sapir Printed and bound by Dr. Cantz'sche Druckerei, Ostfildern, Germany This book is typeset in Univers. The paper is 200 gsm Lumisilk. © 2005 The Museum of Modern Art, New York "Photographic Memory," © 2005 Jeffrey Eugenides Photographs by Thomas Demand, © 2005 Thomas Demand Copyright credits for certain illustrations are cited in the Photograph Credits, page 143. Library of Congress Control Number: 2004115561 ISBN: 0-87070-080-4 Published by The Museum of Modern Art, 11 West 53 Street, New York, New York 10019-5497 (www.moma.org) Distributed in the United States and Canada by D.A.P./Distributed Art Publishers, New York Distributed outside the United States and Canada by Thames & Hudson Ltd., London Front and back covers: Window (Fenster). -
Joseph Hansen Papers
http://oac.cdlib.org/findaid/ark:/13030/tf78700585 No online items Register of the Joseph Hansen papers Finding aid prepared by Joseph Hansen Hoover Institution Archives 434 Galvez Mall Stanford University Stanford, CA, 94305-6003 (650) 723-3563 [email protected] © 1998, 2006, 2012 Register of the Joseph Hansen 92035 1 papers Title: Joseph Hansen papers Date (inclusive): 1887-1980 Collection Number: 92035 Contributing Institution: Hoover Institution Archives Language of Material: English Physical Description: 109 manuscript boxes, 1 oversize box, 3 envelopes, 1 audio cassette(46.2 linear feet) Abstract: Speeches and writings, correspondence, notes, minutes, reports, internal bulletins, resolutions, theses, printed matter, sound recording, and photographs relating to Leon Trotsky, activities of the Socialist Workers Party in the United States, and activities of the Fourth International in Latin America, Western Europe and elsewhere. Physical Location: Hoover Institution Archives Creator: Hansen, Joseph, Access The collection is open for research; materials must be requested at least two business days in advance of intended use. Publication Rights For copyright status, please contact the Hoover Institution Archives. Preferred Citation [Identification of item], Joseph Hansen papers, [Box no., Folder no. or title], Hoover Institution Archives. Acquisition Information Acquired by the Hoover Institution Archives in 1992. Accruals Materials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find the collection in Stanford University's online catalog at http://searchworks.stanford.edu . Materials have been added to the collection if the number of boxes listed in the online catalog is larger than the number of boxes listed in this finding aid. -
This Is a Self-Archived Version of an Original Article. This Version May Differ from the Original in Pagination and Typographic Details
This is a self-archived version of an original article. This version may differ from the original in pagination and typographic details. Author(s): Saksholm, Juho Title: Reform, revolution, riot? : transnational Nordic Sixties in the radical press, c. 1958-1968 Year: 2021 Version: Published version Copyright: © 2021 Juho Saksholm Rights: CC BY 4.0 Rights url: https://creativecommons.org/licenses/by/4.0/ Please cite the original version: Saksholm, J. (2021). Reform, revolution, riot? : transnational Nordic Sixties in the radical press, c. 1958-1968. Ennen ja nyt, 21(3), 75-79. https://doi.org/10.37449/ennenjanyt.99973 ENNEN JA NYT: HISTORIAN TIETOSANOMAT • 3/2021 LECTIO PRAECURSORIA Juho Saksholm Reform, Revolution, Riot? Transnational Nordic Sixties in the Radical Press, c.1958-1968 Bill Clinton, the first American president who belonged to the so-called baby boomer generation, once reflected on his own youth by saying: “If you look back on the 1960s and on balance, you think there was more good than harm, then you're probably a Democrat. If you think there was more harm than good, you're probably a Republican.”1 Whether we now live in a world where the sixties is treated with newly found appreciation or with even deeper resentment remains to be seen. But this quote begs the question: Who "owns" the Sixties? Who has the power to define its essence? Many have tried to use the Sixties and its legacy to explain current political and social phenomena. Let us take 75 couple of concrete examples: After his resignation, the former pope Benedict XVI wrote an essay to a German catholic paper Klerusblatt, aiming to explain the reasons for the paedophilia scandal that had devastated the catholic church. -
Extensions of Remarks
December 1, 1975 EXTENSIONS OF REMARKS 38023 Whitaker, William Drake Wilson, Robert Lawrence Young, Stephen Grant White, Donald Clark Wlltamuth, Richard Ernest Zmorzenski, Frank Peter Whitely, John Epes, Jr. Winn, Robert Monte Zolman, Richard Ward Whftley, Wllliam Robert Wishart, Thomas Tinker The following named women officers of the Whitney, Richard MerrUl, Jr. Wolfe, James Bryant U.S. Navy, for permanen·t promotion to the Wicklund, Robert Montgomery Woltersdorf, Leonard Oscar grade of commander in the line subject to Wigfall, George H., Jr. Womack, Thomas Folts qualification therefor as provided by law: Wilcox, Mack Rudolph Wood, James Erastus, III Botzum, Diane Wilcox, Wayland Edward Woodard, John Sanford Coye, Beth Frances Wilder, Wallace Gene Woodford, Duval Sterling Delarot, Anna Marie Wileen, Gordon Charles Worthington, George Rhodes Derrough, Lois Albertine Wllgenbusch, Ronald Charles Worthington, James T., II Hazard, Roberta Louise Wilkes, Gilbert Vanburen, III Wright, George Frederick Hurlbut, Bonny Aloha Wilkinson, Robert Bailey, Jr. Wright, Hendon 0. James, Mary Catherine Willenbucher, Marshall R. Wright, Lindell Wayne Lee, Linda Marie Williams, David Arthur Wyckoff, Roger David Nyce, Barbara Regina Williams, Douglas Allan Wynn, Hugh John Richardson, Linda Pond WUliams, Hugh Thomas Wyttenbach, Richard Harring Underwood, Shirley Joa.n Williams, Windell Vance Yakubek, Paul Marsik Weber, Joyce Ann Williamson, Mark Humphrey Yarborough, Jerry Olin W1111ams, Barbara Mary Willimon, Henry Jack, Jr. Yeske, Lanny Alan Willoz, Clifford Paul, Jr. Yeutter. Phillip Eugene Executive nomination received by the Willsey, John Michael York, Milton Ward Senate on December 1, 1975: Wilmot, Frederick Eugene Wilson, Ashley Vannorden York, Thomas Andrew, Jr. SUPREME COURT OF THE UNrrED STATES Wilson, James Alexander, Jr. -
Freeing Voices of Dissent in the Underground Newspaper Collection
Laurie Charnigo Prisoners of Microfilm Freeing Voices of Dissent in the Underground Newspaper Collection “We are a people, and a people must have their own voice, and that voice is the underground press.”1 - Thomas King Forcade 1. Bad juju I put the finishing touch on the display case in the lobby of our library, a sign in bold newsprint: “Come Explore the UPS Underground Newspaper 41 Collection (1963-1975)!” Stepping back to admire my creation, I almost had to brace myself against the dizzying psychedelic collage of graphics. This display screamed not only “Look at me!” but “Damn! I’m cool!” And oh how cool it was covered with photos, comics, and covers from a wide range of colorful Vietnam-era ‘underground’ newspapers. The bright art of Black Panther’s Emory Douglas shouted “Power to the People!” Psychedelic covers of the San Francisco Oracle flashed Vedic Motifs, bearded gurus, and hookah- smoking shamans. Gilbert Sheldon’s Fabulous Furry Freak Brothers and Trina Robbins’ feminist superheroes playfully danced throughout the display. There were photos of protesters marching for civil rights, gay rights, women’s rights, and in opposition to the war in Vietnam. There were raised fists of solidarity, peace signs, concert posters, a real lava lamp (which I hoped wouldn’t burn the library down), and covers of the Berkeley Barb, Avatar, the Los Angeles Free Press, and many others. Books about the Vietnam-era underground press were featured prominently throughout the display, such as Ken Wachsberger’s extensive Voices from the Underground series and John McMillian’s Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media Laurie Charnigo is education librarian at Jacksonsville State University in Alabama. -
December 25, 1975 I 30D * DAVID MCREYNOLDS
.î. December 25, 1975 I 30d * DAVID MCREYNOLDS ON REVOLUTION; i PE4CE & U NONWALENTACTION FOR A SMAS}il RETIJRN ENG MBNT: THE AN{A \ryIN II\TDBX ': illlllllll?lllllll I ? a a a...a . a a. a a...: a . a . a - a lÕ T. '{ FOR E.l 00s0 CIt¡B I EOI¡D llE00 0Ú v !É { 0 n \ \ \ \r \ a â V t I a't' , gf! I' T++r þ.Èü S JH {Jï'JV-I lrtËT } uû à**ijí\¡v-tt aç:ã2. Åû-tí]* -T I i! ï ** ¡J{J lflj S e! T -1.¿ ( ) p,P F.._ \J'. ã .n I am writing to inform your readers that I nearly went aground over question of Seeds will.not send my work to your magazine groups or individuals with an axe to grind ¡ anymore. Barbara Deming, Leah Frità, seeking priority for specific cause. Walk out Jane Gapen, KarlaJay, and myselfhave for ' -HUGH McVEIGH the last six months tried, in a serious and Brooklyn, NY to hand a leaflet of nonacceptance principled way,. to address issues of of p¡in to the wal king rainbow Copy of a Lette¡'to Hugh Carey, . misogyny, sexism, and anti-feminism as Gov. State Capitol, Albany,, NY: they apply to the magazine itselfand as to iross through r. I they have been I write in behalf manifested in personal in- of a man who wants the lalaxy of consciousness terchanges between ou¡selves and the desperately not to lose his soul. WIN & to c'bmmunicate aI last staffand edito¡iai board. -
The Revolution
Years50 TheAfter Revolution New Perspectives on 1968 A Conference at Columbia University Faculty House | 64 Morningside Drive April 27-29, 2018 Sponsored by the Rare Book & Manuscript Library, the Lehman Center for American History, the Institute for Research in African- American Studies, the Department of History, and the Offce of the Provost. Saturday, April 28 Faculty House 9:30 AM Archives, Memory, and 1968 Focusing on historical memory, this panel considers how the legacies of 1968 have been promoted, distorted, and erased by libraries, archives, and historians over the course of the past half century. • Burleigh Hendrickson, Dickinson College Conference Schedule • Lien-Hang T. Nguyen, Columbia University • Sady Sullivan, Independent Oral History Consultant Friday, April 27 • Moderated by Thai Jones, Columbia University Campus Events 11:00 AM 1:00 PM Guided Tour of “1968: The Global Revolutions,” an Harlem, Columbia University, and the Black Freedom exhibition in the Rare Book & Manuscript Library Struggle Featuring scholars and alums, this session explores how the protests 3:00 PM Campus walking tours of 1968 affected the local Black Freedom Struggle. What were their ramifcations for the experiences of Black students on campus? For the Faculty House advent of Black Studies at Columbia? How did the protests affect Co- 5:00 PM Reception lumbia’s relationship with the communities of Harlem and Morningside 6:00 PM Welcome by Provost John Coatsworth Heights? Opening Conversation: “A Time to Stir,” a Conversation • Tanaquil Jones, GS ‘87 on the Columbia 1968 Uprising • Stefan Bradley, Loyola Marymount University A flm screening and discussion of the Columbia and Barnard student • Farah Jasmine Griffn, Columbia University protests of 1968, with participants, activists, and current students.