The Burglar of the Zodiac
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Winter 2012-2013
Love Grows . By Giving General The library is proud to announce that we have partnered with Toys for Tots to 2 serve as a drop-off location from now until Thursday, December 20. A donation box is located in the Youth Services Department. Friends 3 Also, the library will once again be a drop-off site for your holiday donations for the following local organizations: Families 4 • Crisis Center of South Suburbia (toys, misc. personal items, children's and women's clothing) Youth 5 • Tinley Park Food Pantry (non-perishable, non-expired, non-glass food items) Teens • Together We Cope (gift items for children and teens) 6 Separate boxes for each group will be located in the library lobby. Adults Collections run from Monday, November 26 through Friday, December 14, 2012. 7 – 10 Bookmobile Tinley Park Public Library 11 News and Program Guide General Winter 2012/2013 12 Monday – Friday 9 am – 9 pm Saturday An Afternoon with Sox Great 9 am – 5 pm Billy Pierce and author John O'Donnell Sunday Saturday, February 23 from 1:30 - 4 pm noon – 5 pm White Sox legend Billy Pierce will be appearing with John O'Donnell, author of Like Night and Day, A Look at Chicago Baseball, 1964 - 1969. John will talk about Closed: his experiences in the world of baseball as seen through the eyes of a child. Pierce Monday, December 24 will speak about his experiences with the Chicago White Sox. The program will be Tuesday, December 25 followed by an autograph session with books and photos available for purchase. -
A Chilling Look Back at Jeph Loeb and Tim Sale's
Jeph Loeb Sale and Tim at A back chilling look Batman and Scarecrow TM & © DC Comics. All Rights Reserved. 0 9 No.60 Oct. 201 2 $ 8 . 9 5 1 82658 27762 8 COMiCs HALLOWEEN HEROES AND VILLAINS: • SOLOMON GRUNDY • MAN-WOLF • LORD PUMPKIN • and RUTLAND, VERMONT’s Halloween Parade , bROnzE AGE AnD bEYOnD ’ s SCARECROW i . Volume 1, Number 60 October 2012 Comics’ Bronze Age and Beyond! The Retro Comics Experience! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Tim Sale COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Andrews Tony Isabella Frank Balkin David Anthony Kraft Mike W. Barr Josh Kushins BACK SEAT DRIVER: Editorial by Michael Eury . .2 Bat-Blog Aaron Lopresti FLASHBACK: Looking Back at Batman: The Long Halloween . .3 Al Bradford Robert Menzies Tim Sale and Greg Wright recall working with Jeph Loeb on this landmark series Jarrod Buttery Dennis O’Neil INTERVIEW: It’s a Matter of Color: with Gregory Wright . .14 Dewey Cassell James Robinson The celebrated color artist (and writer and editor) discusses his interpretations of Tim Sale’s art Nicholas Connor Jerry Robinson Estate Gerry Conway Patrick Robinson BRING ON THE BAD GUYS: The Scarecrow . .19 Bob Cosgrove Rootology The history of one of Batman’s oldest foes, with comments from Barr, Davis, Friedrich, Grant, Jonathan Crane Brian Sagar and O’Neil, plus Golden Age great Jerry Robinson in one of his last interviews Dan Danko Tim Sale FLASHBACK: Marvel Comics’ Scarecrow . .31 Alan Davis Bill Schelly Yep, there was another Scarecrow in comics—an anti-hero with a patchy career at Marvel DC Comics John Schwirian PRINCE STREET NEWS: A Visit to the (Great) Pumpkin Patch . -
ABSTRACT the Pdblications of the Marvel Comics Group Warrant Serious Consideration As .A Legitimate Narrative Enterprise
DOCU§ENT RESUME ED 190 980 CS 005 088 AOTHOR Palumbo, Don'ald TITLE The use of, Comics as an Approach to Introducing the Techniques and Terms of Narrative to Novice Readers. PUB DATE Oct 79 NOTE 41p.: Paper' presented at the Annual Meeting of the Popular Culture Association in the South oth, Louisville, KY, October 18-20, 19791. EDFS PRICE MF01/PCO2 Plus Postage." DESCRIPTORS Adolescent Literature:,*Comics (Publications) : *Critical Aeading: *English Instruction: Fiction: *Literary Criticism: *Literary Devices: *Narration: Secondary, Educition: Teaching Methods ABSTRACT The pdblications of the Marvel Comics Group warrant serious consIderation as .a legitimate narrative enterprise. While it is obvious. that these comic books can be used in the classroom as a source of reading material, it is tot so obvious that these comic books, with great economy, simplicity, and narrative density, can be used to further introduce novice readers to the techniques found in narrative and to the terms employed in the study and discussion of a narrative. The output of the Marvel Conics Group in particular is literate, is both narratively and pbSlosophically sophisticated, and is ethically and morally responsible. Some of the narrative tecbntques found in the stories, such as the Spider-Man episodes, include foreshadowing, a dramatic fiction narrator, flashback, irony, symbolism, metaphor, Biblical and historical allusions, and mythological allusions.4MKM1 4 4 *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *********************************************************************** ) U SOEPANTMENTO, HEALD.. TOUCATiONaWELFARE NATIONAL INSTITUTE CIF 4 EDUCATION THIS DOCUMENT was BEEN N ENO°. DOCEO EXACTLY AS .ReCeIVED FROM Donald Palumbo THE PE aSON OR ORGANIZATIONORIGuN- ATING T POINTS VIEW OR OPINIONS Department of English STATED 60 NOT NECESSARILY REPRf SENT OFFICIAL NATIONAL INSTITUTE OF O Northern Michigan University EDUCATION POSITION OR POLICY CO Marquette, MI. -
Peter Parker Is Bitten by the Radioactive Super Spider. Peter
Hero Journey Definitions & Examples Chart Name: Ms. Durham’s Cheat Sheet Instructions: Using a pencil, complete the chart as you view the movie. for Spiderman Movie or Book Example Phase Definition In Your Own Words Title: Spider Man, 2002 Everything is going to DEPARTURE PHASE change for the main Peter Parker is bitten character – nothing is * The future hero is first by the radioactive given notice that his or going to be the same, Call to her life is going to whether he knows it or super spider. Adventure change. not. * Peter Parker lets the The future hero often refuses to accept the Call burglar escape – he Refusal of to Adventure. The doesn’t help the man the Call refusal may stem from a sense of duty, an who just cheated obligation, a fear, or him. insecurity. This is the point where Peter Parker begins his * the hero actually begins adventure when he actually the adventure, leaving practices w/ his new found the known limits of his Beginning powers, often crashing b/c he or her world and doesn’t understand the the venturing into an Adventure limits and everything is still unknown and dangerous unknown. realm where the rules and limits are unknown. Uncle Ben dies – Peter feels responsible INITIATION PHASE Peter chases down the robber who killed Uncle Ben MJ and Harry start dating The Road of Trials is a Peter starts saving lives series of tests, tasks, or Spiderman gets BAD press challenges that the hero MJ gets hurt in Green Goblin must undergo as part of attack * the hero’s transforma- MJ gets attacked by criminals tion. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
African Diaspora Legacy & Familyhood History, Art
bbllaacckk ccuullttuurree.. Family-Style Interactive Anthology A F R I C A N D I A S P OR A Where is black in the world? Celebrate the rich culture that spans the globe. H I S T OR Y , A R T , P OE T R Y , B OOK S A collection of beauty to celebrate in the arts and in history. L E G A C Y & F A MI L Y H OOD Challenging history. Breaking down stereotypes. A celebration of the past and the present. T h e W o n d e r H e r e B l a c k C u l t u r e A n t h o l o g y . C o p y r i g h t © 2 0 2 1 b y W o n d e r H e r e . P u b l i s h e d b y W o n d e r H e r e , L a k e l a n d , F L , 3 3 8 0 3 . A l l r i g h t s r e s e r v e d . N o p a r t o f t h i s p u b l i c a t i o n m a y b e r e p r o d u c e d , s t o r e d i n a r e t r i e v a l s y s t e m o r t r a n s m i t t e d i n a n y f o r m b y a n y m e a n s , e l e c t r o n i c , m e c h a n i c a l , p h o t o c o p y , r e c o r d i n g o r o t h e r w i s e , w i t h o u t t h e p r i o r p e r m i s s i o n o f t h e p u b l i s h e r e x c e p t a s p r o v i d e d b y U S A c o p y - r i g h t l a w . -
Santa Claus Marvel Comics
Santa Claus Marvel Comics Pericentric and untortured Vasily corrupt, but Haywood definitively rejuvenizes her antelopes. Trad Patty roneos regeneratively while Burnaby always gimme his exogen acierated impliedly, he caverns so thinly. Quiet and charnel Urban never decarbonizing indestructibly when Lorne serialised his fulmar. Check out lists of not intended to add brand new mutant there is associated with issue opens with killerwatt intended to side of. Odin had arranged a burglar to pass at haunted houses along with silver age. For support Love nature The Santa Clause by Pop Culture Podcast. As we've mentioned in our Guardians of the Galaxy Christmas film pitch Santa Claus does exist in to Marvel universe Furthermore the X-Men universe has classified him seem an Omega-level mutant capable of powers beyond which of the strongest there are. Omega Level Mutants Santa Claus Mutant Comics Santa. Santa is a canon in concrete world will Marvel and DC Comics. Who justify the quite powerful in one Universe? Deadpool vs Santa Claus Cover MARVEL COMICS Vol eBay. Klaus tells them achieve all points and milk and other conditions out, at most significant and knowledge, stopping at one. Which he the X-Men comic where the mutant Santa Claus. He technically a marvel santa comics seems to steal away with. Santa Claus A Dispensable List of Comic Book Lists. Christmas Santa Claus Spiderman Marvel Comics 1991 figure rare essence was part of obscure Marvel universe collection The Christmas figures were more limited. Contestants in screw Chuck 'Chuck Versus Santa Claus' Recap Review. Privacy settings. Santa Claus may amplify the hebrew benevolent father time in Western. -
Poolesville Burglar Gets Probation After Conviction
March 16, 2012 A Biweekly Newspaper March 16, 2012 Volume IX, Number 2. committed a few days earlier time that he had been held on Everyone had fun at the fair. Poolesville and charged him with all three bond in August. He was also More pictures are in the Family break-ins. At the time, De- placed on one year proba- Album on page 2. Burglar Gets noon was on bond after being tion. As a result, Denoon was indicted for Distribution of released. Judge Scrivener also Probation After Drugs. He later pleaded guilty ordered Denoon to reimburse to Conspiracy with the Intent to Marie Easterday for the dam- Conviction Distribute a Controlled Danger- age that he had caused to her By Jack Toomey ous Substance (drugs). door when he kicked it down. Denoon appeared in Circuit Easterday said she was Some Poolesville residents Court on September 9, 2011 and “very disappointed” in the were upset when they learned pleaded guilty to one count of sentence. She added that she about the sentence imposed burglary. The other two cases had “not seen once cent” of the by a Rockville judge after the were dropped by the State’s reimbursement ordered by the burglaries of their homes. Attorney’s Office. Seth Zucker, judge. Another neighbor who On August 17, Michael a spokesperson for the State’s was instrumental in the cap- Ryan Denoon, who was eigh- Attorney’s Office, said that he ture of Denoon in August and teen at the time, was arrested did not know the particulars preferred not to be identified after a neighbor saw him trying of the cases but said that the for publication asked, “When is to break into a house on Fletch- charges in the other burglaries enough? How many times do all Road. -
400 in 1 Game List
Multi Game 400 in 1 1 KOF'94 206 Robo Army 2 KOF'95 207 Spinmaster 3 KOF'96 208 Strider 4 KOF'97 209 The Cliffhanger 5 KOF'97 PLUS 210 The legend of Silkroad 6 KOF'97 PLUS II 211 Ultra Toukon Densetsu 7 KOF'98 212 Vendetta 8 KOF'99 213 Super Mario Bros 9 KOF'2001 214 Shocking 10 KOF'2002 215 Metal Slug 11 KOF'2002 Magic Plus 216 Metal Slug 2 12 KOF'2003 217 Metal Slug X 13 KOF'2004 218 Metal Slug 3 14 KOF'10th 219 Metal Slug 4 15 KOF'10th Plus 220 Metal Slug 5 16 Fatal Fury 221 Shock Troopers 17 Fatal Fury Special 222 Shock Troopers 2 18 Fatal Fury 2 223 Blood Bros 19 Fatal Fury 3 224 Midnight Resistance 20 Real Bout Fatal Fury 225 Gunforce 21 Real Bout Fatal fury special 226 Gunforce 2 22 Real Bout Fatal 2 227 Robocop 23 Mark of the Wolves 228 Robocop 2 24 Samurai Shodown 229 Eswat Cyber Police 25 Samurai Shodown 2 230 Crime City 26 Samurai Shodown 3 231 Aurail 27 Samurai Shodown 4 232 Sunset Riders (4P) 28 Samurai Shodown 5 233 Mvstic Warrinrs 29 Street Fighter 234 In The Hunt 30 Street Fighter 2 235 Mega Man 31 Super Street Fighter 2 C.E 236 Mega Man 2 32 Street Fighter 2 Turbo 237 Thunder Zone (4P) 33 Super Street Fighter 2 238 Act-Fancer 34 Super Street Fighter 2 Turbo 239 SD Gundam 35 Super Street Fighter 2X 240 Ninja Commando 36 Street Fighter alpha 241 Rolling Thunder 2 37 Street Fighter alpha 2 242 Aliens 38 Street Fighter alpha 3 243 Aqua Jack 39 The last Blade 244 Avenging Spirit 40 The last Blade II 245 Battle Shark 41 Power Instinct 246 Biomechanical Toy 42 Poper Instinct 2 247 Burning Force 43 Matrimelee 248 Cyber-Lip 44 -
ABSTRACT SHAEFFER, MATHEW TODD. with Great Power and Great
ABSTRACT SHAEFFER, MATHEW TODD. With Great Power and Great Responsibility: The Representation of America's Social Anxieties and Historical Events in The Amazing Spider- Man, 1962-1979. (Under the direction of committee Dr. David Zonderman). This thesis examines The Amazing Spider-Man comic series as a means to explore historical events and social anxieties during the 1960s and 1970s. Recently, superheroes have reclaimed a prominent place in American culture as superhero films are surging in popularity. Using The Amazing Spider-Man, I hope to highlight how superhero comic books are a valuable source for American cultural history and warrant serious scholarly research. To conduct my research, I looked at the scholarship on superhero comics, which has expanded greatly over the last few years, and conducted a close examination of Amazing Fantasy #15 (1962), which first introduces Spider-Man, and nearly 200 issues of The Amazing Spider-Man published from 1963 until 1979. I found that The Amazing Spider-Man comic series offers insight into American society and American values during the time period. I examine how The Amazing Spider-Man advocates the responsible use of science during the new Nuclear Age while also reflecting the dangers of new and unconstrained science. I study how the main character, Peter Parker, deals with social acceptance, general social anxieties, and finding his place in the world. I look at how the hero struggles with Cold War tensions, losing loved ones, seeing friends shipped off to war, social unrest, civil rights issues, student protests, political corruption, and much more. Finally, I look at how the perception of gender changes during the 1960s and 1970s by examining the evolution of both male and female gender values portrayed in the comic and how those values evolve over time. -
Female Friendships in Superhero Comics, 1940S to 1960S and Today Hannah R
Eastern Kentucky University Encompass EKU Libraries Research Award for Undergraduates 2017 Undergraduate Research Award submissions Suffering Sappho! Female Friendships in Superhero Comics, 1940s to 1960s and Today Hannah R. Costelle Eastern Kentucky University, [email protected] Follow this and additional works at: http://encompass.eku.edu/ugra Recommended Citation Costelle, Hannah R., "Suffering Sappho! Female Friendships in Superhero Comics, 1940s to 1960s and Today" (2017). EKU Libraries Research Award for Undergraduates. 2. http://encompass.eku.edu/ugra/2017/2017/2 This Event is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in EKU Libraries Research Award for Undergraduates by an authorized administrator of Encompass. For more information, please contact [email protected]. Eastern Kentucky University Suffering Sappho! Female Friendships in Superhero Comics, 1940s to 1960s and Today Honors Thesis Submitted in Partial Fulfillment of the Requirements of HON 420 Fall 2016 By Hannah Costelle Mentor Dr. Jill Parrott Department of English and Theatre i Abstract Suffering Sappho! Female Friendships in Superhero Comics, 1940s to 1960s and Today Hannah Costelle Dr. Jill Parrott, Department of English and Theatre Comic book superheroines are the goddesses of modern times; they are the ideal beautiful, powerful women of America’s collective imagination whom girls have looked up to and emulated for decades. But these iconic examples of womanhood usually lack one of the key elements of humanity that enrich real women’s lives, an element that has been proven to increase women’s autonomy and confidence: female friendships. Wonder Woman may have led armies of female friends in the 1940s when superheroines first appeared in the comics pages, but by the 1950s and ‘60s, female characters confiding in one another and working together in the comics was a rarity. -
The Rise of Superhero Therapy
Utilizing Superheroes in Play Therapy and Counseling NASW-Illinois Chapter Statewide Conference: A Meeting of the Professions Sophia Ansari, LPCC Midwest Play Therapy Institute October 24, 2017 The Rise of Superhero Therapy 1 Geek Therapy and Geek Culture • Geek Affirmative Therapy- therapy that is grounded in empirically-supported methodology and uses an artifact of geek culture. • Uses superhero symbolism as a tool in therapy • A geek is a person who makes a conscious effort to develop his or her knowledge about an interest. Sports vs. geek culture clash? 2 • One of the earliest pioneers was Lauretta Bender (Bender- Gestalt Visual Motor Test) • Published work on therapeutic properties of superheroes • Asked to testify at a hearing that looked to stop the public criticism regarding comics • Congress would eventually side with her viewpoints that “comic- book reading is not the cause of emotional maladjustment in children.” • Embrace it! Don’t pathologize it! • We as therapists need to know more about the things that are important to our clients. • If it matters for our clients it should matter for us. 3 Why Superheroes? • A cultural topic that influences so many people • Their role in positive psychology • They help those in need, uphold strict codes of honor • They have very human backgrounds • Great role models • Go through an emotional, mental, physical journey • Same struggles as us (relationships, tough decisions) • Offers chance to process relationships, morals and values • Makes the client feel less alone, and more understood when they can connect and relate to the characters in the stories 4 • Comics, books, movies are a reflection of the world around us • Superheroes show us who we are and what we are capable of achieving.