SUZANNA LUBRANO Most Popular Female Zouk Artist from Cabo Verde
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EDITOR “Our audience and urban creators were looking for a single platform that offers the best urban music and entertainment on all connected devices, all over the world. TracePlay is our answer to this request”. OLIVIER LAOUCHEZ CHAIRMAN, CEO AND CO-FOUNDER OF TRACE GROUP SUMMARY 1/ THE APP 03 TRACE PRESENTS TRACEPLAY 04 AN OFFER THAT FULLY INCLUDES URBAN MUSIC 2/ THE EXPERIENCE 05 LIVE TV: 9 TRACE MUSIC TV CHANNELS + 1 TV CHANNEL DEDICATED TO SPORT CELEBRITIES 06 LIVE RADIOS : 31 THEMATIC TRACE RADIOS 07 SVOD & ORIGINALS : OVER 2000 URBAN ASSETS 3/ THE OFFER 08 PRICES 09 DEVICES 10 GEOGRAPHICAL DISTRIBUTION APPENDIX: TRACEPLAY PROGRAM CATALOGUE 2017 WWW.TRACEPLAY.TV 1/ THE APP 1.1 TRACE PRESENTS TRACEPLAY TracePlay is the first subscription-based service entirely dedicated to urban and afro-urban music and entertainment. The App is available worldwide on most THE BEST RADIOS connected devices and offers an instant Afro-urban series, movies, documentaries 30 radio channels covering the various urban and unlimited access to 10 live TV chan- and concerts. and afro-urban genres. nels, 30 live radios and more than 2000 on demand programs. LIVE TV EXPLORE Watch the 9 best urban and afro-urban music channels Browse by region, topic, genre or mood and the #1 sport celebrities channel to make your choice. ON DEMAND Instant access to more than 2000 selected programs including originals. TV | RADIO | DIGITAL | EVENTS | STUDIOS | MOBILE | MAGAZINE TRACEPLAY | PRESS KIT 2017 03 1/ THE APP 1.2 AN OFFER THAT FULLY INCLUDES URBAN MUSIC TracePlay leverages Trace’s 14 years expertise in music scheduling to offer a unique music experience: all Urban, African, Latin, Tropical and Gospel music genres are available and curated on a single App for the youth who is 100% connected. -
Identidade E Estilo Em Lisboa: Kuduro, Juventude E Imigração Africana Identity and Style in Lisbon: Kuduro, Youth and African Immigration
Cadernos de Estudos Africanos 24 | 2012 Africanos e Afrodescendentes em Portugal: Redefinindo Práticas, Projetos e Identidades Identidade e Estilo em Lisboa: Kuduro, juventude e imigração africana Identity and style in Lisbon: Kuduro, youth and African immigration Frank Nilton Marcon Edição electrónica URL: http://journals.openedition.org/cea/706 DOI: 10.4000/cea.706 ISSN: 2182-7400 Editora Centro de Estudos Internacionais Edição impressa Paginação: 95-116 ISSN: 1645-3794 Refêrencia eletrónica Frank Nilton Marcon, « Identidade e Estilo em Lisboa: Kuduro, juventude e imigração africana », Cadernos de Estudos Africanos [Online], 24 | 2012, posto online no dia 13 dezembro 2012, consultado o 19 abril 2019. URL : http://journals.openedition.org/cea/706 ; DOI : 10.4000/cea.706 O trabalho Cadernos de Estudos Africanos está licenciado com uma Licença Creative Commons - Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional. Cadernos de Estudos Africanos (2012) 24, 95-116 © 2012 Centro de Estudos Africanos do ISCTE - Instituto Universitário de Lisboa I E L: K, çã Frank Nilton Marcon Universidade Federal de Sergipe (UFS) “racaju, ”rasil [email protected] 96 IDENTIDADE E ESTILO EM LISBOA : KUDURO , JUVENTUDE E IMIGRAÇÃO AFRICANA Identidade e estilo em Lisboa: Kuduro, juventude e imigração africana O kuduro é um estilo de dança e música que chegou a Portugal através da imigra- ção africana. Recentemente, passou também a ser produzido entre jovens imigrantes ou descendentes na região metropolitana de Lisboa. Em tal contexto, formaram-se redes de produtores e consumidores de kuduro e se estabeleceram formas de sociabilidade nos bair- ros de Lisboa e dos municípios em seu entorno onde vivem as populações de imigrantes e seus descendentes oriundos de Angola, Cabo Verde, Guiné-Bissau e São Tomé e Príncipe. -
Song of the Year
General Field Page 1 of 15 Category 3 - Song Of The Year 015. AMAZING 031. AYO TECHNOLOGY Category 3 Seal, songwriter (Seal) N. Hills, Curtis Jackson, Timothy Song Of The Year 016. AMBITIONS Mosley & Justin Timberlake, A Songwriter(s) Award. A song is eligible if it was Rudy Roopchan, songwriter songwriters (50 Cent Featuring Justin first released or if it first achieved prominence (Sunchasers) Timberlake & Timbaland) during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only. 017. AMERICAN ANTHEM 032. BABY Angie Stone & Charles Tatum, 001. THE ACTRESS Gene Scheer, songwriter (Norah Jones) songwriters; Curtis Mayfield & K. Tiffany Petrossi, songwriter (Tiffany 018. AMNESIA Norton, songwriters (Angie Stone Petrossi) Brian Lapin, Mozella & Shelly Peiken, Featuring Betty Wright) 002. AFTER HOURS songwriters (Mozella) Dennis Bell, Julia Garrison, Kim 019. AND THE RAIN 033. BACK IN JUNE José Promis, songwriter (José Promis) Outerbridge & Victor Sanchez, Buck Aaron Thomas & Gary Wayne songwriters (Infinite Embrace Zaiontz, songwriters (Jokers Wild 034. BACK IN YOUR HEAD Featuring Casey Benjamin) Band) Sara Quin & Tegan Quin, songwriters (Tegan And Sara) 003. AFTER YOU 020. ANDUHYAUN Dick Wagner, songwriter (Wensday) Jimmy Lee Young, songwriter (Jimmy 035. BARTENDER Akon Thiam & T-Pain, songwriters 004. AGAIN & AGAIN Lee Young) (T-Pain Featuring Akon) Inara George & Greg Kurstin, 021. ANGEL songwriters (The Bird And The Bee) Chris Cartier, songwriter (Chris 036. BE GOOD OR BE GONE Fionn Regan, songwriter (Fionn 005. AIN'T NO TIME Cartier) Regan) Grace Potter, songwriter (Grace Potter 022. ANGEL & The Nocturnals) Chaka Khan & James Q. Wright, 037. BE GOOD TO ME Kara DioGuardi, Niclas Molinder & 006. -
1 Song Title
Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist Hillary Lindsey, Liz Rose, FEARLESS 344 TAYLOR SWIFT Taylor Swift Christina Aguilera; FIGHTER 345 CHRISTINA AGUILERA Scott Storch I. Dench/ A. Ghost/ E. Rogers/ GYPSY 346 SHAKIRA Shakira/ C. Sturken HEARTBREAK WARFARE 347 JOHN MAYER Mayer, John LAST OF THE AMERICAN GIRLS 351 GREENDAY Billie Joe Armstrong OPPOSITES ATTRACT 348 JURIS Jungee Marcelo SAMPIP 349 PAROKYA NI EDGAR SOMEDAY 352 MICHAEL LEARNS TO ROCK Jascha Richter SUNBURN 353 OWL CITY Adam Young Nasri Atweh, Justin Bieber, Luke THAT SHOULD BE ME 354 JUSTIN BIEBER Gottwald, Adam Messinger THE ONLY EXCEPTION 350 PARAMORE Farro, Hayley Williams Max Martin, Alicia WHAT DO YOU WANT FROM ME 355 ADAM LAMBERT Moore, Jonathan Karl Joseph Elliott, Rick WHEN LOVE AND HATE COLLIDE 356 DEF LEPPARD Savage Jason Michael Wade, YOU AND ME 357 LIFEHOUSE Jude Anthony Cole YOUR SMILING FACE 358 JAMES TAYLOR James Taylor www.wowvideoke.com 1 Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist AFTER ALL THESE YEARS 9057 JOURNEY Jonathan Cain Michael Masser / Je!rey ALL AT ONCE 9064 WHITNEY HOUSTON L Osborne ALL MY LIFE 9058 AMERICA Foo Fighters ALL THIS TIME 9059 SIX PART INVENTION COULD'VE BEEN 9063 SARAH GERONIMO Richard Kerr (music) I'LL NEVER LOVE THIS WAY AGAIN 9065 DIONNE WARWICK and Will Jennings (lyrics) NOT LIKE THE MOVIES 9062 KC CONCEPCION Jaye Muller/Ben Patton THE ART OF LETTING GO 9061 MIKAILA Linda Creed, Michael UNPRETTY 9066 TLC Masser YOU WIN THE GAME 9060 MARK BAUTISTA 2 www.wowvideoke.com Music Video Pack Vol. -
Hou Het Echt! Authenticity in the Dutch Hip-‐Hop Scene from the Point Of
Hou het echt! Authenticity in the Dutch hip-hop scene from the point of view of A&R-personnel Tim van Meurs Erasmus School of History, Culture and Communication Erasmus University Rotterdam 362905 [email protected] Supervisor: Dr. Laura Braden Second reader: Prof.dr. Koen van Eijck June 8th, 2015 Foreword “You are trying to apply science to something that isn’t!” With those words, interviewee and godfather of Nederhop Kees de Koning summarized quite well what I have been doing for the last couple of months. Ambitious as I was at the start of the master thesis process, I figured I could interview some key behind-the-scenes figures of the Dutch hip-hop scene without too much trouble. At times, I wished I had listened to those who told me to pick another topic because people from the music industry are generally too busy to conduct a, for them, uninteresting interview. But this thesis now lies in front of you, finished and well, and ready to be read. But it did not become what it is now without any problems. Problems that I did not solve by myself. So for that, I would like to thank the people who guided me through my breakdowns, helped me get further in the process, and supplied me with all sorts of resources to go on; from encouragement, to food, to the opportunity for interviews. First I want to thank my interviewees, for without them I literally would not have been able to make this thesis. So thanks Farid, for being my first interviewee and referring me to others, and thanks Angelo, Jimmy, Pim, Gaétan, Tim, Amier, Jaap, Casper, Vincent and Kees for giving me some of your precious time. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Cape Verde and Brazil Musical Connections
Cape Verde and Brazil Musical Connections Juliana Braz Dias Universidade de Brasília / University of Pretoria Introduction The insertion of Brazilian music in contexts outside of the country is no lon- ger a novelty. Indeed, the media often reports on these musical flows. For instance, newspapers and specialized magazines have played a crucial role in highlighting the presence of Brazil on the international stage through reports on Grammy Awards won by Brazilian musicians (namely, Sérgio Mendes, Milton Nascimento, Gilberto Gil, Caetano Veloso e João Gilberto). Another example is the increased visibility of concerts featuring Brazilian artists in other countries, such as the Brazilian Day in New York, which attracts more than a million people to the streets of that city – above all Brazilians, but also North-Americans and migrants from other countries. However, it should be noted that the presence of Brazilian music outside of the country’s borders is not necessarily related to the global cultural indus- try, neither to the impact of recent migration processes. Musical exchanges involving Brazilian musicians have been going on for some time, in multiple ways, following diverse routes and movements of people. In this article, I focus on a particular trajectory that some forms of Brazilian music have taken. I refer to the Atlantic flows that allowed for the arrival of music and musicians from Brazil to Cape Verde, deeply influencing musical productions in the archipelago. Adopting an anthropological ap- proach, I seek to engage with discourses articulated by Cape Verdeans on the role of “Brazilian music” (as they understand it) and its relationship to the music produced in Cape Verde. -
'Titanium' | David Guetta (Feat. Sia)
‘Titanium’ David Guetta (feat. Sia) ‘Titanium’ | David Guetta (feat. Sia) ‘Titanium’ was a number one hit for French DJ and music producer David Guetta, featuring vocals from Australian singer Sia. Initially released digitally as one of four promotional singles for the album Nothing but the Beat in August 2011, the hit was o!cially released as the fourth single from the album in December of that same year. ‘Titanium’ was well received in many of the top music markets worldwide, achieving number 1s in four countries and top 10s in an incredible twenty "ve countries across the globe. #e single was met with positive reviews, with many claiming it to be the show stopper of the album thanks to Sia’s collaboration on lyrics and phenomenal vocal performance. Described as “epic and energising”, ‘Titanium’ was musically likened to the works of Coldplay and Sia’s vocal was compared to that of Fergie. Many reviewers raved about Sia’s delivery of the song’s hook, stating that ‘Titanium’ was by far the “most intriguing hook-up” of Guetta’s "$h studio album. #e single was certi"ed 3 x Platinum in the UK with sales just short of two million copies, and 2 x Platinum in the US with four million records sold. Guetta’s album Nothing But !e Beat topped the album charts in the DJ’s home nation of France, as well as Australia, Belgium, Germany, Spain and Switzerland. While some reviewers felt it was lacking somewhat in comparison to his earlier works, the album was well-received by many with tracks ‘Night of Your Life’ and ‘Titanium’ being highlighted as the strongest on the release. -
David Guetta
LUNEDì 25 AGOSTO 2014 Con 'Lovers on The Sun' David Guetta festeggia il suo quinto numero 1 nella classifica inglese lasciandosi alle spalle le altre nuove entrate della settimana (Taylor Swift in primis) e scalzando dalla vetta dopo due David Guetta: "Lovers On the Sun" settimane consecutive anche Nico&Vinz, ora in seconda posizione. Al numero 1 della classifica inglese festeggia David Guetta ad oggi ha venduto oltre 9 milioni di singoli solo in con un live streaming stasera in diretta da Ibiza! Inghilterra, dove era già arrivato al numero uno con "When Loves Takes Over", "Sexy Bitch", "Gettin Over You" e "Titanium". David stesso ha dichiarato di essere felicissimo di questo risultato che CRISTIAN PEDRAZZINI apre nel migliore dei modi la strada alla pubblicazione del suo prossimo album. Prodotto da David Guetta, Avicii, Giorgio Tuinfort e Frédéric Riesterer "Lovers on The Sun" è una traccia che vede la presenza della splendida [email protected] voce della stella nascente Sam Martin, dove la consolidata capacità di SPETTACOLINEWS.IT David di costruire dei veri e propri anthem dance pop si unisce al suono inconfondibile di Avicii. Il grande risultato in UK si aggiunge ad una lunga lista di conferme per questo singolo che arrivano da tutto il resto d'Europa, Italia compresa dove da due settimane il brano è al #4 della classifica di vendita, in ascesa. David Guetta è l'unico dj in Italia ad aver raggiunto il platino e per ben 2 volte con gli album 'One love' e 'Nothing but the beat' anche nominati ai Grammy. Oltre 3.000.000 di dischi venduti in tutto il mondo di cui oltre 750.000 singoli dal 2010 ad oggi solo in Italia. -
Construction of a Creole Identity in Cabo Verde: Insights from Morna, a Traditional Form of Music
Construction of a Creole Identity in Cabo Verde: Insights from Morna, a Traditional Form of Music Kay AOKI Graduate School of Asian and African Area Studies University of Kyoto Abstract Morna is a traditional music of Cabo Verde. It was created in the context of colonialism, where Whites, Blacks and creoles, the children of Whites and Blacks born in Cabo Verde, lived. With emancipation from slavery, the people of Cabo Verde began to build their own identity: a creole identity. In order to establish their independence from Portugal, poets and musicians used morna to unify the people of Cabo Verde. This research paper will address the specific case of the evolution of morna by analysing morna lyrics diachronically to clarify the importance of ‘creoleness’ in the creation of a unique Cabo Verde identity. Keywords: creole identity, Cabo Verde, evolution of morna 要旨 モルナはカーボ・ヴェルデの伝統音楽であり、歌謡である。モルナは植民 地支配において形成された文化であり、当時の社会に属していた白人や黒 人、そしてクレオールの人々(白人・黒人の間に生まれた混血の子供)が 影響したことで生成した。奴隷制度が廃止され、カーボ・ヴェルデの人々 は自らのアイデンティティ、すなわちクレオール・アイデンティティを創 出することを試みた。カーボ・ヴェルデがポルトガル帝国から独立を果た し、島民が団結し、統合するために詩人や音楽家はモルナを用いた。本研 究は、モルナの歌詞を通時的に分析することで、カーボ・ヴェルデにおけ る「クレオール性」についての理解を深めるための手がかりを示す。 キーワード:クレオール・アイデンティティ、カーボ・ヴェルデ、モルナ の進展 − 155 − Inter Faculty, vol. 7, FRAGMENTATION AND DIVERGENCE 1. Introduction The Cabo Verdean islands were uninhabited at the time of their discovery in 1460. Today, Cabo Verde consists of two groups of islands: the windward islands called the islands of Barlavento comprising Santo Antão, São Vicente, São Nicolau, Sal and Boa Vista, and the leeward islands called the islands of Sotavento comprising Brava, Fogo, Santiago and Maio. The capital of the Republic of Cabo Verde is Praia, situated in the island of Santiago, the largest island in Cabo Verde. -
Hispano-Lusophone” Community Media: Identity, Cultural Politics and Difference
“Hispano-Lusophone” Community Media: Identity, Cultural Politics and Difference Ana Stela de Almeida Cunha Miguel de Barros Rosana Martins (Editors) 17 Ana Stela de Almeida Cunha, Miguel de Barros, Rosana Martins (Eds.) ) Dirección José Luis Terrón, Universitat Autònoma de Barcelona Comité académico Carmen Echazarreta, Universitat de Girona Mònika Jiménez, Universitat Pompeu Fabra Jordi Farré, Universitat Rovira i Virgili Gustavo Cardoso, OberCom Rita Espanha, OberCom Nelson Zagalo, Universidade do Minho José Carlos Lozano, Texas A&M International University Tanius Karam, Universidad Autónoma Ciudad de México Laura Regil, Universidad Pedagógica Nacional Angel Badillo, Universidad de Salamanca Marta Martín, Universidad de Alicante Fotografía portada: Ana Stela de Almeida Cunha Ana Stela de Almeida Cunha, Miguel de Barros, Rosana Martins (Eds.) (2018): “Hispano- Lusophone” Community Media: Identity, Cultural Politics and Difference. InCom-UAB Publicacions, 17. Bellaterra: Institut de la Comunicació, Universitat Autònoma de Barcelona. ISBN 978-84-948252-1-7 Institut de la Comunicació (InCom-UAB) Universitat Autònoma de Barcelona Campus UAB - Edifici N, planta 1. Despatx N-1003 E- 08193 Bellaterra (Cerdanyola del Vallès) Barcelona. Espanya http://incom.uab.cat ISBN: 978-84-948252-1-7 2 “Hispano-Lusophone” Community Media: Identity, Cultural Politics and Difference ) Acknowledgements We would like to thank each of the authors for their valuable contributions during this manuscript’s gestation period. We are grateful for their inspiring visions of Media Studies, and for the vigour with which they conduct their investigations into this fascinating and complex field. Without them, this book would not have been a possibility. We wish to express our gratitude to the many people who have assisted us at the various stages of the project. -
Table of Contents
José N’dongala Kizombalove Methodology – teachers course Kizomba teachers course José N’dongala Kizombalove Methodology Teachers Course KIZOMBA TEACHERS1 COURSE José N’dongala Kizombalove Methodology – teachers course Kizomba teachers course José N’dongala Kizombalove Methodology Teachers Course Syllabus « José N’dongala Kizombalove Methodology » teachers course by José Garcia N’dongala. Copyright © First edition, January 2012 by José Garcia N’dongala President Zouk Style vzw/asbl (Kizombalove Academy) KIZOMBA TEACHERS COURSE 2 José N’dongala Kizombalove Methodology – teachers course Kizomba teachers course “Vision without action is a daydream. Action without vision is a nightmare” Japanese proverb “Do not dance because you feel like it. Dance because the music wants you to dance” Kizombalove proverb Kizombalove, where sensuality comes from… 3 José N’dongala Kizombalove Methodology – teachers course Kizomba teachers course All rights reserved. No part of this syllabus may be stored or reproduced in any way, electronically, mechanically or otherwise without prior written permission from the Author. 4 José N’dongala Kizombalove Methodology – teachers course Kizomba teachers course Table of contents 1 INTRODUCTION ......................................................................................................... 9 2 DANCE AND MUSIC ................................................................................................. 12 2.1 DANCING A HUMAN PHENOMENON .........................................................................