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Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock
Genders 1998-2013 Genders 1998-2013 Genders 1998-2013 Home (/gendersarchive1998-2013/) Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock Feminism, Postfeminism, Liz Lemonism: Comedy and Gender Politics on 30 Rock May 1, 2012 • By Linda Mizejewski (/gendersarchive1998-2013/linda-mizejewski) [1] The title of Tina Fey's humorous 2011 memoir, Bossypants, suggests how closely Fey is identified with her Emmy-award winning NBC sitcom 30 Rock (2006-), where she is the "boss"—the show's creator, star, head writer, and executive producer. Fey's reputation as a feminist—indeed, as Hollywood's Token Feminist, as some journalists have wryly pointed out—heavily inflects the character she plays, the "bossy" Liz Lemon, whose idealistic feminism is a mainstay of her characterization and of the show's comedy. Fey's comedy has always focused on gender, beginning with her work on Saturday Night Live (SNL) where she became that show's first female head writer in 1999. A year later she moved from behind the scenes to appear in the "Weekend Update" sketches, attracting national attention as a gifted comic with a penchant for zeroing in on women's issues. Fey's connection to feminist politics escalated when she returned to SNL for guest appearances during the presidential campaign of 2008, first in a sketch protesting the sexist media treatment of Hillary Clinton, and more forcefully, in her stunning imitations of vice-presidential candidate Sarah Palin, which launched Fey into national politics and prominence. [2] On 30 Rock, Liz Lemon is the head writer of an NBC comedy much likeSNL, and she is identified as a "third wave feminist" on the pilot episode. -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
Production Biographies
PRODUCTION BIOGRAPHIES MIKE O’MALLEY (Executive Producer & Showrunner, Writer- 201, 207, 210) Truly a multi-hyphenate, Mike O’Malley got his start in front of the camera hosting Nickelodeon’s “Get the Picture” and the iconic game show “Guts”. His success continued in television with standout roles in “Yes Dear”, “My Name Is Earl”, “My Own Worst Enemy”, “Justified”, and his Emmy®-nominated, groundbreaking performance as ‘Burt Hummel’ on the hit show “Glee”. Mike’s feature work includes roles in Eat Pray Love, Cedar Rapids, Leatherheads, Meet Dave, 28 Days, and the upcoming Untitled Concussion Project starring Will Smith which will be released Christmas 2015. Also an accomplished writer, Mike wrote and produced the independent feature Certainty which he adapted from his own play. In television, Mike has served as a Consulting Producer on “Shameless” and is in his second season as creator and Executive Producer of “Survivor’s Remorse” for Starz. LEBRON JAMES (Executive Producer) LeBron James is widely considered one of the greatest athletes of his generation. James’ extraordinary basketball skills and dedication to the game have won him the admiration of fans across the globe, and have made him an international icon. Prior to the 2014-2015 season, James returned to his hometown in Ohio and rejoined the Cleveland Cavaliers in their mission to bring a championship to the community he grew up in. James had previously spent seven seasons in Cleveland after being drafted out of high school by his hometown team with the first overall pick in the 2003 NBA Draft. James led the Cavaliers to five straight NBA playoff appearances and earned six All-Star selections during his first stint in Cleveland. -
Annual Report
2018 ANNUAL REPORT THE FUTURE OF NATIONAL SECURITY The Center for Strategic and Budgetary Assessments (CSBA) is an independent, non-partisan, non-profit public policy research institute established to promote innovative thinking and debate about national security strategy, defense planning, and military investment options for the 21st century. For more than two decades, the Center for Strategic and Budgetary Assessments has provided consistent, high-quality, and innovative research on defense strategy, budgets, and the security environment. With notable alumni, CSBA experts have worked to analyze U.S. defense strategy, force structure and planning, and defense budgets in the effort to reconcile these interrelated subjects, contributing extensively to the Revolution in Military Affairs debate, the development of an AirSea battle concept, discussions on the strategic choices necessary for the transformation and modernization of the U.S. military in the face of limited resources, and the defense strategy and operational concepts needed for an era marked by great-power competition and the possibility of great-power war. Under the leadership of Dr. Thomas G. Mahnken since 2016, CSBA remains instrumental in guiding the nation’s most critical defense policy debates as a small but powerful group comprising experts with extensive experience in the field of national security—many of them military veterans and former senior level policy makers from the Department of Defense, State Department, and the National Security Council—supported by a dedicated staff of accomplished executives and scholars. CSBA’s mission is to develop innovative, resource-informed defense concepts, promote public debate, and spur action to advance U.S. and allied interests. -
I Feel Good from My Head, TOMATOES!
Summer 2021 Issue 13 I feel good It would sure do from my head, me good to do TOMATOES! you good Advice on how to Reaching out to support safely include higher each other in tough times potassium foods in your diet Happier and healthier on dialysis Nick Palmer explains why a transplant isn’t always the best option In this Summer issue Features Page Music – the medicine of the mind 12 12 Music and mental health during lockdown Drawing on my fighting spirit 30 Discover the power of art It would sure do me good to do Food, glorious food 32 you good. Let me help Not all super heroes wear capes – help with home-schooling during lockdown Spicy cherry tomato and ricotta 20 pasta A simple and tasty tomato pasta recipe Whimsical Woodland Way. especially prepared for kidney patients 36 Naughty Morty and Me. A patient journey that led to the creation of a popular children’s book I feel good from my head, 22 TOMATOES! How tomatoes can be safely included in Medical your diet Having a stent removed after your 8 transplant Page What is a stent, what does it do and how is 30 it removed? Kidney Clinic – Hearts and bones: 16 CKD-MBD Chronic kidney disease-mineral bone disease explained Do we need to worry about weight 34 and transplantation? A look at how weight management can affect kidney patients following transplant Page On your side 22 Answering your questions about 10 Covid-19 Kidney Care UK’s online advice and webinars reassure thousands of people with chronic kidney disease 3 Welcome to Message Kidney Matters from the editor Welcome to the summer issue of Kidney Matters. -
30 Rock and Philosophy: We Want to Go to There (The Blackwell
ftoc.indd viii 6/5/10 10:15:56 AM 30 ROCK AND PHILOSOPHY ffirs.indd i 6/5/10 10:15:35 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy X-Men and Philosophy Edited by Robert Arp Edited by Rebecca Housel and J. Jeremy Wisnewski Metallica and Philosophy Edited by William Irwin Terminator and Philosophy Edited by Richard Brown and Family Guy and Philosophy Kevin Decker Edited by J. Jeremy Wisnewski Heroes and Philosophy The Daily Show and Philosophy Edited by David Kyle Johnson Edited by Jason Holt Twilight and Philosophy Lost and Philosophy Edited by Rebecca Housel and Edited by Sharon Kaye J. Jeremy Wisnewski 24 and Philosophy Final Fantasy and Philosophy Edited by Richard Davis, Jennifer Edited by Jason P. Blahuta and Hart Weed, and Ronald Weed Michel S. Beaulieu Battlestar Galactica and Iron Man and Philosophy Philosophy Edited by Mark D. White Edited by Jason T. Eberl Alice in Wonderland and The Offi ce and Philosophy Philosophy Edited by J. Jeremy Wisnewski Edited by Richard Brian Davis Batman and Philosophy True Blood and Philosophy Edited by Mark D. White and Edited by George Dunn and Robert Arp Rebecca Housel House and Philosophy Mad Men and Philosophy Edited by Henry Jacoby Edited by Rod Carveth and Watchman and Philosophy James South Edited by Mark D. White ffirs.indd ii 6/5/10 10:15:36 AM 30 ROCK AND PHILOSOPHY WE WANT TO GO TO THERE Edited by J. Jeremy Wisnewski John Wiley & Sons, Inc. ffirs.indd iii 6/5/10 10:15:36 AM To pages everywhere . -
Memphis Belle
MEMPHIS BELLE Written by MONTE MERRICK July 1989 Draft FOR EDUCATIONAL PURPOSES ONLY MEMPHIS BELLE FADE IN: 1 EXT. FIELD - DAY A football game is in progress. Six guys on each side, all in their late teens and early twenties, wearing khaki pants, work shirts, T-shirts. OVER, we hear the voice of BRUCE DERRINGER. The first player we see is VIRGE HOOGESTEGER. BRUCE (V.O.) Virge Hoogesteger., What kind of name is that? Nicknamed 'The Virgin.' Well, look at him. Poor kid probably tries to get a girl into bed and she wants to make him brush his teeth and wash behind his ears. Then we see JACK BOCCI bulldozing down one of the defense players. BRUCE (V.O.) Look at this goon. Jack Bocci from Brooklyn. He's a magician. Wants to be the next Houdini. Well, he's escaped twenty-four missions. Not bad for an amateur. Next, EUGENE McVEY nervously making a play. BRUCE (V.O.) This is the religious one. There's always a religious one. Eugene McVey. Nineteen from Cleveland. There's always one from Cleveland. High strung, nervous, always coming down with something. How'd he get in this bunch? Next, we see RICHARD "RASCAL" MOORE showing off. BRUCE (V.O.) Rascal? That can't be his real name. Here we go. Richard Moore, but called the Rascal. Thinks he's a real ladies man. Talks dirty, the whole bit. Well, he'll grow out of it. If he grows at all. Then we see CLAY BUSBY, cooly running with the ball. (CONTINUED) 2. -
Alison Hirsch
Alison Whitney Height: 5’3” Weight: 111 lbs. Hair: Golden Blonde Eyes: Brown FILM/TV______________________________________________________________________________ Guiding Light Ticket Seller Episode 15376 Aired 3/7/2008 CBS 30 Rock Hostess “Ludachristmas” Aired 12/13/07 NBC Rachel Ray Self “Shorts for Everybody” Aired- 7/4/07 ABC Rachel Ray Self “Closet Intervention/Tim Gunn” Aired- 9/21/07 ABC Med Detectives Mary (Day Player) 747 Media Dir. Patrick Kennedy Three Chris’s (Pilot) Mary Magdalene Justice for All Productions Cluster (Feature) Caroline (Lead) Morbid Mind Productions Dir. Vincent Scordia Bacterium (Feature) Beth (Lead) Shock-o-Rama Productions Dir. Brett Piper Polycarp (Feature) Jessie (Supporting) Justice for all Productions Dir. George Lekovic Mock-umentary (Feature) Self (Lead) Mushroom Cloud Productions Dir. Geoff Ciani Betrayal (Feature) Self (Lead) Two Oceans Productions Dir. Adriana Muniz Splatter Beach (Feature) Dancer (Featured) E I Cinema Dir. Brett Piper Junior Varsity (Pilot) Beth (Lead) Hub Tech Productions Dir. Jason Jenkins Junkies (Pilot) Veronica (Lead) Stone Street Studios Dir. Jonathan Zipper Georgia Peach (Pilot) Wardrobe Girl (Featured) Two Penny Productions Dir Christina Erin Cult of Eden Judy (Lead) SPORK Productions Dir. Geoff Ryan Losing Taylor Taylor (Lead) Hahnfilms Productions Dir. Daniel Hahn 99.9% Kate (Lead) 8 Track Films Dir. Maxim Vayntraub THEATRE____________________________________________________________________________ Kennedy’s Children Carla SoHo Playhouse Dir. John Johnson Fine Funny and Female Self Ha! Comedy Club Dir. Carole Montgomery Enabling/Disabling Helen The Red Room Dir. Jonathan Rabunski Happy Hour I love you/I hate you/Beat up The Big Little Theatre Dir.Michael Horn The Importance of Being Earnest Cecily Stella Adler Studio Dir. -
Admissions Requirements to the Commercial Pilot
Big Bend COMMUNITY COLLEGE COMMERCIAL PILOT PROGRAM Thank you for your interest in the Aviation Program at Big Bend Community College. We hope you will find the following information helpful and will call to arrange a tour of our training facilities. (509.793.2241). HISTORY The Big Bend Community College Aviation Program is an FAA authorized commercial pilot training program, which started in 1965 with 23 students and 3 airplanes. Today, there are approximately 100 students, 26 aircraft, 3 simulators, and 10-14 full-time instructors. During the course of our two-year program, an average student will fly 220 hours to gain a commercial pilot certificate with an instrument rating. Aviation training at Big Bend is taken in conjunction with academic or vocational courses that the student chooses, to fulfill the requirements of the Associate in Arts and Science transfer option and the Associate in Applied Science-Commercial Pilot. Most students will complete both degrees simultaneously without any additional costs. All students who complete Big Bend’s aviation program will receive the Restricted-Airline Transport Pilot (R-ATP) authorization, which will lower the ATP certificate requirements by 250 hours and allow them to enter the industry more rapidly. OPTIONS One of the many advantages of attending Big Bend’s flight program is that upon completion, you will have many options available. One option is to go immediately into a flight career. You will have the best training available and will have Big Bend’s reputation that is respected by employers worldwide. Today, many major airlines no longer require a bachelor’s degree. -
We Have Kidney Cancer Survivors Stories Inspiration and Advice from Patients and Caregivers
2012 Edition The Kidney Cancer Association Presents... We Have Kidney Cancer Survivors Stories Inspiration and advice from patients and caregivers Supported by KidneyCancer.org FOREWORD I am always thrilled to meet fellow kidney cancer survivors and their families. When I was diagnosed 18 years ago with Stage III kidney cancer, the only encouragement I received from my surgeon was that he would “make me as comfortable and happy as possible.” As a straightforward New Yorker, I decided that “comfortable and happy” wasn’t going to cut it with me. I very sweetly advised him that I had “comfortable and happy” covered; I needed him to do something more. Following a radical nephrectomy of a 10 cm tumor (that was classified as papillary), I endured one year of low-dose subcutaneous immunotherapy – at the time, the only FDA approved treatment on the market -- and was pronounced cancer-free. Six months later, a lymph node surfaced in my neck; it was malignant. What to do? My oncologist put me on a chemotherapy regimen that combined two other chemical agents. It was an extremely challenging treatment, but it seems to have worked. I have subsequently had all sorts of “quirky” medical issues, “Duringmyexperience but, fortunately, kidney cancer has not been among them. withcancer,Icametorealize During my experience with cancer, I came to realize that one thatonethingwealways thing we always need is HOPE. Kidney cancer statistics are needisHOPE.” daunting and can weigh heavily on one’s state of mind. This is what propelled me to become involved with the Kidney Cancer Association: I wanted to be the voice for those unable to speak up; the shoulder for those who needed a boost; and, most importantly, the one who provided hope when things looked grim. -
Lots of Words, Little Action
Lots of Words, Little Action Will the private sector tip the scales for community land rights? Rights and Resources Initiative Annual Review 2013–2014 THE RIGHTS AND RESOURCES INITIATIVE RRI is a global coalition of 13 Partners and over 140 international, regional, and community organizations advancing forest tenure, policy, and market reforms. RRI leverages the strategic collaboration and investment of its Partners and Collaborators around the world by working together on research, advocacy and convening strategic actors to catalyze change on the ground. RRI is coordinated by the Rights and Resources Group, a non-profit organization based in Washington, D.C. For more information, please visit www.rightsandresources.org. PARTNERS SUPPORTERS SUPPORTERS The views presented here are not necessarily shared by the agencies that have generously supported this work. AT A GLANCE: RIGHTS AND RESOURCES 1 2013-2014 We had hoped to report good news, to trumpet the rising tide of support for community forest land rights around the world in 2013. But while there were many encouraging pronouncements last year—from courts, governments, and some of the world’s largest corporations —unfortunately, progress on the ground remains very limited. And worse, new research reveals a slowdown in the recognition of community forest land rights in developing countries over the last six years. Despite some high-profile wins, less new legislation has been passed since 2008 than in the preceding six years—and recent laws are weaker than before. None of these laws recognize land ownership, and the amount of forest land secured for community ownership since 2008 is less than 20 percent of that in the previous six years. -
MASARYK UNIVERSITY Portrayal of African Americans in the Media
MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature Portrayal of African Americans in the Media Master‟s Diploma Thesis Brno 2014 Supervisor: Author: Mgr. Zdeněk Janík, M.A., Ph.D. Bc. Lucie Pernicová Declaration I hereby declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. ........................................................ Bc. Lucie Pernicová Acknowledgement I would like to thank my supervisor Mgr. Zdeněk Janík, M.A., Ph.D. for the patient guidance and valuable advice he provided me with during the writing of this thesis. Table of Contents 1. Introduction ............................................................................................................... 5 2. Portrayal of African Americans in Films and on Television ..................................... 8 2.1. Stereotypical Images and Their Power .............................................................. 8 2.2. Basic Stereotypical Images of African Americans ............................................ 9 2.3. Stereotypical Film Portrayals of African Americans and the Arrival of the Talking Era .................................................................................................................. 12 2.4. Television Portrayals of African Americans .................................................... 14 2.4.1. The Increasing Importance of African American Viewers ....................... 17 2.4.2. Contemporary Images of African Americans ..........................................