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Essays on Golden Age Spanish Literature for Geoffrey L. Stagg in Honor of His Eighty-Fifth Birthday
21.2 (2001) Reviews 227 Ingeniosa Invención: Essays on Golden Age Spanish Literature for Geoffrey L. Stagg in Honor of his Eighty-fifth Birthday. Ed. Ellen Anderson and Amy Williamsen. Newark, DE: Juan de la Cuesta, 1999. xx + 258 pp. ISBN: 0-936388-83-8. Geoffrey L. Stagg is duly honored in this latest addition to the handsome “homenajes” series published by Juan de la Cuesta. The collection of essays edited by Ellen M. Anderson an d Amy R. Williamsen contains some truly excellent contributions to Golden Age studies across the board. As most readers of this journal probably know, Stagg’s research focuses on the Cervantine œuvre, and he served as an Associate Editor for Cervantes since the journal’s inception until the date of publication of this Festschrift in celebra- tion of his eighty-fifth birthday. However, the editors’ introduction makes quite clear the fact that Stagg is nothing less than a Renaissance man—trained in both arms and letters—and this diversity is reflected through the fine selection of scholars and articles that make up this academic accolade. In addition to sketching Stagg’s academic career in their introduction to this homage, the editors also bring to light the human touch of this humani- tarian. His diplomatic manner with his students, his very special relationship with his wife, and the couple’s generous dinner parties with colleagues and students all paint an intimate portrait that gives a sense of wholeness to this academic tribute. The volume itself is divided into fou r sections. The first section, titled “Comparative Contexts,” contains three essays that “contribute to the under- standing of Spanish Renaissance and Baroque works in the light of the classi- cal letters and the Elizabethan literature Stagg knows and loves so well” (xvii). -
Multiperspectivism in the Novels of the Spanish Civil War Hans Lauge Hansen, Aarhus University
Orbis Litterarum 66:2 148–166, 2011 Printed in Malaysia. All rights reserved Multiperspectivism in the Novels of the Spanish Civil War Hans Lauge Hansen, Aarhus University Since the turn of the millennium, Spanish society has been engaged with an intense public and political debate about the Civil War and the post-war period. The number of publications has exploded within all genres, and narrative fiction clearly participates in the negotiation of the cultural memory of this period. Taking its point of departure in Todorov’s concept of restorative narratives, this article investigates whether contemporary Spanish novels continue a Manichaean division between ‘us’ and ‘them’, and whether it is possible to detect a difference in narrative patterns before and after the turn of the millennium. Keywords: cultural memory, Spanish Civil War, restorative narrative, multi- perspectivism, Spain. Since the turn of the millennium, Spain has witnessed a renewed public and political debate about Spain’s history in the twentieth century which has focused particularly on the memory of the Civil War of 1936–1939 and the immediate post-war period. The number of publications dedicated to this issue has exploded, not only in historiographic discourse, but within all genres, including novels, biography and autobiography.1 Through dialogue with other social discourses, narrative fiction clearly participates in the construction of the cultural memory of a given society. But what is the nature of this involvement? This article engages this question by examining the change in narrative perspective in the contemporary Spanish novel and by discussing the possible cultural and social impact of this change. -
The Gospel, According to Lazarillo: Parodia Sacra & Picaresque
To Hell with Christ!—the Gospel, According to Lazarillo: Parodia Sacra & Picaresque Signifying on the Novel as Genre Andrew R. Belton A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English & Comparative Literature. Chapel Hill 2009 Approved by: Dr. Jessica Wolfe Dr. James Thompson Dr. Beverly Taylor ©2009 Andrew R. Belton ALL RIGHTS RESERVED ii ABSTRACT Andrew R. Belton: To Hell with Christ!—the Gospel, According to Lazarillo: Parodia Sacra & Picaresque Signifying on the Novel as Genre (Under the direction of Jessica Lynn Wolfe) This thesis looks at an anonymously-authored work of early modern Spanish prose fiction, namely La vida de Lazarillo de Tormes, y de sus fortunas y adversidades (The Life of Lazarillo de Tormes: his Fortunes and Misfortunes). It makes the argument that Lazarillo, as a progenitor-text for the picaresque and novelistic traditions, initiates the use of intertextual signifying and the play of the parodic as an imaginative practice that will come to define twentieth century notions of the novel as a generic form with identifiable techniques. Major portions of this essay read parody as it functions within the text, both thematically and structurally; applying Bakhtinian notions of parodia sacra to discuss methodology, form and the construction of meaning within the work. iii ACKNOWLEDGEMENTS Throughout my work on this thesis, a number of people have been dedicated to providing support for its completion. I wish to thank several of these persons for their availability, feedback, and confidence in seeing this project to its close. -
Sufis, Kabbalists and Christian Philosophers in Medieval Spain
New York Open Center and Lapis Magazine Online Present Sufis, Kabbalists and Christian Philosophers In Medieval Spain Granada, September 15th to 20th, 2007 Co-sponsored with The Ibn ‘Arabi Society, Centro Abierto Tomillo, The Lumen Foundation www.EsotericQuest.org Joinndalusia, orus Al-Andalus on, developed a an extraordinary Quest … culture of religious tolerance in medieval Spain that produced works of enduring spiritual and artistic genius. Today, when the world seems to teeter on the edge of major religious conflict, this enlightened period when Muslims, Jews and Christians lived in relative Aamity serves as a powerful reminder of the achievements of co-existence or ‘conviviencia’. This was the time when the Zohar, the seminal kabbalistic work, was compiled by Moses de Leon. It was also the period of Ibn ‘Arabi, the Sheik Al-Akbar, the greatest of Sufi teachers, while further north in Majorca the Christian philosopher, Ramon Llull, developed a form of wisdom that drew from the deepest esoteric teachings of all three cultures. Join us on a quest for the beauty and spiritual philosophy of this largely forgotten age, a time when the magical city of Cordoba contained a library of scores of thousands of books while the largest collection elsewhere in Europe had no more than 400. The Islamic culture that conquered Spain went on to translate the works of the ancient Greek philosophers and was familiar with the secrets of alchemy. In this vibrant world, Kabbalists intermingled with Sufis, and streams of wisdom flowed into Spain from both the far East and the North. This sixth in the Open Center’s series of conferences on the Western Esoteric Tradition will take place in Granada, the evocative and beautiful city lying below the snowy Sierra Nevada that, alone on the Iberian Peninsula, remained under Muslim control until the fateful year of 1492. -
Folia Orient. Bibliotheca I.Indd
FOLIA ORIENTALIA — BIBLIOTHECA VOL. I — 2018 DOI 10.24425/for.2019.126132 Yousef Sh’hadeh Jagiellonian University [email protected] The Koran in the Poetry of Alexander Pushkin and Ivan Bunin: Inspiration, Citation and Intertextuality Abstract The Koran became an inspiration to the Russian poet Alexander Pushkin (1799–1837), made obvious in many of his works, such as Imitations of the Koran, The Prophet, and In a Secret Cave. Pushkin studied the translation of the Koran carefully and used many verses of its Surahs in his texts. Many of his contemporary poets and followers were influenced by his poetry, like Ivan Bunin (1870–1953), who continued the traditions of Pushkin. Bunin repeated many thoughts from Koranic discourse and placed them in his poems that were full of faith and spirituality. He wrote many of them at the beginning of the 20th century1, before his emigration to France in 1918, for example: Mohammed in Exile, Guiding Signs and For Treason. It has been noted that Bunin was quoting verses from the Koran to create an intertextual relationships between some Surahs and his poems, showing a great enthusiasm to mystical dimension of Islam. We find this aspect in many works, such as The Night of al-Qadr, Tamjid, Black Stone of the Kaaba, Kawthar, The Day of Reckoning and Secret. It can also be said that a spiritual inspiration and rhetoric of Koran were not only attractive to Pushkin and Bunin, but also to a large group of Russian poets and writers, including Gavrila Derzhavin, Mikhail Lermontov, Fyodor Tyutchev, Yakov Polonsky, Lukyan Yakubovich, Konstantin Balmont, and others. -
Transatlantic Study Abroad Program in Europe Alcalá De Henares (Madrid), Spain
Transatlantic Study Abroad Program in Europe Alcalá de Henares (Madrid), Spain The Consortium for Transatlantic Studies and Scholarships The mission of the Consortium for Transatlantic Studies and Scholarship (CTSS) seeks to encourage and promote a transatlantic perspective by providing faculty and students with a unique multicultural environment in order to aid their personal, professional, and academic development. Furthermore, we encourage collaboration within the consortium and among the member institutions in the area of academics, research, sharing of resources, and development of new programs, at all levels of the college/university: student, faculty, and administration. To that end, the CTSS has established a Study Abroad Program in Alcalá, Spain, which is held during the Fall and Spring Semesters. An annual Conference--open to faculty and students alike--is held every two years as a way to promote research, dialogue, and discussion among "scholars from across the world and from across the arts, humanities, and social sciences, [on] the nature and changing traits of Global Challenges through the lens of the transatlantic perspective. Program objectives To promote the knowledge and understanding of the historical, cultural, political, economic and social relations of both sides of the Atlantic Ocean by offering a diversity of courses suited for students with different interests, which will contribute to develop ideas, discussion and debate on subjects important to the transatlantic community. Block courses are taught in English. Develop students´ intercultural skills through different activities outside the classroom and cultural visits, in order to build up their attitudes, beliefs, communication styles and cultural competencies. Allow students to participate in other activities: volunteering, sports, service learning, internships, field trips. -
SUMMARY Articles and Reports History of Literature Natalia L
SUMMARY Articles and Reports History of Literature Natalia L. Lavrova. The motif of Divine Narcissism in Baroque Literature. This article focuses on historical fate of the motif of divine narcissism which is explicitly actualized in Baroque literature. Key words: Narcissus myth; Baroque; divine narcissism; «Divine Comedy»; Ficino; «Paradise Lost». Olga A. Bogdanova. «Country-estate Culture» in the Russian Literature of the XIX – beg. XX Century. Social and Cultural Aspects. The country estate of the XIX century as a phenomenon of Russian culture united the parts of the Russian nation – nobility and peasantry, split in the process of Peter’s reforms – into a certain wholeness. Both Europeism and «soilness» of the Russian classical literature came from the fact that its creators, the Russian landlords with their European education, within the estate were closely tied with the peasants and thus could express the folk mentality by the European artistic language. The town intellectuals of the «Silver Age», alien to the «country-estate culture», on the opposite, lost the immediate link with the common people and created the literature, which was far from the national religious tradition («legend»), not that of «soil», but of «catastrophy». Key words Country-estate; estate nobility; peasantry; Russian classical literature; «legend»; intellectuals; Silver Age; «soillessness»; catastrophism. Yulia N. Starodubtseva. Afanasy Fet’s Works as Perceived by Aleksandr Blok (using Aleksandr Blok’s library as a study case). The author aims to investigate the influence of Afanasy Fet’s work on Aleksandr Blok by analyzing the notes made by Blok when reading. This method makes it possible to address the issue on the basis of factual and therefore more reliable material, and pairing poems for comparison is facilitated by the fact that Fet’s side is preselected by Blok’s notes. -
Sergei Diaghilev's Ballets Russes in the Context of Symbolism Andrey Konovalov1,A Liudmila Mikheeva2,* Yulia Gushchina3,B
Advances in Social Science, Education and Humanities Research, volume 572 Proceedings of the 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021) Sergei Diaghilev's Ballets Russes in the Context of Symbolism Andrey Konovalov1,a Liudmila Mikheeva2,* Yulia Gushchina3,b 1 Institute of Fine Arts, Moscow Pedagogical State University, Moscow, Russia 2 Department of General Humanitarian Disciplines, Russian State Specialized Academy of Arts, Moscow, Russia 3 Likhachev Russian Research Institute for Cultural and Natural Heritage, Moscow, Russia a Email: [email protected] b Email: [email protected] *Corresponding author. Email: [email protected] ABSTRACT The present article focuses on the artistic culture of the Silver Age and the remarkable creative atmosphere of Russia at the turn of the 20th century characterized by the synthesis of arts: drama, opera, ballet, and scenography. A key figure of the period was Sergei Diaghilev, the editor and publisher of the magazines Mir Iskusstva (World of Art) and The Yearbook of the Imperial Theatres, the founder of the famous Ballets Russes in Paris, the organizer of exhibitions of Russian artists of different schools and movements. The article studies the features of Symbolism as an artistic movement and philosophy of art of the Silver Age, a spiritual quest of artistic people of the time, and related and divergent interests of representatives of different schools and trends. The Silver Age is considered the most sophisticated and creative period of Russian culture, the time of efflorescence, human spirit, creativity, the rise of social forces, general renewal, in other words, Russian spiritual and cultural renaissance. -
Translation of Selected Poems by K. Balmont
Swarthmore College Works Russian Faculty Works Russian 2015 Translation Of Selected Poems By K. Balmont K. Balmont Sibelan E.S. Forrester Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-russian Part of the Slavic Languages and Societies Commons Let us know how access to these works benefits ouy Recommended Citation K. Balmont and Sibelan E.S. Forrester. (2015). "Translation Of Selected Poems By K. Balmont". Russian Silver Age Poetry. 33-37. https://works.swarthmore.edu/fac-russian/220 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Russian Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Konstantin Balmont 33 became more demanding; his poetry was described as a magnificent transla- tion from an unknown original, though always praised for its musicality. He himself translated poetry from numerous languages; authors he rendered from English included Blake, Poe, Shelley, Whitman, and Wilde. Balmont emigrated to France in 1922 and lived there in poverty, as did most émigré poets; he suffered a gradual mental decline that limited his ability to write and died in 1942. Verblessness [Безглагольность] In the nature of Russia there’s some weary tenderness, The unspeaking pain of a deep-buried sorrow, Ineluctable grief, voicelessness, endlessness, A high frozen sky, and horizons unfolding. Come out here at dawn to the slope of the hillside— A chill smoking over the shivering river, The massive pine forest stands darkly, unmoving, And the heart feels such pain, and the heart is not gladdened. -
TRANSLATION and LITERATURES in SPAIN, 20032012 Mario
TRANSLATION AND LITERATURES IN SPAIN, 20032012 Mario Santana The University of Chicago Recibido: 24 julio 2015 Aceptado: 19 septiembre 2015 2015 Over the course of the last two decades, the rise of Iberian Studies within the US academy has forced a reconceptualization of monolithic (and monolingual) understandings of national literatures that were (and still are) one of the hallmarks of Hispanism and other institutionalized disciplinary fields of cultural scholarship. One of the most obvious effects of this shift has been the vindication of previously marginalized languages and cultures as objects of inquiry, and the need to articulate epistemological models and practices that bring to light both their particular trajectories and the complexities of their coexistence and interaction. In this context, the success of Iberian Studies as a productive epistemological model will depend on the the formulation and implementation of theoreticallyinformed practices that would open new venues for the expansion of the material and disciplinary archives, which in turn may facilitate the discovery and articulation of new critical problems that the previous paradigm did not identify as such.(1) In this essay, I would like to focus on one of the areas in need of further exploration —the role of translation in the constitution of national literatures and, in particular, in the dynamics of interliterary relations within the Iberian Peninsula. It is fair to say that the study of translation has remained in large part disassociated from the historical -
MSU Texas Study Abroad Spain Brochure
STUDY ABROAD SQUARE OF SAINT MARY’S AND VALENCIA CATHEDRAL, VALENCIA CITY OF ARTS AND SCIENCES, VALENCIA Viva España ¡HOLA! Spend your Summer I semester in Valencia, Spain’s third-largest city, located on the Mediterranean coast about 200 miles south of Barcelona. Although Valencia has a rich history, it is often referred to as one of Spain’s more modern cities. Celebrations and festivals throughout the year, like the Falles, provide an excellent opportunity for you to witness Spanish character at its best. One must-see for visitors is the “City of Arts and Sciences,” a group of futuristic buildings designed by local architects which includes a cutting-edge oceanarium. Other attractions include Valencia Cathedral, dating back to the 13th and 14th centuries. Within minutes of old-town there is a chance to sun on the reflect the city’s past and include the ruins of a Mediterranean beach with soft sand and a Roman theater, a 10th-century Moorish castle lovely blue sea. built on the remains of a Phoenician lighthouse, the 13th-century Alcazaba, and the Málaga Summer II classes will be held in Málaga, botanical gardens created in 1855. Spain. This coastal city features stunning scenery of the Costa del Sol and a beautiful EXTEND YOUR STAY stretch of beach. Popular with tourists, the Spanish majors and minors have the option city is full of museums, shopping, and sacred to extend their stay another month and earn and religious sites. Málaga is one of the oldest up to 12 additional credit hours. For more Mediterranean seaports, and the landmarks information, visit the Global Education Office. -
London International Antiquarian Book Fair June 1-3, 2017 the Olympia National Hall 2017
Stand F14 LONDON INTERNATIONAL ANTIQUARIAN BOOK FAIR June 1-3, 2017 The Olympia National Hall 2017 LONDON LONDON INTERNATIONAL ANTIQUARIAN BOOK FAIR The Olympia National Hall 2017 Visit us at Stand F14 June 1-3, 2017 The Olympia National Hall Hammersmith Road, London W14 8UX LONDON Thursday 1st June: 1pm–8pm Friday 2nd June: 11am–7pm Saturday 3rd June: 11am–4pm Images and more information available on request. The prices are in £. Shipping costs are no included. We accept wire transfer and PayPal. Cover and pages design with details from our books in this list. Dickens in woodcuts 1. Dickens Charles Sverchok na pechi [The Cricket on the Hearth]. [Translation by M. Shishmareva]. Cover and illustrations by A. Kravchenko Moskva-Leningrad, Gosudarstvennoe izdatelʹstvo, 1925. 16mo, 143, [1] pp., ill. In publisher’s illustrated wrappers Near very good condition Limited to 4 000 copies. Fine illustrated edition of The Cricket on the Hearth (1845) in Russian. For the first time this translation appeared in Dickens’s Collected works (St. Petersburg, vol. 7, 1894). Our edition doesn’t contain the translator’s name. Cover, headpieces, endpieces and five full-page woodcuts by graphic artist Aleksey Kravchenko (1889–1940). He is considered a master of woodcut. He studied at Simon Hollosy’s art school in Munich and at the Moscow School of Painting, Sculpture and Architecture under Konstantin Korovin and Valentin Serov. He was a member of the Four Arts Society of Artists. For the first time Russian artists illustrated Dickens’ works in the end of the XIX century. In the 20s of the XX century new generation of the Russian graphic artists, avant-garde minds, came back to Dickens and prepared illustrated editions of Great ex- pectations (Mitrokhin and Budogoskii, 1929 and 1935), Hard times (Favorsky, 1933), The posthumous papers of the Pickwick club (Milashevsky 1933).