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Sculptor Nina Slobodinskaya (1898-1984)
1 de 2 SCULPTOR NINA SLOBODINSKAYA (1898-1984). LIFE AND SEARCH OF CREATIVE BOUNDARIES IN THE SOVIET EPOCH Anastasia GNEZDILOVA Dipòsit legal: Gi. 2081-2016 http://hdl.handle.net/10803/334701 http://creativecommons.org/licenses/by/4.0/deed.ca Aquesta obra està subjecta a una llicència Creative Commons Reconeixement Esta obra está bajo una licencia Creative Commons Reconocimiento This work is licensed under a Creative Commons Attribution licence TESI DOCTORAL Sculptor Nina Slobodinskaya (1898 -1984) Life and Search of Creative Boundaries in the Soviet Epoch Anastasia Gnezdilova 2015 TESI DOCTORAL Sculptor Nina Slobodinskaya (1898-1984) Life and Search of Creative Boundaries in the Soviet Epoch Anastasia Gnezdilova 2015 Programa de doctorat: Ciències humanes I de la cultura Dirigida per: Dra. Maria-Josep Balsach i Peig Memòria presentada per optar al títol de doctora per la Universitat de Girona 1 2 Acknowledgments First of all I would like to thank my scientific tutor Maria-Josep Balsach I Peig, who inspired and encouraged me to work on subject which truly interested me, but I did not dare considering to work on it, although it was most actual, despite all seeming difficulties. Her invaluable support and wise and unfailing guiadance throughthout all work periods were crucial as returned hope and belief in proper forces in moments of despair and finally to bring my study to a conclusion. My research would not be realized without constant sacrifices, enormous patience, encouragement and understanding, moral support, good advices, and faith in me of all my family: my husband Daniel, my parents Andrey and Tamara, my ount Liubov, my children Iaroslav and Maria, my parents-in-law Francesc and Maria –Antonia, and my sister-in-law Silvia. -
Imperial Splendors of Russia
SMALL GROUP Ma xi mum of LAND 28 Travele rs JO URNEY Imperial Splendors of Russia Inspiring Moments > Admire Russia’s cultural treasures, from folk songs and handmade collectibles to priceless masterpieces. > Stand in awe in historic, monumental Red Square. INCLUDED FEATURES > Escape the crowds with early access to the must-see Hermitage Museum. Accommodations (with baggage handling) Itinerary > – 4 nights in Moscow, Russia, at the Day 1 Depart gateway city Feel the mist from the fountains as you stroll the grand promenades of first-class InterContinental Moscow Day 2 Arrive in Moscow and transfer Peter the Great’s opulent palace. Tverskaya. to hotel > Be dazzled by the Russian baroque – 4 nights in St. Petersburg at the Day 3 Moscow first-class Angleterre Hotel. Catherine Palace and the mystery Day 4 Moscow of the Amber Room. Transfers (with baggage handling) Day 5 Moscow > Take in sweeping vistas on the Sapsan, – All transfers in the Land program: high- Day 6 Board train | St. Petersburg the high-speed train from Moscow to speed train and deluxe motor coaches. Day 7 St. Petersburg St. Petersburg. > Extensive Meal Program Day 8 Peterhof | Catherine Palace Experience three UNESCO World Heritage sites. – 8 breakfasts, 3 lunches and 4 dinners, Day 9 St. Petersburg including Welcome and Farewell Dinners; Day 10 Transfer to St. Petersburg tea or coffee with all meals, plus wine St. Basil’s Cathedral, Moscow airport and depart for gateway with dinner. city Your One-of-a-Kind Journey Flights and transfers included for AHI FlexAir participants. – Discovery excursions highlight the local Note: Itinerary may change due to local conditions. -
Link Shostakovich.Txt
FRAMMENTI DELL'OPERA "TESTIMONIANZA" DI VOLKOV: http://www.francescomariacolombo.com/index.php?option=com_content&view=article&i d=54&Itemid=65&lang=it LA BIOGRAFIA DEL MUSICISTA DA "SOSTAKOVIC" DI FRANCO PULCINI: http://books.google.it/books?id=2vim5XnmcDUC&pg=PA40&lpg=PA40&dq=testimonianza+v olkov&source=bl&ots=iq2gzJOa7_&sig=3Y_drOErxYxehd6cjNO7R6ThVFM&hl=it&sa=X&ei=yUi SUbVkzMQ9t9mA2A0&ved=0CDEQ6AEwAQ#v=onepage&q=testimonianza%20volkov&f=false LA PASSIONE PER IL CALCIO http://www.storiedicalcio.altervista.org/calcio_sostakovic.html CENNI SULLA BIOGRAFIA: http://www.52composers.com/shostakovich.html PERSONALITA' DEL MUSICISTA NELL'APPOSITO PARAGRAFO "PERSONALITY" : http://www.classiccat.net/shostakovich_d/biography.php SCHEMA MOLTO SINTETICO DELLA BIOGRAFIA: http://www.thefamouspeople.com/profiles/dmitry-shostakovich-344.php La mia droga si chiama Caterina La mia droga si chiama Caterina “Io mi aggiro tra gli uomini come fossero frammenti di uomini” (Nietzsche) In un articolo del 1932 sulla rivista “Sovetskoe iskusstvo”, Sostakovic dichiarava il proprio amore per Katerina Lvovna Izmajlova, la protagonista dell’opera che egli stava scrivendo da oltre venti mesi, e che vedrà la luce al Teatro Malyi di Leningrado il 22 gennaio 1934. Katerina è una ragazza russa della stessa età del compositore, ventiquattro, venticinque anni (la maturazione artistica di Sostakovic fu, com’è noto, precocissima), “dotata, intelligente e superiore alla media, la quale rovina la propria vita a causa dell’opprimente posizione cui la Russia prerivoluzionaria la assoggetta”. E’ un’omicida, anzi un vero e proprio serial killer al femminile; e tuttavia Sostakovic denuncia quanta simpatia provi per lei. Nelle originarie intenzioni dell’autore, “Una Lady Macbeth del distretto di Mcensk” avrebbe inaugurato una trilogia dedicata alla donna russa, còlta nella sua essenza immutabile attraverso differenti epoche storiche. -
Imperial Splendors of Russia
SMALL GROUP Ma xi mum of LAND 28 Travele rs JO URNEY Imperial Splendors of Russia Inspiring Moments > Admire Russia’s cultural treasures, from folk songs and handmade collectibles to priceless masterpieces. > Stand in awe in historic, monumental Red Square. INCLUDED FEATURES > Escape the crowds with early access to the must-see Hermitage Museum. Accommodations (with baggage handling) Itinerary > – 4 nights in Moscow, Russia, at the Day 1 Depart gateway city Feel the mist from the fountains as you stroll the grand promenades of first-class InterContinental Moscow Day 2 Arrive in Moscow and transfer Peter the Great’s opulent palace. Tverskaya. to hotel > Be dazzled by the Russian baroque – 4 nights in St. Petersburg at the Day 3 Moscow first-class Angleterre Hotel. Catherine Palace and the mystery Day 4 Moscow of the Amber Room. Transfers (with baggage handling) Day 5 Moscow > Take in sweeping vistas on the Sapsan, – All transfers in the Land program: high- Day 6 Board train | St. Petersburg the high-speed train from Moscow to speed train and deluxe motor coaches. Day 7 St. Petersburg St. Petersburg. > Extensive Meal Program Day 8 Peterhof | Catherine Palace Experience three UNESCO World Heritage sites. – 8 breakfasts, 3 lunches and 4 dinners, Day 9 St. Petersburg including Welcome and Farewell Dinners; Day 10 Transfer to St. Petersburg tea or coffee with all meals, plus wine St. Basil’s Cathedral, Moscow airport and depart for gateway with dinner. city Your One-of-a-Kind Journey Flights and transfers included for AHI FlexAir participants. – Discovery excursions highlight the local Note: Itinerary may change due to local conditions. -
The Strange Afterlife of Stalinist Musical Films
THE STRANGE AFTERLIFE OF STALINIST MUSICA L FILM S Rimgaila Salys University of Colorado — Boulder The National Council for Eurasian and East European Research 910 17 th Street, N .W . Suite 300 Washington, D .C. 20006 TITLE VIII PROGRAM Project Information* Principal Investigator: Rimgaila Salys Council Contract Number : 817-08 Date : March 12, 2003 Copyright Information Individual researchers retain the copyright on their work products derived from research funde d through a contract or grant from the National Council for Eurasian and East European Research (NCEEER). However, the NCEEER and the United States Government have the right to duplicat e and disseminate, in written and electronic form, reports submitted to NCEEER to fulfill Contract o r Grant Agreements either (a) for NCEEER's own internal use, or (b) for use by the United State s Government, and as follows: (1) for further dissemination to domestic, international, and foreig n governments, entities and/or individuals to serve official United States Government purposes or (2 ) for dissemination in accordance with the Freedom of Information Act or other law or policy of th e United States Government granting the public access to documents held by the United State s Government. Neither NCEEER nor the United States Government nor any recipient of thi s Report may use it for commercial sale . The work leading to this report was supported in part by contract or grant funds provided by th e National Council for Eurasian and East European Research, funds which were made available b y the U.S. Department of State under Title VIII (The Soviet-East European Research and Trainin g Act of 1983, as amended) . -
Tour Overview Day One Arrival to Moscow
Tour overview Day one Arrival to Moscow Your personal driver will meet you in the airport and transfer to a centrally located 4-star hotel for check in. The rest of the day is your leisure time. You can start discovering Moscow city centre, enjoy the local food in one of the traditional restaurants. Day two Moscow City tour and the Tretyakov Gallery After breakfast, local English-speaking guide will meet you at the hotel lobby to start the fascinating tour of Moscow sights. During this day you will visit the Red Square - the main square of the capital of Russia which is located at the walls of the Moscow Kremlin.Then you will discover a picturesque St.Basil's Cathedral built in the middle of the 16th century under Tsar Ivan the Terrible order to commemorate the conquest of the Kazan Khanate. Further your guide will introduce you one of the largest stores in Europe – GUM, which has been operating since 1893. After lunch (not included) you will explore the Tretyakov Gallery - the world's largest collection of Russian painting, drawing and sculpture which grew out of private collections of the brothers Pavel and Sergey Tretyakov. Currently the gallery features over 180 thousand exhibits. After visiting the Gallery your driver will take you to the hotel. Day three Tour to the Kremlin and the Armoury Chamber After breakfast you will start your guided tour to the Kremlin, passing its main entrance - the Spassky Gate, which is located opposite to the St. Basil's Cathedral and face the Red Square. -
Abrief History
A BRIEF HISTORY OF RUSSIA i-xxiv_BH-Russia_fm.indd i 5/7/08 4:03:06 PM i-xxiv_BH-Russia_fm.indd ii 5/7/08 4:03:06 PM A BRIEF HISTORY OF RUSSIA MICHAEL KORT Boston University i-xxiv_BH-Russia_fm.indd iii 5/7/08 4:03:06 PM A Brief History of Russia Copyright © 2008 by Michael Kort The author has made every effort to clear permissions for material excerpted in this book. All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Kort, Michael, 1944– A brief history of Russia / Michael Kort. p. cm.—(Brief history) Includes bibliographical references and index. ISBN-13: 978-0-8160-7112-8 ISBN-10: 0-8160-7112-8 1. Russia—History. 2. Soviet Union—History. I. Title. DK40.K687 2007 947—dc22 2007032723 The author and Facts On File have made every effort to contact copyright holders. The publisher will be glad to rectify, in future editions, any errors or omissions brought to their notice. We thank the following presses for permission to reproduce the material listed. Oxford University Press, London, for permission to reprint portions of Mikhail Speransky’s 1802 memorandum to Alexander I from The Russia Empire, 1801–1917 (1967) by Hugh Seton-Watson. -
1 / Isaak Babelʹ: a Brief Life
1 / Isaak Babelʹ: A Brief Life Beginnings Neither Babelʹ’s “Autobiography,” written in 1924 to gain ideological credentials as a “Soviet” writer, nor the so-called autobiographical stories, which Babelʹ intended to collect under the title Story of My Dovecote (История моей голубятни) strictly relate to the facts, but they are illuminating for the construction of the writer’s identity as someone who hid his highly individual personality behind the mask of a Soviet writer who had broken with his bourgeois Jewish past. Babelʹ’s father, for example, was not an impoverished shopkeeper, but a dealer in agricultural machinery, though not a particularly successful businessman. Emmanuel Itskovich, born in Belaia Tserkovʹ, was a typical merchant who had worked his way up and set up his own business.1 Babelʹ’s mother, Fenia (neé Shvekhvelʹ), as Nathalie Babel has testified, was quite unlike the Rachel of the Childhood stories. About his book of Childhood stories, Story of My Dovecote, Babelʹ wrote his family: “The subjects of the stories are all taken from my childhood, but, of course, there is much that has been made up and changed. When the book is finished, it will be clear why I had to do all that.”2 But then the fantasies of the untruthful boy in the story “In the Basement” (“В подвале”) do inject a kind of poetic truth into the real lives of his crazy grandfather, a disgraced rabbi from Belaia Tserkovʹ, and his drunken uncle Simon-Wolf. Despite the necessary post-revolutionary revision of biography carried out by many writers, nothing could be more natural than Hebrew, the Bible, and Talmud being taught at home by a melamed, or part-time tutor. -
The Spectator and Dialogues of Power in Early Soviet Theater By
Directed Culture: The Spectator and Dialogues of Power in Early Soviet Theater By Howard Douglas Allen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Victoria E. Bonnell, Chair Professor Ann Swidler Professor Yuri Slezkine Fall 2013 Abstract Directed Culture: The Spectator and Dialogues of Power in Early Soviet Theater by Howard Douglas Allen Doctor of Philosophy in Sociology University of California, Berkeley Professor Victoria E. Bonnell, Chair The theater played an essential role in the making of the Soviet system. Its sociological interest not only lies in how it reflected contemporary society and politics: the theater was an integral part of society and politics. As a preeminent institution in the social and cultural life of Moscow, the theater was central to transforming public consciousness from the time of 1905 Revolution. The analysis of a selected set of theatrical premieres from the Bolshevik Revolution in 1917 to the end of Cultural Revolution in 1932 examines the values, beliefs, and attitudes that defined Soviet culture and the revolutionary ethos. The stage contributed to creating, reproducing, and transforming the institutions of Soviet power by bearing on contemporary experience. The power of the dramatic theater issued from artistic conventions, the emotional impact of theatrical productions, and the extensive intertextuality between theatrical performances, the press, propaganda, politics, and social life. Reception studies of the theatrical premieres address the complex issue of the spectator’s experience of meaning—and his role in the construction of meaning. -
Felicia Londre Collection Finding Aid (PDF)
University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Biographical Sketch ………………………………………………………………………… 2 Scope and Content ………………………………………………………………………… 3 Series Notes ………………………………………………………………………………… 3 Container List ………………………………………………………………………………… 4 Series I: Plays ………………………………………………………………………… 4 A: American ………………………………………………………………… 4 B: Danish ………………………………………………………………… 4 C: Finnish ………………………………………………………………… 5 D: French ………………………………………………………………… 5 E: German ………………………………………………………………… 5 F: Hungarian ………………………………………………………………… 6 G: Icelandic ………………………………………………………………… 6 H: Norwegian ………………………………………………………………… 6 I: Polish ………………………………………………………………… 7 J: Russian ………………………………………………………………… 7 K: Swedish ………………………………………………………………… 8 Series II: Other Documents ………………………………………………………… 9 A: Correspondence ………………………………………………………… 9 B: Newspaper Clippings ………………………………………………… 10 C: Articles ………………………………………………………………… 10 D: Miscellaneous ………………………………………………………… 10 Appendix: Biographical Information and Play Descriptions ………………………… 11 A: American ………………………………………………………………… 11 B: Danish ………………………………………………………………… 12 C: Finnish ………………………………………………………………… 14 D: French ………………………………………………………………… 17 E: German ………………………………………………………………… 17 F: Hungarian ………………………………………………………………… 18 G: Icelandic ………………………………………………………………… 19 H: Norwegian ………………………………………………………………… 21 I: Polish ………………………………………………………………… 24 J: Russian ………………………………………………………………… 27 K: Swedish ………………………………………………………………… 33 MS221-Felicia -
Saint-Petersburg – Moscow 8 Days / 7 Nights
GOINGRUSSIA GROUPS 2018 SAINT-PETERSBURG – MOSCOW 8 DAYS / 7 NIGHTS www.goingrussia.com | [email protected] | Tel: +7 812 333 09 54 © 1996-2018 GoingRussia. All rights reserved. No part of this document may be reproduced without our prior written permission. ITINERARY SAINT-PETERSBURG – MOSCOW 8D/7N DAY 1 / SAINT-PETERSBURG (ARRIVAL) - Return to Saint-Petersburg - Visit to the Moscow metro - Arrival to Saint-Petersburg - Visit to St. Nicolas Naval Church In option: In option (depending on the arrival time): - Return to the hotel Russian and Cossack folk show Guided walking tour along Nevsky Prospect In option: DAY 6 / MOSCOW Visit of Our Lady of Kazan Cathedral Russian dinner with folk animation at the - Breakfast at the hotel - Transfer to the hotel typical wooden restaurant “Isba Podvorie”, - Visit to the Kremlin and its cathedrals with unlimited vodka and wine DAY 2 / SAINT-PETERSBURG - Free time for lunch - Breakfast at the hotel DAY 4 / SAINT-PETERSBURG - MOSCOW - Visit to the Tretyakov Gallery - Panoramic City Tour - Breakfast at the hotel - Walking tour on Zamoskvorechye area - Visit to the Kuznechny food market - Free morning - Visit to the Cathedral of Christ the Saviour - Exterior visit to the house of Peter the Great In option: In option: - Exterior view of the cruiser Aurora - Excursion to Peterhof and visit of the Grand Performance at the Moscow Circus - Visit to the Peter and Paul Fortress and its Palace, its park, cascades and fountains DAY 7 / MOSCOW - SERGIYEV POSAD - IZMAILOVO cathedral, pantheon of Romanov Tsars - Return to St. Petersburg by hydrofoil - Breakfast at the hotel - Free time for lunch - Transfer to railway station - Excursion to Sergiyev Posad and visit to its - Visit to the Hermitage Museum - Departure to Moscow on high-speed train monastery - Visit of St. -
On Behalf of the Federal Agency of Culture and Cinematography I
ƒÓÓ„Ë ‰ÛÁ¸ˇ! Dear friends! ŒÚ ËÏÂÌË ÃËÌËÒÚÂÒÚ‚‡ ÍÛθÚÛ˚ Ë Ï‡ÒÒÓ‚˚ı On behalf of the Ministry of Culture and Mass ÍÓÏÏÛÌË͇ˆËÈ –ÓÒÒËÈÒÍÓÈ ‘‰‡ˆËË Communications of the Russian Federation I ÔË‚ÂÚÒÚ‚Û˛ ‚ÒÂı Û˜‡ÒÚÌËÍÓ‚ Ë „ÓÒÚÂÈ XVIII welcome all participants and visitors of the 18th ŒÚÍ˚ÚÓ„Ó ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÙÂÒÚË‚‡Îˇ Open Russian Film Festival ´Kinotavrª! ´üËÌÓÚ‡‚ª! This annual event is an integral part of our ≈„Ó ÂÊ„ӉÌÓ Ôӂ‰ÂÌË ˇ‚ΡÂÚÒˇ ÌÂÓÚ˙ÂÏÎÂÏÓÈ State policy on the support of the national ˜‡ÒÚ¸˛ „ÓÒÛ‰‡ÒÚ‚ÂÌÌÓÈ ÔÓÎËÚËÍË ÔÓ ÔÓ‰‰ÂÊÍ cinema. ´Kinotavrª can, without exaggeration, ÓÚ˜ÂÒÚ‚ÂÌÌÓ„Ó ÍËÌÂχÚÓ„‡Ù‡. ´üËÌÓÚ‡‚ª be called the most anticipated event in the ÏÓÊÌÓ ·ÂÁ ÔÂÛ‚Â΢ÂÌˡ ̇Á‚‡Ú¸ Ò‡Ï˚Ï Russian film-season. For the 17 years of its ÓÊˉ‡ÂÏ˚Ï ÒÓ·˚ÚËÂÏ ÓÒÒËÈÒÍÓ„Ó ÍËÌÓÒÂÁÓ̇. «‡ existence this main national cinema event has ÒÂÏ̇‰ˆ‡Ú¸ ÎÂÚ Ò‚ÓÂ„Ó ÒÛ˘ÂÒÚ‚Ó‚‡Ìˡ „·‚Ì˚È gained a strong position, both in the Russian ̇ˆËÓ̇θÌ˚È ÍËÌÓÒÏÓÚ Á‡‚Ó‚‡Î ÔÓ˜Ì˚È film world and abroad. ‡‚ÚÓËÚÂÚ, Í‡Í ‚ ÓÒÒËÈÒÍÓÈ The festival is developing fast, becoming more ÍËÌÂχÚÓ„‡Ù˘ÂÒÍÓÈ Ò‰Â, Ú‡Í Ë ‚ Á‡Û·ÂÊÌÓÈ. dynamic and alive, saturated and informative. ‘ÂÒÚË‚‡Î¸ ÒÚÂÏËÚÂθÌÓ ‡Á‚Ë‚‡ÂÚÒˇ, ÒÚ‡ÌÓ‚ˇÒ¸ The success of festival films among Russian ·ÓΠ‰Ë̇Ï˘Ì˚Ï Ë ÊË‚˚Ï, ̇Ò˚˘ÂÌÌ˚Ï Ë audiences once again confirms that there is a ËÌÙÓχÚË‚Ì˚Ï.