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Tra Storia E Leggenda “Kusanagi No Tsurugi” La Spada Falciatrice D’Erba
Tra storia e leggenda “Kusanagi no Tsurugi” la Spada Falciatrice d’Erba Si narra che il dio Haya Susanoo - figlio del dio Attorno alle spade giapponesi (alla loro origine, ai Izanagi, creatore, insieme alla dea Izanami, delle fabbri che le forgiarono, ai personaggi che ne furo- isole nipponiche - venne esiliato nella regione di no in possesso o ne subirono gli effetti) sono fiorite Izumo dalle otto centinaia di decine di migliaia nel tempo numerose storie e leggende come quella di dei. Qui egli uccise un drago con otto teste per di Susanoo, sospese tra mito e realtà storicamente salvare una vergine, offerta in sacrificio al mostro. documentate. Tramandati di padre in figlio in epoche Trafitta a morte la bestia, si affrettò a smembrarla con lontane, molti di questi racconti sono inverosimili la propria spada ma, arrivato alla coda, non riuscì a alla luce della pragmatica logica occidentale, ma un troncarla: il filo della spada si intaccava, cozzando tempo erano venerati in Giappone come indiscutibili contro un elemento prodigiosamente inscalfibile. verità rivelate: spade indistruttibili e prodigiosamente Squarciata la coda per tutta la lunghezza, il dio trovò affilate riparavano torti e scacciavano spiriti malvagi all’interno una grande spada, che venne chiamata in nome della giustizia. E portavano nomi propri, Tsumugari (La Ben Affilata). Susanoo la consegnò legati al possessore, al fabbro o, più frequentemente, alla dea solare Amaterasu, che la diede poi al nipote ad un particolare elemento della loro straordinaria Ninigi quando questi discese dal cielo per governare vicenda. il Giappone. La spada fu infine ereditata dagli impe- ratori, il decimo dei quali, Suigin, ordinò che fosse _ custodita nel tempio di Ise. -
Education Reform in Japan: a Case of Immobilist Politics (The Nissan Institute/Routledge Japanese Studies Series) 1
Education Reform in Japan The Japanese education system is widely praised in western countries as a model to be emulated. In Japan, however, the system is criticized for its strict uniformity and for its supposed failure to train the creative minds that are needed for the next stage of economic advance. Since 1967 the Japanese government has twice embarked on major reform initiatives, but despite these high-profile attempts it has failed to achieve significant reform. Education Reform in Japan explains this failure in terms of an inability to reach consensus. The author argues that the prolonged one-party dominance by the Liberal Democratic Party has led to an internal diversity that has obstructed political change. He describes the paralysis that develops in the Japanese policy-making process when rifts occur between bureaucrats, party leaders and politicians specializing in education. He argues, moreover, that this ‘immobilism’ is not confined to education reform, but afflicts other areas of Japanese policy making as well. Leonard Schoppa is an Assistant Professor in the Woodrow Wilson Department of Government and Foreign Affairs, University of Virginia. He was first exposed to the Japanese education system as an elementary school child living in Japan, and became interested in the Japanese education reform debate after working as a junior high school teacher in the city of Kumamoto. His subsequent research took him back to Japan for numerous interviews with leading politicians, government officials and teachers’ union leaders. THE NISSAN -
The Japanese New Religion Oomoto
UNIVERSITÉ DU QUÉBEC À MONTRÉAL THE JAPANESE NEW RELIGION OOMOTO: RECONCILIATION OF NATNIST AND INTERNATIONALIST TRENDS THE SIS SUBMITTED AS PARTIAL REQUIREMENT FOR THE MASTERS OF ARTS IN RELIGIOUS STUDIES JOEL AMIS APRIL 2015 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de ce mémoire se fait dans le respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522 - Rév.01-2006) . Cette autorisation stipule que «conformément à l'article 11 du Règlement no 8 des études de cycles supérieurs, [l 'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication de la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l 'auteur] autorise l'Université du Québec à Montréal à reproduire , diffuser, prêter, distribuer ou vendre des copies de [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entraînent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf entente contraire, [l 'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire. " UNIVERSITÉ DU QUÉBEC À MONTRÉAL LA NOUVELLE RELIGION JAPONAISE OOMOTO: RÉCONCILIATION DES COURANTS NATIVISTES ET INTERNATIONALISTES MÉMOIRE PRÉSENTÉE COMME EXIGENCE PARTIELLE DE LA MAÎTRISE EN SCIENCES DES RELIGIONS JOEL AMIS AVRIL 2015 ACKNOWLEDGMENTS First of all, I would like to thank the Oomoto organization rn general and the International Department ofüomoto in particular for graciously hosting us in Kameoka and other Oomoto centers and for all their eff01is to facilitate my research. -
Japanese Aesthetics and the Tale of Genji Liya Li Department of English SUNY/Rockland Community College [email protected] T
Japanese Aesthetics and The Tale of Genji Liya Li Department of English SUNY/Rockland Community College [email protected] Table of Contents 1. Themes and Uses 2. Instructor’s Introduction 3. Student Readings 4. Discussion Questions 5. Sample Writing Assignments 6. Further Reading and Resources 1. Themes and Uses Using an excerpt from the chapter “The Sacred Tree,” this unit offers a guide to a close examination of Japanese aesthetics in The Tale of Genji (ca.1010). This two-session lesson plan can be used in World Literature courses or any course that teaches components of Zen Buddhism or Japanese aesthetics (e.g. Introduction to Buddhism, the History of Buddhism, Philosophy, Japanese History, Asian Literature, or World Religion). Specifically, the lesson plan aims at helping students develop a deeper appreciation for both the novel and important concepts of Japanese aesthetics. Over the centuries since its composition, Genji has been read through the lenses of some of the following terms, which are explored in this unit: • miyabi (“courtly elegance”; refers to the aristocracy’s privileging of a refined aesthetic sensibility and an indirectness of expression) • mono no aware (the “poignant beauty of things;” describes a cultivated sensitivity to the ineluctable transience of the world) • wabi-sabi (wabi can be translated as “rustic beauty” and sabi as “desolate beauty;” the qualities usually associated with wabi and sabi are austerity, imperfection, and a palpable sense of the passage of time. • yûgen (an emotion, a sentiment, or a mood so subtle and profoundly elegant that it is beyond what words can describe) For further explanation of these concepts, see the unit “Buddhism and Japanese Aesthetics” (forthcoming on the ExEAS website.) 2. -
Full Download
VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン＝ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS -
Effort to Reduce Carbon Footprint | Press Releases
PRESS RELEASE Wm. Wrigley Jr. Company Launches Effort to Reduce Carbon Footprint Enabled by Infosys Technologies World’s Largest Manufacturer of Chewing Gum Seeks to Transform Logistics Operations in Western Europe London, UK - November 20, 2008: In a move to extend its social responsibility leadership, the world’s leading manufacturer of chewing gum Wm. Wrigley Jr. Company is reducing the carbon footprint it creates in its logistics operations, Infosys Technologies announced today. Infosys is enabling Wrigley to transform its logistics operations by providing solutions and services in a pilot to determine how much carbon emissions are produced and subsequently may be reduced across the company’s truck-based shipping operations in Western Europe. “Managing our impact on the environment is an integral part of Wrigley corporate philosophy,” said Ian Robertson, head of supply chain sustainability at Wm. Wrigley Jr. Company. “We’re committed to making improvements across all operations but need an integrated enterprise system to measure progress. Infosys provided that solution and services to empower that process.” Early in the pilot, Infosys identified logistics operations in which Wrigley may reduce its carbon footprint by as much as 20 percent, and provided process consulting around operational adoption. The analysis will continue to evaluate Wrigley’s complex distribution network across six countries in Western Europe – spanning more than 44 million kilometers a year in shipments between suppliers, the company and its own customers and includes its distribution centers – for CO2 emissions emitted according to the UK’s Defra (Department for Environment, Food and Rural Affairs) standards. Infosys is using its patent-pending Logistics Optimization solution and carbon management tools to deliver the carbon footprint analysis to Wrigley as a managed information service. -
Japanese Design Aesthetics and Visual Culture
Semester: Spring 2020 Japanese Design Aesthetics and Visual Culture Section 1 Instructor/Title Dr. Seonga Kim-Lee / Assistant Professor Office/Building Room 712, Main Building (Nakamiya Campus) 【Course Outline / Description】 This course aims at understanding Japanese aesthetics, culture, and society through the twentieth-century design. Students will examine broad range of design examples in terms of reflective of the social, political, and economic culture of the time. The course will begin by exploring Japanese aesthetics and prewar design and continues by discussing contemporary design with regard to the emergence of design, made in Japan, pop culture, and disaster and design. Students need to be familiarized with Japanese terms related to aesthetics and culture at the beginning of this course in order to understand how religion and philosophy are reflected in Japanese art and design. Through lectures, discussions, presentations, and field trips, students will understand how traditional Japanese aesthetics reflected on contemporary design and how individual Japanese designers uniquely delivered traditional aesthetics to international style. Section 2 【Course Objectives/Goals/Learning Outcomes】 At the end of this course students will be able to: - Take design as a key tool for understanding Japanese aesthetics, culture, and history. - Perceive a brief history of Japanese design in the twentieth century and demonstrate specific issues affected Japanese design. - Clarify the difference between Japanese and western aesthetics in design. - Demonstrate how traditional Japanese culture reflected in the contemporary design. Section 3 【Class Schedule/Class Environment, Literature and Materials】 Unit 1: Aesthetics and Culture Lecture 1: DNA of Japanese Design 日本貿易振興機構, 「日本デザインの遺伝子展」の記録 DNA of Japanese Design, (日本貿易振興 機構 2006), 18, 20. -
Download Confectionery Category Advice
CATEGORY ADVICE 2021 • Market Insights • Must Stock Lines • Planograms www.bestwaywholesale.co.uk CATEGORY ADVICE Market Insight 2021 On the Go Chocolate Singles still have the largest Importance of Confectionery share of Confectionery with a quarter of all Confectionery is growing +2.7% in sales in Independent and Symbol Stores. Independent and Symbol stores. (Nielsen, I&S, 52 Weeks, 22.05.2021) Driven by more shoppers shopping local. (Nielsen, I&S, 52 Weeks, 22.05.2021) The Younger Confectionery Shopper Younger shoppers over index in confectionery in Independent and Symbol stores and they also spend more so are a Big Night In key demographic. Sharing products are (Lumina Intelligence Convenience Tracking growing the channel sales, with Programme data from w/c 11th November 2020 chocolate sharing +8.5% and to 26th April 2021) sugar sharing +5.9%. (Nielsen, I&S, 52 Weeks, 22.05.2021) Importance of Impulse 23% of shoppers in Independent and Symbol Seasonal Gifting Stores buy something on impulse. 17% of Confectionery Gifting is growing +18% and these impulse purchases are confectionery. driven by a growth in sales from events like 63% of shoppers purchase on impulse Xmas, Mother’s Day and Valentines. because of visibility and 28% of shoppers purchase because of promotion or PMP. (Nielsen, I&S, 52 Weeks, 22.05.2021) (Lumina CTP 2020) CATEGORY ADVICE Market Insight 2021 Clearly merchandise your main display by pack type (eg singles/duos), brand and best sellers in best locations. Drive impulse purchase with eye catching displays, then highlight high impulse lines like mints at the till point Stock the best selling Gifting range and next to Food/Coffee to Go Build exciting displays for Seasonal for the fresh breath mission. -
Serving Professional Foodservice Kitchen Essentials & Impulse Snack Solutions Overview of Primeline’S Sales & Marketing Subsidiary of Primeline Group
SERVING PROFESSIONAL FOODSERVICE KITCHEN ESSENTIALS & IMPULSE SNACK SOLUTIONS OVERVIEW OF PRIMELINE’S SALES & MARKETING SUBSIDIARY OF PRIMELINE GROUP Logistics Express VNE Primeline Sales & Marketing is part of Primeline Group which is the largest independent Irish provider of logistics, sales and marketing services to home- SECTIONContents 1 – Primeline Sales & Marketing grown and international brands across the Irish and UK markets Based in Ashbourne Co. Meath and with over 30 years’ experience, we have developed SECTION 2 - Impulse Snacks long term relationships and work with some of the best retailers and foodservice operators on the island of Ireland. SECTION 3 - Beverages SECTION 4 - Ready Meal Solutions SECTION 5 – Kitchen Essentials: Foodservice Solutions for Kitchen Professionals SECTION 6 - Product Listings by Brand 1,000,000 Square feet of 25,000 4,500 200 hi-bay warehousing Deliveries Weekly Retailers Serviced Vehicles 1,000,000 30,000 1,000 Cases Delivered Product SKU’s Employees Weekly SECTION 1 | PRIMELINE SALES & MARKETING Welcome to the Primeline Foodservice Primeline Foodservice Guide Team & Awards At Primeline Foodservice exceptional customer Our Foodservice team have won service is at the heart of what we provide. We believe numerous industry awards for in delivering innovative and dynamic foodservice customer service and were very solutions that will grow our customers’ business. proud to have accepted “Overall Primeline represent some of the planet’s biggest and Supplier of The Year 2019” award home-grown consumer brands in Ireland and we from Compass Group Ireland. are delighted to be able to share our brand partner’s This was achieved by delivering foodservice selection with you today. -
Health and Martial Arts in Interdisciplinary Approach
ISNN 2450-2650 Archives of Budo Conference Proceedings Health and Martial Arts in Interdisciplinary Approach 1st World Congress September 17-19, 2015 Czestochowa, Poland Archives of Budo Archives od Budo together with the Jan Długosz University in Częstochowa organized the 1st World Congress on Health and Martial Arts in Interdisciplinary Approach under the patronage of Lech Wałęsa, the Nobel Peace Prize laureate. proceedings.archbudo.com Archives of Budu Conference Proceedings, 2015 Warsaw, POLAND Editor: Roman M Kalina Managing Editor: Bartłomiej J Barczyński Publisher & Editorial Office: Archives of Budo Aleje Jerozolimskie 87 02-001 Warsaw POLAND Mobile: +48 609 708 909 E-Mail: [email protected] Copyright Notice 2015 Archives of Budo and the Authors This publication contributes to the Open Access movement by offering free access to its articles distributed under the terms of the Creative Commons Attribution-Non- Commercial 4.0 International (http://creativecommons.org/licenses/by-nc/4.0), which permits use, distribution, and reproduction in any medium, provided the original work is properly cited, the use is non-commercial and is otherwise in compliance with the license. The copyright is shared by authors and Archives of Budo to control over the integrity of their work and the right to be properly acknowledged and cited. ISSN 2450-2650 Health and Martial Arts in Interdisciplinary Approach 1st World Congress • September 17-19, 2015 • Czestochowa, Poland Scientific Committee Prof. Roman Maciej KALINA Head of Scientific Committee University of Physical Education and Sports, Gdańsk, Poland Prof. Sergey ASHKINAZI, Lesgaft University of Physical Education, St. Petersburg, Russia Prof. Józef BERGIER, Pope John Paul II State School of Higher Education in Biała Podlaska, Poland Prof. -
A COMPARISON of the MURASAKI SHIKIBU DIARY and the LETTER of ABUTSU Carolina Negri
Rivista degli Studi Orientali 2017.qxp_Impaginato 26/02/18 08:37 Pagina 281 REFERENCE MANUALS FOR YOUNG LADIES-IN-WAITING: A COMPARISON OF THE MURASAKI SHIKIBU DIARY AND THE LETTER OF ABUTSU Carolina Negri The nature of the epistolary genre was revealed to me: a form of writing devoted to another person. Novels, poems, and so on, were texts into which others were free to enter, or not. Letters, on the other hand, did not exist without the other person, and their very mission, their signifcance, was the epiphany of the recipient. Amélie Nothomb, Une forme de vie The paper focuses on the comparison between two works written for women’s educa- tion in ancient Japan: The Murasaki Shikibu nikki (the Murasaki Shikibu Diary, early 11th century) and the Abutsu no fumi (the Letter of Abutsu, 1263). Like many literary docu- ments produced in the Heian (794-1185) and in the Kamakura (1185-1333) periods they describe the hard life in the service of aristocratic fgures and the difculty of managing relationships with other people. Both are intended to show women what positive ef- fects might arise from sharing certain examples of good conduct and at the same time, the inevitable negative consequences on those who rejected them. Keywords: Murasaki Shikibu nikki; Abutsu no fumi; ladies-in.waiting; letters; women’s education 1. “The epistolary part” of the Murasaki Shikibu Diary cholars are in agreement on the division of the contents of Murasaki Shikibu nikki (the Murasaki Shikibu Diary, early 11th century) into four dis- Stinct parts. The frst, in the style of a diary (or an ofcial record), presents events from autumn 1008 to the following New Year, focusing on the birth of the future heir to the throne, Prince Atsuhira (1008-1036). -
Keichū, Motoori Norinaga, and Kokugaku in Early Modern Japan
UNIVERSITY OF CALIFORNIA Los Angeles The Jeweled Broom and the Dust of the World: Keichū, Motoori Norinaga, and Kokugaku in Early Modern Japan A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Emi Joanne Foulk 2016 © Copyright by Emi Joanne Foulk 2016 ABSTRACT OF THE DISSERTATION The Jeweled Broom and the Dust of the World: Keichū, Motoori Norinaga, and Kokugaku in Early Modern Japan by Emi Joanne Foulk Doctor of Philosophy in History University of California, Los Angeles, 2016 Professor Herman Ooms, Chair This dissertation seeks to reconsider the eighteenth-century kokugaku scholar Motoori Norinaga’s (1730-1801) conceptions of language, and in doing so also reformulate the manner in which we understand early modern kokugaku and its role in Japanese history. Previous studies have interpreted kokugaku as a linguistically constituted communitarian movement that paved the way for the makings of Japanese national identity. My analysis demonstrates, however, that Norinaga¾by far the most well-known kokugaku thinker¾was more interested in pulling a fundamental ontology out from language than tying a politics of identity into it: grammatical codes, prosodic rhythms, and sounds and their attendant sensations were taken not as tools for interpersonal communication but as themselves visible and/or audible threads in the fabric of the cosmos. Norinaga’s work was thus undergirded by a positive understanding ii of language as ontologically grounded within the cosmos, a framework he borrowed implicitly from the seventeenth-century Shingon monk Keichū (1640-1701) and esoteric Buddhist (mikkyō) theories of language. Through philological investigation into ancient texts, both Norinaga and Keichū believed, the profane dust that clouded (sacred, cosmic) truth could be swept away, as if by a jeweled broom.