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Brochure Exhibition Texts
BROCHURE EXHIBITION TEXTS “TO CHANGE SOMETHING, BUILD A NEW MODEL THAT MAKES THE EXISTING MODEL OBSOLETE” Radical Curiosity. In the Orbit of Buckminster Fuller September 16, 2020 - March 14, 2021 COVER Buckminster Fuller in his class at Black Mountain College, summer of 1948. Courtesy The Estate of Hazel Larsen Archer / Black Mountain College Museum + Arts Center. RADICAL CURIOSITY. IN THE ORBIT OF BUCKMINSTER FULLER IN THE ORBIT OF BUCKMINSTER RADICAL CURIOSITY. Hazel Larsen Archer. “Radical Curiosity. In the Orbit of Buckminster Fuller” is a journey through the universe of an unclassifiable investigator and visionary who, throughout the 20th century, foresaw the major crises of the 21st century. Creator of a fascinating body of work, which crossed fields such as architecture, engineering, metaphysics, mathematics and education, Richard Buckminster Fuller (Milton, 1895 - Los Angeles, 1983) plotted a new approach to combine design and science with the revolutionary potential to change the world. Buckminster Fuller with the Dymaxion Car and the Fly´s Eye Dome, at his 85th birthday in Aspen, 1980 © Roger White Stoller The exhibition peeps into Fuller’s kaleidoscope from the global state of emergency of year 2020, a time of upheaval and uncertainty that sees us subject to multiple systemic crises – inequality, massive urbanisation, extreme geopolitical tension, ecological crisis – in which Fuller worked tirelessly. By presenting this exhibition in the midst of a pandemic, the collective perspective on the context is consequently sharpened and we can therefore approach Fuller’s ideas from the core of a collapsing system with the conviction that it must be transformed. In order to break down the barriers between the different fields of knowledge and creation, Buckminster Fuller defined himself as a “Comprehensive Anticipatory Design Scientist,” a scientific designer (and vice versa) able to formulate solutions based on his comprehensive knowledge of universe. -
Buckminster Fuller's Critical Path
The Oil Drum: Australia/New Zealand | Buckminster Fuller\'s Critical Path http://anz.theoildrum.com/node/5113 Buckminster Fuller's Critical Path Posted by Big Gav on February 16, 2009 - 5:57am in The Oil Drum: Australia/New Zealand Topic: Environment/Sustainability Tags: book review, buckminster fuller, critical path, geodesic dome, geoscope, world game [list all tags] Critical Path was the last of Buckminster Fuller's books, published shortly before his death in 1983 and summing up his lifetime of work. Buckminster "Bucky" Fuller was an American architect, author, designer, futurist, inventor and visionary who devoted his life to answering the question "Does humanity have a chance to survive lastingly and successfully on planet Earth, and if so, how?". He is frequently referred to as a genius (albeit a slightly eccentric one). During his lifelong experiment, Fuller wrote 29 books, coining terms such as "Spaceship Earth", "ephemeralization" and "synergetics". He also developed and contributed to a number of inventions inventions, the best known being the geodesic dome. Carbon molecules known as fullerenes (buckyballs) were so named due to their resemblance to geodesic spheres. Bucky was awarded the Presidential Medal of Freedom by Ronald Reagan in 1981. There is no energy crisis, only a crisis of ignorance - Buckminster Fuller Critical Path Humanity is moving ever deeper into crisis - a crisis without precedent. First, it is a crisis brought about by cosmic evolution irrevocably intent upon completely transforming omnidisintegrated humanity from a complex of around-the-world, remotely-deployed-from-one-another, differently colored, differently credoed, differently cultured, differently communicating, and differently competing entities into a completely integrated, comprehensively interconsiderate, harmonious whole. -
Business Plan and Supporting Documents with Feedback from Partners and Advisors
World Resources Simulation Center Proposal How do we make the world work for 100% of humanity in the shortest possible time through spontaneous cooperation without ecological damage or disadvantage to anyone? -R. Buckminster Fuller March 2010 For Your Personal Review Not for Distribution Table of Contents 1.0 EXECUTIVE SUMMARY ................................................................................................................................... 3 DEVELOPMENT STAGES ............................................................................................................................................. 4 MISSION OBJECTIVES ................................................................................................................................................ 5 CENTER LOCATION WITHIN EXISTING STRUCTURE .................................................................................................... 5 2.0 WORLD RESOURCES SIMULATIO CETER ITRODUCTIO ........................................................... 7 MAJOR FUNCTIONS .................................................................................................................................................... 7 THE CENTER .............................................................................................................................................................. 7 CAPABILITIES ............................................................................................................................................................ 8 USER -
Anexos. Anexo 01 Publicación Cronológica De Los Libros De Buckminster Fuller
ANEXOS. ANEXO 01_ PUBLICACIÓN CRONOLÓGICA DE LOS LIBROS DE BUCKMINSTER FULLER. Recopilación extraía del Instituto Buckminster Fuller Buckminster Fuller, R. (1928). 4D Time Lock. Publicado privadamente en Chicago, Illinois, 200 copias: Biotechnic Press, Lama Foundation, Albuquerque, New Mexico (1929, 1970, 1972). Buckminster Fuller, R. (1938). Nine Chains to the Moon. J. B. Lippincott Company, Philadelphia, New York, London, Toronto 1938; republished Doubleday & Company, Inc., Garden City, New York. 1963. Buckminster Fuller, R. y Marks, R.W. (1960). The dymaxion world of Buckminster Fuller. Anchor Press, Doubleday & Company, Inc., Garden City, New York. Buckminster Fuller, R. (1962). Untitled epic poem on the history of industrialization. Simon & Schuster, New York. Buckminster Fuller, R. (1963). Education automation. Doubleday & Company, Inc., Garden City, New York. Buckminster Fuller, R. (1963). Ideas and Integrities. Prentice Hall, Englewood Cliffs, New Jersey. 1963; Collier, Macmillan, Toronto, Canada. 1963. Buckminster Fuller, R. (1963). No more secondhand god. Doubleday & Company, Inc., Garden City, New York. Buckminster Fuller R. (1963). Operating manual for spaceship earth. E.P. Dutton & Co., New York. 1963, 1971. Buckminster Fuller R. (1968). Capítulo “How Little I know” en What I have learned. Simon & Schuster, NewYork. Buckminster Fuller, R. (1969). Utopia or Oblivion. Bantam Books, New York. Buckminster Fuller, R. (1970). The Buckminster Fuller reader. Editado por James Meller. Jonathan Cape, UK., London. 1970. Penguin Books, Ltd., Middlesex, England. 1970. Buckminster Fuller, R. con Angel, J. y Fiore, Q. (1970). I seem to be a verb Bantam Books, New York. Buckminster Fuller, R. (1970). Intuition. Anchor Press, Doubleday & Company, Inc., Garden City, New York; Impact Publishers, San Luis Obispo, California. -
Inventory of World Resources, Human Trends, and Needs (1963)
FIVE TWO YEAR PHASES OF A WORLD RETOOLING DESIGN PROPOSED TO THE INTERNATIONAL UNION OF ARCHITECTS FOR ADOPTION BY WORLD ARCHITECTURAL SCHOOLS se I (1963) ocumentument 1 INVENTORY OF RLD RESOURCES AN TREND D NEEDS INVENTORY OF WORLD RESOURCES, Human TRENDS AND NEEDS Phase I of five two-year increments of World Retooling Design Decade proposed to the International union of Architects (I.U.A) in order to render the total chemical and energy resources of the world , which are now exclusively preoccupied in serving only 44% of humanity, adequate to the service of 100% of humanity at higher standards of living and total enjoyment than any man has yet experienced World Resources Inventory , Southern Illinois University Carbondale, Illinois. USA Copyright R. Buckminster Fuller John McHale 1963 INVENTORY OF WORLD RESOURCES,HUMAN TRENDS AND NEEDS This Phase I study was compiled at Southern Illinois University, July - September, 1963, by the following group: Research Professor R. Buckminster Fuller Research Associate John McHale (Executive Director, Project) Members of Research Team Walter K. Brown B. A. (Physics) Dept. of Physics (S.S.I.U) David Day B.S. (Design) Dept. of Design (S.S. I. U.) Ken R. Gramza B.. A. M. SC. (Design) Dept. of Design (S. I.. U. ) Tony S. Gwilliam Dip. Arch. ttingham, U.K. Dept. of Design (S. I. U. ) Carl G. Nelson B.A. (Design) Dept. of Design (S.S. I. U.) Leo H. Takahashi B. A. (Physics) Dept. of Physics (S. I. U.. ) Secretary Mary L. Holderman 3rd yr. student Dept. of Education (S.I.U.) in Education This undertaking, initially financed by R. -
The World Game Is a Scientific Means. for Exploring Expeditious Ways of Employing the World's Resources
THE WORLD GAME IS A SCIENTIFIC MEANS. FOR EXPLORING EXPEDITIOUS WAYS OF EMPLOYING THE WORLD'S RESOURCES . so efficiently and omni-consierately as to be able to provide a higher standard of living for all of humanity - higher than has heretofore been experienced by any humans - and on a continually sustainable basis for all generations to come, while enabling all of humanity to enjoy the whole planet Earth without any individual profiting at the expense of another and without interference with one another, while also rediverting the valuable chemistries known as pollution to effective uses elsewhere, conserving the wildresources andantiquities. The World Game discards the Malthusian Doctrine which is the present working assumption of the major states. Malthus held that humanity is multiplying much more rapidly than it can supply resources to support itself, and compounds with Darwin's survival of the fittest, to assume that only the side with the greatest arms can survive. The World Game demonstrates that the Malthusian Doctrine is fallacious. If we apply to direct human support all the high technology resources now going into the world's annual 200 billion dollar wer preparation, all of humanity can be brought to economic success within one quarter century. This eliminates the fundamental raison d'etre of war. The World Game employs design science to produce progressively higherperformance per units of invested time, energy, and know-howper each and every component function of the world's resources The World Game makes it possible for intelligent amateurs to discover within a few weeks ofsimulated design revolution illustrated on the World Map that the foregoing premises are valid. -
Complete List of Literature
The order of the literature as on this list corresponds to the order of the literature from left to right on the bookshelves. TITLE AUTHOR / EDITOR / PUBLISHER SHELF 1 Holistic Management Allan Savory Design for the Real World Victor Papnek, Intro by Fuller Cartographic Treasures of the Newberry Library --- Fuller Information Exchange, Tutorial BFI Fuller Information Exchange, User Manual BFI The State of the World Atlas Dan Smith Listen to What They Say Lucilla Fuller Marvel From Eco-cities to Living Machines Nancy Jack Todd and John Todd The Geodesic Network 1987 Report on Competition in the Telephone Industry U.S. Department of Justice The Visual Display of Quantitative Information Edward R. Tufte Visual Explanations Edward R. Tufte Our Ecological Footprint Mathis Wackernagel and William Rees Eco-Economy Lester R Brown Natural Capitalism Paul Hawken, Amory Lovins, L. Hunter Lovins Information Graphics Peter Wildbur The Most Beautiful Molecule Hugh Aldersey-Williams Polyhedra Peter R. Cromwell Cradle to Cradle Willaim McDonough, Michael Braungart Geodesic Dome Heidi and Peter Wenger Architects BSA SIA BRIG Switzerland From the Position of Another Observer S. Martin Waterman Beyond the Cube J. François Gabriel Fullerene Science and Technology Edited by T. Braun The Fullerenes Edited by Harold Kroto, John Fischer, David Cox Quantum Geometry and Nuclear Structure Tell Andersson Régine Debatty, Claire L. Evans, Pablo Garvia, Andrea Grover, New Art/Science Affinities Thumb Kiteworks, Explorations in Kite Building and Flying Maxwell Eden Future Systems Marcus Field Isamu Noguchi, A sculptor's World Isamu Noguchi On Foster... Foster On Prestel The Omni*Oculi Joseph D. Clinton and Thomas Shannon Daniel Libeskind, Radix - Matrix Daniel Libeskind Isamu Noguchi, Master Sculptor Valerie J. -
An MS Thesis on Engineering Buckminster Fuller's
UNIVERSITY OF CALIFORNIA SANTA CRUZ World Game: An MS Thesis on engineering Buckminster Fuller’s unfinished computer game A thesis submitted in partial satisfaction of the requirements for the degree of: MASTER OF SCIENCE in COMPUTATIONAL MEDIA by Josh Pang ॥ यशवी ॥ December 2017 The Thesis of Josh Pang is approved by: _____________________________________ Professor Michael Mateas, Chair _____________________________________ Professor Noah Wardrip-Fruin _____________________________________ Professor Warren Sack _____________________________________ Jaime Snyder ________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Contents List of Figures iv Abstract v 1 World Game 1 1.1 History 3 1.2 What are the salient features? 8 1.2.0 Objective: Make the World Work 8 1.2.1 Database: Inventory of World Resources 10 1.2.2 Map: Fuller Projection & Geoscope 13 1.2.3 Simulation 17 1.2.4 World Game “game” 19 1.3 World Game Hypothesis 22 2 Technical Analysis 31 2.1 Database Technology 33 2.2 Map Technology 37 2.3 Simulation Technology 39 2.4 Game Technology 48 3 Realization Discussion 65 3.1 Critical Path Exploration 65 3.2 Global Problem-solving Tool 77 3.3 Critical Moment 85 3.4 Concluding Remarks 94 Appendix I 97 Appendix II 98 Appendix III 128 Bibliography 176 iii List of Figures Figure 1: Fuller Projection Map 13 Figure 2: Geoscope Prototype 15 Figure 3: Geoscope at U.N. Artist Rendering 16 Figure 4: Completeness Theory 22 Figure 5: “One World Town” 38 Figure 6: Realization Complexity 72 Figure 7: World Game Depiction 1 98 Figure 8: World Game Depiction 2 98 iv Abstract World Game: An MS Thesis on engineering Buckminster Fuller’s unfinished computer game by Josh Pang My thesis explores the idea that Buckminster Fuller’s World Game is really a formal calculus capable of representing world-scale sustainability problem-solving according to the fundamental principles of a (blockchain) database + (Fuller projection) map + (machine learning) simulation in the form of a game. -
Stefan Riese Astronaut R. Buckminster Fuller
Stefan Riese Astronaut R. Buckminster Fuller Stefan Riese Astronaut R. Buckminster Fuller Komprehensives Design Dokumentation Vordiplom 2003 Köln International School of Design 1. Nebenthema / Designtheorie Prüfer: Dipl. Des. Andreas Wrede Prolog Prolog 5 Liebe Leserin, lieber Leser, Falls sie schon Gelegenheit hatten, sich ausführlicher mit R. Buckminster Fuller zu beschäftigen, so schließen sie das Buch wieder und drehen es um. »Dymaxion World« bietet Ihnen die Gelegenheit, näheres zu einem Schlüssel- werk seines Lebens, der Dymaxion World Map, zu erfahren. Falls Sie mit der faszinierenden Person des R. Buckminster Fuller bisher noch nicht in Berührung kamen oder sich näher mit ihm auseinandersetzen möchten, so bekommen Sie auf den folgenden Seiten einen kurzen, aber umfassenden Einblick in das Leben und Werk dieses Menschen. Tauchen Sie ein in die universale Welt des R. Buckminster Fuller und finden Sie sich wieder als Astronaut auf dem Raumschiff Erde. Komprehensives Design Cover von Artzybasheff, 1964 von Cover Time Magazine, Komprehensives Design 7 »Wer war Richard Buckminster Fuller?« Wer diese Frage zu hören bekommt und sich mit Leben und Werk dieses Menschen einmal auseinandergesetzt hat, kommt unverweigerlich ins Schwitzen, wenn es darum geht, ihn kurz zu umschreiben. Oft taucht der Name im Zu- sammenhang mit architektonischen Bauten auf, weshalb Buckminster Fuller meis- tens als Architekt bezeichnet wird – im besten Falle als visionärer Architekt. Eng damit verbunden sind Bilder von kuppelartigen Raumstrukturen – im besten Falle seiner Geodesic Domes. Möglicherweise fällt dann beim Stichwort »Weltausstellung Montreal – 1967 – der Expo-Dom« der Groschen – in den meisten Fällen wohl eher nicht. Wenn man nun versucht, mehre Umschreibungen bzw. Bezeichnungen zu finden, die das Tätigkeitsfeld dieses Mannes eingrenzen, kommt man wohlmöglich zu einem Persönlichkeitsprofil, das seinesgleichen sucht. -
John Mchale and the Bucky Fuller Revival
Anthony Vidler John McHale and the Bucky Fuller Revival Since the early 20th century, the environmental impulse in architecture has waxed and waned. Anthony COPYRIGHTEDVidler considers this cyclical MATERIAL phenomenon, particularly in relation to the Independent Group in Britain during the 1950s, which culminated in John McHale’s discovery of Richard Buckminster Fuller in 1955 and the full- blown Bucky Fuller revival of the 1960s. 24 0024-033-c01(ObscurePics).indd24-033-c01(ObscurePics).indd 2244 007/10/20107/10/2010 117:367:36 Cover of The Ecological Context by John McHale (G Braziller Inc, 1970, fi rst edition). 25 0024-033-c01(ObscurePics).indd24-033-c01(ObscurePics).indd 2255 007/10/20107/10/2010 117:367:36 turned-planner Patrick Geddes between the nature and art in such a way as to reveal their In the fi eld of architecture, 1890s and the First World War. It was formal and environmental conditions on behalf the question of ecology developed through the 1920s and 1930s, of an architecture yet to be discovered – was was fi rst introduced with any primarily in Germany, following the lead of to be cut short. Fuller’s ‘body of research into Ernst Haeckel, but with a decidedly the shelter needs of mankind’, and especially seriousness by the biologist unfortunate connection with the Blood and that of some of the younger members of the and educator-turned- Soil movement that led to a strong ‘ecofascist’ circle around the Institute of Contemporary planner Patrick Geddes movement in the 1930s and 1940s, led by Arts (ICA) in London, were compelling means ‘Germany’s Gardener’ Alwin Seifert. -
Universal Architecture 561
UNIVERSAL ARCHITECTURE 561 Universal Architecture MICHAEL SU Princeton University Fig. 1 – Cover to R. Buckminster Fuller’s first literary venture: 4D., 1928 (Later renamed 4D Time Lock.) NO TIME SHOULD BE LOST BEFORE READING IT NO TIME MAY BE LOST IN READING IT NO TIME SHALL BE LOST WHEN ALL HAVE READ IT COMPLETE “TIME OUT” MUST BE TAKEN TO READ IT.1 —R. B. Fuller, Introduction to 4D 562 THE ART OF ARCHITECTURE/THE SCIENCE OF ARCHITECTURE Fuller employed strong language for his T-Square tion, promoted developmental processes like the debut. In particular, his first article on “Universal “selective awareness of universal progressions,” Architecture” accused”“‘shelter minded’ verbal and musical articulation, and “fueling” or promoters,””i.e. – developers and architects, of “sleeping.” Effectively, this first constituent of “Uni- meeting “[B]ehind closed doors in all parts of the versal Architecture” bespoke both the instrumen- world” with “capitalists, industrial leaders, and tech- tality of space and the spatiality of instrumentation. nologists” in “would-be-usurpation” of industrial Indeed, the double meaning of “compassed space” methods and machineries.2 To counter this self- evoked the former’s sheltering spatial “encompass- interested, profit-motivated perpetuation of labor ment” and the latter’s “compassing” spatial aware- exploitation and industry manipulation, Fuller pro- ness. Despite this”scientific mediation of human posed assembling “universally minded, pioneering agency, the activation of Architecture as a funda- designers” to pursue viable alternatives. For his mentally prosthetic construct warranted a further, part, he claimed to have mustered 50 like-minded but adverse, artistic refinement. persons for a “volunteer designing association” called Structural Study Associates, or the SSA.3 The second component of “Universal Architecture” Disavowing both singular designs and archaic con- comprised the singular medium in which human struction methods, SSA members nominally aspired sensibilities,”e.g. -
At the Intersection of Art and Science Exhibiting 02 Nano Nano Is a Collaboration Between Media Artist Victoria Vesna and Contents: Nano Scientist Jim Gimzewski
NANO VICTORIA VESNA & JIM GIMZEWSKI THINKING Cover image: The nano logo was designed by Victoria Vesna’s team based on discussions with Jim Gimzewski about the way molecules can be purposefully repositioned using the tip of the Scanning Tunneling Microscope (STM). Gimzewski contacted his colleague and friend, Don Eigler, first person to move individual xenon atoms to form an IBM logo twelve years ago. Don agreed to create the nano logo that pays homage to this revolutionary move into manipulation of molecules. Eigler gave the task to Kelly McGroddy who worked in his lab to create the ‘nano’ design really on the nanoscale using carbon monoxide molecules. This seemed particularly appropriate for the Los Angeles context. LOS ANGELES COUNTY MUSEUM OF ART CREATING AT THE INTERSECTION OF ART AND SCIENCE EXHIBITING 02 NANO NANO IS A COLLABORATION BETWEEN MEDIA ARTIST VICTORIA VESNA AND CONTENTS: NANO SCIENTIST JIM GIMZEWSKI. TOGETHER THEY ASSEMBLED A PROJECT TEAM OF THEIR STUDENTS AT THE UCLA DEPARTMENTS OF DESIGN|MEDIA ARTS AND CHEMISTRY, LED BY A RECENT GRADUATE OF DESIGN|MEDIA ARTS, ASHOK SUKUMARAN. THEY WORKED WITH THE ARCHITECTURAL OFFICE OF JOHNSTON INTRODUCTION PAGE 05 MARKLEE AND ASSOCIATES TO CREATE A LARGE EXPERIENTIAL INTERACTIVE WORK THAT CONSISTS OF A SERIES OF INTERCONNECTED INSTALLATIONS. GENESIS PAGE 09 PROFESSOR N. KATHERINE HAYLES (DEPARTMENT OF ENGLISH), ALSO WITH ARCHITECTURE PAGE 15 GRADUATE STUDENTS, DEVELOPED THE TEXT COMPONENT WITHIN THE GALLERY. WORKING CLOSELY WITH THE DIRECTOR OF THE BOONE CHILDREN’S MUSEUM, INSTALLATIONS PAGE 37 ROBERT SAIN, AND THE CURATOR OF THE CONTEMPORARY ART AT LACMA, CAROL ACTIVITIES AND EVENTS PAGE 71 EILEL, THESE EXHIBITS WERE CONNECTED TO THE CONTEXT OF THE MUSEUM AND THE PARTICULAR AUDIENCE THIS EXPERMENTAL SPACE ATTRACTS.