Annual Report
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Cakes in Perspective
Cakes in Perspective © Monique Martin www.moniqueart.com Georges Vanier School, Saskatoon Shannon Grade 5 Objectives • to be able to draw a piece of cake or a entire cake in perspective • To be able to self evaluate whether something is in perspective or not • explore colour relationships in the environment and in own surroundings • become more aware of real texture through tactile experiences • understand that space can be positive or negative in art works • begin to understand the effects of using formal and informal patterns, and create patterns through techniques such as repetition • demonstrate the ability to perceive visual details, and include details to enhance depictions of plants, animals, people, and objects • understand that proportion is a matter of size comparison • understand they can create the illusion of three dimensions through drawing • understand that closer objects appear to be larger than those farther away • expand skills and abilities in using various visual art tools and materials • view art works with a willingness to try to understand the artist’s intentions • explore various ways that people can respond to a work of art (e.g., thoughts, feelings, associations) • realize that knowing more about an artist and his/her society can help them understand an art work • engage willingly in a process for viewing and responding to art works Caitlyn Grade 5 Materials Drawing paper 3d versions of pieces of cake (pattern at the end of the lesson) Scrap paper Chart paper Coloured markers Paint Oil pastels Image of work by Mary Pratt Background Information This is really a lesson on perspective and line. -
1976-77-Annual-Report.Pdf
TheCanada Council Members Michelle Tisseyre Elizabeth Yeigh Gertrude Laing John James MacDonaId Audrey Thomas Mavor Moore (Chairman) (resigned March 21, (until September 1976) (Member of the Michel Bélanger 1977) Gilles Tremblay Council) (Vice-Chairman) Eric McLean Anna Wyman Robert Rivard Nini Baird Mavor Moore (until September 1976) (Member of the David Owen Carrigan Roland Parenteau Rudy Wiebe Council) (from May 26,1977) Paul B. Park John Wood Dorothy Corrigan John C. Parkin Advisory Academic Pane1 Guita Falardeau Christopher Pratt Milan V. Dimic Claude Lévesque John W. Grace Robert Rivard (Chairman) Robert Law McDougall Marjorie Johnston Thomas Symons Richard Salisbury Romain Paquette Douglas T. Kenny Norman Ward (Vice-Chairman) James Russell Eva Kushner Ronald J. Burke Laurent Santerre Investment Committee Jean Burnet Edward F. Sheffield Frank E. Case Allan Hockin William H. R. Charles Mary J. Wright (Chairman) Gertrude Laing J. C. Courtney Douglas T. Kenny Michel Bélanger Raymond Primeau Louise Dechêne (Member of the Gérard Dion Council) Advisory Arts Pane1 Harry C. Eastman Eva Kushner Robert Creech John Hirsch John E. Flint (Member of the (Chairman) (until September 1976) Jack Graham Council) Albert Millaire Gary Karr Renée Legris (Vice-Chairman) Jean-Pierre Lefebvre Executive Committee for the Bruno Bobak Jacqueline Lemieux- Canadian Commission for Unesco (until September 1976) Lope2 John Boyle Phyllis Mailing L. H. Cragg Napoléon LeBlanc Jacques Brault Ray Michal (Chairman) Paul B. Park Roch Carrier John Neville Vianney Décarie Lucien Perras Joe Fafard Michael Ondaatje (Vice-Chairman) John Roberts Bruce Ferguson P. K. Page Jacques Asselin Céline Saint-Pierre Suzanne Garceau Richard Rutherford Paul Bélanger Charles Lussier (until August 1976) Michael Snow Bert E. -
NL Writers/Literature – Joan Sullivan (Guest Editor)
Week of August 24 – NL Writers/Literature – Joan Sullivan (guest editor) Wikipedia Needs Assessment – NL Writers/Literature A Selection of Existing Articles to Improve: Megan Gail Coles: Can be expanded Mary Dalton: Can be expanded Stan Dragland: Can be expanded Margaret Duley: Needs more citations Percy Janes: Needs more citations Maura Hanrahan: Needs citations Michael Harrington: Needs citations and can be expanded Kenneth J. Harvey: Needs more citations and a more neutral point of view Andy Jones: Can be expanded and needs more citations Kevin Major: Can be expanded and needs more citations Elisabeth de Mariaffi: Can be expanded Janet McNaughton: Can be expanded George Murray: Needs more citations and can be updated 1 Patrick O’Flaherty: Can be expanded and needs more citations Al Pittman: Needs citations Bill Rowe: Needs more citations Dora Oake Russell: Can be expanded and needs more citations Winterset Award: Can be expanded Russell Wangersky: Needs more citations These lists could also be checked to see if any of the existing articles need expansion, improvement or citations: • Wikipedia’s list on Writers from St. John's, Newfoundland and Labrador • Wikipedia’s list on Writers from Newfoundland and Labrador Suggested New Articles to Create: Smokey Elliott (poet) Carol Hobbs (poet) Charis Cotter (YA author) Running the Goat Books & Broadsides Uncle Val, Andy Jones’ fictional character Online Resources on NL Writers/Literature “Literature” in Encyclopedia of Newfoundland and Labrador Volume 3, pp. 320-333. Literature – Heritage NL Web Site Poetry Bibliography – Heritage NL Web Site Writers – Heritage NL Web Site Also consult Online Resources with Newfoundland and Labrador Content. -
ACADEMIC CALENDAR 2019-2020 Edition Part I: General Information
¡ ACADEMIC CALENDAR 2019-2020 edition Part I: General Information and Admissions Page 2 Academic Calendar 2019-2020 (September 2019) Mount Allison University Welcome to Mount Allison University THE FACULTY 1 WELCOME TO MOUNT The University©s faculty is talented and dedicated, exemplifying a strong blend of teaching and research. Mount Allison faculty ranked first in ALLISON UNIVERSITY the country for faculty awards (Maclean©s 2018 University Rankings) and seven professors have been named National 3M Teaching Fellows, Mount Allison has built a reputation through the success of its students, Canada©s highest national teaching distinction, while at Mount Allison. faculty, staff, and graduates. Every year students like you come to Along with teaching, many faculty members also pursue research campus from across Canada and around the world to be part of a living projects directly with their students, giving Mount Allison students and learning community that fuels passions and ignites new interests. unprecedented research experience at the undergraduate level. The University offers a broad interdisciplinary knowledge base with more than 40 programs. With smaller class sizes and access to AN EDUCATION SUITED TO THE 21ST CENTURY world-class faculty, students gain hands-on learning opportunities that Mount Allison offers Bachelor©s degrees in Arts, Science, Commerce, combine practical experience, the application of learning to real-world Fine Arts, and Music, as well as Master©s degrees in Science and situations, and skills development. Certificates in Bilingualism; Diversity, Equity, and Inclusion; and Visual Along with our own award-winning faculty and resources, Mount and Material Culture. Allison is also part of the Maple League with Acadia, Bishop©s, and St. -
Post-War & Contemporary
heffel f ine Art Auction Auction ine Art h ouse post-war & contemporary art contemporary & post-war post-wAr & contemporAry Art Sale Thursday, november 26, 2015 · 4 Pm · ToronTo Post-wAr & contemPorAry Art Auction Thursday, November 26, 2015 4 PM Post-War & Contemporary Art 7 PM Fine Canadian Art Park Hyatt Hotel, Queen’s Park Ballroom 4 Avenue Road, Toronto Previews Heffel Gallery, Vancouver 2247 Granville Street Saturday, October 31 through Tuesday, November 3, 11 am to 6 pm Galerie Heffel, Montreal 1840 Rue Sherbrooke Ouest Thursday, November 12 through Saturday, November 14, 11 am to 6 pm University of Toronto Art Centre 15 King’s College Circle Entrance off Hart House Circle Saturday, November 21 through Wednesday, November 25, 10 am to 6 pm Thursday, November 26, 10 am to noon Heffel GAllery, toronto 13 & 15 Hazelton Avenue, Toronto Ontario, Canada M5R 2E1 Telephone 416-961-6505 Fax 416-961-4245 Toll Free 1-800-528-9608 www.heffel.com Heffel Fine Art Auction House Heffel.com Departments A Division of Heffel Gallery Inc. consiGnments toronto [email protected] 13 & 15 Hazelton Avenue, Toronto, Ontario M5R 2E1 APPrAisAls Telephone 416-961-6505, Fax 416-961-4245 [email protected] E–mail: [email protected], Internet: www.heffel.com Absentee And telePHone biddinG montreAl [email protected] 1840 rue Sherbrooke Ouest, Montreal, Quebec H3H 1E4 Telephone 514-939-6505, Fax 514-939-1100 sHiPPinG [email protected] Vancouver 2247 Granville Street, Vancouver, British Columbia V6H 3G1 subscriPtions Telephone 604-732-6505, Fax 604-732-4245 [email protected] ottAwA 451 Daly Avenue, Ottawa, Ontario K1N 6H6 Cao tAl Gue subscriPtions Telephone 613-230-6505, Fax 613-230-8884 Heffel Fine Art Auction House and Heffel Gallery Inc. -
MARY PRATT (1935 – 2018) Born in Fredericton, NB
EQUINOX GALLERY 604.736.2405 t 525 Great Northern Way [email protected] e Vancouver, BC V5T 1E1 www.equinoxgallery.com w MARY PRATT (1935 – 2018) Born in Fredericton, NB EDUCATION: 1961: BFA from Mount Allison University in Sackville, New Brunswick SELECTED EXHIBITIONS: 2015: Mary Pratt: This Little Painting, National Gallery of Canada, Ottawa, ON 2013: Mary Pratt, The Rooms Provincial Art Gallery, St. John's, NL (traveling retrospective) 1996: Mary Pratt: The Substance of Light, Organized by the Beaverbrook Art Gallery, Fredericton, NB (Traveled to the Vancouver Art Gallery, Vancouver, BC; the Art Gallery of Greater Victoria, Victoria, BC; the Gallery of North York, Toronto, ON; and the Winnipeg Art Gallery, Winnipeg, MB) 1995: Survivors, In Search of a Voice: The Art of Courage, Royal Ontario Museum, Toronto, ON (group show) 1980: 12 Canadian Artists, Robert McLaughlin Gallery, Oshawa, ON (group show) 1978: Realism in Canada: Traditional and New, Norman Mackenzie Art Gallery, Regina, SK 1976: Aspects of Realism, touring exhibition beginning at The Gallery, Stratford, ON 1975: Some Canadian Women Artists, National Gallery of Canada, Ottawa, ON 1974: 9 out of 10: Survey of Contemporary Canadian Art, Art Gallery of Hamilton, Hamilton, ON(group show) Survey of Canadian Art Now, Vancouver Art Gallery, Vancouver, BC (group show) 1973: Mary Pratt: A Partial Retrospective, Memorial University of Newfoundland Art Gallery, St. John's, NFLD SELECTED PUBLICATIONS: Milroy, Sarah et al. Mary Pratt. Goose Lane Editions, 2013. Ball, Heather. Astonishing Women Artists. Second Story Press, 2007. p. 112. Laurence, Robin, and Patricia Deadman. Simple Bliss: The Paintings and Prints of Mary Pratt. -
For Members of Mount Allison University Alumni Association
Mary Pratt ’57 Recreating the world through art Fall 2010 Mount Allison University’s Alumni and Friends No. 95 Rediscover what's important Redécouvrez ce qui importe vraiment While in New Brunswick, make a list of Pendant votre séjour au Nouveau-Brunswick, the things that are important to you. dressez la liste des choses que vous jugez That is the life you can live here. importantes. C’est ce que vous pouvez vivre ici. Be home. Make life happen. Être chez soi. Vivre comme il se doit. NBjobs.ca emploisNB.ca CNB 7172 Con tents Self-portrait, 2002, Mary Pratt Cover Story 12 Destined to paint Fea tures From a young age, renowned Canadian 16 Reimagining leadership painter Mary Pratt (’57) Michael Jones (’66) uses music to help public has been inspired by officials and industry leaders reconnect with images. She has spent the ‘personal’ and increase their productivity. her life working with light and colour to 16 18 The business of culture recreate the world Julia Chan (’08) uses her business savvy through art. to balance the books for an event promoter in Montreal. 20 A life journey John MacLachlan Gray (’68) talks about his most famous play, and how he feels Reg ulars about it more than 30 years later. 4 Events and Gatherings 22 The wedding planner 6 Campus Beat 18 Lisa Allain (’91) combines creativity and entrepreneurship to help happy couples 8 Student Spotlight plan — and pull off — the wedding of 10 Research their dreams. 27 JUMP Update 24 Home again Matthew Jocelyn (’79) heads up one of 28 Bleacher Feature Canada’s leading not-for-profit contemporary 30 In Memoriam theatre companies after achieving success in Europe. -
This Is Donna| 1987
Mary Pratt Mary Pratt (Canadian, b. 1935) This is Donna | 1987 oil on canvas 188.0 x 106.7 cm Gift of Jim Coutts in memory of Marion McCain Beaverbrook Art Gallery Art EduKit 132 Mary Pratt What can we learn from looking at Mary Pratt’s This is Donna? Let’s look Take your time. Look carefully. Where do your eyes go first? Then where? Take in as many details as you can. Let’s describe What time of year is it? What time of day is it? What is the woman doing? How would you describe the atmosphere in the painting? What visual elements support your ideas? What effect does the shadow cast? Encourage students to ask questions. What visual elements in the artwork prompt the questions asked? Let’s imagine If you could replace the name Donna with a name of your choosing, what would it be and why? This is . Beaverbrook Art Gallery Art EduKit 133 Mary Pratt Art-making inspired by Mary Pratt’s This is Donna. Full Figure Portrait Curriculum Connections: Elements of Art and Principles of Design; Explore the expressive qualities of warm colours and cool colours. Development of Imagery; Create images from experiences, ideas and imagination. Visual Awareness; Use observational and memory images of the real world. Materials Needed Image of Mary Pratt’s painting This is Donna Heavy Paper or Bristol Board (at least 16 x 20) Pencils Erasers Coloured Pencils Beaverbrook Art Gallery Art EduKit 134 Mary Pratt Let’s Get Started Discuss! In this activity students will get the opportunity to draw someone they love. -
Her Own Trame of Reference': a Feminist Reading of Mary Pratt's Painting Wendy Schissel University of Saskatchewan
Her Own Trame of Reference': A Feminist Reading of Mary Pratt's Painting Wendy Schissel University of Saskatchewan ABSTRACT Art history has made the word "artist" synonymous with man; woman has been excluded from mastery of the privileged genre of the female nude, object of male speculation, desire, and consumption. Feminist criticism has provided an alternative set of signifieds for the nude image produced by a woman. In Mary Pratt's paintings of her husband Christopher's models, the feminist critic reads a com• plex meeting of the subjectivity of the artist and the model. In another part of her oeuvre, the still—lifes, more often associated with women artists and metonymic with the domestic spaces of female experience, the feminist critic reads erotic images which are, simultaneously, appealing and disturbing. RESUME L'histoire de l'art a fait que le mot «artiste» est devenu synonyme d'homme; la femme a Hi exclue de la mattrise de ce genre privil£gi£ du nu feminin, objet de speculation masculine, de ddsir et de consommation. La critique feministe a offert une autre serie de signifies pour les nus dlpeints par les femmes. Dans les peintures de Mary Pratt qui reprlsentent les modeles de son raari Christopher, la feministe interprete cela comme une rencontre complexe de la subjectivity de 1'artiste et du modele. Dans une autre partie de son oeuvre oil les natures mortes sont souvent associees aux femmes artistes et sont m£tonymiques de l'univers familial de la vie d'une femme, la feministe interprete cela comme des images erotiques qui sont en mime temps attirantes et gfnantes. -
Pratt Et Pratt / Pratt and Pratt
Document generated on 09/24/2021 5:15 p.m. Vie des arts Pratt et Pratt Pratt and Pratt Virgil Hammock Volume 26, Number 103, Summer 1981 URI: https://id.erudit.org/iderudit/54530ac See table of contents Publisher(s) La Société La Vie des Arts ISSN 0042-5435 (print) 1923-3183 (digital) Explore this journal Cite this article Hammock, V. (1981). Pratt et Pratt / Pratt and Pratt. Vie des arts, 26(103), 45–79. Tous droits réservés © La Société La Vie des Arts, 1981 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Virgil G. Hammock Pratt et Pratt A part sa beauté naturelle, on doit souligner que l'un des aspects les plus intéressants de Sainte-Catherine réside dans l'absence presque complète de distractions. Sauf une couple de petits magasins qui restent ouverts après six heu res, il n'y a guère de vie nocturne à Sainte-Catherine et à Mount Carmel, et encore moins quoi que ce soit qui puisse vaguement ressembler à de l'activité artistique. En 1963, Sainte-Catherine était encore plus isolée. De nos jours, à l'aune de Terre-Neuve, il existe de très bonnes routes entre Saint-Jean et la porte des Pratt mais, à leur arrivée, la plus grande partie du trajet se faisait sur des routes de terre, impraticables la plupart du temps. -
Sackville Arts Walk Interesting Design Qualities and Details and Faced with Red/Pink Sandstone
2. Mount Allison Chapel Note of interest: Walking through campus, you will Built in 1964, this chapel bears very notice many of the buildings are built Sackville Arts Walk interesting design qualities and details and faced with red/pink sandstone. reminiscent of the rebuilt Coventry Most of the stone has been cut from Cathedral in Britain.The architect was Pickard Quarry, now overgrown and Dr. F.Bruce Brown of Toronto.The hidden in the southwestern corner of stained glass windows are the work of town.The yellowish-green or olive Ontario artist Gerald Tooke.The three sandstone was brought in from the major windows are symbolic of Creation, Incarnation and quarries in Rockport, about 15 miles Redemption. Images representing the four gospel stories are to the west of Sackville. seen in the pillar windows. The pillars themselves represent the founding churches 4. Corner of York Street and Salem Street of the United Church.The interior details at the top of each From this corner, one sees several pillar illustrate: the burning bush (Presbyterian Church), the properties of cultural importance to open bible (Congregational Church), the descending dove Sackville. (Methodist Church), and also the sailing ship (ecumenical 76 York is the former home of church).The theme of the chapel design symbolizes the fact Alex Colville where he lived from that all religions are welcome here. 1946 to 1973 with his family.Alex All the interior lines lead one’s eyes to the huge front and Rhoda Colville both graduated cross outlined by 30 small stained glass windows.The granite from Mt.A in Fine Arts in 1942. -
The Rooms – 2015-16 Annual Report
ANNUAL REPORT 2015 – 16 CONTENTS Table of Contents A MESSAGE FROM THE CHAIR of the BOARD of DIRECTORS 1 OVERVIEW of the CORPORATION 3 SHARED COMMITMENTS 5 HIGHLIGHTS and ACCOMPLISHMENTS 8 PRIORITY 1 11 PRIORITY 2 14 PRIORITY 3 16 OPPORTUNITIES and CHALLENGES AHEAD 19 APPENDIX – FINANCIAL STATEMENTS 20 A MESSAGE FROM THE CHAIR OF THE BOARD OF DIRECTORS It is my great pleasure as Chair of The Rooms Board of Directors to present The Rooms Annual Report for 2015-16. This report represents the outcome for the second year of the three-year planning cycle of The Rooms Strategic Plan 2014-17. The Rooms Corporation of Newfoundland and Labrador is a Category One entity of the Provincial Government of Newfoundland and Labrador. As such, The Rooms Annual Report 2015-16 has been prepared in accordance with the requirements of the Transparency and Accountability Act of the Government of Newfoundland and Labrador. The Rooms has received incredible support for their Where Once They Stood We Stand capital fundraising campaign. By March 31st, 2016, more than $9 million dollars had been raised towards First World War projects, including Centennial Lead Donor Corporate – Fortis Inc.’s contribution of $3.25 million dollars in May, Centennial Lead Donor Individual – Elinor Gill Ratcliffe’s contribution of $3.25 million dollars in June, and $1 million dollars contributed from BMO Group presented by former Premier Brian Tobin, this past February. In June, The Rooms celebrated a momentous occasion - its tenth anniversary. To mark this event, Rooms staff published the magazine Celebrating 10 Years featuring stories and highlights from the past decade.