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Shearer West Phd Thesis Vol 1
THE THEATRICAL PORTRAIT IN EIGHTEENTH CENTURY LONDON (VOL. I) Shearer West A Thesis Submitted for the Degree of PhD at the University of St. Andrews 1986 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/2982 This item is protected by original copyright THE THEATRICAL PORTRAIT IN EIGHTEENTH CENTURY LONDON Ph.D. Thesis St. Andrews University Shearer West VOLUME 1 TEXT In submitting this thesis to the University of St. Andrews I understand that I am giving permission for it to be made available for use in accordance with the regulations of the University Library for the time being in force, subject to any copyright vested in the work not being affected thereby. I also understand that the title and abstract will be published, and that a copy of the I work may be made and supplied to any bona fide library or research worker. ABSTRACT A theatrical portrait is an image of an actor or actors in character. This genre was widespread in eighteenth century London and was practised by a large number of painters and engravers of all levels of ability. The sources of the genre lay in a number of diverse styles of art, including the court portraits of Lely and Kneller and the fetes galantes of Watteau and Mercier. Three types of media for theatrical portraits were particularly prevalent in London, between ca745 and 1800 : painting, print and book illustration. -
1. Canongate 1.1. Background Canongate's Close Proximity to The
Edinburgh Graveyards Project: Documentary Survey For Canongate Kirkyard --------------------------------------------------------------------------------------------------------------------- 1. Canongate 1.1. Background Canongate’s close proximity to the Palace of Holyroodhouse, which is situated at the eastern end of Canongate Burgh, has been influential on both the fortunes of the Burgh and the establishment of Canongate Kirk. In 1687, King James VII declared that the Abbey Church of Holyroodhouse was to be used as the chapel for the re-established Order of the Thistle and for the performance of Catholic rites when the Royal Court was in residence at Holyrood. The nave of this chapel had been used by the Burgh of Canongate as a place of Protestant worship since the Reformation in the mid sixteenth century, but with the removal of access to the Abbey Church to practise their faith, the parishioners of Canongate were forced to find an alternative venue in which to worship. Fortunately, some 40 years before this edict by James VII, funds had been bequeathed to the inhabitants of Canongate to erect a church in the Burgh - and these funds had never been spent. This money was therefore used to build Canongate Kirk and a Kirkyard was laid out within its grounds shortly after building work commenced in 1688. 1 Development It has been ruminated whether interments may have occurred on this site before the construction of the Kirk or the landscaping of the Kirkyard2 as all burial rights within the church had been removed from the parishioners of the Canongate in the 1670s, when the Abbey Church had became the chapel of the King.3 The earliest known plan of the Kirkyard dates to 1765 (Figure 1), and depicts a rectilinear area on the northern side of Canongate burgh with arboreal planting 1 John Gifford et al., Edinburgh, The Buildings of Scotland: Pevsner Architectural Guides (London : Penguin, 1991). -
Frommer's Scotland 8Th Edition
Scotland 8th Edition by Darwin Porter & Danforth Prince Here’s what the critics say about Frommer’s: “Amazingly easy to use. Very portable, very complete.” —Booklist “Detailed, accurate, and easy-to-read information for all price ranges.” —Glamour Magazine “Hotel information is close to encyclopedic.” —Des Moines Sunday Register “Frommer’s Guides have a way of giving you a real feel for a place.” —Knight Ridder Newspapers About the Authors Darwin Porter has covered Scotland since the beginning of his travel-writing career as author of Frommer’s England & Scotland. Since 1982, he has been joined in his efforts by Danforth Prince, formerly of the Paris Bureau of the New York Times. Together, they’ve written numerous best-selling Frommer’s guides—notably to England, France, and Italy. Published by: Wiley Publishing, Inc. 111 River St. Hoboken, NJ 07030-5744 Copyright © 2004 Wiley Publishing, Inc., Hoboken, New Jersey. All rights reserved. No part of this publication may be reproduced, stored in a retrieval sys- tem or transmitted in any form or by any means, electronic, mechanical, photo- copying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, 978/750-8400, fax 978/646-8600. Requests to the Publisher for per- mission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, 317/572-3447, fax 317/572-4447, E-Mail: [email protected]. -
Former Fellows Biographical Index Part
Former Fellows of The Royal Society of Edinburgh 1783 – 2002 Biographical Index Part Two ISBN 0 902198 84 X Published July 2006 © The Royal Society of Edinburgh 22-26 George Street, Edinburgh, EH2 2PQ BIOGRAPHICAL INDEX OF FORMER FELLOWS OF THE ROYAL SOCIETY OF EDINBURGH 1783 – 2002 PART II K-Z C D Waterston and A Macmillan Shearer This is a print-out of the biographical index of over 4000 former Fellows of the Royal Society of Edinburgh as held on the Society’s computer system in October 2005. It lists former Fellows from the foundation of the Society in 1783 to October 2002. Most are deceased Fellows up to and including the list given in the RSE Directory 2003 (Session 2002-3) but some former Fellows who left the Society by resignation or were removed from the roll are still living. HISTORY OF THE PROJECT Information on the Fellowship has been kept by the Society in many ways – unpublished sources include Council and Committee Minutes, Card Indices, and correspondence; published sources such as Transactions, Proceedings, Year Books, Billets, Candidates Lists, etc. All have been examined by the compilers, who have found the Minutes, particularly Committee Minutes, to be of variable quality, and it is to be regretted that the Society’s holdings of published billets and candidates lists are incomplete. The late Professor Neil Campbell prepared from these sources a loose-leaf list of some 1500 Ordinary Fellows elected during the Society’s first hundred years. He listed name and forenames, title where applicable and national honours, profession or discipline, position held, some information on membership of the other societies, dates of birth, election to the Society and death or resignation from the Society and reference to a printed biography. -
SIR DANIEL MACNEE. by the Eev. Walter C. Smith, D.D
24 August 1882, at the comparatively early age of sixty-four. He had been in failing health for about two years, but it was only a week before he died that he became seriously ill. His funeral took place in Warriston Cemetery on the 29th of August, and was attended by a large concourse of attached relatives and friends. Dr. Eobertson is survived by two sisters, with one of whom he resided, while the other is the wife of Mr. John Gillespie, "Writer to the Signet, and Secretary to the Eoyal Company of Archers. His youngest brother, Alexander, a promising artillery officer, was one of the many victims of the Indian Mutiny of 1857. Since the above was prepared, the writer has received a letter from one of Dr. Eobertson's medical compeers (Dr. George Bell) in reply to an application on the subject of his chess-playing, in which he says :—" Dr. Eobertson was no ordinary chess-player ; he understood the game, and practised it with judgment and skilL I know this, for the ' chequered field' was our favourite meeting-place during many years. Always pleasant there as elsewhere, Edinburgh does not know what a rare son she has lost. Though undemon- strative, the Eoyal Society had few such members as William Eobertson." SIR DANIEL MACNEE. By the Eev. Walter C. Smith, D.D. Daniel Macnee's life, like that of most hard workers, was not a very eventful one. Its chief incidents were its productions, and these were nowise startling, but rather such as might have been looked for—fruits of patient labour, and proofs of quiet growth. -
189 Warriston Entry.Indd
City of Edinburgh Council Edinburgh Survey of Gardens and Designed Landscapes 065 Warriston Cemetery (The Edinburgh Cemetery, Goldenacre) Consultants Peter McGowan Associates Landscape Architects and Heritage Management Consultants 6 Duncan Street Edinburgh EH9 1SZ 0131 662 1313 • [email protected] with Christopher Dingwall Research by Sonia Baker This report by Peter McGowan Survey visit: September 2007 Edinburgh Survey of Gardens 3 and Designed Landscapes 065 Warriston Cemetery (The Edinburgh Cemetery, Goldenacre) Parish Edinburgh NGR NT 253 757 Owner Public Cemetery: City of Edinburgh Council Designations Listing Cemetery, all monuments, catacombs, bridge, boundary walls, gates and gate piers: A Tree Preservation Order REASONS FOR INCLUSION The earliest of several 19th century ‘garden’ cemeteries that contribute to the urban form of the inner suburbs and to the amenity of the neighbouring streets, with significant values in terms of architectural features and memorials to prominent citizens. Dalry and Newington cemeteries are also included in the priority sites surveyed in 2007-08. The early 20th century extension and continued use makes Warriston different to the other sites. LOCATION, SETTING AND EXTENT Warriston is a large cemetery in three distinct parts occupying a tract of land north of the city centre and to the immediate north of the Water of Leith, west of Inverleith Row. Warriston Road, running from Canonmills to Ferry Road, forms much of the bending southern and eastern boundaries of the cemetery, with the Goldenacre Path cycleway along a former railway forming the west boundary and Easter Warriston housing to the north. The three parts are: the central area from the original cemetery (generally wooded and fairly neglected), a small area of the original site south of the Warriston Path cycleway (wooded and almost totally abandoned) and the later northern extension (overall more open and fair condition). -
SSAH Will Continue to Grow and Develop Its Role As One of the Pre-Eminent Vehicles of Art from the Chair Historical Research in Scotland
Newsletter No. 21 Autumn/Winter 2005 During that time the SSAH will continue to grow and develop its role as one of the pre-eminent vehicles of art From the Chair historical research in Scotland. Our 2005 Journal is a particularly rich and varied publication and we are now st lthough not exactly a ‘coming of age’, the 21 exploring opportunities for more extensive distribution birthday of the SSAH has offered a marvellous and online publishing. More news of this will follow. We opportunity to review both our past and our are delighted to have contributions from several scholars A st future. Our past was essentially the theme of our 21 and writers working outwith Scotland and hope this is a anniversary colloquium in April - Art & Scotland: the last harbinger of a growing internationalism, both for our 21 years - but this was no exercise in self-indulgent Society, but also for the study and appreciation of Scottish congratulation or navel-gazing. Instead a succession of art and for the study of art in Scotland. stimulating papers and discussions served to emphasise how vibrant and energising the issue of art continues to Robin Nicholson be in a nation now mystifyingly re-branded as the ‘best small country in the world’. Certainly none can deny that Scotland always has punched above its weight and the colloquium was Notices launched with Duncan Macmillan’s challenging thesis that the international influence of Scots artists might be signifi- cantly more extensive than previously thought. Obliquely AGM this set a theme for the following day’s debates which The Annual General Meeting of the Scottish Society for constantly returned to questions of Scottish culture, Art History will take place on Saturday December 3rd in identity and outlook. -
Audubon Drawn from Nature Audubon Drawn from Nature
Audubon Drawn from Nature Audubon Drawn from Nature This touring exhibition is a unique opportunity to display a selection of National Museums Scotland’s collection of prints from Audubon’s remarkable masterpiece The Birds of America. John James Audubon (1785–1851) was the most influential ornithological artist of the 19th century, revolutionising natural history art. His unique 2 illustrations for The Birds of America make it one of the most famous and spectacular rare books in the world. The Birds of America contains stunning hand- coloured and life-size prints of birds from North America, presented on double elephant folio paper. They were published over an 11 year period (1827–38) with the first ten plates engraved in Edinburgh, Scotland. The exhibition will also include material connected 3 to Audubon to tell the story of how The Birds of America project was realised, putting it into context with his predecessors and contemporaries. It will also consider the birds he studied and his influence on This exhibition will illustrate the wildlife art and conservation. following themes: The scale of the artwork Audubon insisted that the illustrations had to be life-size, so they were printed on double-elephant folio paper (approx. 38 x 26 inches). Audubon’s art This theme will look at how Audubon depicted scenes from nature, his working practices and his influence on other bird illustrators. Audubon and Scotland Audubon worked with William Home Lizars to engrave and publish The Birds of America, and had many links with the scientific community in Edinburgh, Scotland. The art of the engraver and colourist The exhibition will compare an uncoloured version of a print next to its coloured version to demonstrate 1 the printing process. -
Love, Loss and Landscape Published by Aberdeen University Press
JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 10, Issue 2 Love, Loss and Landscape Published by Aberdeen University Press in association with The Research Institute of Irish and Scottish Studies ISSN 1753-2396 Contents ‘James Lindsay – a late nineteenth-century Edinburgh art collector’ Per Kværne 1 James Joyce’s Labyrinths of Love and Desire in Exiles Saman Zoleikhaei 19 ‘The Quest through the Real’ Amir Barazande 49 ‘“It does not mak siccar you ken aboot weemin”: The Fight to be Heard in the Poetry of Joan Ure’ Richie McCaffery 56 ‘“An unbewildered poet”: The Ontological ‘Sense of Place’ in Seamus Heaney’s Prose’ Joanna Jarząb-Napierała 70 ‘On the move between shore and shore’: Scotland and Ireland’s history-makers, artists and the ‘Future State’ Craig Richardson 93 ‘“Out from Underneath Control” – A Conversation with David Greig’ Paula Sledzinska 114 List of Contributors 127 Editorial It was Joan Ure that captured something of the weight of the work examined here in writing, ‘This is a story that only seems sad at the end / but it is not sad because it is not a story but a /parable.’ Richie McCaffery quotes this passage in his excavation of Ure’s poetic enterprise, showing how she deployed verse to shape a space for her political and aesthetic ambitions as a writer. In this issue of the Journal of Irish and Scottish Studies we bring together a set of occasional papers that refl ect on the creative arts from the late nineteenth century to the contemporary scene. They have taken some time to gather together and I am grateful to the authors for their patience and kind responses to editorial queries. -
Historic Memorials & Reminiscences of Stockbridge
Historic Memorials & Reminiscences of Stockbridge THE DEAN, AND WATER OF LEITH WITH NOTICES ANECDOTAL, DESCRIPTIVE, AND BIOGRAPHICAL. BY CUMBERLAND HILL, CHAPLAIN TO THE COMBINATION WORKHOUSE OF ST CUTHBERT's AND CANONGATE, EDINBURGH. ILLUSTRATED WITH SIX FULL-PAGE DRAWINGS. SECOND EDITION, ENLARGED. EDINBURGH: ROBERT SOMERVILLE, 10 SPRING GARDENS. RICHARD CAMERON, i ST DAVID STREET. 1887. <?W(fi1 5 ' •*- ' i i IC Lin TY university ui uullph PKEFACE TO THE FIEST EDITION. The substance of the following pages was delivered first as a lecture at the opening of the Working Men's Institute, Stockbridge, in March 1866. It was after- wards re-delivered, with additional notes, as two lectures, in Dean Street United Presbyterian Church, on the evenings of the 24th and 26th January 1871. At the close of the last lecture, I was requested to publish what I had delivered. Circumstances have prevented me from complying with this request until now. In the interval I have been enabled to add a good deal of curious matter connected with the locality that did not appear in any of the lectures. It will be remembered that I speak of the Stockbridge of the past more than of the present. In the course of the narrative I have mentioned the sources from whence the most material parts of my information have been derived. I may add that the subject is by no means exhausted. ;; IV ntEFACE. In most cases the source of my information has been acknowledged, but I have specially to mention the following works : —Ballantine's Life of David Roberts Cunningham's Lives of the British Painters. -
The Transparent Influence of the Scottish School of Art on Erskine
Études écossaises 16 | 2013 Ré-écrire l’Écosse : histoire A Scottish Art and Heart: The Transparent Influence of the Scottish School of Art on Erskine Nicol’s Depictions of Ireland Peinture et parenté écossaises : l’influence transparente de l’école écossaise sur les tableaux irlandais d’Erskine Nicol Amélie Dochy Electronic version URL: http://journals.openedition.org/etudesecossaises/837 DOI: 10.4000/etudesecossaises.837 ISSN: 1969-6337 Publisher UGA Éditions/Université Grenoble Alpes Printed version Date of publication: 15 April 2013 Number of pages: 119-140 ISBN: 978-2-84310-246-2 ISSN: 1240-1439 Electronic reference Amélie Dochy, “A Scottish Art and Heart: The Transparent Influence of the Scottish School of Art on Erskine Nicol’s Depictions of Ireland”, Études écossaises [Online], 16 | 2013, Online since 15 April 2014, connection on 15 March 2021. URL: http://journals.openedition.org/etudesecossaises/837 ; DOI: https://doi.org/10.4000/etudesecossaises.837 © Études écossaises Amélie Dochy Université Toulouse 2 A Scottish Art and Heart: The Transparent Influence of the Scottish School of Art on Erskine Nicol’s Depictions of Ireland “The Arts, unlike the exact sciences, are coloured by the temperaments, beliefs, and outward environment of the peoples amongst whom they flourish.” William D. mCKay, The Scottish School of Painting, 1906, p. 3. Erskine Nicol (3 July 1825–8 March 1904) was a Scottish painter who lived in Dublin between 1845 and 1850. When he went back to Scotland, his paintings attracted the attention of the British public for their fine quality, lively colours and the scenes taken from everyday life, so that by the 1850s, Nicol was already famous and was celebrated by art critics as the painter of Ireland. -
Former Fellows Biographical Index Part
Former Fellows of The Royal Society of Edinburgh 1783 – 2002 Biographical Index Part One ISBN 0 902 198 84 X Published July 2006 © The Royal Society of Edinburgh 22-26 George Street, Edinburgh, EH2 2PQ BIOGRAPHICAL INDEX OF FORMER FELLOWS OF THE ROYAL SOCIETY OF EDINBURGH 1783 – 2002 PART I A-J C D Waterston and A Macmillan Shearer This is a print-out of the biographical index of over 4000 former Fellows of the Royal Society of Edinburgh as held on the Society’s computer system in October 2005. It lists former Fellows from the foundation of the Society in 1783 to October 2002. Most are deceased Fellows up to and including the list given in the RSE Directory 2003 (Session 2002-3) but some former Fellows who left the Society by resignation or were removed from the roll are still living. HISTORY OF THE PROJECT Information on the Fellowship has been kept by the Society in many ways – unpublished sources include Council and Committee Minutes, Card Indices, and correspondence; published sources such as Transactions, Proceedings, Year Books, Billets, Candidates Lists, etc. All have been examined by the compilers, who have found the Minutes, particularly Committee Minutes, to be of variable quality, and it is to be regretted that the Society’s holdings of published billets and candidates lists are incomplete. The late Professor Neil Campbell prepared from these sources a loose-leaf list of some 1500 Ordinary Fellows elected during the Society’s first hundred years. He listed name and forenames, title where applicable and national honours, profession or discipline, position held, some information on membership of the other societies, dates of birth, election to the Society and death or resignation from the Society and reference to a printed biography.