Curwood19.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Curwood19.Pdf Design by Kailey Grubb Design by Nathan Malone Published by The Independent Newsgroup 1907 W. M-21, Owosso • 989-723-1118 Facebook: Independent Newsgroup www.owossoindependent.com All rights reserved. Reproduction available with publisher consent. Page 2 Curwood Festival June 2, 2019 Carnival midway provided by: 42nd Annual Curwood Festival June 6-9, 2019 Thursday: $20 All Day Armband 3pm - 11pm Friday: $20 All Day Armband 3pm - 11pm Saturday: $23 All Day Armband noon - 11pm Sunday: $16 Sunday Special noon - 6pm Tickets available for $1 each “Six generations providing a new era of fun!” www.skerbeckcarnival.com Curwood Festival June 2, 2019 Page 3 G Welcome to Curwood Country! G Welcome to Curwood Country and the 2019 Curwood Festival. The festival celebrates the life and accomplishments of James Oliver Curwood author and conservationist. Many events are held during the weekend to remember the lifetime of Curwood. We host a saga writing contest inviting school age children to explain their version of conservation. The area around the castle also known as Curwoods writing studio plays center stage to the arts and crafts area, and raft race along the river. It is my honor to invite you to Owosso and to our festival. The festival is a combined effort of many great minds wanting to make our community a better place to visit and a great place to call home. We have something for all interests and all ages, from the two parades, to the carnival rides to the entertainment tent. You will see some newer versions of some old favorites this year like the Mr. Owosso Contest and the duck race. I would like to thank the city of Owosso, our Board of Directors and our volunteers for putting together our 42nd Annual festival in what has become a proud tradition that has stood the test of time and evolved to become one of the premier events in our community. Dave Minarik, President G G G G G G G G G G G G G G G G Curwood Dog Of The Year – New Location for 2019 Come and join the fun with your favorite 4-legged friend during the Curwood Dog of the Year contest. Members from the Shiawassee 4-H dog program will be joining forces to provide for you and your pet a “howling good time.” The profit from this event goes directly back to the 4-H dog program and the continuing improvements and upkeep to the new dog barn at the Shiawassee County Fair Grounds. Each dog club will be hosting an event or game such as “Best Trick Contest,” “Best Costume” (look alike or not), “Treat Seeker,” “Frisbee Toss,” simple “Obedience Competition,” and “Obstacle Course.” So MARK YOUR CALENDARS for Saturday, JUNE 8, 2019. Registration begins at 9 a.m. and judging starts at 9:30 a.m. NEW LOCATION for 2019 is the Gerald E. Collamer Park at Hopkins Lake. Event will be outside so bring a lawn chair and have a “tail wagging” good time. G G G G G G G G G G G G G G G G Published by The Independent Newsgroup • 989-723-1118 www.owossoindependent.com • Facebook - Independent Newsgroup Editorial material submitted by The 2019 Curwood Festival Committee. BOWDEN BODY SHOP Owosso Complete Collision Service - Frame & Unibody Straightening Guitar 24 HOUR TOWING SERVICE Glass Installation - Free Estimates - Loaners Front End Alignment, Light Mechanical Guitar, Bass, Ukuele OFFICE: 810-621-3332 & Vocal Lessons Sales - Service - Repair 11918 Lennon Rd., Lennon, MI 48449 109 N. Ball, Owosso 989-627-9767 Page 4 Curwood Festival June 2, 2019 Curwood Castle – The Writing Studio of James Oliver Curwood James Oliver Curwood – movies will be shown in the lower level of Curwood Castle Writer, Conservationist, Vi- continuously on Thursday, Friday, Saturday and Sunday of the sionary, Iconoclast, Imaginer Festival Weekend. and American Movie Pioneer 1919 “Back to God’s Country,” produced by Curwood Ship- – built Curwood Castle to serve man Studios – from Curwood’s short story “Wapi the Walrus.” as his writing and conserva- Starring Nell Shipman with a script written by Curwood. tion studio. Curwood, one of America’s foremost authors of 1920 “Nomads of the North,” starring Lon Chaney – from adventure novels and an ear- Curwood’s novel of the same name. ly advocate of environmental conservation, skillfully creat- 1934 “The Trail Beyond,” starring John Wayne – based on ed a replica of a 15th Century Curwood’s novel “The Wolf Hunters.” French Norman chateau on the 1935 “Skull & Crown,” starring Rin Tin Tin, Jr. – based on a banks of his beloved Shiawas- scenario by Curwood. see River. Built between 1922 and 1923, Curwood Castle 1961 “Niki Wild Dog of the North,” – produced by Walt Dis- was used by Curwood until his ney Studios from Curwood’s novel “Nomads of the North.” death in 1927. 1988 “The Bear,” starring Bart the Bear, was perhaps one of During Curwood Festival the Hollywood’s most remarkable animal stars. From Curwood’s Castle will be open: Thursday, novel “The Grizzly King” June 6 from 1 to 7 p.m.; Fri- day June 7 from 1 to 6 p.m.; The exhibition also features a collection of Curwood movie Saturday, June 8 from 11 a.m. to 7 p.m.; and Sunday, June 9 ephemerae, including original movie posters, movie scripts, from 12 to 5 p.m. Special Admission Price for entire photos and photo stills, lobby cards and correspondence be- Curwood Festival Weekend - $1. tween Curwood and the movie stars and directors from the Golden Age of Silent Cinema. At the Movies – Curwood Mini For more information about Curwood Castle, The Owosso Film Festival and Exhibition Historical Commission, or the Curwood The Owosso Historical Commission will present a mini Cur- Collection please call wood Film Festival at the Castle featuring the films and film (989) 723-2155, or memorabilia of James Oliver Curwood. Many do not know look us up at www. that as well as an internationally famous author and conserva- owossohistory.org. tionist, Curwood was also an American Movie Pioneer, with Curwood Castle is open at least 236 motion pictures based on or directly inspired by to the public, February his 33 novels, articles, short stories and serializations. Cur- through December, wood was also one of the first authors to write movie scripts Tuesday through directly for movie studios. The following Curwood inspired Sunday, 1 to 5 p.m. Over 25 Years in Durand How long since you’ve seen your dentist? AfterShokz Trekz Titanium Bone HI-FI Audio Co 103 W. Clinton St., Durand • 989-634-1154 Conducting Headphones www.duranddentist.com 216 W. Main St. Bone conduction technology delivers music through cheekbones, ensuring ears remain Owosso recommends seeing Free Cosmetic completely open to hear ambient sounds your dentist every PH 989-723-3794 6 Colors Available Hours: M-Th 9a-6:30p, Fri. 9a-7p 6 months. Enjoy the $ Consultation Reg. $129.99ea Sat. 9a-6p Curwood Festival 99.99 Curwood Festival June 2, 2019 Page 5 2019 Curwood Postcard & Button Design Winners The 2019 Curwood Festival Button and Postcards Contest Chairman Brandy Kenny announced at the April board meeting that Nathan Malone, a freshman at New Lothrop High School, is the 2019 Curwood Button Contest winner. Nathan is the son of Dr. Sean Malone and his wife Kelli of Flushing. A 2013 OHS graduate, Kailey Grubb, currently attending Wayne State University, has been selected as this year’s Curwood Postcard winner. Kelly will be finishing her master’s degree in social work in May 2019. The original button was designed by Larry Fronratn and was used from 1975-1984 as a giveaway for participant’s in the children events. It wasn’t until 1985 that an official souvenir button contest was created. The contest winner that year was Mike Crawford. In 1987 the print design was added to the contest to be used as a sou- venir postcard and the honors that year went to Tim Arvoy. The Curwood Button & Postcard Committee would like to thank Advanced Drainage Systems and Cook Family Foundation for sponsoring this wonderful opportunity for our area youth. Both Nathan & Kailey will have an opportunity to ride in the Heritage Parade on Saturday, June 8, beginning at 2 p.m. The souvenir button and postcard will be available for sale Curwood weekend at the Curwood office. G G Arts & Crafts Show G G Located on the banks of the Shiawassee River in Curwood Castle Park, this open-air arts & crafts show opens at NOON on Friday, June 7 and is open until dusk. Saturday, June 8, hours are 9 a.m. until dusk and Sunday, June 9 from 10 a.m. to 5 p.m. The show this year will feature artists and craftspeople who will share their inspiring and unique hand-made works including painting, sculpture, photography, mixed media, jewelry, ceramics and more using various mediums including glass, fiber, metal, wood and stone. Artisans will begin each day with a complimentary continental breakfast courtesy of Indian Trails, Midwest Bus Corporation and Waugh’s Culligan Total Water. • Roofi ng • Metal Roofi ng • Concrete Weggy’s • Demolition Auto & Pet WASH T&J Builders • Masonry and Excavating • Rough Framing 989.721.9189625 MAIN ST., PERRY625 (M-52) Main Stree Joe Huff • (989) 666-6529 517.625.4524WeggyswasPerryh.com, Michigan 4887 weggysauto•petwash Page 6 Curwood Festival June 2, 2019 a a a Beautiful Baby Contest Winners a a a The 2019 Curwood Beautiful Baby Contest 36-47 months: was held Saturday, April 6 at D’Mars Banquet Mason Etchinson and Jacey Chant and Conference Center. Judges, Bobbi Fuller, 47-59 months: Vickie Purdy, and Brooke Burgess-Auge, had Dexter Walker and Natalia LeConte the tough task of choosing 10 winners including Grand Prize winner, Natalia LeConte, is 2 Grand Prize winners out of 48 contestants! the daughter of Marc and Brandy LeConte.
Recommended publications
  • Anita Stewart
    Anita Stewart Also Known As: Anna Marie Stewart, Anna Steward, Mrs. Rudolph Cameron, Mrs. George Converse Lived: February 7, 1895 - May 4, 1961 Worked as: company director, composer, film actress, novelist, producer, singer Worked In: United States by Hugh Neely Anita Stewart began her career as an actress at the Vitagraph Company in 1911, and rose to become one of the most popular stars of the teens. In 1918 she started Anita Stewart Productions, in partnership with Louis B. Mayer, and began to produce her own feature films for First National Exhibitors Circuit. Anita Stewart Productions produced seventeen feature films between 1918 and 1922. After concluding her association with Mayer, Stewart accepted an offer from William Randolph Hearst to appear in Cosmopolitan Productions. She continued to make films with Fox, Columbia, and lesser studios through the end of the silent era, appearing in her last feature in 1938. Born Anna Marie Stewart in Brooklyn in 1895, she was the middle of three siblings. Her older sister Lucille Lee and younger brother George also became film actors. Lucille Lee Stewart was the first to work in films, starting with the Biograph Company in 1910, and shortly thereafter moving to the Vitagraph Company, where she met and married director Ralph Ince, younger brother of Thomas Ince. Anna Marie Stewart was a high school student who had done a little modeling when Ralph Ince telephoned to say he needed some extra juveniles for a film. After her start in early 1911, sixteen-year-old Anna quickly became a Vitagraph regular, appearing in vehicles that featured the “Vitagraph Girl,” lead actress Florence Turner.
    [Show full text]
  • Contents PROOF
    PROOF Contents List of Illustrations viii Acknowledgements ix Prologue: From Pinewood to Hollywood 1 Introduction: The British Connection: Themes and Theory 6 1 Early Invaders: The First British Wave 30 2 Sound and Vision: British Filmmakers and the Politics of Pre-War Hollywood 63 3 Movies for the Masses: The British in the Second World War 107 4 Post-War Directions: Ealing Escapism and the Menace of McCarthy 127 5 Atlantic Crossing 152 Notes 174 Select Bibliography 185 Index 189 vii July 22, 2010 7:29 MAC/PNL Page-vii 9780230_229235_01_prex PROOF 1 Early Invaders: The First British Wave “I went to Worthing to recover from Hollywood.” Playwright and screenwriter Edward Knoblock’s quote about wanting to get away from California after a spell in the film community appears to match much of the British reaction to Hollywood in the formative years Illustration 3 Edward Knoblock, 4th from left relaxing with friends. Photograph reproduced courtesy of the National Portrait Gallery, London. 30 July 22, 2010 7:50 MAC/PNL Page-30 9780230_229235_04_cha01 PROOF Early Invaders: The First British Wave 31 of film. What drove Knoblock to the Sussex seaside town after the expo- sure of Los Angeles is not entirely clear, but the impulse to retreat to a world of quintessential Englishness has often appeared to be the rai- son d’être for many British writers and directors of the era who were quickly appalled by the brash commercialism of the Hollywood film industry. In Knoblock’s case, it was an even more fascinating compunc- tion that took hold of him because he was American born (originally Edward Knoblauch of German parents in New York in 1874), but ended up residing in Britain for much of his life.
    [Show full text]
  • Chinese Immigrants in the Southwesterns of the 1920S and 1930S
    Wilfrid Laurier University Scholars Commons @ Laurier English and Film Studies Faculty Publications English and Film Studies Winter 2017 Crossing America’s Borders: Chinese Immigrants in the Southwesterns of the 1920s and 1930s Philippa Gates Wilfrid Laurier University, [email protected] Follow this and additional works at: https://scholars.wlu.ca/engl_faculty Part of the English Language and Literature Commons, Film and Media Studies Commons, and the Race and Ethnicity Commons Recommended Citation Gates, P. (2017). “Crossing America’s Borders: Chinese Immigrants in the Southwesterns of the 1920s and 1930s.” Journal of Film and Video 69.4 (Winter 2017): 3-17. This Article is brought to you for free and open access by the English and Film Studies at Scholars Commons @ Laurier. It has been accepted for inclusion in English and Film Studies Faculty Publications by an authorized administrator of Scholars Commons @ Laurier. For more information, please contact [email protected]. Crossing America’s Borders: Chinese Immigrants in the Southwesterns of the 1920s and 1930s Philippa Gates Today, when we think of the film Western, we think of a genre dominated by Anglo-American heroes conquering the various struggles and obstacles that the nineteenth-century frontier presented to settlers and gunslingers alike—from the daunting terrain and inclement environment of deserts, mountains, and plains to the violent opposition posed by cattle ranchers and Native Americans. What we tend to forget, most likely because the most famous Westerns of the last seventy-five years also forgot, is that Chinese immigrants played an important role in that frontier history. As Edward Buscombe confirms, “[g]iven the importance of their contribution, particularly to the construction of the Central Pacific railroad, the Chinese are under-represented in the Western” (86).
    [Show full text]
  • Cree Vocabulary in the Works of James Oliver Curwood
    Cree Vocabulary in the Works of James Oliver Curwood WILLIAM COWAN Carleton University James Oliver Curwood was an American novelist who was born in Owosso, Michigan1 in 1878, and who died there in 1927, at the relatively young age of 49. Between 1908 and 1927, he published 26 popular novels, most of them set in the Canadian north, in addition to two volumes of short stories and a book on the Great Lakes. Posthumously there were published three more novels, a collection of short stories, and two different versions of an autobiography, making a total of 34 published books. In a number of these novels and short stories, he used Cree words and expressions to give a literary flavour to the narrative and to the dialogue. It is the purpose of this communication to examine these Cree examples in an attempt to determine how well Curwood knew the language, and what sources, if any, he used for his examples. Curwood's novels and stories are in the popular mode. In almost all of them, the hero is a lone adventurer who meets, generally under stressfull circumstances and frequently out in the middle of the great northern forest, a gloriously beautiful heroine who is on a mysterious mission of some sort. These heroines generally have, as their crowning beauty, great masses of golden hair, flowing, when loosened, in rippling folds down to their hips, and displayed in full glory when in flight or fighting for their virtue, which is one of their most frequent activities.2 Accompanying this hero and heroine, there is almost always a villain, who is generally a huge, barrel-shaped, heavily bearded monster whose only goal in life is to rape the heroine.
    [Show full text]
  • The Project Gutenberg Ebook of Baree, Son of Kazan, by James Oliver Curwood (#9 in Our Series by James Oliver Curwood)
    The Project Gutenberg EBook of Baree, Son of Kazan, by James Oliver Curwood (#9 in our series by James Oliver Curwood) Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the “legal small print,” and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Baree, Son of Kazan Author: James Oliver Curwood Release Date: December, 2003 [EBook #4748] [Yes, we are more than one year ahead of schedule] [This file was first posted on March 12, 2002] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK, BAREE, SON OF KAZAN *** Etext prepared by Dianne Bean, Prescott Valley, Arizona. Baree, Son of Kazan. James Oliver Curwood. Preface Since the publication of my two animal books, “Kazan, the Wolf Dog” and “The Grizzly King,” I have received so many hundreds of letters from friends of wild animal life, all of which were more or less of an inquiring nature, that I have been encouraged to incorporate in this preface of the third of my series--”Baree, Son of Kazan”--something more of my desire and hope in writing of wild life, and something of the foundation of fact whereupon this and its companion books have been written.
    [Show full text]
  • Catalog of Copyright Entries 1953 Motion Pictures and Filmstrips Jan
    .N'^ CATALOG OF COPYRIGHT ENTRIES Third Series VOLUME 7, PARTS 12-13, NUMBER 1 Motion Pictures and Filmstrips JANUARY-JUNE 1953 o -^ * * ^ COPYRIGHT OFFICE THE LIBRARY OF CONGRESS WASHINGTON: 1953 CATALOG OF COPYRIGHT ENTRIES Third Series , CATALOG OF COPYRIGHT ENTRIES Third Series VOLUME 7, PARTS 12-13, NUMBER 1 Motion Pictures and Filmstrips JANUARY-JUNE 1953 COPYRIGHT OFFICE THE LIBRARY OF CONGRESS WASHINGTON: 1953 REMOVAL OF DEPOSITS FROM COPYRIGHT OFFICE NOTICE is given to authors, copyright proprietors and other lawful claimants that they may claim and remove before January 1, 1954, any article of the following named classes of published works deposited for copyright between January 1, 1950, and January 1, 1951, not reserved or dis- posed of as provided by sections 213 and 214 of Title 17 of the United States Code and still remaining in the files of the Copyright Office at the time of the request for their removal. The classes of pubhshed works covered by this notice are: Books and Pamphlets. Contributions to periodicals. Works of art; models or designs for works of art. Reproductions of a work of art. Drawings or plastic works of a scientific or technical char- acter. Photographs. Prints and pictorial illustrations excluding prints or labels used for articles of merchandise. Other published works and all unpublished works are excluded from this notice. The request for the removal of any copyright deposit should be signed by the person entitled thereto or his duly authorised agent. Such request should identify the work by stating the title, author, copyright proprietor, registration number and year of deposit, and should be addressed to the Copyright Office, Library of Congress, Washington 25, D.
    [Show full text]
  • Poverty Row Films of the 1930S by Robert J Read Department of Art History and Communication Studies
    A Squalid-Looking Place: Poverty Row Films of the 1930s by Robert J Read Department of Art History and Communication Studies McGill University, Montreal August 2010 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission of the author. Robert J Read, 2010. ii Abstract Film scholarship has generally assumed that the low-budget independent film studios, commonly known as Poverty Row, originated in the early sound-era to take advantage of the growing popularity of double feature exhibition programs. However, the emergence of the independent Poverty Row studios of the 1930s was actually the result of a complex interplay between the emerging Hollywood studios and independent film production during the late 1910s and 1920s. As the Hollywood studios expanded their production, as well as their distribution networks and exhibition circuits, the independent producers that remained outside of the studio system became increasingly marginalized and cut-off from the most profitable aspects of film exhibition. By the late 1920s, non-Hollywood independent film production became reduced to the making of low-budget action films (westerns, adventure films and serials) for the small profit, suburban neighbourhood and small town markets. With the economic hardships of the Depression, the dominant Hollywood studios were forced to cut-back on their lower budgeted films, thus inadvertently allowing the independent production companies now referred to in the trade press as Poverty Row to expand their film practice.
    [Show full text]
  • Belphégor, 15-2 | 2017, « Middlebrow » [En Ligne], Mis En Ligne Le 02 Novembre 2017, Consulté Le 10 Décembre 2020
    Belphégor Littérature populaire et culture médiatique 15-2 | 2017 Middlebrow Édition électronique URL : http://journals.openedition.org/belphegor/921 DOI : 10.4000/belphegor.921 ISSN : 1499-7185 Éditeur LPCM Référence électronique Belphégor, 15-2 | 2017, « Middlebrow » [En ligne], mis en ligne le 02 novembre 2017, consulté le 10 décembre 2020. URL : http://journals.openedition.org/belphegor/921 ; DOI : https://doi.org/10.4000/ belphegor.921 Ce document a été généré automatiquement le 10 décembre 2020. Belphégor est mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 1 SOMMAIRE Middlebrow sous la direction de Diana Holmes et Matthieu Letourneux Introduction: European Middlebrow Diana Holmes Par tous les moyens : territoire du milieu et champ de forces Paul Bleton « Un genre de roman ni trop haut ni trop bas » : Georges Ohnet et la littérature moyenne Jean-Marie Seillan The emergence of the middlebrow novel in the Netherlands: the ‘New Novels’ Series of World Library Erica van Boven Ambivalent gentleman-thieves and ‘the Dutch Conan Doyle’: British-based detective fiction in the Netherlands at the start of the twentieth century Alex Rutten Cultures moyennes, carrières d’artiste (Le cas de Ferenc Herczeg – 1863–1954) Sándor Kalai Regions, Maps, Readers: Theorizing Middlebrow Geography Kristin Bluemel Literary Lessons. Knowledge and Genre in Dutch Middlebrow Fiction of the Interwar Years Bram Lambrecht, Pieter Verstraeten et Dirk de Geest Quality Sells International Bestsellers in the Dutch Literary Field around 1936 Ryanne Keltjens Extending the Middlebrow: Italian Fiction in the Early Twentieth Century Elke D’hoker et Sarah Bonciarelli From crisis to comfort : contemporary bestsellers and the French Middlebrow’s narrative of recovery Annamma Varghese Windows of Cognition : Contemporary French Comics and the Cultural Middlebrow David Platten The middlebrow Spanish Civil War film: a site of mediation between culture and history.
    [Show full text]
  • "To
    sea. takes to cabaret Mary aggrily DIED IN EXPLOSION. •% life. Then, forced by poverty and WHERE SCORES CHEMICAL t* the aecessity of supporting her child ."" 1 Attractions she falls in with crooks who black- i mh MHiKMBHii mail her father-in-law, With lie? L \ST TIML iONiGH sudden wavo of mother love ant! i at Theaters reconciliation comes the si I max ol a wonderful picture. BiG DOUBLE BILL Last Time Tonight The supporting cast includes Jack ATTRACTIONS TCINIuHt Dougherty. Edward Cecil, Do Witt I _ Jennings, Florence Gilbert and Le- COLISEUM — Alice Lake in "The nore Lynard. ELAINE HAMMERSTE1N Great * Claim," and Vaudeville. ‘The Greater Claim” Is on for the AND — PALACE Elaine Hammersteln in last time tonight. ALICE^LAXE “Why Announce Your Marriage?" NILES WELSH I _ FINAL SHOWING AT in a drama COMING ATTRACTIONS. “THE GREATER comedy COLISEUM — Wyndham Standing PALACE TONIGHT Reginald Tie and Alma Tell In "Why Announce Your Marriage" "The Iron Trail" Sherwood Sisters mado a good Impression at the Pal- ‘WHY ANNOUNCE and Company in Vaudeville. ace last night and la on lor the fi- CLAIM” PALACE—Violet Heming in “When nal showings tonight. The picture COMEDY-DRAMA the Desert Calls." Is a novelty and is filled with nu- YOUR MARRIAGE' merous comedy situations surround- IT’S A DANDY THIRD VAUDEVILLE ing a young married couple trying AND PROGRAM AT COLISEUM to keep their marriage a secret. Also a Dramatic Gem The third vaudeville program of Naturally the two aro led into SHERWOOD SISTERS the Sherwood Sisters and Company many embarrassing positions but all ends The two AND COMPANY James Oliver Curwood’s was presented at the Coliseum last well.
    [Show full text]
  • When Mounties Were Modern Kitsch: the Serial Seductions of Renfrew of the Mounted Candida Rifkind
    When Mounties were Modern Kitsch: The Serial Seductions of Renfrew of the Mounted Candida Rifkind n the first half of the twentieth century, and perhaps still today, Ione of Canada’s most recognizable cultural exports was the Mountie, the Royal Canadian Mounted Police (rcmp) officer, wearing the signature red coat of his dress uniform and sitting astride his trusty steed. From its founding as the North West Mounted Police (nwmp) in 1873, to its 1920 re-formation as the rcmp, and through to the present, the Canadian federal police force has assumed in literary and popular culture the sym- bolic weight of national icon and the image has circulated widely, across media and around the world. Starting with the late nineteenth-century colonial press and continuing through the turn-of-the-century fiction market, interwar radio and film, and postwar television and commod- ity culture, the Mountie has appeared, both earnestly and satirically, at the centre of national mythologies about Canadian liberal democracy. At his most typical, the Mountie is an officer of the law who is part of a rational organization but also a refined gentleman and a unique, special individual. He represents a physically, intellectually, and morally upright and seductive, yet civilized, male hero distinct from the wilder masculini- ties of American popular culture heroes. Indeed, the fictional Mountie is at the centre of some persistent English-Canadian nationalist mytholo- ESC 37.3–4 (September/December 2011): 123–146 gies, notably that the West was conquered by a central authority whose “decency and paternalism” is also registered in Canada’s “careful and fair treatment of Aboriginal peoples, particularly in comparison with the treat- Candida Rifkind is ment meted out by the law and order forces of the United States” (Dawson an Associate Professor 25).
    [Show full text]
  • Both Political Parties Claim Victories As Campaign Comes to a Cli
    '¥"Pfv'f 18 Pages Today Official Newspaper Including Eight Pages of Middlesex County of and Colored Comics WOODBRIDGE TOWN3HIP'S FAMILY NEWSPAPER TWENTY-SIXTH YEAR Woodbridge TWnship WOODBRIDGE, N. J., FRIDAY, NOVEMBER 1, 1935 PRICE THREE CENTS Crow's Both Political*** Partie* s Clai»»»« m Victorie....s As Campaig* *«» n Come«••* s To*«• A •Cli With today's Issue of this news Business Establishments to Benefit by New Township Fire Insurance Rating naoor the local political campaign, '„ fir as publicity Is concerned, is at an end. After wadlnr Khrough scores of statements for the past BIG SAVINGS SPENCER BREAKS CAMPAIGN WAXES INTERESTING A! month, contalnlnf charcei and counter charges, we feel certain that the readers are In accord with IDE us when we say "we are dad It Is PREMIUM RATES HIS SILENCE TO THIRD WARDERS AND MAYORALir nearly over-" With election but & Ufr days away, it behooves Extra us to write our annual political editorial. This year we CiimincjUing on the happen- ANNOUNCED HERE will stray a bit from the well-worn path and present QVAKE ROCKS EASTERN CANDIDATES TAKEN PLATFORM! ings of the past few weeks, it ANSWER AQUILA to youi the candidates of both major parties, in an un- might be pointed out that this tOAST EARLY TODAY! Exceptionally Heavy Vote Expected at Polls on Tuesday- ^iir's campaign has ben one BUILDING AND FIRE CODES DEOLARES ALL ABATE- biased and unprejudiced manner. It will be up to you, i if the hardest fought and most MUST BE EW-ORCED-- then, to decide which men are entitled to your vote.
    [Show full text]
  • The Courier- GAZETTE Tuesday
    f Issued TUESDAY Tuesday Thursday Issue Saturday he ourier GAZETTE T By Th. Ceurl«r-Ga>.«t.., C465 Maia St. - Established January, 1846. Entered as Seeend Clue Mail Matter. Rockland, Maine, Tuesday, April 14, 1925. THREE CENTS A COPY Volume 80................. Number 45. THE HARVEST FROM THE SEA lobsterman can keep nothing under NAVAL BOOTLEGGERS The Courier-Gazette 10. “About half of Maine’s sardine THREE-TIMES-A-WEEK THERE IS A DIFFERENCE pack cames from Canadian waters. Rockland Commander Gets ALL THE HOME NEWS H. D. Crie, Director of Sea and Shore Fisheries, Discusses The manufacturers had a fairly goo I Publicity Through Officers Last Season’s “Crop” and the Laws—Clam Farming year, due ill part to their foresight 'll IN COST Subscription $3.00 per year payable In ad- organizing a selling company which On His Ship. rance; single copies three cents. takes care of practically the entire Advertising rates based upon circulation Looks Good To Him. and very reasonable. Maine output, regulating the price The name of a Rockland man, OF NEWSPAPER HISTORY as well ns disposing of the pack. The Rockland Gazette was established In Commander D. W. Fuller, U. S. N-, To Search For Scallops 1846. In 1874 the CourleT was established With a fine sense flung Alaska and Mexico, they at­ has figured In recent news des­ AUTOMOBILE INSURANCE and consolidated with the Gazette in 1882. "The scallop fisheries have pro­ The Free Press was established in 1855, and of economy, the State tain a value which would quite as­ patches In connection with the ar­ in 1891 changed Its name to the Tribune.
    [Show full text]