CLASS NOTES Dan Edelen, Editor Impact on Shaping the Person I Am Today
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Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Individual and Organizational Donors
INDIVIDUAL AND ORGANIZATIONAL Mr. Saumya Nandi and Ms. Martha Delgado Edward & Rose Donnell Foundation Dr. Tim D. Noel and Mrs. Joni L. Noel Mr. and Mrs. John A. Edwardson DONORS Orange Crush, LLC Ms. Amberlynne Farashahi Park Avenue Financial Group Trust Mr. and Mrs. Blair Farwell $100,000 and above Mr. and Mrs. Mark J. Parrell The Field Foundation of Illinois Anonymous (4) The Pritzker Pucker Family Foundation Fortune Brands, Inc. Bank of America Mr. Richard Proulx Franklin Philanthropic Foundation BlackEdge Capital Bruce and Diana Rauner Mr. Philip M. Friedmann The Chicago Community Trust The Regenstein Foundation Futures Industry Association Feeding America Mr. and Mrs. Bradley S. Reid Garvey's Office Products Ms. Susan E. Grabin The Rhoades Foundation GCA Services Group, Inc. Hardison Family Foundation Mr. and Mrs. James H. Roth General Iron Industries Charitable Foundation Mr. and Mrs. Raymond L. Harriman Roundy's Foundation Dr. Glenn S. Gerber and Ms. Linda S. Schurman Hillshire Brands Foundation The Satter Family Foundation Gethsemane United Church of Christ Daniel Haerther Living Trust Mr. and Mrs. Travis Schuler Mr. and Mrs. Brent Gledhill Mr. Albert F. Hofeld Mrs. Rose L. Shure Goldberg Kohn, Ltd. Mr. Michael L. Keiser and Mrs. Rosalind Keiser Julie and Brian Simmons Foundation Golub & Company Kraft Foods Group Foundation SmithBucklin Corporation Google, Inc. Ann Lurie Revocable Trust The Smogolski Family 2008 Mr. and Mrs. Andrew M. Gore Polk Bros. Foundation Charitable Lead Trust W.W. Grainger, Inc. Share Our Strength The Telos Group LLC Grand Kids Foundation Mr. William R. Shepard Stanley and Lucy Lopata Charitable Foundation Ms. -
CLASS NOTES Networking Skills and Meeting with a Variety of Alumni and Potential Mentors
FROM THE ALUMNI ASSOCIATION Power of Networking ALUMNI ASSOCIATION David Reif ’68, president [email protected] s I write this letter, the temperature Alex Karapetian ’04, president-elect outside my window in Hartford is [email protected] pushing zero, and freezing rain is in the forecast. To those of you in the ALUMNI RELATIONS Gulf Coast and Arizona chapters, Rachel Nelson Moeller ’88, executive director Ayour Alumni Association president is always up [email protected] for a chapter visit in the depth of winter. For a list of Alumni Council members In January, the Alumni Association, working and Alumni Relations staff, with the Career Services office, held networking go to alumni.lafayette.edu events in Philadelphia and New York. These 223 Pfenning Alumni Center annual events, along with a similar night in Easton, PA 18042-1768 Washington, D.C., are among the high points of (610) 330-5040 in Pa.; our year of service. In total, about 300 alumni 1-800-LAFAYETTE outside Pa. Fax: (610) 330-5833 gathered to touch base, exchange professional [email protected] contacts, and informally discuss what is happening in their industries. Equally important, Lafayette students joined us—learning CLASS NOTES networking skills and meeting with a variety of alumni and potential mentors. Keep an Dan Edelen, editor eye on the College’s website for information about next year’s events. They are chances [email protected] not only to gather with a large group of alums in your area and business, but to provide a Gayle F. Hendricks, graphic designer service to the next generation of Leopards. -
Ihe University of Notre Dame Alumni Association
The Archives of The University of Notre Dame 607 Hesburgh Library Notre Dame, IN 46556 574-631-6448 [email protected] Notre Dame Archives: Alumnus Vol. 38, No. 3 SEPTEMBER, 1960 NEWS: •NOTRE oOUR BELOVED C.^RDIN.A.L OTIAR.\ DIES WE HAVE A NEW PRELATE- DAME BISHOP-ELECT MENDEZ •ALUMNUS FIRST NOTRE D.-\ME PILGRIMAGE TO EUROPE FEATURES: NOTRE DAME MEN OF SCIENCE NICK LAMBER'IO. REPORTER FATHERS AND SONS AT NOTRE DAME DEPARTMENTS: THE WHITE HOUSE June 7, 1960 COMMENCEMENT Dear Father Heshurgh: 1960: UNIVERSAL NOTRE § DAME NIGHT Now that I am hack in Washington I want to try to tell you hov/ deeply appreciative I am of the honor REUNIONS the University of Notre Daire did me in conferring upon me, on Sunday, an honorary degree of Doctor of Laws. I am particularly touched hy the sentiments EDITORIAL: BUSINESS set forth in the citation that you presented to me; I ST.VrESMEN AND A hope I shall alv/ays he worthy of the generosity of NEW LIBRARY those statements. As I am sure you know, I enjoyed greatly heing v/ith you and seeing the splendid young people that comprise YOU, THE ALUMNI — the Senior Class and the entire student hody. It was PART I a privilege, too, to meet so many of the memhers of SELF-STUDY SUR\'EY OF THE your faculty and to see at first hand the operation of 1960 REUNION CLASSES one of our finest and most distinguished Universities. I congratulate you on the great contribution you are making to our country. -
2020 Commencement Program
The One Hundred Eighty-Fifth Commencement Program of LAFAYETTE COLLEGE Virtual, August 1, 2020 Easton, Pennsylvania THE ORDER OF PROGRAM WELCOME John Meier Provost and David M. ’70 and Linda Roth Professor of Mathematics INVOCATION Alexandra M. Hendrickson Chaplain of the College and Director of Religious and Spiritual Life IN MEMORIAM Alison R. Byerly President Madeline Kate Smart ’20 November 25, 1997–March 24, 2019 Michael Szydelko ’20 May 6, 1998–April 28, 2020 PRESIDENT’S REMARKS President Byerly TO THE CLASS OF 2020 WELCOME FROM THE Robert E. Sell ’84 BOARD OF TRUSTEES Chair, Board of Trustees CONFERRING OF President Byerly HONORARY DEGREE Introduction by Mr. Sell Temple Grandin Doctor of Science COMMENCEMENT ADDRESS Dr. Grandin CONFIRMATION OF President Byerly DEGREES AWARDED AND RECOGNITION OF Robert G. Root CLASS VALEDICTORIANS Clerk of the Faculty Provost Meier Michael Olin Dean of Advising and Co-Curricular Programs Trisha Agarwal ’20 Joslyn Ann Brodfuehrer ’20 Jodi Lea Graf ’20 Emma Curtin Weaver ’20 GREETING FROM Tracy Hagert Sutka ’82 P’17 THE ALUMNI ASSOCIATION President, Alumni Association PRESENTATION OF Riley Francés Alvaro ’20 SENIOR CLASS GIFT Kamal Sarah Bookwala ’20 Nyla Kumari Durdin ’20 Randy Young-Rong Zhou ’20 Chairs, Class of 2020 Gift Committee PEPPER PRIZE Joslyn Ann Brodfuehrer ’20 RECIPIENT’S REMARKS Introduction by President Byerly THE ALMA MATER Lindsay Ruth Altschuler ’20 Words and music by Walter C. Stier 1884 Emily Kathryn Emick ’20 Ryan Rogers Fainor ’20 Matthew Schuman ’20 Selected by Jennifer W. Kelly Director of the Arts and Associate Professor of Music We’ll gather by the twilight’s glow In front of old Pardee. -
NEWMEDIA Greig ‘Boldy’ Bolderrow, 103.5 Mix FM (103.5 Triple Postal Address: M)/ 101.9 Sea FM (Now Hit 101.9) GM, Has Retired from Brisbane Radio
Volume 29. No 9 Jocks’ Journal May 1-16,2017 “Australia’s longest running radio industry publication” ‘Boldy’ Bows Out Of Radio NEWMEDIA Greig ‘Boldy’ Bolderrow, 103.5 Mix FM (103.5 Triple Postal Address: M)/ 101.9 Sea FM (now Hit 101.9) GM, has retired from Brisbane radio. His final day was on March 31. Greig began PO Box 2363 his career as a teenage announcer but he will be best Mansfield BC Qld 4122 remembered for his 33 years as General Manager for Web Address: Southern Cross Austereo in Wide Bay. The day after www.newmedia.com.au he finished his final exam he started his job at the Email: radio station. He had worked a lot of jobs throughout [email protected] the station before becoming the general manager. He started out as an announcer at night. After that he Phone Contacts: worked on breakfast shows and sales, all before he Office: (07) 3422 1374 became the general manager.” He managed Mix and Mobile: 0407 750 694 Sea in Maryborough and 93.1 Sea FM in Bundaberg, as well as several television channels. He says that supporting community organisations was the best part of the job. Radio News The brand new Bundy breakfast Karen-Louise Allen has left show has kicked off on Hitz939. ARN Sydney. She is moving Tim Aquilina, Assistant Matthew Ambrose made the to Macquarie Media in the Content Director of EON move north from Magic FM, role of Direct Sales Manager, Broadcasters, is leaving the Port Augusta teaming up with Sydney. -
Undergraduate Studies in the Arts, Sciences, and Engineering Cur Non?* Courses of Study
Why Lafayette Undergraduate Studies in the Arts, Sciences, and Engineering Cur non?* CoUrses of StUdY Bachelor of arts Bachelor of science Africana Studies* Biochemistry { } American Studies Biology Why not?* Anthropology and Chemical Engineering Sociology* Chemistry In 1777, at the age of 19, the Marquis de Lafayette left a life of privilege and Art* Civil Engineering prestige in France and sailed to America to fight for the American Revolution. Asian Studies* Computer Science His family motto guided his sense of adventure and reflects an attitude that Biochemistry Electrical and Computer Biology Engineering pervades Lafayette College today: “Cur non?” “Why not?” Chemistry* Geology Computer Science* Mathematics Adventurous, intellectually curious, and engaged learning with Economics* Mechanical Engineering purpose—these have been the Lafayette way since 1826. Engineering Studies Neuroscience English* Physics French* Psychology Film and Media Studies* ConTenTs Geology* Minors German* Architectural Studies Welcome Active Learning Government and Law* Biotechnology/ 2 28 At Lafayette, learning is doing— Government & Law and Bioengineering on campus, across the region, Foreign Language Classical Civilization Why Lafayette and around the world. History* Computational Methods 10 International Affairs Drama/Theater Lafayette’s dynamic learning International Economics Environmental Science environment focuses entirely Living Lafayette and Commerce 34 Health and Life Science on undergraduate education. Welcome to a classic college International Studies (A.B.) Health Care and Society community buzzing with activity and Engineering (B.S.) Jewish Studies Connections and Division I athletics just 70 miles Mathematics* Latin American and 16 Connect with new possibilities from New York. Mathematics-Economics Caribbean Studies Music* in an environment that incites Medieval, Renaissance, original thinking in new directions. -
STEPHEN ANTONAKOS Laconia, Greece 1926 — New York 2013
STEPHEN ANTONAKOS Laconia, Greece 1926 — New York 2013 Antonakos’s work with neon since 1960 has lent the medium new perceptual and formal meanings in hundreds of gallery and museum exhibitions first in New York and then internationally. His use of spare, complete and incomplete geometric neon forms has ranged from direct 3-D indoor installations to painted Canvases, Walls, the well known back- lit Panels with painted or gold surfaces, his Rooms and Chapels. Starting in the 1970s he installed over 55 architecturally-scaled permanent Public Works in the USA, Europe, Israel, and Japan. Throughout, he conceived work in relation to its site — its scale, proportions, and character — and to the space that it shares with the viewer. He called his art, “real things in real spaces,” intending it to be seen without reference to anything outside the immediate visual and kinetic experience. Colored pencil drawings on paper and vellum, often in series, have been a major, rich practice since the 1950s; as has his extensive work with collage. Other major practices include the conceptual Packages, small-edition Artist’s Books, silver and white Reliefs, prints, and — since 2011 — several series of framed and 3-D Gold Works. Antonakos was born in the small Greek village of Agios Nikolaos in 1926 and moved to New York with his family in 1930. In the late 1940s, after returning from the US Army, he established his first studio in New York’s fur district. From the early 1960s forward, until the end in 2013, he worked in studios in Soho. EXHIBITIONS 2018 to 2019 “Antonakos: The Room Chapel” Curated by Elaine Mehelakes — Allentown Art Museum, Allentown, PA, May 6, 2018 - May 5, 2019 2018 “Antonakos: Proscenium” Curated by Helaine Posner — Neuberger Museum of Art, SUNY Purchase, NY, Jan. -
UC Davis Recent Work
UC Davis Recent Work Title Emergence and Structure Permalink https://escholarship.org/uc/item/4fn0z535 Author Hill, Robin Publication Date 2012-03-22 eScholarship.org Powered by the California Digital Library University of California em e r g e n c e & STRUCTURE TABLE TABLE o f c o nte o s f c o FOREWORD 5 CURATORS’ STATEMENT 6 COLLABORATION 8 PLATES 11 12 JOHN ASLANIDIS 14 ANGIE DRAKOPOULOS 16 MARY HAMBLETON 18 DANIEL HILL 20 ROBIN HILL 22 NENE HUMPHREY 24 RON JANOWICH 26 MARY JUDGE 28 ED KERNS 30 DAVID MANN 32 KATE NICHOLS 34 DAVID ROW 36 OWEN SCHUH 38 BARBARA TAKENAGA 40 JIM TOIA 42 ROBERT YASUDA 45 CUARTORS’ THANKS 46 ARTIST INFORMATION 48 CREDITS The mind is a pattern machine. We see structure everywhere —in the constellations of stars, the spots on dice, and the silhouettes of clouds—shaped by a multitude of forces we can only vaguely comprehend. Although the universe is a noisy place, overflowing with randomness and contingency, we rage against what we can’t understand, attempting to impose order onto the mess of reality. This epistemic tension—the desire to see the world as it is, but also to make sense of what we see—begins to explain the necessity of art. For it is within the framework of art that we are able to affirm simultaneously the mystery, even as we seek to unravel it. Paint is dripped haphazardly onto a canvas; intricate lines intersect and then come apart; colors combine in unnatural ways. The picture insists on not being understood. -
Qt4fn0z535 Nosplash 7E86fa7b
em e r g e n c e & STRUCTURE TABLE TABLE o f c o nte o s f c o FOREWORD 5 CURATORS’ STATEMENT 6 COLLABORATION 8 PLATES 11 12 JOHN ASLANIDIS 14 ANGIE DRAKOPOULOS 16 MARY HAMBLETON 18 DANIEL HILL 20 ROBIN HILL 22 NENE HUMPHREY 24 RON JANOWICH 26 MARY JUDGE 28 ED KERNS 30 DAVID MANN 32 KATE NICHOLS 34 DAVID ROW 36 OWEN SCHUH 38 BARBARA TAKENAGA 40 JIM TOIA 42 ROBERT YASUDA 45 CUARTORS’ THANKS 46 ARTIST INFORMATION 48 CREDITS The mind is a pattern machine. We see structure everywhere —in the constellations of stars, the spots on dice, and the silhouettes of clouds—shaped by a multitude of forces we can only vaguely comprehend. Although the universe is a noisy place, overflowing with randomness and contingency, we rage against what we can’t understand, attempting to impose order onto the mess of reality. This epistemic tension—the desire to see the world as it is, but also to make sense of what we see—begins to explain the necessity of art. For it is within the framework of art that we are able to affirm simultaneously the mystery, even as we seek to unravel it. Paint is dripped haphazardly onto a canvas; intricate lines intersect and then come apart; colors combine in unnatural ways. The picture insists on not being understood. 4 fo r e w o r d But here is the paradox: Even when staring at these deliberate 5 abstractions, we still see the familiar stuff of life, those forms we never seem to leave behind. -
Prof. Wayne Leibel Honored for Lifetime Achievement
VOLUME 6 WINTER 2010-11 MELISSA HABEr ’12 PROF. WAYNE LEIBEL HONORED RECEIVES EPA FEllOWSHIP FOR LIFETIME ACHIEVEMENT elissa Haber ’12 (Piscataway, N.J.) Mhas received the Environmental Protection Agency’s Greater Research Opportunity fellowship, which will finance research supplies and provide tuition assistance and a stipend during the semester. The fellowship also includes a three-month internship with the EPA next summer. Haber’s passion for biology began in high school and was further piqued through a two-week externship at Rockefeller University in New York City during her first year at Lafayette. She’s looking forward to the challenges of conducting research outside academia. “[The field of] biology is always changing,” she says. “There are new Wayne Leibel, Kreider Professor of Biology, and Christina Chen ’11 observe cichlids in Kunkel Hall. discoveries every day and I love to be a part of the exploration. Entering the EPA project will force me to conquer hroughout his career, Professor are parental, guarding and raising their the steep end of the learning curve Wayne Leibel’s hobbies and scientific offspring, which is unusual for fish that quickly, which is a valuable skill.” Tinterests have often overlapped. typically scatter large numbers of fertilized Haber has worked extensively with Since childhood, Leibel has raised eggs. Because of this behavior, they have Laurie Caslake, associate professor tropical fish, maintaining large collections in evolved elaborate colorations and courtship and head of biology, on research using aquariums in his home. A family of tropical behaviors, and have speciated dramatically. microscopic bacteria to strengthen freshwater fish called cichlids (pronounced There are about 2,500 species, with a soil.