Masquerade and Carnival: Their Customs and Costumes
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Khachaturian Nocturne from the Masquerade Piano Solo Sheet Music
Khachaturian Nocturne From The Masquerade Piano Solo Sheet Music Download khachaturian nocturne from the masquerade piano solo sheet music pdf now available in our library. We give you 2 pages partial preview of khachaturian nocturne from the masquerade piano solo sheet music that you can try for free. This music notes has been read 7701 times and last read at 2021-09-27 00:51:22. In order to continue read the entire sheet music of khachaturian nocturne from the masquerade piano solo you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Piano Solo Ensemble: Mixed Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Masquerade Suite Aram Khachaturian Masquerade Suite Aram Khachaturian sheet music has been read 10264 times. Masquerade suite aram khachaturian arrangement is for Advanced level. The music notes has 6 preview and last read at 2021-09-27 23:16:42. [ Read More ] Waltz From The Suite Masquerade By Aram Khachaturian For String Quartet Waltz From The Suite Masquerade By Aram Khachaturian For String Quartet sheet music has been read 6238 times. Waltz from the suite masquerade by aram khachaturian for string quartet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-27 20:02:58. [ Read More ] A Khachaturian Waltz From The Masquerade Brass Quintet Score And Parts A Khachaturian Waltz From The Masquerade Brass Quintet Score And Parts sheet music has been read 13960 times. A khachaturian waltz from the masquerade brass quintet score and parts arrangement is for Intermediate level. -
Downloaded for Personal Non‐Commercial Research Or Study, Without Prior Permission Or Charge
Pullen, Lesley S. (2017) Representation of textiles on classical Javanese sculpture. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/26680 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Representation of Textiles on Classical Javanese Sculpture Volume 2 Appendices Lesley S Pullen Thesis submitted for the degree of PhD 2017 Department of the History of Art and Archaeology SOAS University of London 1 Table of Contents Appendix 1……………………………………………………………………………………..………….4 Catalogue of images and drawings textile patterns Appendix 2……………………………………………………………………..…………………………86 Plates of Drawings and textile patterns Appendix 3………………………………………………………………………………….…………….97 Plates of Comparative Textiles Appendix 4……………………………………….........................................................107 Maps 2 List of Figures Appendix 1……………………………………………………………………………………..………….4 -
Publications07brituoft.Pdf
EGYPTIAN RESEARCH ACCOUNT, 1901 SEVENTH YEAR. MAHASNA AND b£t khallAf BY JOHN GARSTANG, B.Litt. READER IN EGYPTIAN ARCHEOLOGY AT UNIVERSITY COLLEGE, LIVERPOOL. WITH A CHAPTER BY KURT SETHE, Ph.D. PROFESSOR OF EGYPTOLOGY IN THE UNIVERSITY OF GOTTINGEN. LONDON: BERNARD QUARITCH, 15, PICCADILLY, W. 1903. 51 LONDON I PRINTED BV WILLIAM CLOWES AND SONS, LIMITED, STREET, W. DUKI STREET, STAMFORD STREET, S.E., AND GREAT WINDMILL 1 CONTENTS. CHAPTER I. PAGE closed with stone doors. 28, Entrance of Introduction 1-4 the burial chamber. 29, The shaft by which the chambers were reached. 30, The surface Sect, i, The season and site of work. 2, Boun- deposits and objects found on the stairway. daries to the district explored. 3, Special 31, Copper and flint implements. 32, indications; Alawniyeh. 4, The necropolis Objects from the chambers. 33, The seal- of Mahasna. 5, Main results of its excava- ings and royal names. The alabaster tion. 6, One elaborately furnished tomb. 34, vases. 7, Exploration continued northward ; the Der at Bet Khallaf. 8, Real nature of the structure; a great tomb of the Illrd CHAPTER IV. Dynasty. 9, Architectural features ; the earliest arch. 10, Other neighbouring tombs. The Tomb of Hen Nekht (K 2) . .1 1-14 11, The step-pyramid at Saqqara. 12, The traditional burial-place of Neter-Khet. 13, 35, Appearance and identification. 36, Ana- The tomb of Neter-Khet.—Bibliography. logy with the Step Pyramid. 37, Details of plan and section. 38, The remains of the King. 40, State of the burial chamber. Details of CHAPTER II. -
This Electronic Thesis Or Dissertation Has Been Downloaded from the King’S Research Portal At
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Inimitable? The Afterlives and Cultural Memory of Charles Dickens’s Characters England, Maureen Bridget Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 08. Oct. 2021 1 INIMITABLE? THE AFTERLIVES AND CULTURAL MEMORY OF CHARLES DICKENS’S CHARACTERS Maureen Bridget England King’s College London Candidate Number: 1233164 Thesis for PhD in English Literature 2 This paper is dedicated to the two doctors in my life who inspired me to pursue this dream: Martin England and Jenna Higgins 3 ‘Any successfully evoked character, no matter how apparently insignificant, stands a good chance of surviving its creator.’ David Galef, The Supporting Cast (1993) 4 Table of Contents TABLE OF CONTENTS ........................................................................................................ -
Building Technical Facility in Tuba and Euphonium Players Through the Tuba-Euphonium Quartet
Building Technical Facility in Tuba and Euphonium Players through the Tuba-Euphonium Quartet Item Type text; Electronic Dissertation Authors McLean, Michael G. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 13:03:59 Link to Item http://hdl.handle.net/10150/620632 BUILDING TECHNICAL FACILITY IN TUBA AND EUPHONIUM PLAYERS THROUGH THE TUBA-EUPHONIUM QUARTET by Michael G. McLean ____________________________ A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2016 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Michael G. McLean, titled Building Technical Facility in Tuba and Euphonium Players Through the Tuba-Euphonium Quartet and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. __________________________________________________ Date: 7-20-2016 Matthew Tropman __________________________________________________ Date: 7-20-2016 Moisés Paiewonsky __________________________________________________ Date: 7-20-2016 Edward Reid Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
The Necklace As a Divine Symbol and As a Sign of Dignity in the Old Norse Conception
MARIANNE GÖRMAN The Necklace as a Divine Symbol and as a Sign of Dignity in the Old Norse Conception Introduction In the last century a wooden sculpture, 42 cm tall, was found in a small peat-bog at Rude-Eskildstrup in the parish of Munke Bjergby near Soro in Denmark. (Picture 1) The figure was found standing right up in the peat with its head ca. 30 cm below the surface. The sculpture represents a sit- ting man, dressed in a long garment with two crossed bands on its front. His forehead is low, his eyes are tight, his nose is large, and he wears a moustache and a pointed chin-beard. Part of his right arm is missing, while his left arm is undamaged. On his knee he holds an object resembling a bag. Around his neck he wears a robust trisected necklace.1 At the bottom the sculpture is finished with a peg, which indicates that it was once at- tached to a base, which is now missing (Mackeprang 1935: 248-249). It is regarded as an offering and is usually interpreted as depicting a Nordic god or perhaps a priest (Holmqvist 1980: 99-100; Ström 1967: 65). The wooden sculpture from Rude-Eskildstrup is unique of its kind. But his characteristic trisected necklace is of the same type as three famous golden collars from Västergötland and Öland. The sculpture as well as the golden necklaces belong to the Migration Period, ca. 400-550 A.D. From this period of our prehistory we have the most frequent finds of gold, and very many of the finds from this period are neck-ornaments. -
This Masquerade for Clarinet and Piano Video Sheet Music
This Masquerade For Clarinet And Piano Video Sheet Music Download this masquerade for clarinet and piano video sheet music pdf now available in our library. We give you 5 pages partial preview of this masquerade for clarinet and piano video sheet music that you can try for free. This music notes has been read 8548 times and last read at 2021-09-24 04:41:55. In order to continue read the entire sheet music of this masquerade for clarinet and piano video you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Clarinet, Piano Duet, Piano Accompaniment Ensemble: Woodwind Duet Level: Advanced [ Read Sheet Music ] Other Sheet Music This Masquerade For String Quartet This Masquerade For String Quartet sheet music has been read 10725 times. This masquerade for string quartet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-26 15:36:17. [ Read More ] This Masquerade For Cello And Piano With Improvisation Video This Masquerade For Cello And Piano With Improvisation Video sheet music has been read 9609 times. This masquerade for cello and piano with improvisation video arrangement is for Advanced level. The music notes has 5 preview and last read at 2021-09-26 20:30:27. [ Read More ] This Masquerade For Viola And Piano With Improvisation Video This Masquerade For Viola And Piano With Improvisation Video sheet music has been read 9908 times. This masquerade for viola and piano with improvisation video arrangement is for Advanced level. The music notes has 5 preview and last read at 2021-09-23 14:44:54. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
The Inception of Trumpet Performance in Brazil and Four Selected
THE INCEPTION OF TRUMPET PERFORMANCE IN BRAZIL AND FOUR SELECTED SOLOS FOR TRUMPET AND PIANO, INCLUDING MODERN PERFORMANCE EDITIONS: FANTASIA FOR TRUMPET (1854) BY HENRIQUE ALVES DE MESQUITA (1830-1906); VOCALISE-ETUDE (1929) BY HEITOR VILLA-LOBOS (1887-1959); INVOCATION AND POINT (1968) BY OSVALDO COSTA DE LACERDA (1927-2011); AND CONCERTO FOR TRUMPET AND PIANO (2004) BY EDMUNDO VILLANI-CÔRTES (B. 1930) A Dissertation Submitted to the Graduate Faculty of the North Dakota State University of Agriculture and Applied Science By Clayton Juliano Rodrigues Miranda In Partial Fulfillment of the Requirements for the Degree of DOCTOR OF MUSICAL ARTS Major Department: Music July 2016 Fargo, North Dakota North Dakota State University Graduate School Title THE INCEPTION OF TRUMPET PERFORMANCE IN BRAZIL AND FOUR SELECTED SOLOS FOR TRUMPET AND PIANO, INCLUDING MODERN PERFORMANCE EDITIONS: FANTASIA FOR TRUMPET (1854) BY HENRIQUE ALVES DE MESQUITA (1830-1906); VOCALISE- ETUDE (1929) BY HEITOR VILLA-LOBOS (1887-1959); INVOCATION AND POINT (1968) BY OSVALDO COSTA DE LACERDA (1927-2011); AND CONCERTO FOR TRUMPET AND PIANO (2004) BY EDMUNDO VILLANI-CÔRTES (B. 1930) By Clayton Juliano Rodrigues Miranda The Supervisory Committee certifies that this disquisition complies with North Dakota State University’s regulations and meets the accepted standards for the degree of DOCTOR OF MUSICAL ARTS SUPERVISORY COMMITTEE: Dr. Jeremy Brekke Chair Dr. Cassie Keogh Dr. Robert W. Groves Dr. Betsy Birmingham Approved: 6/13/2016 Dr. John Miller Date Department Chair ABSTRACT This disquisition provides a modern performance edition of four Brazilian compositions for trumpet and piano by Henrique Alves de Mesquita’ (1830–1906) Fantasia para Piston [Fantasy for trumpet, 1854], Heitor Villa-Lobos’s (1887–1959) Vocalise-Estudo [Vocalise-etude, 1929], Invocação e Ponto [Invocation and point] by Osvaldo Costa de Lacerda (1927-2011), and Edmundo Villani-Cortes’s (b. -
As Far As This Author Knows, Insignia of the Four Awards (The Only Awards Existing in Trinidad and Tobago Until This Date) Are Manufactured in London
As far as this author knows, insignia of the four awards (the only awards existing in Trinidad and Tobago until this date) are manufactured in London. The Awards are: THE TRINITY CROSS~ [See page 12] General shape: St. George’s cross. Material: Silver gilt. Description: Between the arms of the cross is two Red Ibises and two Cocrico Birds (Ibises in first and fourth, and Cocricos in second and third canton), two and two facing in upper, and re- spectant, in lower ~rms of the cross. The arms of the cross have raised and polished borders. The Badge is surmounted with a crested helmet from the Coat- of-Arms of Trinidad and Tobago, in silver gilt. The center of the cross is charged with a gilt circular medal- lion displaying a three-peaked island rising out of the sea. The medallion is surrounded with a gilt ring inscribed: FOR DISTINGUISHED SERVICE. Ribbon: Red-black-red, with narrow white stripes between. Mode of wearing: The Trinity Cross is awarded in single class and should be worn suspended from the Necklet. Qualification: The Trinity Cross is awarded for distinguished and outstanding service to Trinidad and Tobago, as the highest a- ward which the State may bestow upon a deserving citizen. Recipients are entitled to postnominal letters "T.C." THE CHACONIA MEDAL [See page 14, left] General shape: Circular medal. Material: Silver gilt (I Class). Description: Obverse - is charged with Chaconia flower within a raised border inscribed FOR LONG AND MERITORIOUS SERVICE. The suspension has the form of an inverted"V" (chevron) joined with a straight suspension bar. -
Tutti: Circus Oz with WASO in 2006, Benjamin Northey Has Rapidly Emerged As One of the Nation’S Leading Musical Figures
PROGRAM WASO On Stage VIOLIN VIOLA OBOE TROMBONE Semra Lee-Smith Benjamin Caddy Liz Chee Joshua Davis A/Assoc Concertmaster A/Assoc Principal Viola A/Principal Oboe Chair partnered by Kierstan Arkleysmith Dr Ken Evans and Graeme Norris Dr Glenda Campbell-Evans A/Assistant Concertmaster COR ANGLAIS Nik Babic Liam O’Malley Rebecca Glorie Alison Hall Leanne Glover A/Principal 1st Violin Chair partnered by Rachael Kirk Sam & Leanne Walsh BASS TROMBONE Zak Rowntree* Allan McLean Philip Holdsworth Tutti: Circus Oz Principal 2nd Violin Elliot O’Brien CLARINET Akiko Miyazawa TUBA Helen Tuckey Allan Meyer A/Assoc Principal Cameron Brook 2nd Violin with WASO CELLO EB CLARINET Chair partnered by Sarah Blackman Catherine Cahill^ Peter & Jean Stokes Fleur Challen Louise McKay Chair partnered by TIMPANI Stephanie Dean Penrhos College BASS CLARINET Chair partnered by Marc Shigeru Komatsu Alexander Millier Alex Timcke Geary & Nadia Chiang Fri 30 November 8pm & Beth Hebert Oliver McAslan BASSOON PERCUSSION Sat 1 December 2pm Alexandra Isted Fotis Skordas Jane Kircher-Lindner Brian Maloney Chair partnered by Stott Hoare Perth Concert Hall Jane Johnston° Tim South Chair partnered by Xiao Le Wu Sue & Ron Wooller Francois Combemorel Sunmi Jung Adam Mikulicz Assoc Principal Christina DOUBLE BASS Percussion & Timpani Katsimbardis CONTRABASSOON Andrew Sinclair* HARP Ellie Lawrence Louise Elaerts Chloe Turner Melanie Pearn Sarah Bowman Andrew Tait HORN Ken Peeler Mark Tooby David Evans PIANO / CELESTE Louise Sandercock Robert Gladstones Graeme Gilling^ Jolanta Schenk FLUTE Mary-Anne Blades Principal 3rd Horn Jane Serrangeli Julia Brooke Kathryn Shinnick PICCOLO *Instruments used by these Bao Di Tang TRUMPET musicians are on loan from Michael Waye Janet Holmes à Court AC.