Egypt Tunes Into Nostalgia for Golden Age of Arab Song

Total Page:16

File Type:pdf, Size:1020Kb

Egypt Tunes Into Nostalgia for Golden Age of Arab Song WEDNESDAY, FEBRUARY 13, 2019 07 Egypt tunes into nostalgia for golden age of Arab song Ahmed Hafez, bassist for Egyptian rock band Massar Egbari, warms up in a recording studio in the Egyptian capital Cairo Songs that sounds Egyptian classical Arabic music singer Ahmad Adel performs a song by celebrated 20th century Egyptian composer Mohamed nostalgic Abdel Wahab, AFP | Cairo, Egypt But in the 1990s, Gulf coun- seminal director of the Revival tries vying for cultural dom- opera’s Oriental Music de- tanding before a rapt Until the 1970s, inance emerged as rivals partment. Rising artists from such places crowd, Ahmed Adel oozes to Egypt’s music industry, and And to soar above Cai - as Lebanon, Morocco and the charm with his passionate Egypt’s music indus- Rotana, the Arab world’s larg- ro’s 24-hour cacophony, she United Arab Emirates harness Sperformance of an Egyptian try was bubbling, est record label, was formed doesn’t just look to golden millions of views on YouTube, classic, evoking a romantic in 1987. oldies. usually singing in their own di- nostalgia for Arabic songs of with singers like The company is currently “I bring (pop stars like) Ang- alects. the past. owned by businessman and ham, Saber El-Robai, Wael Jas- Egypt’s music scene remains After a melodious introduc- Oum Kalthoum, Saudi prince, Al Walid bin Talal. sar. They are beautiful voices vibrant, including electro Shaa- tion on the Oud, the famed ori- The 2011 uprising that have an audience among bi music, an exuberant popu- ental lute, Adel croons his way Mohamed Abdel in Egypt that plunged the coun- the youth,” said Morsi. lar blend seen by purists as too through a “Mawal”, a tradition- Wahab, Abdel Halim try into political and economic Music production compa- raucous. al melody boasting long vowels. chaos also saw a downturn in nies are also seeking to pre- And there is a new genre “Ya leil” (“O night”), he sings, Hafez and others the domestic music industry. serve the country’s music known as alternative, or “un- with the dreamy languor of Yet the Egyptian metropolis heritage through younger derground”, which has emerged the original performer, Egyp- making Cairo a remains alive with the sound generations. in recent years. tian legend Mohamed Abdel true Hollywood of of music. Sawt al-Qahira, or Sono The band Massar Egbari, Wahab. Every day, in local cafes and Cairo, a historic record com- which roughly translates as With cheers of “Allah!”, the Arab song. But two homes the melancholic songs pany, is betting on the internet Compulsory Detour, rose to mesmerised audience shows of Syrian-born star Asmahan despite financial setbacks and fame with a relaxed style of rock its appreciation. decades later, fierce and the tender rhythmic mel- ongoing legal battles over the and a distinctive performance of “Modern songs are a hit for a odies of Egyptian singer Najat copyright to Umm Kulthum classics, such as by Sayed Dar- day or two, a month, or maybe competition ap- al-Saghira mix with animated songs. wish often called “the father of a year, but then we do not hear peared in Gulf coun- conversations, modern pop mu- Known as the “Star of the modern Arab music”. about them any more. sic and Islamic chants. Orient,” Umm Kulthum’s voice Although the rock stars say “But Abdel Wahab and tries especially with is still considered the Arab they are influenced by classics, (Egyptian diva) Umm Kulthum Luring the young world’s finest, more than four they don’t want to live in the have lasted until today,” said Saudi billionaire Torn between stage fright and decades after her death. past. Adel, before his performance Al-Walid Ben Talal’s joy, Adel performs regularly at And with its wide varie- “Nowadays you can record in the tiny Mamluk-era hall at the Arab Music Institute paying ty of classics, the record something at home at a low the Arab Music Institute. Rotana label, with tribute to his music idols. label has struck deals cost,” said bassist Ahmed Hafiz. Egypt, a cultural power - During events such as the with YouTube and oth- “After every era, something new house in the Arab world, has the 2011 revolution “Khulthumiat” (the music of er mobile application appears, these are phases.” long enjoyed a booming music Umm Kulthum) or “Wahabiyat” companies to keep this The band, whose style its gui- industry. plunging Egypt (the music of Abdel Wahab), heritage alive. tarist and vocalist Hani el-Dak- In the past, the rise of re - further into political organised by the 100-year old Younger generations have kak describes as a blend of Sayed vered singers, such as Umm institute, Adel is often the lead also shown a renewed interest head, adding this has prompted Darwish and rock band Pink Kulthum, Abdel Wahab and and economic chaos singer with an entire troupe in the classics thanks to popular many fans to dig out the original Floyd, is also trying to distin- another Egyptian Abdel Hal- from the Cairo Opera House televised talent shows. versions. guish itself through its message. im Hafiz among others, saw and giving a blow to accompanying his powerful “Arab Idol, The Voice and Classic black and white music “We try in our lyrics to talk Cairo billed as the Hollywood the sector. vocals. others show people singing old video clips struggle, however, to about social problems or things of Arab song, attracting talent “These events are very suc- songs,” said Doaa Mamdouh, compete against today’s torrent that nobody else will speak from across the region. cessful,” said Jihan Morsi, the the company’s internet services of slick, ultra-modern videos. about,” said el-Dakkak..
Recommended publications
  • Arab Idol": a Palestinian Victory, at Last*
    Volume 11, Number 7 April 30, 2017 "Arab Idol": A Palestinian Victory, At Last* Ronni Shaked and Itamar Radai From the left: Mohammed Assaf, Yacoub Shahin, and Ameer Dandan in "Arab Idol" finale, 25.2.2017. Source: "Arab Idol" website: http://www.mbc.net/ar/programs/arab-idol-s4.html On February 27, 2017, Palestinians in the West Bank, the Gaza Strip and the diaspora, as well as the Palestinian citizens of the State of Israel, sat captivated by the broadcast of the finale of the fourth season of the reality television show, "Arab Idol." Held in Beirut, the final round of the Arab Idol competition featured two Palestinian contestants, Yacoub Shahin of Bethlehem in the Palestinian Authority and Ameer Dandan from the Galilee town of Majd al-Krum in Israel, along with a third finalist from Yemen.1 1 The Israeli Hebrew press portrayed the Arab Idol finals as "a competition between an Israeli and a Palestinian," however Dandan was enlisted to the program and presented himself during 1 When Shahin was declared the winner, widely known as "Mahbub al-ʿArab" ("Darling of the Arabs/Beloved one of the Arabs"), it touched off a celebration in Bethlehem’s Manger Square. Thousands of the city's residents had gathered in the plaza outside of the Church of the Nativity, with Palestinian pennants in their hands and the distinct Palestinian symbol, the black and white checkered Palestinian kufiyya (headdress/scarf), on their shoulders. On the east side of Manger Square, the municipality had set-up a big screen for a public viewing of the show's finale.
    [Show full text]
  • Christians and Jews in Muslim Societies
    Arabic and its Alternatives Christians and Jews in Muslim Societies Editorial Board Phillip Ackerman-Lieberman (Vanderbilt University, Nashville, USA) Bernard Heyberger (EHESS, Paris, France) VOLUME 5 The titles published in this series are listed at brill.com/cjms Arabic and its Alternatives Religious Minorities and Their Languages in the Emerging Nation States of the Middle East (1920–1950) Edited by Heleen Murre-van den Berg Karène Sanchez Summerer Tijmen C. Baarda LEIDEN | BOSTON Cover illustration: Assyrian School of Mosul, 1920s–1930s; courtesy Dr. Robin Beth Shamuel, Iraq. This is an open access title distributed under the terms of the CC BY-NC 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Library of Congress Cataloging-in-Publication Data Names: Murre-van den Berg, H. L. (Hendrika Lena), 1964– illustrator. | Sanchez-Summerer, Karene, editor. | Baarda, Tijmen C., editor. Title: Arabic and its alternatives : religious minorities and their languages in the emerging nation states of the Middle East (1920–1950) / edited by Heleen Murre-van den Berg, Karène Sanchez, Tijmen C. Baarda. Description: Leiden ; Boston : Brill, 2020. | Series: Christians and Jews in Muslim societies, 2212–5523 ; vol.
    [Show full text]
  • Song, State, Sawa Music and Political Radio Between the US and Syria
    Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music.
    [Show full text]
  • Khamis-Lina-Edward-Social-Media-And-Palestinian-Youth
    The Journal of Development Communication SOCIAL MEDIA AND PALESTINIAN YOUTH CULTURE: THE IMPACT OF NEW INFORMATION AND MEDIA TECHNOLOGIES ON CULTURAL AND POLITICAL DEVELOPMENT IN PALESTINE Lina Edward Khamis n the last decades Palestinians witnessed a failure to reactivate the peace Iprocess, coupled with the expansionist policies of the current Israeli government, the quest of a two-state solution, is fast disappearing. Barriers to development imposed by the continuing occupation and the separation wall. The consequences of the Palestinian condition as a stateless nation, and nonexistence were evidenced in the lack of communication among people, the distance from places of leisure, culture and social disintegration with all the limitations of life that are accompanied with it. The Palestinians had to invent and create an immediate solution to come alive and adapt to the current situation or else run the risk of engendering a well known form of social pathology. In a country were institutional forms of government are lacking; ‘popular culture has developed on social media platforms free from the governmental authority and power. Facebook provides a free space for self-expression, creativity, civic initiative, anti-politics and the freedom of communication with international society.’ Recent statistics indicate that Palestinian youth are one of the largest users of social media in the Arab World, mainly Facebook (PCBS, 2015). The onset of the use of social media heralded an interest, by scholars in re-defining the lynchpins of democracy in Palestine and the importance of social media in that equation. The effect of new media on emotional life, empathy, political participation, and social mobilisation had a major impact on these deliberations.
    [Show full text]
  • Wikkedwillissaga : the Nine Lives of Wicked William Ebook
    WIKKEDWILLISSAGA : THE NINE LIVES OF WICKED WILLIAM PDF, EPUB, EBOOK John Lorna Campbell | 120 pages | 19 Jun 2015 | Grace Note Publications | 9781907676635 | English | Edinburgh, United Kingdom Wikkedwillissaga : The Nine Lives of Wicked William PDF Book Sarpy Moses F. Where do you think the characters in your book -- or rather the people they represent -- will be 20 years from now? We could ask there, we said. There are few points which author should have ore explored that Islam doesn't prohibit aesthetic pleasures or sense of beauty but it prevents from it because several reasons acts of anti-Islamic customs like idol-worship or in context of prophet's PCBUH times when there were munafiqin Arab idol worshipers who pretended to be Muslims. About Turkey she says, "Life here is very hard. Nature, art, foraging, craft, heritage, bread-making, RSPB guided walks, textile workshops, basket-making , drystone walling, island history lectures and local music are some of the 60 events planned. I felt that Islam was a much more familiar culture -- theologically, textually and artistically. It has gone from playing on a rocky pitch in its early days to competing in international tournaments. See All - Shop by Topic. All teaching was in mandarin, and the uigur students were taught to despite their tongue and Islamic culture. In other words, the focus on the heroic, personalized aspects of travel conceals the fact that it is a class activity, enabled by financial status and cultural knowledge. Available on. Log discs and short lengths of branches made the hob and cooker knobs. Bernhard Eder.
    [Show full text]
  • Shabab Live Bridging the Gap Youth and Broadcasters in Arab Countries
    Shabab Live www.shabablive.com Bridging the gap Youth and Broadcasters in Arab countries A focus group survey in Morocco, Algeria, Tunisia, Lebanon, Jordan and Palestine Conducted by Commissioned under Arab World for Research Shabab Live and Development A joint project of DW Akademie, Al Khatt and AL-JANA, funded by the European Union and supported by Germany’s Federal Foreign Office A joint project of Funded by the Supported by European Union Imprint PUBLISHER Deutsche Welle 53110 Bonn, Germany RESPONSIBLE Carsten von Nahmen, Head of DW Akademie AUTHOR Arab World for Research and Development (AWRAD) DESIGN Al Khatt PUBLISHED March 2019 © 2019/DW Akademie All rights reserved. Licensed to the European Union under conditions. Disclaimer This publication was produced with the financial support of the European Union and the Federal Foreign Office. Its contents are the sole responsibility of Arab World for Research and Development (AWRAD) and do not necessarily reflect the views of the donors or the project partners. Executive summary This study serves as the corner stone for Shabab Live, a joint project of DW Akademie, Al Khatt, and AL-JANA, funded by the EU and supported by the Federal Foreign Office. Shabab Live aims to strengthen youth participation in broadcasting media in six countries of the Arab region – Morocco, Algeria, Tunisia, Lebanon, Palestine and Jordan. The project connects youth with NGOs and various TV and radio broadcasters. With the support of the project, young people, supported by NGOs, may produce content, voice their concerns and reach a wider audience via established broadcasters, who will give youth a say in designing their television and radio programs targeting youth.
    [Show full text]
  • Kuwaittimes 12-2-2019.Qxp Layout 1
    24 Established 1961 News Tuesday, February 12, 2019 ‘Priyanka magic’ draws thousands at India rally LUCKNOW: India’s powerful Nehru-Gandhi dynasty which he says has ruined India. yesterday unleashed its newest star with thousands turn- Since the announcement of Priyanka’s entry into poli- ing out to see Priyanka Gandhi Vadra speak at her first tics, India’s financial crime-fighting agency Enforcement rally as the country gears up for a general election. Directorate has questioned her husband, Robert Vadra, Crowds showered rose petals on the great-granddaugh- in a case relating to alleged ownership of $2.45 million in ter of India’s founding leader Jawaharlal Nehru as she undisclosed assets abroad. His lawyer and Congress took an open bus tour through Lucknow, capital of the have dismissed the charges as politically motivated. key northern state of Uttar Pradesh. Priyanka - she is usually referred to by just her first The opposition Congress party is counting on the 47- name - bears a striking resemblance to her grandmother, year-old daughter of assassinated premier Rajiv Gandhi former Prime Minister Indira Gandhi, and is known for to boost its campaign against nationalist Hindu Prime her gifts as a speaker able to connect with voters. Minister Narendra Modi who is expected to call an elec- Congress hopes that the eyeballs she’s able to generate tion in April. Priyanka and elder brother Rahul Gandhi, will turn into votes. “It’s like Indira Gandhi has come the Congress president, waved at cheering supporters back,” said Fuzail Ahmed Khan, 45, a Congress support- who chanted their names while dancing to drums.
    [Show full text]
  • Sprungbrett Oder Krise? Das Erlebnis Castingshow-Teilnahme
    Sprungbrett oder Krise? 48 Maya Götz, Christine Bulla, Caroline Mendel Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Landesanstalt für Medien Nordrhein-Westfalen (LfM) Zollhof 2 40221 Düsseldorf Postfach 103443 40025 Düsseldorf Telefon V 021 1/77007-0 Telefax V 021 1/72 71 70 E-Mail V [email protected] LfM-Dokumentation Internet V http://www.lfm-nrw.de ISBN 978-3-940929-28-0 Band 48 Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Sprungbrett oder Krise? Das Erlebnis Castingshow-Teilnahme Eine Befragung von ehemaligen TeilnehmerInnen an Musik-Castingshows Maya Götz, Christine Bulla, Caroline Mendel Ein Kooperationsprojekt des Internationalen Zentralinstituts für das Jugend- und Bildungsfernsehen (IZI) und der Landesanstalt für Medien Nordrhein-Westfalen (LfM) Impressum Herausgeber: Landesanstalt für Medien Nordrhein-Westfalen (LfM) Zollhof 2, 40221 Düsseldorf www.lfm-nrw.de ISBN 978-3-940929-28-0 Bereich Kommunikation Verantwortlich: Dr. Peter Widlok Redaktion: Regina Großefeste Bereich Medienkompetenz und Bürgermedien Verantwortlich: Mechthild Appelhoff Redaktion: Dr. Meike Isenberg Titelbild: Collage © Wild GbR Lektorat: Viola Rohmann M. A. Gestaltung: disegno visuelle kommunikation, Wuppertal Druck: Börje Halm, Wuppertal April 2013, Auflage: 1.000 Exemplare Nichtkommerzielle Vervielfältigung und Verbreitung ist ausdrücklich erlaubt unter Angabe der Quelle Landesanstalt für Medien Nordrhein-Westfalen (LfM) und der Webseite www.lfm-nrw.de Inhaltsverzeichnis Vorwort 8 Zusammenfassung 9 Einleitung 11 1 Das System Castingshow
    [Show full text]
  • Newsletter 01/2013 (July)
    Newsletter 01/2013 (July) Bab Al Shams in Ezarriya Town Lands (Maale Adomim), settlement in the background, March 20, 2013/ Photo by Fadi Arouri. Dear friends of the Heinrich-Böll-Stiftung, We are happy to present the third edition of our newsletter informing you about our work during the first half of 2013. The year started with a protest village in an area designated for new Israeli settlements. The village in the “E1 corridor” was called Bab al-Shams and created worldwide attention. This was a new step on the path of unarmed civil resistance. In April, HBS brought young activists from the West Bank to talk about their struggle to Berlin. Find more about this topic in the newsletter. Meanwhile, Salam Fayyad stepped down as Prime Minister, Palestinian reconciliation failed as well as US efforts to revive negotiations. In the second half of the year, an anniversary will be commemorated by Palestinians and Israelis with little enthusiasm: 20 years of Oslo. HBS will provide room for discussion of Palestinian perspectives on a “Peace Process” which produced lots of process, but no peace. Recently, much more attention was devoted to Muhammed Assaf wining Arab Idol, every Friday and Saturday for the past months the Westbank and Gaza were watching a new Palestinian symbol of unity emerge. If you read German, you can read our new HBS blog (called Heinrich of Arabia, an ironic reference to Lawrence) on this and other topics, with contributions from HBS offices across the region. As always, we thank you for your interest and encourage you to keep in touch with us and visit our office.
    [Show full text]
  • Film Review: Popstar: Never Stop Never Stopping
    Womanimation! Returns to Providence On Saturday, June 25, Merging Arts will present the 8th annual Womanimation Film Festival in Providence, and if you’re not quite sure what it is, their slogan says it all, “It’s women…It’s animation…It’s Womanimation!” The Womanimation Film Festival will take place at AS220 and will feature 11 short films from around the world. The films will showcase a wide range of animation styles from stop motion to painting on glass, and the films will represent an even wider global cross section as the festival features shorts from Belgium, Israel, the Czech Republic and more. With selections just being locked in and schedules announced, I was able to ask co-founder and co- programmer Toni Pennacchia a few questions about this year’s festival. Josh Gravel: Can you give me a brief introduction and overview of the festival? Toni Pennacchia: The purpose of the festival is to highlight women’s contributions to the animated short film art form. Back in 2008, we started highlighting women’s films (both live-action and animation) as part of SWAN Day (Support Women Artists Now). Eventually, we sort of did our own thing and decided to highlight animated films for a couple of reasons. One, as we did with SWAN Day, to highlight women’s contributions, which often get lost in the mix. But more broadly, to emphasize the importance of storytelling in animation. Often animation is thought of as either just for kids or generally wacky or experimental. Our mission is to demonstrate that there is some serious (yet entertaining) storytelling possible within the animated short film format.
    [Show full text]
  • Sufi Shrines Still Play Role in Tunisia
    June 26, 2015 23 Culture Sufi shrines still play role in Tunisia Roua Khlifi in the country. These places are deemed sacred due to the sanctity of these Sufis,” said Lotfi Aissa, a Tunis historian specialising in the history of Sufi saints in the Maghreb. t the Sufi shrine of Sidi Al Chedhly ventured on a trip Mehrez in the old city of across the Maghreb from his home Tunis, the hall is marked in Morocco to retreat to a cave in a by a serene silence as hill in Tunis. Sidi Bou Said el-Beji visitors cross the thresh- found retreat in a mosque near Beb old.A Some stop to drink from the Bhar where he devoted his time to shrine’s well, believed to bring prayer and contemplation before he blessings. Others, inside the mau- moved with his disciples to contem- soleum, read verses from the Quran plate at a minaret in Carthage. and pay their respects to the saint. Women holding candles sit near a In 2012, Islamist fence surrounding the tomb praying radicals destroyed to God and asking for the blessings of the saint. more than 40 Sufi “Sidi Mehrez is the saint protector shrines of the Medina. He is called the ‘Sul- tan of the Medina’. I cannot possi- “A Sufi is, by definition, some- bly pass by this street and not visit one who leads a hermit life where his tomb and read Al-Fatiha on his they often retreat from public life to soul,” said Naima, a visitor at the meditate on the teachings of their shrine.
    [Show full text]
  • Vamping the Archive: Approaching Aesthetics in Global Media
    University of Pennsylvania ScholarlyCommons Center for Advanced Research in Global CARGC Papers Communication (CARGC) Spring 2018 Vamping the Archive: Approaching Aesthetics in Global Media Rayya El Zein University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/cargc_papers Part of the Communication Commons Recommended Citation El Zein, Rayya, "Vamping the Archive: Approaching Aesthetics in Global Media" (2018). CARGC Papers. 8. https://repository.upenn.edu/cargc_papers/8 CARGC Paper 8 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/cargc_papers/8 For more information, please contact [email protected]. Vamping the Archive: Approaching Aesthetics in Global Media Description CARGC Paper 8, “Vamping the Archive: Approaching Aesthetics in Global Media,” by CARGC Postdoctoral Fellow, Rayya El Zein, is based on El Zein’s CARGC Colloquium and draws its inspiration from Metro al- Madina's Hishik Bishik Show in Beirut. CARGC Paper 8 weaves assessments of local and regional contexts, aesthetic and performance theory, thick description, participant observation, and interview to develop an approach to aesthetics in cultural production from the vantage of global media studies that she calls “vamping the archive.” Disciplines Communication Comments CARGC Paper 8 Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This report is available at ScholarlyCommons: https://repository.upenn.edu/cargc_papers/8 CARGC PAPER 8 Vamping the Archive: Approaching 2018 Aesthetics in Global Media Yasmina Fayyed sings “Sona, oh Sonson,” in the Hishik Bishik Show. Photo by @foodartconcept, August 16, 2016. Vamping the Archive: Approaching Aesthetics in Global Media CARGC PAPER 8 2018 I am very proud to share CARGC been fully explored and that we feel Paper 8, “Vamping the Archive: are important for the development of Approaching Aesthetics in Glob- global media studies.
    [Show full text]