Ling 230/503: Articulatory Phonetics and Transcription English Vowels
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L2/02-141: Uralic Phonetic Alphabet Characters for The
ISO/IEC JTC1/SC2/WG2 N2419 2002-03-20 Universal Multiple-Octet Coded Character Set International Organization for Standardization еждународная организация по стандартизации Doc Type: Working Group Document Title: Uralic Phonetic Alphabet characters for the UCS Source: Finland, Ireland, Norway Status: Member Body contribution Date: 2002-03-20 This paper proposes 133 characters for addition to the BMP of the UCS. This document contains a discussion of the Uralic Phonetic Alphabet proposal, and annexes containing proposed character names, glyphs, etc. The proposal summary form is added at the end of the document; this paper replaces one with the same number sent out 2002-03-10 apart from updates to the summary form. Table of contents Proposal 1 Annex A: Proposed character names 6 Annex B: Proposed character glyphs 9 Annex C: Proposed character allocations 14 Annex D: Repertoire of characters and glyphs used in the UPA 20 Annex E: Samples of UPA characters in use 30 Annex F: Reference 59 Proposal Summary Form 60 Proposal Description of the UPA. These characters are used in the Uralic Phonetic Alphabet (UPA, also called Finno-Ugric Transcription, FUT), a highly-specialized system which has been in use by Uralicists globally for more than 100 years. It was chiefly, at least originally, used in Finland, Hungary, Estonia, Germany, Norway, Sweden, and Russia, but is now known and used worldwide, as in North America and Japan (cf. Figs. 68, 69). Uralic linguistic description, which treats the phonetics, phonology, and etymology of Uralic languages, is also used by other branches of linguistics (such as Indo-European, Turkic, and Altaic studies), as well as by other sciences (such as archaeology). -
Segmental Phonology and the Perception of Syntactic Structure
JOURNAL OF VERBAL LEARNING AND VERBAL BEHAVIOR 23, 450-466 (1984) Segmental Phonology and the Perception of Syntactic Structure DONIA R. SCOTT University of Sussex AND ANNE CUTLER MRC Applied Psychology Unit, Cambridge Recent research in speech production has shown that syntactic structure is reflected in segmental phonology--the application of certain phonological rules of English (e.g., pala- talization and alveolar flapping) is inhibited across phrase boundaries. We examined whether such segmental effects can be used in speech perception as cues to syntactic structure, and the relation between the use of these segmental features as syntactic markers in production and perception. Speakers of American English (a dialect in which the above segmental effects occur) could indeed use the segmental cues in syntax perception; speakers of British English (in which the effects do not occur) were unable to make use of them, while speakers of British English who were long-term residents of the United States showed intermediate performance. Anyone who has had to make the sepa- dangerous") (Lehiste, 1973). But the fact rate meanings of an ambiguous sentence that listeners can successfully identify the clear to listeners will know that often the intended meaning even in the absence of a most efficient method is just to say the sen- disambiguating context suggests that tence in different ways. Of course, some speakers can exploit acoustic features to sentences will be more difficult to disam- highlight the distinction that is to be con- biguate in this manner than others; in gen- veyed to the listener. eral, surface structure ambiguities (e.g., In recent years, a number of studies on "The old men and women stayed at English speech perception have investi- home") prove easier than deep structure gated just what these acoustic correlates of ambiguities (e.g., "Flying planes can be syntactic structure are, and how useful they are to the listener. -
Imperceptible Incomplete Neutralization
Available online at www.sciencedirect.com ScienceDirect Lingua 152 (2014) 24--44 www.elsevier.com/locate/lingua Imperceptible incomplete neutralization: Production, non-identifiability, and non-discriminability in American English flapping Aaron Braver * Texas Tech University, Department of English, P.O. Box 43091, Lubbock, TX 79409-3091, United States Received 1 November 2012; received in revised form 6 September 2014; accepted 9 September 2014 Available online Abstract Flapping in American English has been put forward as a case of incomplete neutralization---in other words, /d/-flaps and /t/-flaps differ at the phonetic level. This paper first presents a production experiment which shows that, in line with previous work, flapping in American English is incompletely neutralizing: vowels before /d/-flaps are slightly longer than those before /t/-flaps---even in nonce words. Early studies on the perceptibility of this difference, almost exclusively identification tasks, have shown mixed results. However, recent identification experiments (including one reported here) show that listeners are unable to properly categorize /d/- and /t/-flaps. Listeners’ poor performance on identification tasks can be due to two factors: either (a) listeners’ grammars lacking the relevant phonological categories, or (b) an effect of the type of perception tasks employed. In a 2AFC discrimination task presented here, listeners were unable to distinguish between /d/- and /t/-flaps, suggesting that poor perception performance generalizes to multiple task types. © 2014 Elsevier B.V. All rights reserved. Keywords: Incomplete neutralization; Flapping; Phonetics; American English 1. Introduction In American English flapping, underlying /d/ and /t/ become [ɾ] in certain prosodic configurations (e.g., Kahn, 1980). -
Part 1: Introduction to The
PREVIEW OF THE IPA HANDBOOK Handbook of the International Phonetic Association: A guide to the use of the International Phonetic Alphabet PARTI Introduction to the IPA 1. What is the International Phonetic Alphabet? The aim of the International Phonetic Association is to promote the scientific study of phonetics and the various practical applications of that science. For both these it is necessary to have a consistent way of representing the sounds of language in written form. From its foundation in 1886 the Association has been concerned to develop a system of notation which would be convenient to use, but comprehensive enough to cope with the wide variety of sounds found in the languages of the world; and to encourage the use of thjs notation as widely as possible among those concerned with language. The system is generally known as the International Phonetic Alphabet. Both the Association and its Alphabet are widely referred to by the abbreviation IPA, but here 'IPA' will be used only for the Alphabet. The IPA is based on the Roman alphabet, which has the advantage of being widely familiar, but also includes letters and additional symbols from a variety of other sources. These additions are necessary because the variety of sounds in languages is much greater than the number of letters in the Roman alphabet. The use of sequences of phonetic symbols to represent speech is known as transcription. The IPA can be used for many different purposes. For instance, it can be used as a way to show pronunciation in a dictionary, to record a language in linguistic fieldwork, to form the basis of a writing system for a language, or to annotate acoustic and other displays in the analysis of speech. -
An Acoustic Account of the Allophonic Realization of /T/ Amber King St
Linguistic Portfolios Volume 1 Article 12 2012 An Acoustic Account of the Allophonic Realization of /T/ Amber King St. Cloud State University Ettien Koffi St. Cloud State University Follow this and additional works at: https://repository.stcloudstate.edu/stcloud_ling Part of the Applied Linguistics Commons Recommended Citation King, Amber and Koffi, Ettien (2012) "An Acoustic Account of the Allophonic Realization of /T/," Linguistic Portfolios: Vol. 1 , Article 12. Available at: https://repository.stcloudstate.edu/stcloud_ling/vol1/iss1/12 This Article is brought to you for free and open access by theRepository at St. Cloud State. It has been accepted for inclusion in Linguistic Portfolios by an authorized editor of theRepository at St. Cloud State. For more information, please contact [email protected]. King and Koffi: An Acoustic Account of the Allophonic Realization of /T/ AN ACOUSTIC ACCOUNT OF THE ALLOPHONIC REALIZATIONS OF /T/ AMBER KING AND ETTIEN KOFFI 1.0 Introduction This paper is a laboratory phonology account of the different pronunciations of the phoneme /t/. Laboratory phonology is a relatively new analytical tool that is being used to validate and verify claims made by phonologists about the pronunciation of sounds. It is customary for phonologists to predict on the basis of auditory impressions and intuition alone that allophones exist for such and such phonemes. An allophone is defined as different realizations of the same phoneme based on the environments in which it occurs. For instance, it has been proposed that the phoneme /t/ has anywhere from four to eight allophones in General American English (GAE). To verify this claim Amber, one of the co-author of this paper recorded herself saying the words <still>, <Tim>, <kit>, <bitter>, <kitten>, <winter>, <fruition>, <furniture>, and <listen>. -
UC Berkeley Phonlab Annual Report
UC Berkeley UC Berkeley PhonLab Annual Report Title Strengthening, Weakening and Variability: The Articulatory Correlates of Hypo- and Hyper- articulation in the Production of English Dental Fricatives Permalink https://escholarship.org/uc/item/1hw2719n Journal UC Berkeley PhonLab Annual Report, 14(1) ISSN 2768-5047 Author Melguy, Yevgeniy Publication Date 2018 DOI 10.5070/P7141042482 Peer reviewed eScholarship.org Powered by the California Digital Library University of California UC Berkeley Phonetics and Phonology Lab Annual Report (2018) Yevgeniy Melguy Susan Lin, Brian Smith M.A. Qualifying Paper 9 December 2018 Strengthening, weakening and variability: The articulatory correlates of hypo- and hyper- articulation in the production of English dental fricatives 1. INTRODUCTION A number of influential approaches to understanding phonetic and phonological variation in speech have highlighted the importance of functional factors (Blevins, 2004; Donegan & Stampe, 1979; Kiparsky, 1988; Kirchner, 1998; Lindblom, 1990). Under such approaches, speaker- and listener-oriented principles—ease of articulation vs. perceptual clarity—often work in opposite directions with respect to consonantal articulation. Minimization of effort is thought to drive a general “weakening” of consonants (resulting in decreased articulatory constriction and/or duration) which often makes them more articulatorily similar to surrounding sounds. This can result in assimilation, lenition, and ultimately deletion, and generally comes at the expense of clarity. By contrast, maximization of clarity drives consonantal “strengthening” processes (resulting in increased articulatory constriction and/or duration) that makes target segments more distinct from neighboring sounds, which can result in fortition. Clear speech generally involves more extreme or “forceful” articulations, and usually comes at the expense of requiring more articulatory effort from the speaker. -
The 2.8-Å Structure of Rat Liver F1-Atpase: Configuration of a Critical Intermediate in ATP Synthesis/Hydrolysis
Proc. Natl. Acad. Sci. USA Vol. 95, pp. 11065–11070, September 1998 Biochemistry The 2.8-Å structure of rat liver F1-ATPase: Configuration of a critical intermediate in ATP synthesisyhydrolysis (ATP synthaseyFoF1-ATPaseyoxidative phosphorylationymitochondriayx-ray diffraction) MARIO A. BIANCHET*, JOANNE HULLIHEN†,PETER L. PEDERSEN†, AND L. MARIO AMZEL*‡ Departments of *Biophysics and Biophysical Chemistry and †Biological Chemistry, The Johns Hopkins University School of Medicine, 725 North Wolfe Street, Baltimore, MD 21205-2185 Communicated by William A. Catterall, University of Washington School of Medicine, Seattle, WA, July 9, 1998 (received for review April 3, 1998) ABSTRACT During mitochondrial ATP synthesis, F1- different conformation from the other two, which are distinct but ATPase—the portion of the ATP synthase that contains the similar to each other (Fig. 1). This marked asymmetry was catalytic and regulatory nucleotide binding sites—undergoes proposed to be an intrinsic property of the enzyme (14). The a series of concerted conformational changes that couple structure of rat liver F1-ATPase crystals reported here (‘‘three- proton translocation to the synthesis of the high levels of ATP nucleotide structure’’), grown in the presence of substantially required for cellular function. In the structure of the rat liver higher, more physiological concentrations of nucleotides, con- F1-ATPase, determined to 2.8-Å resolution in the presence of tains nucleotides in all three b subunits and has all b subunits in physiological concentrations of nucleotides, all three b sub- highly similar conformations (Fig. 1). This structure, with all units contain bound nucleotide and adopt similar conforma- catalytic and noncatalytic sites occupied by nucleotide, is a form tions. -
The American Intrusive L
THE AMERICAN INTRUSIVE L BRYAN GICK University of British Columbia The well-known sandhi phenomenon known as intrusive r has been one of the longest-standing problems in English phonology. Recent work has brought to light a uniquely American contribution to this discussion: the intrusive l (as in draw[l]ing for drawing and bra[l] is for bra is in southern Pennsylvania, compared to draw[r]ing and bra[r] is, respectively, in British Received Pronunciation [RP]). In both instances of intrusion, a historically unattested liquid consonant (r or l) intervenes in the hiatus between a morpheme-final nonhigh vowel and a following vowel, either across or within words. Not surprisingly, this process interacts crucially with the well- known cases of /r/-vocalization (e.g., Kurath and McDavid 1961; Labov 1966; Labov, Yaeger, and Steiner 1972; Fowler 1986) and /l/-vocalization (e.g., Ash 1982a, 1982b), which have been identified as important markers of sociolinguistic stratification in New York City, Philadelphia, and else- where. However, previous discussion of the intrusive l (Gick 1999) has focused primarily on its phonological implications, with almost no attempt to describe its geographic, dialectal, and sociolinguistic context. This study marks such an attempt. In particular, it argues that the intrusive l is an instance of phonological change in progress. Descriptively, the intrusive l parallels the intrusive r in many respects. Intrusive r may be viewed simplistically as the extension by analogy of a historically attested final /r/ to words historically ending in a vowel (gener- ally this applies only to the set of non-glide-final vowels: /@, a, O/). -
TEX in AFRICA P Jörg Knappen Cahiers Gutenberg, N 10-11 (1991), P
Cahiers GUTenberg m TEX IN AFRICA P Jörg Knappen Cahiers GUTenberg, nO 10-11 (1991), p. 15-24. <http://cahiers.gutenberg.eu.org/fitem?id=CG_1991___10-11_15_0> © Association GUTenberg, 1991, tous droits réservés. L’accès aux articles des Cahiers GUTenberg (http://cahiers.gutenberg.eu.org/), implique l’accord avec les conditions générales d’utilisation (http://cahiers.gutenberg.eu.org/legal.html). Toute utilisation commerciale ou impression systématique est constitutive d’une infraction pénale. Toute copie ou impression de ce fichier doit contenir la présente mention de copyright. Cahiers GUTenberg n * 10-11 — Septembre 91 TßX and Africa Jörg KNAPPEN Institut für Kernphysik, Universität Mainz, Postfach 39 80, D- W 6500 Mainz e-mail knappenCvkpmzd. kph. uni-mainz. de Abstract. At the present time, TgX is not usable for typesetting many african languages. They use special letters which don't occur in the standard fonts (and aren't included in the ec-scheme). The letters used in the major languages of africa can put into one font. A font encoding scheme (fc) and some METRFONT code is prepared. There is work in progress on hausa TgX (done by Gos Ekhaguere, Ibadan). Résumé. Nous n'étions pas en mesure, jusqu'à l'heure actuelle, d'utiliser TfiX pour la composition de textes rédigés dans plusieures langues africaines. Ces langues utilisent des caractères spéciaux, gui ne sont pas disponibles dans les fontes standards. Les symboles utilisés dans les langues africaines importantes sont regroupés dans une seule fonte, dessinée avec METflFONT, pour laquelle nous avons préparé un schémas d'encodage. Gos Ekhaguere (d'Ibadan, Nigeria) poursuit actuellement ce travail et utilise hausa TjrX, Key words: african languages, special letters, font encoding, METRFONT. -
Guide to Preparation of Camera-Ready Manuscript
Morphological effects on the darkness of English intervocalic /l/ Sang-Im Lee-Kim, Lisa Davidson, and Sangjin Hwang New York University To appear in Laboratory Phonology 4:2, October 2013. Abstract Articulatory and acoustic studies have provided evidence that in word-initial and word-final positions, English /l/ exhibits substantial differences in ‘darkness’: dark [ɫ] in word-final position is produced with a more retracted tongue dorsum and lowered tongue body than light [l] in word-initial position. The darkness of intervocalic /l/, however, is variable. While Sproat and Fujimura (1993) argue that /l/ darkness is on a continuum strongly affected by duration, Hayes (2000) maintains that the morphological status of intervocalic /l/s should affect whether they are produced as light or dark variants. In this study, ultrasound imaging is used to investigate whether the morphological affiliation of the /l/ affects the degree of tongue dorsum retraction and tongue body lowering and the acoustic characteristics of /l/ darkness. Six American English speakers produced three types of stimuli which were predicted to increase in darkness in the following order: (1) when /l/ corresponded with the onset of a suffix (e.g. flaw-less), (2) when /l/ corresponded with the final position of the stem word (e.g. tall-est), and (3) when /l/ was the final consonant of a stem word (e.g. tall). For both articulatory and acoustic measures, the predicted order was upheld. The strongest articulatory correlate of darkness was tongue body lowering, and acoustic differences were mainly manifested in F1 and normalized intensity. Phonological implications of these findings are discussed. -
Singing in English in the 21St Century: a Study Comparing
SINGING IN ENGLISH IN THE 21ST CENTURY: A STUDY COMPARING AND APPLYING THE TENETS OF MADELEINE MARSHALL AND KATHRYN LABOUFF Helen Dewey Reikofski Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2015 APPROVED:….……………….. Jeffrey Snider, Major Professor Stephen Dubberly, Committee Member Benjamin Brand, Committee Member Stephen Austin, Committee Member and Chair of the Department of Vocal Studies … James C. Scott, Dean of the College of Music Costas Tsatsoulis, Interim Dean of the Toulouse Graduate School Reikofski, Helen Dewey. Singing in English in the 21st Century: A Study Comparing and Applying the Tenets of Madeleine Marshall and Kathryn LaBouff. Doctor of Musical Arts (Performance), August 2015, 171 pp., 6 tables, 21 figures, bibliography, 141 titles. The English diction texts by Madeleine Marshall and Kathryn LaBouff are two of the most acclaimed manuals on singing in this language. Differences in style between the two have separated proponents to be primarily devoted to one or the other. An in- depth study, comparing the precepts of both authors, and applying their principles, has resulted in an understanding of their common ground, as well as the need for the more comprehensive information, included by LaBouff, on singing in the dialect of American Standard, and changes in current Received Pronunciation, for British works, and Mid- Atlantic dialect, for English language works not specifically North American or British. Chapter 1 introduces Marshall and The Singer’s Manual of English Diction, and LaBouff and Singing and Communicating in English. An overview of selected works from Opera America’s resources exemplifies the need for three dialects in standardized English training. -
The Origin of the IPA Schwa
The origin of the IPA schwa Asher Laufer The Phonetics Laboratory, Hebrew Language Department, The Hebrew University, Mount Scopus, Jerusalem 91905, Israel [email protected] ABSTRACT We will refer here to those two kinds of schwa as "the linguistic schwa", to distinguish them from what The symbol ⟨ə⟩ in the International Phonetic Alphabet we call " the Hebrew schwa". was given the special name "Schwa". In fact, phoneticians use this term to denote two different meanings: A precise and specific physiological 2. HISTORY OF THE "SCHWA" definition - "a mid-central vowel" - or a variable The word "schwa" was borrowed from the vocabulary reduced non-defined centralized vowel. of the Hebrew grammar, which has been in use since The word "schwa" was borrowed from the Hebrew the 10th century. The Tiberian Masorah scholars grammar vocabulary, and has been in use since the th added various diacritics to the Hebrew letters to 10 century. The Tiberian Masorah scholars added, denote vowel signs and cantillation (musical marks). already in the late first millennium CE, various Actually, we can consider these scholars as diacritics to the Hebrew letters, to denote vowel signs phoneticians who invented a writing system to and cantillation (musical marks). Practically, we can represent their Hebrew pronunciation. Already in the consider them as phoneticians who invented a writing 10th century the Tiberian grammarians used this pronounced [ʃva] in Modern) שְׁ וָא system to represent pronunciation. They used the term Hebrew term ʃwa] and graphically marked it with a special Hebrew), and graphically marked it by two vertical] שְׁ וָא sign (two vertical dots beneath a letter [ ְׁ ]).