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Durham E-Theses The Rationale for Visual Arts Education in Singapore: Analysis of Policies and Opinions KOK, CHUNG,OI How to cite: KOK, CHUNG,OI (2011) The Rationale for Visual Arts Education in Singapore: Analysis of Policies and Opinions, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/845/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 DURHAM UNIVERSITY School of Education In Partial Fulfilment of the Requirements for the Degree of DOCTORATE IN EDUCATION The Rationale for Visual Arts Education in Singapore: Analysis of Policies and Opinions One volume by Kok Chung Oi 2011 The copyright of this thesis rests with the author or the university to which it was submitted. No quotation from it, or information derived from it may be published without the prior written consent of the author or university, and any information derived from it should be acknowledged. This thesis is dedicated to Lord Jesus Christ, my husband, Kuan Keng Lam and my daughter, Candace Kuan Wen Xian. It is also dedicated to the memory of my father, Kok Kim Wah and my mother, Wong Soh Mui. The Rationale for Visual Arts Education in Singapore: Analysis of Policies and Opinions Contents Acknowledgments: i Abstract: ii Chapter 1: Introduction: 1-12 Chapter 2: Literature Review: 13-40 Chapter 3: Research Methodology: 41-60 Chapter 4: Content Analysis on MOE Arts Syllabuses: 61-82 Chapter 5: Analysis of Qualitative Interviews: 83-103 Chapter 6: Content Analysis on MICA reports: 104-143 Chapter 7: Relationship between MOE Arts Syllabuses and Qualitative Interviews: 144-159 Chapter 8: Further Discussion: 160-176 Chapter 9: Conclusion: 177-184 Reference: 185-194 Annex A: A-1 to A-87 Annex B: B-1 to B-3 Annex C: C-1 to C-2 Annex D: D-1 Annex E: E-1 to E-47 Annex F: F-1 to F-2 Annex G: G-1 to G-3 Annex H: H-1 Annex I: I-1 to I-83 Annex J: J-1 to J-5 Annex K: K-1 to K-14 The Rationale for Visual Arts Education in Singapore: Analysis of Policies and Opinions Annex L: L-1 to L-22 Annex M: M-1 to M-8 Annex N: N-1 to N-29 Annex O: O-1 to O-26 Annex P: P-1 to P-30 Annex Q: Q-1 to Q-3 Annex R: R-1 to R-2 Annex S: S-1 Annex T: T-1 Acknowledgments First and foremost, I thank the Lord Jesus Christ for giving me the intellect and wisdom to comprehend the complexity of this research study and giving me the strength to write my thesis. My heartfelt gratitude to my supervisor, Prof Mike Fleming, who has supported me throughout my thesis with his patience, care, encouragement and knowledge and at the same time allowing me room to explore my own way. Without him this thesis, would not have been completed or written. One simply could not wish for a better, caring and a wonderful supervisor. My deepest gratitude goes to my husband, Kuan Keng Lam and my daughter, Candace Kuan Wen Xian for their support throughout writing my thesis. My gratitude also extends to my eldest brother Kok Moon Seng and his wife, Varnia, my second brother, William Guo and his wife, Chiam Siew Choo, my two nephews, Kenrick Guo and Edrick Guo who gave me their blessings in my belief to embark on my doctoral programme. The successful completion of my thesis was made possible through the valuable contributions offered by art teachers, arts scholars/academics, and former policy makers whom I interviewed in the midst of collecting my research data. I especially want to thank Ministry of Information, Communications and the Arts (MICA) for allowing me to view the “classified documents” in regards to “Singapore as a Renaissance City: Search for a Vision (Part I), 1998”, “Singapore as a Renaissance City: Policy Pathways (Part II), 1998” and “The Next Wave of Creative Energy: Report of the Committee on National Arts Education, 1996” for the purpose of my research study. Special thanks go to Ms. Julia Hang, Mr. Au Kheng Sheng and Mr. Arun Mahiznan for helping me to search “high and low” for these “classified” documents. Page i The Rationale for Visual Arts Education in Singapore: Analysis of Policies and Opinions Abstract This thesis focuses on the rationale for visual arts education in the context of Singapore. It does so by examining key policy documents and interviewing key stakeholders. In the mid 1960s, Singapore was separated from the Federal of Malaya, leaving the country in uncertainty because of the lack of natural resources. Also the withdrawal of the British colony had left the Singapore economy in turmoil. The only pragmatic solution for the government was to resort to human capital to develop the economy, which mainly centred on promoting science, engineering, commerce and technology learning. Mathematics and science were given the highest priority as these subjects offered skills that were desirable for the economy. In the 1990s, the government realised that for the Singapore economy to continue to grow steadily, foreign talent would play a crucial role. One way to attract these talents was to develop Singapore into a vibrant arts and cultural scene. The government began to pay attention to arts education as it was felt that the arts could offer skills for potential cultural manpower to contribute in the cultural industry for the purpose of enticing talents to work, live and contribute to the Singapore economy. There has therefore been a shift in attitudes to the arts. The conflicting interests motivated me to seek to establish the rationale for visual arts education in Singapore. The research was carried out using two research methods: documentary analysis to examine key documents pertaining to the Ministry of Education (MOE) arts syllabuses and Ministry of Information, Communications and the Arts (MICA) reports and qualitative interviews to seek the views of the art teachers, arts scholars/academics and policy makers. The research findings show that the rationale for visual arts education is related to three broad areas: (i) the development of personal developmental skills (ii) the development of „extended logic‟, „self-confidence‟ and „art history‟ (iii) the contribution to the cultural and creative economy. These three areas at first appear to be in conflict but are in fact inter-connected. The thesis makes recommendations for the coherent presentation of arts policy in Singapore. Page ii The Rationale for Visual Arts Education in Singapore: Analysis of Policies and Opinions Chapter 1: Introduction 1.0 Aim The aim of my research is to understand the rationale for visual arts education for schools in Singapore, and in particular whether the official policy accords with the perceptions of art teachers and other stake-holders. The official policy refers to the Ministry of Education Arts Syllabuses (MOE) for primary and secondary schools, which focus mainly on painting and drawing, as well as the Singapore Renaissance City Reports1. The overview of this chapter is to draw attention to the reasons for me to embark on my research study and these reasons are largely based on my personal experiences as a secondary school student, a graduate student, art educator and art history teacher. Subsequently, there will be a brief discussion of the broach approach to conducting this research study. 1.1 Arts and Disappointment My parents were infuriated when I shared with them that I had the intention to turn down an offer that was given to me to embark on a three years diploma programme at Singapore Polytechnic after I had completed my G.C.E. “O” Level examination in 1981. This was because my main interest was to study fine arts and my aspiration was to be an artist. My parents vehemently objected to my intention because they felt that learning arts would not enable me to secure a prospective career due to the limited prospect within the artistic industry in Singapore. For my parents, they believed that it was not worthwhile to learn arts. I finally gave in to my parents‟ wishes because I did not want to hurt their feelings but I still could not understand why my parents thought that learning art was basically worthless. Nevertheless, I never gave up my aspiration to be an artist. Later, I returned to arts school after spending thirteen years in the workforce and my parents finally gave their blessings to me after realising that I have never given up my passion to be an artist all this while. 1 Singapore Renaissance City Reports (RCP) consists of RCP 1, RCP 2 and RCP 3, Arts Development Plan Report and a report on „A New Agenda for a Creative and Connected Nation: Investing in Singapore‟s Cultural Capital‟. All these reports shall be categorised as MICA reports. Page 1 The Rationale for Visual Arts Education in Singapore: Analysis of Policies and Opinions 1.2 Arts and Singapore History I received my Bachelor Degree in Fine Arts in 2000 from Royal Melbourne Institute of Technology (RMIT), Australia.