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Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
The Hindu, the Muslim, and the Border In
THE HINDU, THE MUSLIM, AND THE BORDER IN NATIONALIST SOUTH ASIAN CINEMA Vinay Lal University of California, Los Angeles Abstract There is but no question that we can speak about the emergence of the (usually Pakistani or Muslim) ‘terrorist’ figure in many Bollywood films, and likewise there is the indisputable fact of the rise of Hindu nationalism in the political and public sphere. Indian cinema, however, may also be viewed in the backdrop of political developments in Pakistan, where the project of Islamicization can be dated to least the late 1970s and where the turn to a Wahhabi-inspired version of Islam is unmistakable. I argue that the recent history of Pa- kistan must be seen as instigated by a disavowal of the country’s Indic self, and similarly I suggest that scholarly and popular studies of the ‘representation’ of the Muslim in “Bol- lywood” rather too easily assume that such a figure is always the product of caricature and stereotyping. But the border between Pakistan and India, between the self and the other, and the Hindu and the Muslim is rather more porous than we have imagined, and I close with hints at what it means to both retain and subvert the border. Keywords: Border, Communalism, Indian cinema, Nationalism, Pakistan, Partition, Veer-Zaara Resumen 103 Así como el personaje del ‘terrorista’ (generalmente musulmán o paquistaní) está presente en muchos filmes de Bollywood, el nacionalismo hindú está tomando la iniciativa en la esfera política del país. Sin embargo el cine indio también puede hacerse eco de acontecimientos ocurridos en Paquistán, donde desde los años Setenta se ha manifestado un proceso de islamización de la sociedad, con una indudable impronta wahabí. -
Board of Directors 86 Executive Management 92 Corporate
84 Globaltrans Investment PLC 01 02 03 04 05 Globaltrans Investment PLC 85 Annual Report & Accounts 2020 Overview Strategic Governance Financial Additional Annual Report & Accounts 2020 Report Statements Information Board of Directors 86 Corporate Executive Management 92 Corporate Governance Report 96 Share Capital 108 Governance Corporate Structure 109 86 Globaltrans Investment PLC 01 02 03 04 05 Globaltrans Investment PLC 87 Annual Report & Accounts 2020 Overview Strategic Governance Financial Additional Annual Report & Accounts 2020 Report Statements Information Board of Directors The Board of Globaltrans Sergey Maltsev John Carroll Colley Dr. Johann Franz Durrer Vasilis Hadjivassiliou is responsible for providing Chairman of the Board, Executive Director, Independent Non-executive Director, Senior Independent Non-executive Independent Non-executive Director effective leadership for the Chief Strategy Officer, Сo-founder Chairman of the Audit Committee Director, Chairman of the Remuneration and shareholder of Globaltrans and Nomination committees Group, establishing its values Appointment: Mr. Maltsev was elected Appointment: Mr. Colley was appointed Appointment: Dr. Durrer was appointed Appointment: Mr. Hadjivassiliou was and culture, overseeing its Chairman of the Board of Directors in April to the Board as an Independent to the Board as an Independent appointed to the Board as an Independent governance, and promoting 2018 and has served as Chief Strategy Officer Non-executive Director in April 2013. Non-executive Director in March 2008. Non-executive Director in September 2019. since August 2017. the success of the Group Skills and experience: Mr. Maltsev was Committee membership: Mr. Colley Committee membership: Dr. Durrer Committee membership: In 2021 for the benefit of all stakeholders. instrumental in the development of the is Chairman of the Audit Committee is Chairman of the Remuneration Mr. -
Reel Number 13
Reel Number 13 Gayathri Prabhu and Nikhil Govind (from Shadow Craft: Visual Aesthetics of Black and White Hindi Cinema, Bloomsbury Academic, 2021) Meena Kumari in Abrar Alvi’s Sahib Bibi Aur Ghulam (1962) Source: National Film Archive of India The decision to write this book emerged from our artistic and academic trajectories intersecting over the question of how to develop a vocabulary to speak about the visual aesthetics of a cinema that had left an indelible imprint on the infancy of the nation. The same aesthetics made its presence felt in the terrain of our childhoods in the 1980s when these movies and film-makers continued to be celebrated in popular culture via reruns on television and cassettes played on VHS (Video Home Systems). Kamal Amrohi, Madhubala, Meena Kumari, Ashok Kumar, Raj Kapoor, Bimal Roy, Guru Dutt, Nargis, Nutan and Abrar Alvi, came to represent a wistfully exhumed cinematic footprint. More recently, the iconic black-white- grey images from that time, stark to our colour-biased internet-weary eyes, reminded us that perhaps we had not given sufficient thought to what those assertive visual articulations represented to a collective consciousness that had shaped several decades of artists and viewers in India. The irony of this preoccupation with visual form, at a time when our engagement with the format was as far removed as possible from the original format of the cinema (35 mm), was not lost on us. Even though neither of us was born at the time of the films’ first theatrical release, our viewings were from television telecasts and cassettes played at home—for me it was the highlight of summer vacations in Mangalore (with gratitude to that archaic institution called the video rental library) and for Nikhil Govind these were viewings during school years in Burma (he wonders if the films were smuggled/pirated). -
Find Kindle // the Dialogue of Pyaasa: Guru Dutt`S Immortal Classic
XESF2STZLVRV ^ Book » The Dialogue of Pyaasa: Guru Dutt`s Immortal Classic Th e Dialogue of Pyaasa: Guru Dutt`s Immortal Classic Filesize: 3.54 MB Reviews A fresh e-book with a new viewpoint. Better then never, though i am quite late in start reading this one. I am happy to explain how here is the very best ebook i actually have study during my individual lifestyle and may be he greatest pdf for actually. (Diana Flatley) DISCLAIMER | DMCA GR3ZYMZ7DP9G ^ PDF # The Dialogue of Pyaasa: Guru Dutt`s Immortal Classic THE DIALOGUE OF PYAASA: GURU DUTT`S IMMORTAL CLASSIC Om Books International, Noida, Uttar Pradesh, India, 2011. So cover. Condition: New. Great films come from great writing and the aim of The Dialogue of Pyaasa, Guru Dutt's Immortal Classic is to preserve in book form the film's complete dialogue by Abrar Alvi and songs/poems by Sahir Ludhianvi. These are presented in Hindi, Urdu and Romanised scripts. Generously illustrated, the dialogue is also accompanied by an English translation, introduction and extensive commentary by Nasreen Munni Kabir. First-rate screenwriter, Abrar Alvi has created superb scenes and subtle lines. Skilled in giving personality to every Pyaasa character, Alvi's flair for lived-in expression turns Guru Dutt as Vijay or Johnny Walker as Abdul Sattar into real people. Pyaasa's other excellent writing comes from Sahir Ludhianvi's sublime songs and poetry. This master Urdu poet has been widely acknowledged for elevating the film songs to a poetic form and this is in full evidence in the film. Sahir's Marxist ideology, brilliant imagination and deep understanding of human emotions are the soul of Pyaasa. -
Centers for Pluralism INSTITUTE for DEMOCRACY in EASTEN EUROPE (IDEE)
Published by the Centers for Pluralism INSTITUTE FOR DEMOCRACY IN EASTEN EUROPE (IDEE) Editors Eric Chenoweth NEWSLETTER Irena 2003 (last issue) Lasota Contents: Editorial Production Ivan Lozowy Editor’s Introduction . 3 “Referendums” and “Elections”: Can Democracy Editorial Assistant Andrea Ever Prevail? . 5 Detjen Elections and Observers in the Caucasus by Ivlian Haindrava . 6 Computer Layout Ludmilla Memorandum on Fair Elections in Armenia, Azerbaijan Kuznetsova and Georgia . 11 Who Needed a Referendum? IDEE by Asylbek Ismailov . 13 1808 Swann Street, NW, Suite A Washington, DC, 20009 USA Conclusion of the Public Headquarters for Phone: (1 202) 667 63 00 Fax: (1 202) 667 00 32 the Monitoring Committee of the Results of E-mail: [email protected] the Referendum Conducted on February 2, 2003. 15 http://www.idee.org IDEE COUNTRY REPORT Belarus: “Toward a Future Democratic Victory” . 17 ISD vul. Skovorody 7, kv. 21 The Estonian NGO Roundtable Kyiv, Ukraine 04070 by Agu Laius . 20 Phone/fax: (380-44) 416-3072 E-mail: [email protected] Roundtable of Estonian Nonprofit Organizations. 22 This issue of the The Power of Networks: Lessons of the Centers Newsletter will be its last for Pluralism until new funding. No new subscriptions will be by Irena Lasota . 23 accepted. For additional copies of this issue, write The 18th Meeting of the Centers for Pluralism . 25 to Institute of Statehood and Democracy (1-5 issues = $10/apiece; 6-10 PRIMA Human Rights and Information Service = $8.00/apiece; more than — News Items . 26 11 = $7.50/apiece) at [email protected]. All back issues are available Dispatches from Chechnya . -
Central Asia Oil and Gas Industry - the External Powers’ Energy Interests in Kazakhstan, Turkmenistan and Uzbekistan
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Raimondi, Pier Paolo Working Paper Central Asia Oil and Gas Industry - The External Powers’ Energy Interests in Kazakhstan, Turkmenistan and Uzbekistan Working Paper, No. 006.2019 Provided in Cooperation with: Fondazione Eni Enrico Mattei (FEEM) Suggested Citation: Raimondi, Pier Paolo (2019) : Central Asia Oil and Gas Industry - The External Powers’ Energy Interests in Kazakhstan, Turkmenistan and Uzbekistan, Working Paper, No. 006.2019, Fondazione Eni Enrico Mattei (FEEM), Milano This Version is available at: http://hdl.handle.net/10419/211165 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen -
Bulletin Round 10 -12.08.14
Bulletin Round 10 -12.08.14 Dragon gold? Photo: Georgios Souleidis , chess24 Chess Olympiad Tromsø 2014 – Bulletin Round 10– 12.08.14 Round 10 interim report: Lawyers & politicians Norwegian Prime Minister Erna Solberg makes Magnus Carlsen's first move against Ivan Saric in Round 10. Photo: Daniel Skog / COT2014 Tromsø had two not-quite chess events in focus today - the 9 a.m. hearing at the local courthouse to assess the Russian Chess Federation's request that USD 200,000 of Olympiad funds be frozen for a lawsuit claiming that amount in legal fees incurred to get their women's team instated, and the arrival of Norwegian Prime Minister Erna Solberg, who became the top domestic political figure to grace the games. By GM Jonathan Tisdall The PM opened the round's play by making the this radical approach was actually sound, first move for world champion Magnus Carlsen particularly when the champ began to slide into against Croatia’s GM Ivan Saric, before being time trouble as well. Saric finished cleanly, shown around the playing hall by Norwegian handing the world champion his second defeat of Chess Federation official Gisle Bjugn. Later the event. Solberg appeared in the NRK studio and said that it's important for Norway to organize big events Our man Tarjei J. Svensen interviewed the like this. Croatian after his game: Early action What happened in your game today? There were not many quick decisions in the top Saric: Well, he played quite aggressively with Open matches, but much notable action. Magnus Black and sacrificed one pawn then another one Carlsen was in romantic mood, reviving the Bird's and it turns out that his position was not so good. -
RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE Et
Direction de la communication DOSSIER DE PRESSE VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE et www.centrepompidou.fr VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE 4 FEVRIER – 1er MARS 2004 ET 17 MARS – 19 AVRIL 2004 CINEMA 1 (NIVEAU 1), CINEMA 2 (NIVEAU –1) DDirection sommaire de la communication 75 191 Paris cedex 04 responsable du pôle presse I. COMMUNIQUE DE PRESSE page 2 Carole Rio-Latarjet chargée des relations presse Albane Jouis-Maucherat II. VOUS AVEZ DIT « BOLLYWOOD » ! page 4 téléphone par Nadine Tarbouriech 00 33 (0)1 44 78 13 81 télécopie III PROGRAMMATION ET SYNOPSIS DES FILMS page 6 00 33 (0)1 44 78 13 02 mél IV. CALENDRIER DES PROJECTIONS page 29 albane.jouis-maucherat @cnac-gp.fr V. RENCONTRE ORGANISEE PAR LES FORUMS DE SOCIETE La « résistance » de Bollywood ? page 38 VI. EVENEMENTS AUTOUR DE LA MANIFESTATION page 40 VII. LISTE DES PHOTOS DISPONIBLES POUR LA PRESSE page 48 VIII. REMERCIEMENTS page 52 IX. INFORMATIONS PRATIQUES page 53 VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE 4 FEVRIER – 1er MARS 2004 ET 17 MARS – 19 AVRIL 2004 CINEMA 1 (NIVEAU 1), CINEMA 2 (NIVEAU –1) Direction Pour la première fois en France, une grande rétrospective consacrée à la cinématographie de la communication indienne populaire est proposée par les Cinémas du Centre Pompidou. 75 191 Paris cedex 04 responsable du pôle presse er Carole Rio-Latarjet Pensée en deux temps, la manifestation rend d’abord hommage, du 4 février au 1 mars 2004, chargée des relations presse aux auteurs des grands classiques en noir et blanc des années 50 considérées comme l’âge Albane Jouis-Maucherat d’or des studios indiens : Guru Dutt, Raj Kapoor, Bimal Roy, Mehboob Khan, V. -
Downloads/NZJAS-%20Dec07/02Booth6.Pdfarameters.Html
Ph.D. Thesis ( FEMALE PROTAGONIST IN HINDI CINEMA: Women’s Studies A COMPARATIVE STUDY OF REPRESENTATIVE FILMS FROM 1950 TO 2000 ABSTRACT OF THE THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF ) Doctor of Philosophy IN WOMEN’S STUDIES SIFWAT MOINI BY SIFWAT MOINI UNDER THE SUPERVISION OF DR. PITABAS PRADHAN (Associate Professor) 201 6 ADVANCED CENTRE FOR WOMEN’S STUDIES ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (INDIA) 2016 DEPARTMENT OF MASS COMMUNICATION ALIGARH MUSLIM UNIVERSITY Dr. Pitabas Pradhan Associate Professor Certificate This is to certify that Ms. Sifwat Moini has completed her Ph.D. thesis entitled ‘Female Protagonist in Hindi Cinema: A Comparative Study of Representative Films from 1950 to 2000’ under my supervision. This thesis has been submitted to the Advanced Centre for Women’s Studies, Aligarh Muslim University, Aligarh for the award of degree of Doctor of Philosophy. It is further certified that this thesis represents original work and to the best of my knowledge has not been submitted for any degree of this university or any other university. (Dr. Pitabas Pradhan) Supervisor Sarfaraz House, Aligarh Muslim University, Aligarh-202002 Phone: 0571-2704857, Ext.: 1355,Email: [email protected], [email protected] ACKNOWLEDGEMENT I owe all of my thankfulness to the existence of the Almighty and the entities in which His munificence is reflected for the completion of this work. My heartfelt thankfulness is for my supervisor, Dr. Pitabas Pradhan. His presence is a reason of encouragement, inspiration, learning and discipline. His continuous support, invaluable feedback and positive criticism made me sail through. I sincerely thank Prof. -
Dilip-Kumar-The-Substance-And-The
No book on Hindi cinema has ever been as keenly anticipated as this one …. With many a delightful nugget, The Substance and the Shadow presents a wide-ranging narrative across of plenty of ground … is a gold mine of information. – Saibal Chatterjee, Tehelka The voice that comes through in this intriguingly titled autobiography is measured, evidently calibrated and impossibly calm… – Madhu Jain, India Today Candid and politically correct in equal measure … – Mint, New Delhi An outstanding book on Dilip and his films … – Free Press Journal, Mumbai Hay House Publishers (India) Pvt. Ltd. Muskaan Complex, Plot No.3, B-2 Vasant Kunj, New Delhi-110 070, India Hay House Inc., PO Box 5100, Carlsbad, CA 92018-5100, USA Hay House UK, Ltd., Astley House, 33 Notting Hill Gate, London W11 3JQ, UK Hay House Australia Pty Ltd., 18/36 Ralph St., Alexandria NSW 2015, Australia Hay House SA (Pty) Ltd., PO Box 990, Witkoppen 2068, South Africa Hay House Publishing, Ltd., 17/F, One Hysan Ave., Causeway Bay, Hong Kong Raincoast, 9050 Shaughnessy St., Vancouver, BC V6P 6E5, Canada Email: [email protected] www.hayhouse.co.in Copyright © Dilip Kumar 2014 First reprint 2014 Second reprint 2014 The moral right of the author has been asserted. The views and opinions expressed in this book are the author’s own and the facts are as reported by him, which have been verified to the extent possible, and the publishers are not in any way liable for the same. All photographs used are from the author’s personal collection. All rights reserved. -
What Is It Called Good Friday? Joy Ruskin: Agency.On This His Own Sacrifice
WEEKLY www.swapnilsansar.org Simultaneously Published In Hindi Daily & Weekly VOL.23, ISSUE 14, LUCKNOW, 28 MARCH, 2018,PAGE 08,PRICE :1/- What is it called Good Friday? Joy Ruskin: Agency.On this His own sacrifice. But the question is, that if with the Jewish observance of guilt in Jesus; Pilate resolved to day Jesus Christ died on the He was made fun of, insulted Jesus Christ was crucified on this Passover.The etymology of the have Jesus whipped and released term "good" in the context of (Luke 23:3–16). Under the Good Friday is contested. Some guidance of the chief priests, the 123456789012345678901234567890121234567890123456789012 123456789012345678901234567890121234567890123456789012 123456789012345678901234567890121234567890123456789012 123456789012345678901234567890121234567890123456789012 123456789012345678901234567890121234567890123456789012 123456789012345678901234567890121234567890123456789012 123456789012345678901234567890121234567890123456789012 30th March 123456789012345678901234567890121234567890123456789012 123456789012345678901234567890121234567890123456789012 sources claim it is from the senses crowd asked for Barabbas, who pious, holy of the word "good", had been imprisoned for while others contend that it is a committing murder during an corruption of "God Friday".The insurrection. Pilate asked what Oxford English Dictionary they would have him do with supports the first etymology, Jesus, and they demanded, giving "of a day or season "Crucify him" (Mark 15:6–14). observed as holy by the church" Pilate's wife had seen Jesus in a as an archaic sense of good, and dream earlier that day, and she providing examples of good tide forewarned Pilate to "have meaning "Christmas" or "Shrove nothing to do with this righteous Tues day", and Good Wednesday man" (Matthew 27:19). Pilate had meaning the Wednesday in Jesus flogged and then brought HolyWeek.Conflicting him out to the crowd to release testimony against Jesus was him.