Distinguished UCLA Professor Judith Francisca Baca 685 Venice
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Historic-Cultural Monument (HCM) List City Declared Monuments
Historic-Cultural Monument (HCM) List City Declared Monuments No. Name Address CHC No. CF No. Adopted Community Plan Area CD Notes 1 Leonis Adobe 23537 Calabasas Road 08/06/1962 Canoga Park - Winnetka - 3 Woodland Hills - West Hills 2 Bolton Hall 10116 Commerce Avenue & 7157 08/06/1962 Sunland - Tujunga - Lake View 7 Valmont Street Terrace - Shadow Hills - East La Tuna Canyon 3 Plaza Church 535 North Main Street and 100-110 08/06/1962 Central City 14 La Iglesia de Nuestra Cesar Chavez Avenue Señora la Reina de Los Angeles (The Church of Our Lady the Queen of Angels) 4 Angel's Flight 4th Street & Hill Street 08/06/1962 Central City 14 Dismantled May 1969; Moved to Hill Street between 3rd Street and 4th Street, February 1996 5 The Salt Box 339 South Bunker Hill Avenue (Now 08/06/1962 Central City 14 Moved from 339 Hope Street) South Bunker Hill Avenue (now Hope Street) to Heritage Square; destroyed by fire 1969 6 Bradbury Building 300-310 South Broadway and 216- 09/21/1962 Central City 14 224 West 3rd Street 7 Romulo Pico Adobe (Rancho 10940 North Sepulveda Boulevard 09/21/1962 Mission Hills - Panorama City - 7 Romulo) North Hills 8 Foy House 1335-1341 1/2 Carroll Avenue 09/21/1962 Silver Lake - Echo Park - 1 Elysian Valley 9 Shadow Ranch House 22633 Vanowen Street 11/02/1962 Canoga Park - Winnetka - 12 Woodland Hills - West Hills 10 Eagle Rock Eagle Rock View Drive, North 11/16/1962 Northeast Los Angeles 14 Figueroa (Terminus), 72-77 Patrician Way, and 7650-7694 Scholl Canyon Road 11 The Rochester (West Temple 1012 West Temple Street 01/04/1963 Westlake 1 Demolished February Apartments) 14, 1979 12 Hollyhock House 4800 Hollywood Boulevard 01/04/1963 Hollywood 13 13 Rocha House 2400 Shenandoah Street 01/28/1963 West Adams - Baldwin Hills - 10 Leimert City of Los Angeles May 5, 2021 Page 1 of 60 Department of City Planning No. -
Very Special Arts Festival 1980 Bytmc 105
Interim Designation of Agent to Receive Notification of Claimed Infringement Full Legal Name of Service Provider: -------- -------- The Performing Arts Center of Los Angeles County Alternative Name(s) of Service Provider (including all names unde1· which the service provider is doing business): __S_ ee_ A_tt_ac_h_ed_ ________ ______ Address of Service Provider: 135 N. Grand Ave., Los Angeles, CA 90012 Name of Agent Designated to Receive Notification of Claimed Infringement:_L_i_sa_W_ h_itne__y______ _____ _ Full Address of Designated Agent to which Notification Should be Sent (a P.O. Box or similar designation is not acceptable except where it is the only address that can be used in the geographic location): The Music Center, 135 N. Grand Ave., Los Angeles, CA 90012 Telephone Number of Designated Agent:_(_21_3_)_9_72_-_75_1_2______ ___ _ Facsimile Number of Designated Agent:_(_2_13_)_9_7_2-_7_248__ __________ Email Address of Designated Agent: [email protected] ative of the Designating Service Provider: Date: February 24, 2016 Typed or Printed Name and Title: Lisa Whitney, SVP Finance & CFO Note: This Interim Designation Must be Accompanied by a Filing Fee* Made Payable to the Register of Copyrights. *Note: Current and adjusted fees are available on the Copyright website at www.copyright.gov/docs/fees.html Mail the form to: U.S. Copyright Office, Designated Agents P.O. Box 71537 Washington, DC 20024-1537 SCANNED Received APR 18 2017 MAR 1 0 2016 ·copyright Office 2014 135832 11111~ ~rn 11111 111~ ~1111111 m111111111111 mH111rn FILED EXPIRES Mey 19 2014 May 19 2019 Additional Fictitious Names Fictitious Business Na me In Use Sine& 1. -
Restoration of Historic Streetcar Service in Downtown Los Angeles S a U P N M S R I E E N T Y D B G U N I O N Lv W a Chinatown S D F S S T a T I on T T A
RESTORATION OF HISTORIC STREETCAR RESTAURACIÓN DEL SERVICIO HISTÓRICO 洛杉磯市中心歷史街車復駛計畫 SERVICE IN DOWNTOWN LOS ANGELES DE TRANVÍAS EN LA ZONA CENTRO DE LOS ÁNGELES Please plan to attend the upcoming Early Scoping 請參加即將舉辦的初期範疇界定會議 Meeting Por favor planee asistir a la próxima reunión inicial para determinar el alcance del proyecto 都 會 運 輸 處(Metro)即將為洛杉磯市中心歷史街車 Metro is conducting an Early Scoping Meeting for 復駛計畫(簡稱「計畫」)的替代分析(Alternatives an Alternatives Analysis (AA) of the Restoration of Metro lo invita a una Reunión de Exploración Inicial Analysis)舉 辦一場 初期 範 疇 界定 會 議(Early Historic Streetcar Service in Downtown Los Angeles sobre el análisis de alternativas (AA) para la Restauración Scoping Meeting)。這 項「 計 畫 」的 目 的 是 在 洛 杉 (“Project”). The purpose of this Project is to restore del Servicio Histórico de Tranvías en la Zona Centro de 磯市中心恢復歷史街車的服務。會議將包括可能路 historic streetcar service to downtown Los Angeles. Los Ángeles (el “proyecto”). El propósito de este proyecto es restaurar los servicios históricos de tranvía en la zona 線和評估標準的審查。此項替代分析將為未來可 This includes review of route alternatives and evaluation 能的環境審查進行供選方案的調查與選擇,並且有 criteria. The AA will study and select alternative(s) centro de Los Ángeles. Esto incluye el análisis de las rutas alternativas y los criterios de evaluación. Este AA 助於挑選一個「當地偏好方案」(Locally Preferred for possible further environmental review and help in estudiará y seleccionará una o varias alternativas para su Alternative selecting a Locally Preferred Alternative. ). posible evaluación medioambiental adicional y ayudará -
Eradicating History Or Embracing Change: the Debate About Renaming Streets to Cesar E
Abigail Calderon Garcia Eradicating History or Embracing Change: The Debate About Renaming Streets to Cesar E. Chavez Ave. in East Los Angeles in the 1990s Abstract Key Words: Commemorative Memorial, Multiethnic, Representation, Boyle Heights, Civic Memory In East Los Angeles during 1994, the Jewish Historical Society of Southern California (J.H.S.) and the concerned citizens of Sunset Boulevard circulated petitions to halt the name change of Brooklyn, Macy, and a portion of Sunset to Cesar E. Chavez Avenue that had been initiated by the City Council. The idea that history itself could be erased was a prominent point of contention along with potential economic hardships that would be acquired by small businesses in the affected areas. Nevertheless, supporters in the community and the City Council insisted it was crucial to properly honor Cesar Chavez and provide a "positive role model" to the existing Latino population. Street names play a significant role in the way residents understand their local histories; this is especially the case in Boyle Heights, a multiethnic neighborhood in East Los Angeles. Commemorative memorials and signage can influence civic memory through the presentation and performance of knowledge by framing and deploying history. However, the process of framing history involves highlighting specific historical events while simultaneously ignoring others. This research explores why a street name change created a debate over the representation of community history in Boyle Heights. To explore this topic, I consider -
Fy21 Proposed Budget
CITY OF PHILADELPHIA ORGANIZATION CHART (ALL FUNDS) BY PROGRAM FISCAL 2021 OPERATING BUDGET Department No. Mural Arts Program 50 Managing Directors Office Mural Arts Program Director 12 Jane Golden-Heriza 10 01 SECTION 7 Mural Arts Program 12 10 FY21 PROPOSED BUDGET ORGANIZATION FY20 FY21 FILLED BUDGETED 1 POS. 11/19 POSITIONS 71-53A (Program Based Budgeting Version) CITY OF PHILADELPHIA DEPARTMENTAL SUMMARY BY FUND FISCAL 2021 OPERATING BUDGET Department No. Mural Arts Program 50 Fiscal 2019 Fiscal 2020 Fiscal 2020 Fiscal 2021 Increase Actual Original Estimated Proposed or No. Fund Class Description Obligations Appropriation Obligations Budget (Decrease) (1) (2) (3) (4) (5) (6) (7) (8) (9) 01 100 Employee Compensation a) Personal Services 587,931 638,987 649,569 578,952 (70,617) b) Employee Benefits 200 Purchase of Services 1,779,296 1,860,615 1,895,615 1,425,610 (470,005) General 300 Materials and Supplies 400 Equipment 500 Contributions, etc. 800 Payments to Other Funds Total 2,367,227 2,499,602 2,545,184 2,004,562 (540,622) 100 Employee Compensation a) Personal Services b) Employee Benefits 200 Purchase of Services 300 Materials and Supplies 400 Equipment 500 Contributions, etc. 800 Payments to Other Funds Total 100 Employee Compensation a) Personal Services b) Employee Benefits 200 Purchase of Services 300 Materials and Supplies 400 Equipment 500 Contributions, etc. 800 Payments to Other Funds Total 100 Employee Compensation a) Personal Services b) Employee Benefits 200 Purchase of Services 300 Materials and Supplies 400 Equipment 500 Contributions, etc. 800 Payments to Other Funds Total 100 Employee Compensation a) Personal Services b) Employee Benefits 200 Purchase of Services 300 Materials and Supplies 400 Equipment 500 Contributions, etc. -
Surveyla Boyle Heights Pilot Survey Report
SurveyLA Boyle Heights Pilot Survey Report Prepared for: City of Los Angeles Department of City Planning’s Office of Historic Resources Prepared by: Architectural Resources Group, Inc Pasadena, CA April 2010 SURVEYLA BOYLE HEIGHTS PILOT SURVEY REPORT APRIL 2010 Table of Contents I. INTRODUCTION ........................................................................................................................................................... 1 1.1 Project Team ............................................................................................................................................................ 1 1.2 Description of Survey Area ...................................................................................................................................... 1 1.3 Methodology ........................................................................................................................................................... 5 II. SUMMARY OF FINDINGS ............................................................................................................................................ 5 2.1 Summary of Contexts and Themes .......................................................................................................................... 5 2.2 Individual Resources ................................................................................................................................................ 6 2.3 Historic Districts .................................................................................................................................................... -
La Memoria De Nuestra Tierra: Sites of Public Memory
Syracuse University SURFACE Imagining America Scholarship in Action 2008 La Memoria de Nuestra Tierra: Sites of Public Memory Judith F. Baca Follow this and additional works at: https://surface.syr.edu/ia Part of the Arts and Humanities Commons Recommended Citation Baca, Judith F., "La Memoria de Nuestra Tierra: Sites of Public Memory" (2008). Imagining America. 5. https://surface.syr.edu/ia/5 This Report is brought to you for free and open access by the Scholarship in Action at SURFACE. It has been accepted for inclusion in Imagining America by an authorized administrator of SURFACE. For more information, please contact [email protected]. Las Caminantes La Memoria de Nuestra Tierra: Sites of Public Memory by Judith F. Baca Foreseeable Futures #8 Position Papers from Artists and Scholars in Public Life Dear Reader, The pages that follow contain a quarter of the images and two thirds of the words that constituted muralist Judith F. Baca’s keynote address at Imagining Ameri- ca’s 2008 national conference, Public Engagement in a Diverse America: Layers of Place, Movements of People. The text explores an idea that is deceptively simple: the land has memory. But look closely at the images that form the spine of the argument, photographs of a mural along a flood control channel in the San Fernando Valley. Baca created this Great Wall of Los Angeles with people hungry to know forgotten histories of their land and inscribe them for the future. Each of these images excavates another layer of a complex story. Baca has been putting inclusive mural-making teams together for over three decades. -
President's Message
July/Aug 2021 Vol 56-4 63 Years of Dedicated Service to L.A. Your Pension and Health Care Watchdog County Retirees www.relac.org • e-mail: [email protected] • (800) 537-3522 RELAC Joins National Group to Lobby President’s Against Unfair Social Security Reductions Message RELAC has joined the national Alliance for Public Retirees by Brian Berger to support passage of H.R. 2337, proposed legislation to reform the Windfall Elimination Provision (WEP) of the Social The recovery appears to be on a real path Security Act. to becoming a chapter of our history with whatever sadness or tragedy of which The Alliance for Public Retirees was created nearly a decade we might each have witnessed or been ago by the Retired State, County and Municipal Employees a part. The next few months will be critical as we continue to Association of Massachusetts (Mass Retirees) and the Texas see a further lessening or elimination of restrictions. I don't Retired Teachers Association to resolve the issues of WEP know how I'll ever be able to leave the house or see friends and the Government Pension Offset (GPO). without a mask, at least in the car or in my pocket. In all this Together with retiree organizations, public employee unions past period, however, work has not lessened at RELAC and the and civic associations across the country, the organization programs have continued with positive gains. For that I thank has worked to advance federal legislation through Congress the support staff, each Board member, and the many of you aimed at reforming both the WEP and GPO laws. -
Making Exact Change
Making Exact Change How U.S. arts-based programs have made a significant and sustained impact on their communities A Research Project of the Community Arts Network By William Cleveland, the Center for the Study of Art and Community Published by Art in the Public Interest November 2005 Making Exact Change How U.S. arts-based programs have made a significant and sustained positive impact on their communities © 2005 Art in the Public Interest ART IN THE PUBLIC INTEREST promotes information exchange, research and critical dialogue within the field of community-based arts. Its primary program is the Community Arts Network (CAN). http://www.communityarts.net Art in the Public Interest Linda Frye Burnham & Steven Durland, co-directors P.O. Box 68, Saxapahaw, NC 27340 This report is also available on the Web at: http://www.makingexactchange.org On the cover: Detail of a Village of Arts and Humanities mural project. Photo courtesy the Village of Arts and Humanities 4 Making Exact Change Making Exact Change Table of Contents Part One: Introduction . 6 Part Two: Case Studies . .11 CityKids . .12 GRACE (Grass Roots Art and Community Effort) . .21 Isangmahal Arts Kollective . .29 Manchester Craftsmen’s Guild . .36 Mural Arts Program . .47 Northern Lakes Center for the Arts . .55 Swamp Gravy . .64 Village of Arts and Humanities . .73 Wing Luke Asian Museum . .83 Zuni-Appalachian Exchange and Collaboration . .93 Part Three: Findings . .102 Part Four: Recommendations . .122 End Notes . .132 Appendices Appendix A: Request for Study Subjects . .134 Appendix B: Questions for Study Sites . .136 Project Personnel . .139 Making Exact Change 5 Introduction Part One Introduction In 1976, U.S. -
Into the Heart of Screenland Culver City, California
INTO THE HEART OF SCREENLAND CULVER CITY, CALIFORNIA AN INEXHAUSTIVE INVESTIGATION OF URBAN CONTENT THE CENTER FOR LAND USE INTERPRETATION CENTER E FO H R T L A N N O I D T U A S T E RE INTERP THE HEART OF SCREENLAND “The Heart of Screenland” is the official city motto for Culver City, an incorporated city of 40,000 people in the midst of the megalopolis of Los Angeles. “All roads lead to Culver City,” its founder, Harry Culver, once said. All roads indeed. Culver built the city from scratch starting in 1913, selecting a location that was halfway between downtown Los Angeles and the beach community of Venice, at the crossroads of a now long-gone regional public trolley system. Culver City quickly became home to several movie studios, some of which disappeared, others which still dominate the scene. Hal Roach’s Laurel and Hardy comedies, shot on Main Street, captured the town in the 1920s, and Andy Griffith’s everytown of Mayberry was broadcast from the city’s backlots to screens across America. In the 1950s, the city modernized. Its original Main Street was upstaged by a new Culver Center shopping area, a few blocks west. The studios turned to television, and the 1950s became the 1960s. In the 1970s the studio backlots were filled in with housing and office parks, as homogenization flooded the Los Angeles basin, turning Culver CIty into part of the continuous urban suburb. In the 1990s, the city’s efforts to restore its identity and its downtown Into the Heart of Screenland: Culver City, California An Inexhaustive Investigation of Urban Content came together, beginning a rebirth of the Heart of Screenland. -
Schedule and Cost Estimate for an Innovative Boston Harbor Concert Hall
Schedule and Cost Estimate for an Innovative Boston Harbor Concert Hall by Amelie Coste B.S., Civil and Environmental Engineering Ecole Speciale des Travaux Publics, 2003 Submitted to the Department of Civil and Environmental Engineering in Partial Fulfillment of the Requirements for the Degrees of Master of Engineering in Civil and Environmental Engineering at the Massachusetts Institute of Technology June 2004 © 2004 Massachusetts Institute of Technology All rights reserved Signature of A uthor..................... ........................ Deplrtment of Civil And Environmental Engineering n May 7, 2004 Certified by........................... Jerome J Connor Professor of Civil and Envir nmental Engineering Thesis Supervisor Certified by..................... ......................... ACA ' 1 Nathaniel Osgood IA Sepior4urer of il and Environmental Engineering Thesis Supervisor Accepted by .............. ............................ Heidi Nepf Chairman, Committee for Graduate Students MASSACHUSETTS INS OF TECHNOLOGY JUN 0 7 200 4] BARKER LIBRARIE S Schedule and Cost Estimate for an Innovative Boston Harbor Concert Hall By Amelie Coste Submitted to the Department of Civil and Environmental Engineering on May 7, 2004 in partial fulfillment of the requirements for the Degree of Master of Engineering in Civil and Environmental Engineering ABSTRACT This thesis formulates a cost estimate and schedule for constructing the Boston Concert Hall, an innovative hypothetical building composed of two concert halls and a restaurant. Concert Halls are complex and expensive structures due to steep design requirements reflecting their status as signature buildings and because they require extensive furnishing. Restaurants are not as complex but require the same kind of attention in their interior furnishing as well as in the choice of their kitchen equipment. Because the structure houses two complicated entities, feasibility analysis required a careful cost and schedule estimation. -
Making a Difference in Our Communities Through Art an Exploration of Collaborative Art & Public Art and Their Connection to Community Building
Sarah Jayne Bleiweis, 2010 Making A Difference In Our Communities Through Art An Exploration of Collaborative Art & Public Art And Their Connection to Community Building An Integrated Interdisciplinary Unit for 5th Graders In the Visual Arts & English Language Arts STAGE 1- DESIRED RESULTS UNIT RATIONALE: This unit explores art as a means for making a difference in our communities, focusing specifically on collaborative art and public art. The students will build upon their experiences of the collaborative art process, introduced in the previous unit, in order to gain a better understanding of how public art can make a difference in the lives of the community members who encounter it on a daily basis. Students will be encouraged to study the different Judy Baca. Dancers (tentative title) 2009 ways that artists from around the world use art to empower In progress work for the Latino Fine Arts Center in Dallas, Texas. entire communities, and how both collaborative art & public art can help foster a strong sense of community identity. The first lesson will begin with a long-term mural project, where students will work together to first determine where their mural should be located at, and what the message & image of their mural should be. Students will meet a local artist-activist from their community, who will visit the school to talk to students about the various forms of public art located throughout the city of Boston. The class will also learn about artists Judy Baca and Diego Rivera, two community-activists & artists, who have successfully made a difference through creating public works of art that addressed the opinions & issues of the surrounding community.