Venues & Spaces the Music Center
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O S Ouht Epero
SC 38th Season • 366th Production SECOND STAGE / SEPTEMBER 18 THROUGH OCTOBER 21, 2001 So u h o t eper o David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by ANNIE WEISMAN Scenic Design Costume Design Lighting Design Sound Design CHRISTOPHER ACEBO JOYCE KIM LEE GEOFF KORF ARAM ARSLANIAN Dramaturg Stage Manager Production Manager JEFF GIFFORD *EDWARD TIGHE JERRY PATCH Directed by MARK RUCKER SUE AND RALPH STERN, Honorary Producers Hold Please was commissioned and developed by South Coast Repertory PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P -1 CAST OF CHARACTERS (in order of speaking) Erika ..................................................................... *Tessa Auberjonois Agatha ................................................................... *Kimberly K. King Jessica ........................................................................... *Jillian Bach Grace ...................................................................... *Linda Gehringer SETTING: An office. LENGTH: Approximately 2 hours, including one 15-minute intermission PRODUCTION STAFF Casting Director ........................................................................... Joanne DeNaut Production Assistant .................................................................... Christi Vadovic Assistant to the Set Designer ................................................. Celeste Thompson Stage Management Intern ............................................................... Emily Caster ACKNOWLEDGEMENT: -
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B CALIFORNIA W EDNESDAY, MAY 20, 2020 :: L ATIMES.COM/CALIFORNIA L.A. County’s next goal is Fourth of July lost work and pay. Any comprehensive Also Tuesday, Sacra- mento County announced it reopening to aid the has been given the go-ahead struggling economy by the state to reopen dine- in restaurants. County offi- will depend on cials said their reopening reduced cases of virus. plan differs slightly from the state’s road map: religious services and ceremonies By Colleen Shalby, such as graduations can be Rong-Gong Lin II held only via drive-through, and Sarah Parvini and outdoor gatherings — such as weddings, funerals and family gatherings — can Los Angeles County offi- have a maximum of 10 people cials’ newest goal is to more with strict social distancing. fully reopen the economy by Citing county officials, July 4, officials said Tuesday. Sacramento Mayor Darrell Al Seib Los Angeles Times The mission is to safely Steinberg tweeted that the FAMILY NURSE PRACTITIONER Anniesatu Newland swabs Alfredo Contreras’ mouth during walk- reopen retail businesses, county would be able to “re- in coronavirus testing this week at St. John’s Well Child & Family Center in South Los Angeles. restaurants and malls. But open some offices, small getting there will be slow go- shops and restaurants” by ing. Friday. “We have to do a lot of “It’s not just about allow- things right so we can actu- ing the businesses to open; ally get to that date,” L.A. it’s also about the custom- I got tested. Should you? County Public Health Direc- ers,” he said in a media brief- tor Barbara Ferrer said. -
Very Special Arts Festival 1980 Bytmc 105
Interim Designation of Agent to Receive Notification of Claimed Infringement Full Legal Name of Service Provider: -------- -------- The Performing Arts Center of Los Angeles County Alternative Name(s) of Service Provider (including all names unde1· which the service provider is doing business): __S_ ee_ A_tt_ac_h_ed_ ________ ______ Address of Service Provider: 135 N. Grand Ave., Los Angeles, CA 90012 Name of Agent Designated to Receive Notification of Claimed Infringement:_L_i_sa_W_ h_itne__y______ _____ _ Full Address of Designated Agent to which Notification Should be Sent (a P.O. Box or similar designation is not acceptable except where it is the only address that can be used in the geographic location): The Music Center, 135 N. Grand Ave., Los Angeles, CA 90012 Telephone Number of Designated Agent:_(_21_3_)_9_72_-_75_1_2______ ___ _ Facsimile Number of Designated Agent:_(_2_13_)_9_7_2-_7_248__ __________ Email Address of Designated Agent: [email protected] ative of the Designating Service Provider: Date: February 24, 2016 Typed or Printed Name and Title: Lisa Whitney, SVP Finance & CFO Note: This Interim Designation Must be Accompanied by a Filing Fee* Made Payable to the Register of Copyrights. *Note: Current and adjusted fees are available on the Copyright website at www.copyright.gov/docs/fees.html Mail the form to: U.S. Copyright Office, Designated Agents P.O. Box 71537 Washington, DC 20024-1537 SCANNED Received APR 18 2017 MAR 1 0 2016 ·copyright Office 2014 135832 11111~ ~rn 11111 111~ ~1111111 m111111111111 mH111rn FILED EXPIRES Mey 19 2014 May 19 2019 Additional Fictitious Names Fictitious Business Na me In Use Sine& 1. -
Horton Foote
38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis ....................................................................................................... -
THE SOUND of MUSIC Wednesday, October 7, 2015 Ahmanson Theatre, Los Angeles
experienceL.A. THE SOUND OF MUSIC Wednesday, October 7, 2015 Ahmanson Theatre, Los Angeles THE SOUND OF MUSIC The Sound of Music is a stage and film musical based on The Story of the Trapp Family Singers, the memoir of Maria von Trapp. The story takes place in Austria at the brink of World War II. Maria, a plucky nun turned governess, is charged with caring for the seven children of a military captain. Maria’s delightful teaching of music to the children leads to their becoming a celebrated touring act, the innocence of which is shattered as the realities of Nazi rule become inescapable. Notably, many details of the von Trapp family story were changed to increase the dramatic impact of the musical version. Inspired by a pair of German films about the von Trapps from the mid-1950s, the stage version of The Sound of Music premiered on Broadway in 1959. The production won multiple Tony Awards, and the show has been revived many times since, including a renowned 1998 Broadway revival. The 1965 film version starring Julie Andrews won five Academy Awards and is still beloved today by viewers around the world. Written by Rodgers and Hammerstein, the songs of The Sound of Music—including “My Favorite Things,” “Do, Re, Mi,” “Edelweiss,” and the title song—have been celebrated for more than half a century. RODGERS AND HAMMERSTEIN Composer Richard Rodgers and librettist Oscar Hammerstein were one of the most prolific, successful songwriting teams in the history of musical theatre. The pair’s first collaboration, Oklahoma! (1943), marked the start of a new theatrical genre: the musical play, which combined elements of musical comedy, operetta, and drama. -
President's Message
July/Aug 2021 Vol 56-4 63 Years of Dedicated Service to L.A. Your Pension and Health Care Watchdog County Retirees www.relac.org • e-mail: [email protected] • (800) 537-3522 RELAC Joins National Group to Lobby President’s Against Unfair Social Security Reductions Message RELAC has joined the national Alliance for Public Retirees by Brian Berger to support passage of H.R. 2337, proposed legislation to reform the Windfall Elimination Provision (WEP) of the Social The recovery appears to be on a real path Security Act. to becoming a chapter of our history with whatever sadness or tragedy of which The Alliance for Public Retirees was created nearly a decade we might each have witnessed or been ago by the Retired State, County and Municipal Employees a part. The next few months will be critical as we continue to Association of Massachusetts (Mass Retirees) and the Texas see a further lessening or elimination of restrictions. I don't Retired Teachers Association to resolve the issues of WEP know how I'll ever be able to leave the house or see friends and the Government Pension Offset (GPO). without a mask, at least in the car or in my pocket. In all this Together with retiree organizations, public employee unions past period, however, work has not lessened at RELAC and the and civic associations across the country, the organization programs have continued with positive gains. For that I thank has worked to advance federal legislation through Congress the support staff, each Board member, and the many of you aimed at reforming both the WEP and GPO laws. -
Los Angeles Music Center
'A CONTEMPORARY EXPRESSION OF CLASSIC ARCHITECTURE' It is difficult for me to conceive of a great ARC H IT E C T' S EX P l A NAT' 0 N 0 F within and yet we wanted it to be contemp er personal thrill than the formal opening THE PAVILION'S FINE D;;SIGN orary and understated so that it would not of this building. Not only is it the most CONCEPTION, THE ACOUSTICS overpower people. We felt that many con complex architectural problem my firm temporary exterior amI interior desig~s AND LIGHTING, THE STAGE AND has ever attempted to solve, it is probably were too stark and unimaginative for this the single most important e I e men t in THE SEATING AS WELL AS THE type of building, so we studied the classical Southern California's culturJlI history, one KIND OF BUILDING MATERIALS ~oncepts of architecture as a point of de which many in the community have sought parture. Thus. since it is meant to become to secure for nearly 20 years. To be se Photography by Korob a living culturai symbol for future dec lected as architect for such a structure, ades, The Pavilion grew to be a contemp destined to be a landmark even before any opera, ballet and similar presentations re orary expression of classical architecture. architect was assigned, is a great honor. Quire a more intimate type of theater with Being at the crown of the Civic Center But to be chosen in one's own city to ac an amplified sound system. -
Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager ............................................................. -
PERFORMING ARTS VENUES NEXT WEEK the Commercial Real Estate LIST Ranked by Seating Capacity Brokerage Firms
AUGUST 30, 2021 LOS ANGELES BUSINESS JOURNAL 13 PERFORMING ARTS VENUES NEXT WEEK THE Commercial Real Estate LIST Ranked by seating capacity Brokerage Firms Rank Venue Seating Event Types Year Owner Top Executive • name Capacity Opened • name • address • title • website • phone SoFi Stadium 70,000 football games, WWE, concerts 2020 Stan Kroenke Jason Gannon 1 1001 S. Stadium Drive Managing Director Inglewood 90301 NA sofistadium.com Banc of California Stadium 22,000 soccer games, concerts 2018 Los Angeles FC Michael Alperstein 2 3939 S. Figueroa St. General Manager Los Angeles 90037 (213) 519-9900 bancofcaliforniastadium.com Staples Center 20,000 basketball, hockey, concerts, award shows, boxing, WWE, family 1999 Anschutz Entertainment Lee Zeidman 3 1111 S. Figueroa St. shows, special events Group Inc. President Los Angeles 90015 (213) 742-7340 staplescenter.com Hollywood Bowl 18,000 jazz, rock and pop concerts; summer home of the Los Angeles 1922 Los Angeles County Chad Smith 4 2301 N. Highland Ave. Philharmonic CEO Los Angeles 90068 (323) 850-2000 hollywoodbowl.com Forum 17,500 concerts, film shoots, family shows 1968 CAPSS (Steve Ballmer) NA 5 3900 W. Manchester Blvd. (310) 330-7300 Inglewood 90305 fabulousforum.com Pauley Pavilion 13,800 sports, concerts, culture shows, film shoots 1965/ UCLA Erinn McMahan 6 555 Westwood Plaza renovation Director Los Angeles 90095 complete (310) 825-4546 uclabruins.com 2012 Long Beach Arena 13,500 concerts, family shows, conventions, meetings 1962 City of Long Beach Charlie Beirne 7 300 E. Ocean Blvd. General Manager Long Beach 90802 (562) 499-7575 longbeachcc.com Galen Center 10,258 sports, concerts, commencement ceremonies, community events, 2006 USC Paul Neidermire 8 3400 S. -
The Performing Arts Center of Los Angeles
THE PERFORMING ARTS CENTER OF LOS ANGELES COUNTY (A NONPROFIT ORGANIZATION) FINANCIAL STATEMENTS FOR THE YEAR ENDED JUNE 30, 2015 (WITH COMPARATIVE TOTALS FOR THE YEAR ENDED JUNE 30, 2014) THE PERFORMING ARTS CENTER OF LOS ANGELES COUNTY (A NONPROFIT ORGANIZATION) CONTENTS June 30, 2015 Page INDEPENDENT AUDITOR’S REPORT 1 – 2 FINANCIAL STATEMENTS Statement of Financial Position 3 – 4 Statement of Activities 5 – 6 Statement of Cash Flows 7 – 8 Notes to Financial Statements 9 – 48 INDEPENDENT AUDITOR'S REPORT To the Board of Directors The Performing Arts Center of Los Angeles County Los Angeles, California Report on the Financial Statements We have audited the accompanying financial statements of the Performing Arts Center of Los Angeles County (a California nonprofit organization) (the “Performing Arts Center”) which comprise the statement of financial position as of June 30, 2015, the related statements of activities and cash flows for the year then ended and the related notes to the financial statements. Management’s Responsibility for the Financial Statements Management is responsible for the preparation and fair presentation of these financial statements in accordance with accounting principles generally accepted in the United States of America; this includes the design, implementation and maintenance of internal control relevant to the preparation and fair presentation of financial statements that are free from material misstatement, whether due to fraud or error. Auditor’s Responsibility Our responsibility is to express an opinion on these financial statements based on our audit. We conducted our audit in accordance with auditing standards generally accepted in the United States of America. Those standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. -
Schedule and Cost Estimate for an Innovative Boston Harbor Concert Hall
Schedule and Cost Estimate for an Innovative Boston Harbor Concert Hall by Amelie Coste B.S., Civil and Environmental Engineering Ecole Speciale des Travaux Publics, 2003 Submitted to the Department of Civil and Environmental Engineering in Partial Fulfillment of the Requirements for the Degrees of Master of Engineering in Civil and Environmental Engineering at the Massachusetts Institute of Technology June 2004 © 2004 Massachusetts Institute of Technology All rights reserved Signature of A uthor..................... ........................ Deplrtment of Civil And Environmental Engineering n May 7, 2004 Certified by........................... Jerome J Connor Professor of Civil and Envir nmental Engineering Thesis Supervisor Certified by..................... ......................... ACA ' 1 Nathaniel Osgood IA Sepior4urer of il and Environmental Engineering Thesis Supervisor Accepted by .............. ............................ Heidi Nepf Chairman, Committee for Graduate Students MASSACHUSETTS INS OF TECHNOLOGY JUN 0 7 200 4] BARKER LIBRARIE S Schedule and Cost Estimate for an Innovative Boston Harbor Concert Hall By Amelie Coste Submitted to the Department of Civil and Environmental Engineering on May 7, 2004 in partial fulfillment of the requirements for the Degree of Master of Engineering in Civil and Environmental Engineering ABSTRACT This thesis formulates a cost estimate and schedule for constructing the Boston Concert Hall, an innovative hypothetical building composed of two concert halls and a restaurant. Concert Halls are complex and expensive structures due to steep design requirements reflecting their status as signature buildings and because they require extensive furnishing. Restaurants are not as complex but require the same kind of attention in their interior furnishing as well as in the choice of their kitchen equipment. Because the structure houses two complicated entities, feasibility analysis required a careful cost and schedule estimation. -
At the Mission San Juan Capistrano
AT THE MISSION SAN JUAN CAPISTRANO by José Cruz González based on the comic strip “Peanuts” by Charles M. Schulz directed by Christopher Acebo book, music and lyrics by Clark Gesner additional dialogue by Michael Mayer additional music and lyrics by Andrew Lippa directed and choreographed by Kari Hayter OUTSIDE SCR 2021 • SOUTH COAST REPERTORY • 1 THE THEATRE Tony Award-winning South Coast Repertory, founded in 1964 by David Emmes and Martin Benson, is led by Artistic Director David Ivers and SPRING/SUMMER 2021 SEASON Managing Director Paula Tomei. SCR is recog- nized as one of the leading professional theatres IN THIS ISSUE Get to know, or get reacquainted with, South Coast Repertory in the United States. It is committed to theatre through the stories featured in this magazine. You’ll find information about both that illuminates the compelling personal and Outside SCR productions: American Mariachi and You’re a Good Man, Charlie social issues of our time, not only on its stages but Brown, as well as the Mission San Juan Capistrano, acting classes for all ages and a through its wide array of education and engage- host of other useful information. ment programs. 6 Letter From the Artistic Director While its productions represent a balance of clas- That Essential Ingredient of the Theatre: YOU sic and modern theatre, SCR is renowned for The Lab@SCR, its extensive new-play development program, which includes one of the nation’s larg- 7 Letter From the Managing Director est commissioning programs for emerging, mid- A Heartfelt Embrace career and established writers and composers.