Past the Pillars of Hercules: Francis Bacon and the Science of Rulemaking Daniel R
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Francis Bacon: of Law, Science, and Philosophy Laurel Davis Boston College Law School, [email protected]
Boston College Law School Digital Commons @ Boston College Law School Rare Book Room Exhibition Programs Daniel R. Coquillette Rare Book Room Fall 9-1-2013 Francis Bacon: Of Law, Science, and Philosophy Laurel Davis Boston College Law School, [email protected] Follow this and additional works at: http://lawdigitalcommons.bc.edu/rbr_exhibit_programs Part of the Archival Science Commons, European History Commons, and the Legal History Commons Digital Commons Citation Davis, Laurel, "Francis Bacon: Of Law, Science, and Philosophy" (2013). Rare Book Room Exhibition Programs. Paper 20. http://lawdigitalcommons.bc.edu/rbr_exhibit_programs/20 This Article is brought to you for free and open access by the Daniel R. Coquillette Rare Book Room at Digital Commons @ Boston College Law School. It has been accepted for inclusion in Rare Book Room Exhibition Programs by an authorized administrator of Digital Commons @ Boston College Law School. For more information, please contact [email protected]. 1 Francis Bacon: Of Law, Science, and Philosophy Boston College Law Library Daniel R. Coquillette Rare Book Room Fall 2013 This exhibit was curated by Laurel Davis and features a selection of books from a beautiful and generous gift to us from J. Donald Monan Professor of Law Daniel R. Coquillette The catalog cover was created by Lily Olson, Law Library Assistant, from the frontispiece portrait in Bacon’s Of the Advancement and Proficiencie of Learn- ing: Or the Partitions of Sciences Nine Books. London: Printed for Thomas Williams at the Golden Ball in Osier Lane, 1674. The caption of the original image gives Bacon’s official title and states that he died in April 1626 at age 66. -
Of Building, Essay 45, Aus: FRANCIS BACON, the Essayes Or Counsels
FRANCIS BACON : Of Building , Essay 45, aus: FRANCIS BACON , The Essayes or Counsels, Civill and Morall, of Francis Lo. Verulam, Viscount St. Alban (London: Printed by Iohn Haviland for Hanna Barret, 1625) herausgegeben und eingeleitet von CHARLES DAVIS FONTES 16 [1. Oktober 2008] Zitierfähige URL: http://archiv.ub.uni-heidelberg.de/artdok/volltexte/2008/609 [Francis Bacon] THE E S S A Y E S OR C O V N S E L S, C I V I L L A N D M O R A L L, OF FRANCIS LO. VERVLAM, VISCOVNT S t. ALBAM. __________________________ Newly written . __________________________ __________________________ LONDON, Printed by I O H N H A V I L A N D, for H A N N A B A R R E T . 1625. Essay XLV. Of Building. , pp. 257-265 FONTES 16 1 Anon., Francis Bacon, Baron Verulam, Viscount St. Albans, engraving 2 CONTENTS 4 OUTLINE AND STRUCTURE of FRANCIS BACON’s Of Building 10 INTRODUCTION . “ A HOUSE IS TO LIVE IN, NOT TO LOOK AT ”: FRANCIS BACON’S ESSAY “OF BUILDING ”, 1625 13 ANTHOLOGY OF COMMENTARIES TO BACON’S Of Building 18 THE TEXT OF BACON’S Of Building 21 GLOSSARY OF BACON’S Of Building 26 ARCHITECTURAL PUBLICATIONS IN ENGLISH UNTIL 1625 28 BIOGRAPHY OF FRANCIS BACON 29 FRANCIS BACON: Bio-Bibliography 30 THE NEW ATLANTIS 32 THE DEDICATION OF THE “Newly written ” Essays to the Duke of Buckingham 34 LITERATURE ABOUT FRANCIS BACON 36 APPENDIX ONE: OF PLANTATIONS 38 APPENDIX TWO: OF BEAUTY 39 ‘NOTABLE THINGS’: Words, themes, topics, names, places in Of Building 3 OUTLINE and STRUCTURE of FRANCIS BACON’S Of Building Francis Bacon’s essay, Of Building , can perhaps be understood most directly by first examining its form and content synoptically. -
THE CATHOLIC UNIVERSITY of AMERICA Francis Bacon on Action
THE CATHOLIC UNIVERSITY OF AMERICA Francis Bacon on Action, Contemplation, and the Human Good A DISSERTATION Submitted to the Faculty of the School of Philosophy Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy By Aaron Maddeford Washington, D.C. 2018 Francis Bacon on Action, Contemplation, and the Human Good Aaron Maddeford, Ph.D. Director: John McCarthy, Ph.D. Francis Bacon is rarely, if ever, considered a moral philosopher. Commentators generally have focused on his contributions to natural philosophy. Nevertheless, he does write on moral philosophy. Further, throughout his natural philosophy, he employs a distinction central to ancient ethics, that of action and contemplation. Bacon seeks an action and contemplation more united than those of the ancients. What drives men’s actions, in his view, is the desire for immortality, of the individual and of the species. Such an aim is achieved most perfectly by Bacon’s natural philosophy, which has for its end the mastery of nature for the relief of man’s estate. Bacon uses Christian charity as an argument for his philosophy, but his understanding of charity is particularly un-Christian in its focus on this world. His moral philosophy and natural philosophy both reject the starting point of the ancients, namely, what is most known to us. Natural philosophy begins from simple natures, the first tendencies of matter, rather than from natural wholes. Moral philosophy begins not from opinions about the good, but from a consideration of the passions of men. Both natural and moral philosophy aim at immortality, one through dominion over the natural world, the other through dominion over men. -
Lecture 20 Bacon on Interpretation of Nature and Idols
Lecture 20 Bacon on Interpretation of Nature and Idols Patrick Maher Scientific Thought I Fall 2009 Introduction Francis Bacon: 1561{1626 Lord Chancellor of England. In his spare time he worked on a grand plan for improving science. Novum Organum: Book by Bacon published in 1620. It describes a new scientific method. Written in Latin. English translation of title: The New Organon. \Organon" is a Greek word meaning \instrument." Aristotle's writings on logic and scientific method were called \the organon." So the title indicates that this is intended to replace Aristotle's writings on logic and scientific method. Novum Organum consists of a series of numbered statements that Bacon calls \aphorisms," divided into two \books." Today we'll discuss part of Book I. Interpretation of nature The two ways There are and can be only two ways of searching into and discovering truth. The one flies from the senses and particulars to the most general axioms, and from these principles, the truth of which it takes for settled and immovable, proceeds to judgment and to the discovery of middle axioms. And this way is now in fashion. The other derives axioms from the senses and particulars, rising by a gradual and unbroken ascent, so that it arrives at the most general axioms last of all. This is the true way, but as yet untried. [19] most general axioms most general axioms middle axioms middle axioms senses and particulars senses and particulars Existing method doesn't make sufficient use of experience Both ways set out from the senses and particulars, and rest in the highest generalities; but the difference between them is infinite. -
Baconian Essays
Ex Libris C. K. OGDEN THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES Digitized by tine Internet Arciiive in 2008 with funding from IVIicrosoft Corporation littp://www.arcliive.org/details/baconianessaysOOsmit BACONIAN ESSAYS BACONIAN ESSAYS BY E. W. SMITHSON WITH AN INTRODUCTION AND TWO ESSAYS BY SIR GEORGE GREENWOOD LONDON CECIL PALMER OAKLEY HOUSE, 14-18 BLOOMSBURY ST., W.C. i First Edition Copy- right 1922 CONTENTS PAGE Introductory (by G. Greenwood) ... 7 Five Essays by E. W. Smithson The Masque of "Time Vindicated" . 41 Shakespeare—A Theory . .69 Ben Jonson and Shakespeare . .97 " " Bacon and Poesy . 123 " The Tempest" and Its Symbolism . 149 Two Essays by G. Greenwood The Common Knowledge of Shakespeare and Bacon 161 The Northumberland Manuscript . 187 Final Note (G. G.) . , . 223 J /',-S ^ a.^'1-^U- a BACONIAN ESSAYS INTRODUCTORY Henry James, in a letter to Miss Violet Hunt, thus delivers himself with regard to the authorship of " " — the plays and poems of Shakespeare * : " I am * a sort of ' haunted by the conviction that the divine William is the biggest and most successful fraud ever practised on a patient world. The more I turn him round and round the more he so affects me." Now I do not for a moment suppose that in so writing the late Mr. Henry James had any intention of affixing the stigma of personal fraud upon William Shakspere of Stratford-upon-Avon. Doubtless he used the term '* fraud " in a semi-jocular vein as we so often hear it made use of in the colloquial language of the present day, and his meaning is nothing more, and nothing less, than this, viz., that the beHef that the plays and poems of " Shake- speare " were, in truth and in fact, the work of " the man from Stratford," (as he subsequently, in the same letter, styles *' the divine William ") is one of the greatest of all the many delusions which have, * Letters of Henry James. -
Ethics and Politics in the New Atlantis
60 Francis Bacon’s New Atlantis 4 Ethics and politics in the New Atlantis DAVID COLCLOUGH God forbid that we should give out a dream of our own imagination for a pattern of the world; rather may he graciously grant to us to write an apocalypse or true vision of the footsteps of the Creator imprinted on his creatures.1 I The New Atlantis is a text about natural philosophy which seems to offer connections at almost every point with moral and poli- tical philosophy. The celebrated description of Salomon’s House raises the question of the place of the scientist in society and the allusion to Plato’s Critias and Timaeus in the work’s title sug- gests an engagement with that philosopher’s description of the ideal state.2 Furthermore, a reference to More’s Utopia, together with the recognisably ‘utopian’ framework of the narrative, pro- mises responses to other ‘best state’ exercises, perhaps including Andreae’s Christianopolis (1619) and Campanella’s Civitas Solis (1623).3 Bacon’s own political activities are well known, and in successive editions of the Essays, as well as in his speeches and pieces of advice, he had shown himself willing and able to treat what he considered the most pressing issues of political and ethical theory and practical negotiation. Nor was this engagement halted by Bacon’s disgrace in 1621: in the years after his fall from office, he wrote a series of works which could be read as attempts to regain favour and political influence; the New Atlantis could David Colclough - 9781526137388 Downloaded from manchesterhive.com at 09/25/2021 05:26:55PM via free access Price_04_Ch4 60 14/10/02, 9:33 am Ethics and politics 61 well be read as an unfinished contribution to this project. -
The New Organon Francis Bacon Frontmatter More Information
Cambridge University Press 0521564832 - The New Organon Francis Bacon Frontmatter More information CAMBRIDGE TEXTS IN THE HISTORY OF PHILOSOPHY FRANCIS BACON The New Organon © Cambridge University Press www.cambridge.org Cambridge University Press 0521564832 - The New Organon Francis Bacon Frontmatter More information CAMBRIDGE TEXTS IN THE HISTORY OF PHILOSOPHY Series editors KARL AMERIKS Professor of Philosophy at the University of Notre Dame DESMOND M. CLARKE Professor of Philosophy at University College Cork The main objective of Cambridge Texts in the History of Philosophy is to expand the range, variety and quality of texts in the history of philosophy which are available in English. The series includes texts by familiar names (such as Descartes and Kant) and also by less well-known authors. Wherever possible, texts are published in complete and unabridged form, and translations are specially commissioned for the series. Each volume contains a critical introduction together with a guide to further reading and any necessary glossaries and textual apparatus. The volumes are designed for student use at undergraduate and postgraduate level and will be of interest not only to students of philosophy, but also to a wider audience of readers in the history of science, the history of theology and the history of ideas. For a list of titles published in the series, please see end of book. © Cambridge University Press www.cambridge.org Cambridge University Press 0521564832 - The New Organon Francis Bacon Frontmatter More information FRANCIS -
Francis Bacon's Use of Ancient Myths in Novum Organum
Revista Alicantina de Estudios Ingleses 7 (1994): 123-32 Francis Bacon's Use of Ancient Myths in Novum Organum Wendell P. Maclntyre University of Prince Edward Island ABSTRACT Francis Bacon's monumental work, Novum Organum, is an attempt to establish a new status for mankind. Using some of the most prominent myths—particularly those dealing with the gods Pan, Dionysius, Perseus, and Prometheus—Bacon hoped to inaugúrate a new era of success and happiness for his fellow man. In Book I of Novum Organum, Bacon involves these gods and their significances, juxtaposing them with man as he might and could be. In this essay, the author examines about twenty of the "Aphorisms" in Bacon's work, showing the possible impact of the ancient god who is most appropriate for the "Aphorisms" under discussion. This article is clearly a work of utopian proportions, revealing fascinating journeys into the realm of romanticism. In this paper, I will show how the ancient myths of Pan, Perseus, Dionysius, and Prometheus have an impact on Book I of Francis Bacon's Novum Organum. This research has been carried out by making an intensive cross-referencing of Bacon's analysis of myths in his work, The Wisdom of the Ancients, with his Novum Organum. A selected number of aphorisms from the Novum Organum are used in this study. In these aphorisms, one can detect traces—sometimes subtle, sometimes more overt—of the characteristics, functions, and influence of the mythical gods mentioned at the beginning of this paper. First, a few words about Bacon's interest in myths is in order. -
Salvation Through Science? Bacon's New Atlantis and Transhumanism
Salvation Through Science? Bacon’s New Atlantis and Transhumanism David N. Whitney Nicholls State University The interplay between politics and science is certainly not a new phenomenon, but astonishing scientific advances in medicine and technology during the 20th century, and into the first two decades of the 21st, have forced us to reconsider that relationship. While those advances have led to unprecedented wealth and accumulation of material comforts, man’s increased control over nature also means he can destroy his fellow man with greater ease. Thus, in addition to penicillin, vaccinations for crippling diseases such as polio and smallpox, the mass production of the automobile, television, the internet and countless other beneficial inventions, the 20th century saw tens of millions die at the hands of their own governments.1 Atomic energy can provide power for a whole city, but the same technology can also be used to decimate that very city. Natural science gives us incredible power, but it does not provide any guidelines as to how that power should be used. Therefore, a series of questions must be raised as to the proper relationship between science and politics. Should governments control scientific research agendas? Should they determine what inventions to allow? And if so, how can such determinations be made? Who ultimately decides if a scientific advancement is good or bad for society? The answers to such questions go a long way in determining the role of science within a society. 1 R. J. Rummel has coined the term “democide” to refer to the Killing of citizens by their own governments. -
Introduction Medicine 18-4-5 (2013) 329-338 [1]
Early Science andintroduction Medicine 18-4-5 (2013) 329-338 [1] ISSN 1383-7427 (print version) ISSN 1573-3823 (online version) ESM Introduction Claire Crignon, Carsten Zelle, Nunzio Allocca It may seem surprising to devote an entire book to the question of empiricism and, more specifically, its relation to medicine and philoso- phy with a special focus on the seventeenth and eighteenth centuries. The adjective ‘empirical’ is used to denote a medical school that flour- ished over the course of the late Hellenistic period and at the beginning of the Roman Empire along with the ‘dogmatic’ and ‘methodic’ schools.1 The school of the ‘empirics’ was characterised by a rejection of looking for causes, giving precedence instead to the treatment of illnesses based on the observation of symptoms. Refusing the assistance of reason in aiming to discover hidden causes, practitioners trusted only those things that are obvious to senses. Indeed, as Pierre Pellegrin stresses, their posi- tion is often seen as a critical interrogation of the metaphysical preten- sions of reason.2 At the beginning of the modern period, the term was used in a pejora- tive way. In Bacon’s works, for example, the adjective refers more broad- ly to a blind practice of science: the science of the ‘empiricists’,” who behave like ants (“the manner of the ant”), as they content themselves with gathering empirical data without any effort towards rationalism. This practice lies in opposition to philosophy which, according to the 1) Heinrich von Staden, “Hairesis and Heresy: The Case of the haireseis iatrikai,” in Ben F. -
Did Bacon Write Shakespeare?
XTbe ©pen Court A MONTHLY MAGAZINE S)ei(>oteb to tbe Science of 'Relidlon, tbe IRelidion of Science, anb tbe Bxtension of tbe Itelidiottd parliament Idea Founded by Edward C. Hegeler. VOL. XXX. (No. 4) APRIL, 1916. NO. 719 CONTENTS: FACI Frontispiece. William Shakespeare, Country Gentleman (After a Portrait by Adolph Menzel). Did Bacon Write Shakespeare f (Illustrated). George Seibel 193 The Attitude of America. Roland Hugins. The German-Americans 222 The American View 226 The Anglomaniacs . 231 Conclusion 236 The Money Market of To-Morrow. Lindley M. Keasbey 241 Mr. Gorham Replies to Mr. Mattern 254 Woe ®pen Court IPublisbfitd Company CHICAGO Per copy, 10 cents (sixpence). Yearly, $1.00 (in the U.P.U., 5s. 6d.). Entered as Second-Class Matter March 26, 1897, at the Post Office at Chicago, 111., under Act of March 3, 1879 Copyright by The Open Court Publishing Company, igi6 ^be ©pen Court A MONTHLY MAGAZINE S)evote^ to tbe Science ot 'Relidion, tbe tReligion of Science, anb tbe Bxtension ot tbe "Kelidiottd parliament IDea Founded by Edward C. Hegelss. VOL. XXX. (No. 4) APRIL, 1916. NO. 719 CONTENTS: rxci Frontispiece. William Shakespeare, Country Gentleman (After a Portrait by Adolph Menzel). Did Bacon Write Shakespeare f (Illustrated). George Seibel 193 The Attitude of America. Roland Hugins. The German-Americans 222 The American View 226 The Anglomaniacs 231 Conclusion 236 The Money Market of To-Morrow. Lindley AL Keasbey 241 Mr. Gorham Replies to Mr. Mattern 254 ^e ®pen Court IPublisbiitd Company CHICAGO Per copy, 10 cents (sixpence). Yearly, $1.00 (in the U.P.U., 5s. -
Verbal Usury in the Merchant of Venice
VERBAL USURY IN THE MERCHANT OF VENICE SOONAFTER the vernacular grail tales first appeared in Europe, new financial institutions began to challenge the theories ofproduction and representation by which the tales were informed. Fiduciary means dis- turbingly similar to the Christian cornucopia that is the grail affected more and more the livelihood and thinking of impoverished aristocrats and merchants. The topos of the roi-pecheur (sinnerlfisher king) was displaced by the Venetian "merchant prince." This "royal merchant,"' both landed aristocrat and moneyed trader, sought the golden fleece with marine fleets supported by interest loans and insurance.' The divine store generated gratis from the Holy Grail was replaced concep- tually by the natural store of alien shores, whose wealth had to be hus- banded or exploited by expensive means. The problems of divine economy and of the difference between producer and product came to be considered in terms of nature and the tension between natural and unnatural representation and exchange. I. William Shakespeare, The Merchant of Venice, ed. Brents Stirling (Baltimore, 1973)~3. 2. 239. References are to act, scene, and line. The English "royal merchant" made his appearance in economic history much later than the merchant prince of Venice. Samuel Johnson (Johnson, ed., Plays of Shakespeare [London, 17651) notes that "this epithet ["merchant prince"] was, in our poet's time, more striking and more readily understood, because [Sir Thomas] Gresham was then commonly dignified with the title of the royal merchant." 2. E. D. Pettet, "The Merchant of Venice and the Problem of Usury," Essays and Studies by Members of the English Association 31 (1945): 19, notes that "by the time Shakespeare was writing his plays the feudal aristocracy had come to feel the full pinch of the century's momentous economic developments" and that "there was only one way out-the usurer." In Christopher Marlowe's Doctor Faustus (1604), America is the "golden fleece" (Doctor Faustus, ed.