EPK Sept 2018

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My Generation The Ultimate Woodstock Experience Instagram Facebook www.mygeneration.ca 250.720.7999 [email protected] About Us We are My Generation and we want to give you the ultimate Woodstock Experience. We feature the music and style of Santana, Janis Joplin, The Who, CCR, Joe Cocker, Jefferson Airplane, Jimi Hendrix, The Band and more. We encourage our audience to come to our shows decked out in their hippest 60’s mod threads. Check out our events page for our upcoming shows! " " " Set List Woodstock Crosby Stills & Nash Evil Ways Santana Black Magic Women Santana Some To Love Jefferson Airplane White Rabbit Jefferson Airplane Volunteers Jefferson Airplane The Weight The Band Everyday People Sly & The Family Stone Dance To The Music Sly & The Family Stone Born On The Bayou CCR See Me Feel Me The Who Pinball Wizard The Who My Generation The Who Suite Judy Blue Eyes Crosby Stills & Nash Soul Sacriﬁce Santana Run Through The Jungle CCR If I Were A Carpenter Tim Hardin Move Over Janis Joplin Piece Of My Heart Janis Joplin Bobby McGee Janis Joplin Voodoo Child Jimi Hendrix Feeling Alright Joe Cocker With A Little Help Joe Cocker From My Friends www.mygeneration.ca 250.720.7999 [email protected] Facebook What people are saying… Instagram Jackie Sutcliffe Frikkin killer!! You guys are slaying this stuff...love outdoor shows for the audience energy...well done....well done! Georgina Cyr These guys are THE BEST concert I have ever seen !! and I grew up in California, have been to a lot of concerts. Their versatility and authenticity for representing the greats... far surpasses ones expectations. Truly the perfect people to portray the songs. Amazing.. we will be there !! Peggy Lamb-Garey Your # 1 fan here says, if you have not seen this show. ,shame on you, it’s beyond fantastic Barb Hnatiuk This is a great show...thoroughly enjoyed the Woodstock vibe! www.mygeneration.ca 250.720.7999 [email protected] Meet The Band Kerri Blaine Shannon Ronning Lead Vocals Lead Vocals & & Hippie Sex Appeal Vibe Art Van Dave Vosen Anderosov Drums & Bass & Atitude Groove Graham Jim White Kraneveldt Keyboards Guitars & & Cadillacs Funkyness Full Band Bios Mike Sutcliffe Sound & My Generation is a group of six incredible Charm musicians who want to give you the ultimate Woodstock Experience. This band puts on a Andrew Taylor show that captures the look and feel of the Lights & greatest music festival of all time! Featuring Action the music and styles of Santana, Janis Joplin, The Who, CCR, Joe Cocker, Jefferson Airplane, Jimi Hendrix, The Band, and more! www.mygeneration.ca 250.720.7999 [email protected] Stage Plot VIDEO LINKS Soul Sacriﬁce Volunteers White Rabbit Kerri Live 97.3 The Eagle www.mygeneration.ca 250.720.7999 [email protected] Media Files www.mygeneration.ca 250.720.7999 [email protected] www.mygeneration.ca 250.720.7999 [email protected] www.mygeneration.ca 250.720.7999 [email protected] www.mygeneration.ca 250.720.7999 [email protected].

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PRESS QUOTES ASSOCIATED PRESS: Wise words pour forth from Chris Smither – observations and aphorisms, similes and internal rhymes, run-on sentences and concise quips, all in a conversational flow. The careful construction of Smither’s lyrics is a thing of beauty and the bedrock of his bluesy folk music. Smither is an excellent acoustic guitarist and first-rate foot-stomper. NATIONAL PUBLIC RADIO: [Smither] taps his foot to keep the rhythm, much like the late blues legend John Lee Hooker. His finger-picked guitar lines are sleek, unhurried and insistent. And then there's the voice – equal parts gravel and molasses. (I edited a little out) ROLLING STONE: Bathed in the flickering glow of passing headlights and neon bar signs, Smither's roots are as blue as they come. There is plenty of misty Louisiana and Lightnin' Hopkins in Smither's weathered singing and unhurried picking. So fine. MOJO (5 STARS): Hundred Dollar Valentine is a thing of profound beauty; deep, sad, wise songs, allied to perfectly crafted arrangements, from a a man who’s live long enough in darkness to address the big, heavy questions with a lightness of touch. OXFORD AMERICAN It was that rhythmic push-and-pull, that New Orleans sensibility that made Smither stand out NEW YORK TIMES: With a weary, well-traveled voice and a serenely intricate finger-picking style, Mr. Smither turns the blues into songs that accept hard-won lessons and try to make peace with fate. MAVERICK: Cast your mind back to the first time you heard Hank Williams, Big Bill Broonzy or JJ Cale and remember how good it felt.
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Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish).
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Garrett Stack's American Jukebox®Originating on WMNR Fine Arts
Originating on WMNR Fine Arts Radio [email protected] Playlist Program archived 24-48 hours after broadcast. Can be heard free of charge. Garrett Stack’s American Jukebox® Public Radio Exchange > exchange.prx.org > American Jukebox Show #: 292PRX Broadcast Date: August 17, 2019 Time:16:00 - 18:00 # Selections: 27 Since 2006 – Celebrating Classic Pop, Rock & Soul from the ‘50s, ‘60s and ‘70s American Jukebox® Theme Song Credit: “What Did You Do With Your Old 45’s,” Bobby Vinton, Bobby Vinton’s Greatest Hits, Curb Records, 1989. By Pam A. Hanna & George Pickard. Order Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Release Date Date Played Date Played Copy 01 5:08 Louis Gossett, Jr/Richie Havens Handsome Johnny - LIVE Richie Havens Woodstock Artists iTunes/Amazon 1969 These are artists who sang at Woodstock and sang many of these songs. But, these are not RKV Woodstock 0:37 1 2019 8/17/19 the live recordings from the 1969 Woodstock Festival. 02 2:44 Tim Hardin If I Were A Carpenter Tim Hardin The Best Of Time Hardin - The Millenium UMG/Motown 1969 An iTunes download, 8/17/19. All tracks on this CD circa 1969. Find more info. CDFK Hardin 0:14 08 2002 8/17/19 Collection 03 2:00 Tim Hardin Reason To Believe Tim Hardin The Best Of Time Hardin - The Millenium UMG/Motown 1969 An iTunes download, 8/17/19. All tracks on this CD circa 1969. Find more info. CDFK Hardin 0:06 03 2002 8/17/19 Collection 04 4:25 Bob Dylan Mr.
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Leer 8.Pages
Richie Havens 1. Minstrel From Gault 2. High Flyin’ Bird 3. I Can’t Make It Anymore 4. With A Little Help 5. Strawberry Fields For Ever 6. Hey Jude 7. I Had A Woman 8. Handsome Johnny 9. Freedom Sweetwater 1. Motherless Child 2. Look Out 3. For Pete’s Sake 4. Day Song 5. What’s Wrong 6. Crystal Spider 7. Two Worlds 8. Why Oh Why Bert Sommer 1. Jennifer 2. The Road To Travel 3. I wondered where you’d be 4. She’s Gone 5. Things Are Going My Way 6. And When It’s Over 7. Jeanette 8. America (ﬁrst standing ovation at Woodstock) 9. A Note That Read 10. Smile Tim Hardin 1. Misty Roses 2. If I Were A Carpenter Ravi Shankar 1. Raga Puriya-Dhanashri / Gat In Sawarital 2. Tabla Solo In Jhaptal 3. Raga Manj Kmahaj / Alap Jor / Dhun In Kaharwa Tal / Medium & Fast Gat In Teental Melanie 1. Beautiful People 2. Birthday Of The Sun Arlo Guthrie 1. Coming Into Los Angeles 2. Walking Down The Line 3. Amazing Grace Joan Baez 1. Joe Hill 2. Sweet Sir Galahad 3. Drug Store Truck Driving Man 4. Swing Low Sweet Chariot 5. We Shall Overcome Day Two: Saturday, August 16 1969 Quill 1. They Live the Life 2. That’s How I Eat 3. Driftin’ 4. Waitin’ For You Country Joe McDonald 1. I Find Myself Missing You 2. Rockin’ All Around The World 3. Flyin’ High All Over The World 4. Seen A Rocket 5. Fish Cheer / I-Feel-Like-I’m-Fixing-To-Die-Rag John B.
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CNHI Woodstock 20190814
A half-century later, the mother of all music festivals still resonates ifty years after the fact, it still resonates with us. Tucked up in the Catskill Mountains, the Woodstock Music & Art Fair — promoted as “An Aquarian Exposition, Three Days of Peace and Music,” but known to one and all as simply Woodstock — took place in 1969 over three-plus days. From Friday, Aug. 15, through the morning of Monday, Aug. 18, dairy farmer Max Yasgur’s 600- acre parcel of land in Bethel, New York — forever immortalized in Joni Mitchell’s “Woodstock” (ironically, she wasn’t at the event itself) — became the epicenter of the music and cultural universe, a haven for 400,000-plus hippies, bohemians, music lovers and mem- bers of the counterculture. It began when folkie Richie Havens began strumming his gui- tar, kicking off the festival with Paul Gerry/Bethel Woods Collection “From the Prison.” Thirty-two more acts, about 66 hours and several rainstorms later, it ended when guitar god Jimi Hendrix capped off a stellar set with his rendition of “Hey Joe.” Thousands of cars were left stranded for miles and miles en route to the venue as concertgo- ers walked to their destination. Tickets for the festival were $18, but many attendees got in for free when the crowd more than tripled what organizers had anticipated. Dallas Taylor, the drummer for supergroup Crosby, Stills, Nash & Young (playing just its second-ever show), asked the helicopter pilot James Sarles/Bethel Woods Collection James Sarles/Bethel Woods Collection flying him to the event what body of More than 400,000 people descended on a dairy farm in Bethel, N.Y., for the concert held 50 years ago.
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Doug James [email protected] 847-274-3461 Press Kit
Doug James [email protected] 847-274-3461 Press Kit – Joe Cocker Tribute Timothy Video: https://www.soundtracksofageneration.com/joe-cocker-tribute Soundcloud: https://soundcloud.com/soundtracksofageneration/sets/derrick-procell-as-joe-cocker Pricing: $1500 for 90 minutes wkdy - $2000 wknd / 60 $1250 wkdy $1500 wknd Joe Cocker – A Mad Dogs and Englishmen Tribute “New York City March 1970, NYC was shaking off another grey winter, getting ready for spring and the dawning of a new decade. The 60’s and the promise of Woodstock ended w/a SICKENING thud this past December at a Stones concert at Altamont in northern California. The war was still raging. The Weathermen blew up a building in the village…the one they lived in. The Chicago Seven got off, but Timothy Leary didn’t…for a change. He got ten years for possession of two roaches! On TV the top shows were Marcus Welby, Flip Wilson and Gunsmoke. TV was kind of a drag. MASH had just opened at the theaters but truth was we still all came together around the music, and it was awesome. The Beatles, said Let It Be, and we all knew the end was near. In New York 1970 the place to be was Greenwich Village. The weekends found most of us on 2nd Ave and 6th. That was Bill Grahams Fillmore East. The year had started out with Jimi Hendrix and a band of Gypsies on New Years Eve. In March alone there was Neil Young & Crazy Horse, The Steve Miller Band, Miles Davis, BB King, The Moody Blues…and then there was the last weekend of March the 27th and 28th, Easter Weekend.
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Biography 2015
DANNY BRYANT : biography 2015 Bernard Doherty, Planet Rock - “One of those amazing British talents. The boy can play guitar…” Joe Bonamassa - “A fantastic guitar player… able to take a Fender Stratocaster and really make it sing…” Walter Trout - “What sets him apart is his passion and feeling. Danny’s playing grabs you with its intensity and urgency.” Praise for ‘Temperature Rising’: music-news.com - 5* “Just stunning.” The Blues Magazine - “It’s his growing maturity as a songwriter and singer that sets him apart from the rest of the pack.” Guitar & Bass Mag - “A blues rock gem.” Europe’s leading Blues & Rock publication, Classic Rock’s The Blues Magazine, called Danny a "National Blues Treasure", a title that he has worked tirelessly and passionately to earn. Riding high on the European blues scene for over a decade, yet still only 35, Danny has carved a name for himself the old-fashioned way having played over 2000 club and festival shows to his many fans around the world and is acknowledged by those in the business as one of the cream of the crop. Following many sold out club tours across Europe and numerous major festival appearances that have seen the power trio perform on the same bill as such names as Joe Cocker, Carlos Santana, Buddy Guy and Peter Green to mention a few; Danny and his band have steadily carved a huge and loyal fan base around the world. In 2007 Danny signed with Rounder Records and released three highly successful albums with this Label, all of which topped the iTunes and Amazon blues charts in many countries.
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Woodstock: the Creation and Evolution of a Myth
UNLV Retrospective Theses & Dissertations 1-1-1994 Woodstock: The creation and evolution of a myth Jo Raelene Sorrell University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Sorrell, Jo Raelene, "Woodstock: The creation and evolution of a myth" (1994). UNLV Retrospective Theses & Dissertations. 394. http://dx.doi.org/10.25669/hbla-mq2i This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microhlm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted.
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Cover Song List- Updated October 2015
Cover Song List- Updated October 2015 3 a.m. - Matchbox Twenty Can't You See - Marshall Tucker Gravity - John Mayer 6th Avenue Heartache - The Champagne Supernova - Oasis Green River - Creedence Wallflowers Clearwater Revival Cocaine Blues - Johnny Cash A Boy Named Sue - Johnny Cash Hard To Handle - The Black Cold Shot - Stevie Ray Vaughn Crowes Against the Wind - Bob Seger Country Roads - John Denver Heartbreak Hotel - Elvis Presley Ain't Too Proud to Beg - The Temptations Crazy - Gnarles Barkley Hey Jude - The Beatles All Apologies - Nirvana Dancing With Myself - Billy Idol Hotel California - The Eagles All Along the Watchtower - Bob Dead Flowers - The Rolling Stones Honky Tonk Women - The Rolling Dylan Stones Desperato - The Eagles All My Loving - The Beatles House of the Rising Sun - The Dirty Diana - Michael Jackson Animals American Girl - Tom Petty & The Heartbreakers Don't Come Around Here No I'm A Believer - The Monkees More - Tom Petty & The Angel from Montgomery - John Heartbreakers I'm On Fire - Bruce Springsteen Prine Don't Look Back In Anger - Oasis I Fought the Law (and the law Bad Fish - Sublime won) - The Clash Drift Away - Dobie Gray Bad Moon Rising - Creedence I Heard It Through The Clearwater Revival D'yer Mak'er - Led Zeppelin Grapevine - Creedence Clearwater Revival / Marvin Gaye Beast of Burden - The Rolling Feelin' Alright - Joe Cocker Stones I Still Haven't Found What I'm Folsom Prison Blues - Johnny Looking For - U2 Black Betty - Ram Jam Cash Into the Mystic - Van Morrison Blue Suede Shoes - Elvis Presley For What Its Worth - Buffalo Springfield Johnny B. Good - Chuck Berry Blurred Lines - Robin Thick Fortunate Son - Creedence Jumpin' Jack Flash - The Rolling Before You Accuse Me - Eric Clearwater Revival Stones Clapton Free Bird - Lynyrd Skynyrd Kiss Me I'm S#%t Faced - Born to Run - Bruce Springsteen Dropkick Murphies Free Fallin' - Tom Petty & The Bright Lights - Matchbox Twenty Heartbreakers L.A.
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Jewish Singers-Songwriters in the 1960S and 1970S
CHAPTER 6 Singing from Difference: Jewish Singers-Songwriters in the 1960s and 1970s Jon Stratton During the period after World War II Jews were gradually integrated into “white” American society. To be accepted as white meant that Jews had to give up many distinctive features including, perhaps most obviously, the injunc- tion to marry within the Jewish community. That Jews struggled to retain many of their identifying characteristics meant that their whiteness was only ever provisional. Once Jews had been identified as a race; now they were reclas- sified as an ethnic group. However, the “new ethnic definition of Jewishness not only failed to satisfy the emotional needs of many Jews, but also fell short of the expectations of non-Jewish society that Jews would suppress all but religious expressions of group difference as they integrated.”1 Since the turn of the twentieth century Jews have contributed in much greater proportion than their numbers would suggest to American culture.2 Stephen J. Whitfield writes that the “creativity of American Jewry has . affected and altered [the national] culture.”3 This was certainly true of popular music where Whitfield writes that “Jews were dominant in the creative as well as the commercial side of Tin Pan Alley. Its songs would, for more than half a century, help unify a huge and disparate nation.”4 The singer-songwriters with whom I deal here arrived after the dominance of Tin Pan Alley, but while many of their concerns emerged out of American Jewish life their popularity signaled that they also spoke to mainstream, white American culture.
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New State of Our Union Playlist
New State of Our Union Playlist What A Day – Poco Brand New Day – Al Kooper Here Comes the Sun – The Beatles Here Comes the Sun – George Harrison (Concert for Bangla Desh) A Beautiful Morning – The Young Rascals You’ve Got a Friend – Carole King You Can All Join In – Traffic (from Inspiration playlist) Sing this Song All Together – Rolling Stones It’s Wonderful – The Young Rascals It’s Wonderful – The Rascals (Once Upon A Dream reunion) Something in the Air – Thunderclap Newman Things Will Be Better – The Byrds (from Doin’ Fine playlist) Gettin’ Better – The Beatles Celebrate – Three Dog Night Glad – Traffic (from Doin’ Fine playlist) Revival – Allman Brothers Band (from Inspiration playlist) Beautiful Day – U2 All You Need is Love – The Beatles Keep on Believin’ – Poco We Are Family – Sister Sledge Everything Going to be Alright – Paul Butterfield Blues Band (from Doin’ Fine playlist) Land of Hope and Dreams – Bruce Springsteen Feelin' Alright – Dave Mason (from Doin Fine playlist) Feelin' Alright – Traffic (from Doin’ Fine playlist) Feelin’ Alright – Joe Cocker Feel So Good – The Faces (from Doin’ Fine playlist) A Little Help from My Friends – The Beatles Get Together – The Youngbloods Up to M e – Roger McGuinn (from Inspiration playlist) Up Around the Bend – Creedence Clearwater Revival (from Inspiration playlist) A Right Along – Poco (from Songs for the Road playlist) Mystic Highway – John Fogerty (from Songs for the Road and Songs to Ring in the New Year playlists) Respect – Aretha Franklin Promised Land – Bruce Springsteen & the E-Street Band Come Together – The Beatles YouTube playlist Apple Music playlist Created 2021-01-24.
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Page 1 N E W R E L E a S E
NEW RELEASE O N I N T U I T I O N R E C O R D S R E C E I V E D 4 G R A M M Y N O M I N A T I O N S OREGON’s latest project, Oregon In Moscow, is a double CD with the Moscow Tchaikovsky Symphony Orchestra, and the group’s recorded debut of their orchestral repertoire—a prodigious body of work that has been developing over the life of the band, but never documented. In the thirty-year history of OREGON, there has always existed a strong kinship to orchestral music. The use of the double reeds alone has given the quartet an identity and expansive sound associated with the symphonic orchestra. This association isn’t confined only to their use of many orchestral instruments, but applies also to the composition and presentation of the music, including the careful attention to details such as articulation, dynamics, phrasing and tone production derived from their respective classical studies. Chief composer Ralph Towner explains, “OREGON came together as a group in New York City in 1970, and from the outset it was clear that our unusual instrumentation and collective musical experience invited a different approach to composition and improvisation. The jazz tradition of improvisation usually consists of the soloists taking turns improvising on the song’s harmonic structure, recycling the chord progressions and returning to the original melody only on the last repeat of the cycle. While still using and honoring this tradition, we began composing longer, more sectional forms that allowed each soloist to improvise on different material within the context of a single piece.
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