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TV Preview: Tales of Television Centre at BFI Southbank / Tue 15 May / 18:10
PRESS RELEASE April 2012 12/29 TV Preview: Tales of Television Centre At BFI Southbank / Tue 15 May / 18:10 BFI Southbank is delighted to present a preview screening of Tales of Television Centre, the upcoming feature-length documentary telling the story of one of Britain’s most iconic buildings as the BBC prepares to leave it. The screening will be introduced by the programme’s producer-director Richard Marson The story is told by both staff and stars, among them Sir David Frost, Sir David Attenborough, Dame Joan Bakewell, Jeremy Paxman, Sir Terry Wogan, Esther Rantzen, Angela Rippon, Biddy Baxter, Edward Barnes, Sarah Greene, Waris Hussein, Judith Hann, Maggie Philbin, John Craven, Zoe and Johnny Ball and much loved faces from Pan’s People (Babs, Dee Dee and Ruth) and Dr Who (Katy Manning, Louise Jameson and Janet Fielding). As well as a wealth of anecdotes and revelations, there is a rich variety of memorable, rarely seen (and in some cases newly recovered) archive material, including moments from studio recordings of classic programmes like Vanity Fair, Till Death Us Do Part, Top of the Pops and Dr Who, plus a host of vintage behind-the-scenes footage offering a compelling glimpse into this wonderful and eccentric studio complex – home to so many of the most celebrated programmes in British TV history. Press Contacts: BFI Southbank: Caroline Jones Tel: 020 7957 8986 or email: [email protected] Lucy Aronica Tel: 020 7957 4833 or email: [email protected] NOTES TO EDITORS TV Preview: Tales of Television Centre Introduced by producer-director Richard Marson BBC 2012. -
Television Biopics: Questions of Genre, Nation, and Medium
Television biopics: Questions of genre, nation, and medium Book or Report Section Accepted Version Bignell, J. (2020) Television biopics: Questions of genre, nation, and medium. In: Cartmell, D. and Polasek, A. D. (eds.) A Companion to the Biopic. Wiley Blackwell, Hoboken, New Jersey, USA, pp. 45-60. ISBN 9781119554813 doi: https://doi.org/10.1002/9781119554783.ch4 Available at http://centaur.reading.ac.uk/89129/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Published version at: https://onlinelibrary.wiley.com/doi/abs/10.1002/9781119554783.ch4 To link to this article DOI: http://dx.doi.org/10.1002/9781119554783.ch4 Publisher: Wiley Blackwell All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Television Biopics: Questions of Genre, Nation, and Medium Book or Report Section Accepted Version Bignell, J. (2020) Television Biopics: Questions of Genre, Nation, and Medium. In: Cartmell, D. and Polasek, A. (eds.) A Companion to the Biopic. Wiley Blackwell, Hoboken, NJ, pp. 45-60. ISBN 978-1-119-55481-3 doi: https://doi.org/10.1002/9781119554783.ch4 Available at http://centaur.reading.ac.uk/89129/ It is advisable to refer to the publisher’s version if you intend to cite from the work. -
HANCOCK's HALF HOUR COLLECTIBLES Notes To
HANCOCK’S HALF HOUR COLLECTIBLES Notes to Accompany Volume 3 All photographs copyright (C) BBC (unless otherwise stated) The Tony Hancock Appreciation Society is delighted to have given its support to the production of this new and unique series concerning the lost works of Tony Hancock. Tony Hancock: BBC Publicity Shot for Hancock’s Half Hour, November 1956 The Tony Hancock Appreciation Society (THAS) Since its creation in 1976, the THAS has dedicated itself to preserving and promoting the works of Tony Hancock and, more crucially, to finding his broadcasts that were missing from the archives. Over the decades, these efforts have yielded a wealth of material, most notably lost episodes of his most beloved work on Hancock’s Half Hour for both television and radio. Many of these have now been located and returned to the BBC; some feature in this special series of Collectibles, now into 1 its third volume. However, many still remain lost at this time. In addition, our efforts have found other material – shows recorded before Hancock became a household name – from series such as Calling All Forces, Variety Bandbox and Star Bill. Again, examples of these can be found in this series. In the previous volumes, there was an extensive analysis of missing recordings from Hancock’s radio career, and, as ever, we remain hopeful that some of these recordings will emerge from private collections or, perhaps, the archives of the BBC or other institutions. In these notes, we will focus on a number of missing recordings and shows outside the ‘core’ work Hancock did on his eponymous series and those that preceded it. -
Spring 2006 Bulletin 85
Advertisements Diary Dates Please refer to VLV when responding to advertisements. VLV Ltd cannot accept any liability or complaint in regard to the following offers. The charge for classified advertisements is 30p per word, 20p for Wednesday 26 April members. Please send typed copy with a cheque made payable to VLV Ltd. For display space please VLV Spring Conference contact Linda Forbes on 01474 352835. The Royal Society, London SW1 10.30am – 5.00pm The Radio Listener's Guide 2006 The Television Viewer's Guide 2006 Wednesday 26 April Presentation of VLV’s Awards G 160 pages G 160 pages for Excellence In Broadcasting G Frequencies for all BBC and commercial radio G Digital TV details of what you need to pick up Sky, The Royal Society, London SW1 stations, plus DAB digital transmitter details. Freeview or cable 1.45pm – 2.30pm G Radio Reviews Independent reviews of over G Transmitter sites for all analogue and digital Thursday, 11 May 130 radios including DAB digital radios. television transmitters. An Evening with Joan Bakewell G News from both BBC and commercial radio stations. G Equipment advice covering TV sets, VCRs, DVD One Whitehall Place, players and recorders, Sky and Freeview. G Digital Radio (DAB) The latest news and information. London SW1 G Freeview set-top box guide. 6.30pm – 8.20pm G Sky and Freeview radio information and G channel lists. Channel lists for Sky and Thursday, 18 May Freeview. VLV Evening Seminar with Mark G Advice showing how to get the G Thompson, BBC Director General best from your radio. -
The Production of Religious Broadcasting: the Case of The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository The Production of Religious Broadcasting: The Case of the BBC Caitriona Noonan A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy. Centre for Cultural Policy Research Department of Theatre, Film and Television University of Glasgow Glasgow G12 8QQ December 2008 © Caitriona Noonan, 2008 Abstract This thesis examines the way in which media professionals negotiate the occupational challenges related to television and radio production. It has used the subject of religion and its treatment within the BBC as a microcosm to unpack some of the dilemmas of contemporary broadcasting. In recent years religious programmes have evolved in both form and content leading to what some observers claim is a “renaissance” in religious broadcasting. However, any claims of a renaissance have to be balanced against the complex institutional and commercial constraints that challenge its long-term viability. This research finds that despite the BBC’s public commitment to covering a religious brief, producers in this style of programming are subject to many of the same competitive forces as those in other areas of production. Furthermore those producers who work in-house within the BBC’s Department of Religion and Ethics believe that in practice they are being increasingly undermined through the internal culture of the Corporation and the strategic decisions it has adopted. This is not an intentional snub by the BBC but a product of the pressure the Corporation finds itself under in an increasingly competitive broadcasting ecology, hence the removal of the protection once afforded to both the department and the output. -
Mothers on Mothers: Maternal Readings of Popular Television
From Supernanny to Gilmore Girls, from Katie Price to Holly Willoughby, a MOTHERS ON wide range of examples of mothers and motherhood appear on television today. Drawing on questionnaires completed by mothers across the UK, this MOTHERS ON MOTHERS book sheds new light on the varied and diverse ways in which expectant, new MATERNAL READINGS OF POPULAR TELEVISION and existing mothers make sense of popular representations of motherhood on television. The volume examines the ways in which these women find pleasure, empowerment, escapist fantasy, displeasure and frustration in popular depictions of motherhood. The research seeks to present the MATERNAL READINGS OF POPULAR TELEVISION voice of the maternal audience and, as such, it takes as its starting REBECCA FEASEY point those maternal depictions and motherwork representations that are highlighted by this demographic, including figures such as Tess Daly and Katie Hopkins and programmes like TeenMom and Kirstie Allsopp’s oeuvre. Rebecca Feasey is Senior Lecturer in Film and Media Communications at Bath Spa University. She has published a range of work on the representation of gender in popular media culture, including book-length studies on masculinity and popular television and motherhood on the small screen. REBECCA FEASEY ISBN 978-0343-1826-6 www.peterlang.com PETER LANG From Supernanny to Gilmore Girls, from Katie Price to Holly Willoughby, a MOTHERS ON wide range of examples of mothers and motherhood appear on television today. Drawing on questionnaires completed by mothers across the UK, this MOTHERS ON MOTHERS book sheds new light on the varied and diverse ways in which expectant, new MATERNAL READINGS OF POPULAR TELEVISION and existing mothers make sense of popular representations of motherhood on television. -
Enigma 2000 Newsletter
ENIGMA 2000 NEWSLETTER http://enigma2000group.org This commemorative brass plaque can be seen in the entrance to the National Radio Centre [sponsored by RSGB] at Bletchley Park to remember the work done by 1500 Radio Amateurs in WW2 who intercepted coded messages sent by the Abwher. Notable that without wireless intercepts Bletchley Park would have had little to do ISSUE 126 September 2021 http://www.enigma2000.org.uk © All items within this newsletter remain the 1pro perty of ENIGMA 2000 and are copyright. See last page also. Editorial Once again the expected change in propagation has yet to appear; the number stations continue unbounded with a few changes of frequency. E07a Wednesday 2000z and Thursday 0430z schedules being expected. Signal strengths here remained very strong with some exception. Noise of course remains a problem and it seems OFCOM has dumped any willingness to police the SW spectrum as other stuff goes much higher into GHz and also via satellite and via the internet and short radio links where necessary; read more further on. One member visited Scarborough and sent your editor a postcard to remind him of a certain hotel that might have been good in its Victorian heyday but not now. He remarked about seeing certain antennas as he entered Scarborough, so here they are in all their glory: More on Scarborough antennas next Issue We have been joined by new member Xaver; he writes: Dear readers of the ENL, What? There is a new member? - Yes, I'm Xaver and I recently became a member of the ENIGMA2000 group. -
Radiotimes-July1967.Pdf
msmm THE POST Up-to-the-Minute Comment IT is good to know that Twenty. Four Hours is to have regular viewing time. We shall know when to brew the coffee and to settle down, as with Panorama, to up-to- the-minute comment on current affairs. Both programmes do a magnifi- cent job of work, whisking us to all parts of the world and bringing to the studio, at what often seems like a moment's notice, speakers of all shades of opinion to be inter- viewed without fear or favour. A Memorable Occasion One admires the grasp which MANYthanks for the excellent and members of the team have of their timely relay of Die Frau ohne subjects, sombre or gay, and the Schatten from Covent Garden, and impartial, objective, and determined how strange it seems that this examination of controversial, and opera, which surely contains often delicate, matters: with always Strauss's s most glorious music. a glint of humour in the right should be performed there for the place, as with Cliff Michelmore's first time. urbane and pithy postscripts. Also, the clear synopsis by Alan A word of appreciation, too, for Jefferson helped to illuminate the the reporters who do uncomfort- beauty of the story and therefore able things in uncomfortable places the great beauty of the music. in the best tradition of news ser- An occasion to remember for a Whitstabl*. � vice.-J. Wesley Clark, long time. Clive Anderson, Aughton Park. Another Pet Hate Indian Music REFERRING to correspondence on THE Third Programme recital by the irritating bits of business in TV Subbulakshmi prompts me to write, plays, my pet hate is those typists with thanks, and congratulate the in offices and at home who never BBC on its superb broadcasts of use a backing sheet or take a car- Indian music, which I have been bon copy. -
Socialist Television Drama, Newspaper Critics and the Battle of Ideas During the Crisis of Britain’S Post-War Settlement
Socialist television drama, newspaper critics and the battle of ideas during the crisis of Britain’s post-war settlement Author: Steven Fielding Journal: Twentieth Century British History Accepted for Publication: 1 February 2019 More than ever, ideas matter to political historians: many have now taken an ‘ideational turn’.1 This is especially true of students of the 1970s, the decade when a fierce ideological battle with huge consequences for the future raged over Britain’s ailing post-war settlement. By keeping the profit motive intact and leaving untouched most bastions of estaBlished power, but expanding the role of government and giving organized laBour a Bigger voice, some believed the settlement had permanently placed Britain somewhere Between socialism and the free market.2 Sustained by what Paul Addison described as a limited ‘Whitehall consensus’, the settlement nonetheless remained the suBject of keen ideological debate.3 Economic growth and popular affluence however meant that those who wanted to firmly wrest it towards socialism or the free market were largely excluded from influence within government. But once Britain’s mounting economic proBlems were compounded By the quadrupling of the price of oil in 1973-4 and the country found itself in an inflation-fueled recession, the existential questions long asked by the far-left and radical right won new audiences beyond Whitehall.4 If measured in strictly parliamentary terms it was the right that won this battle of ideas. Margaret Thatcher’s election as Prime Minister in 1979 -
How Bona to Varda Your Dolly Old Eke
How bona to varda your dolly old eke RI LA PO Polari (also seen as 'Palare') is a gay slang lan- guage, which has now almost died out. It was more common in the 1930s to the 1960s when gays had more need of a private slang. Po- lari itself was never clearly defined: an ever- changing collection of slang from various sources including Italian, English (backwards slang, rhym- ing slang), circus slang, canal-speak, Yiddish and Gypsy languages. RI LA PO A bit of vocabulary acqua water bijou small bona good cackle speak chavie child dolly pleasant dowry a lot, much eke face fakement thing fang carsey dentist fantabulosa excellent lally leg lattie house mince walk munge darkness nanti no, nothing ogle fakes spectacles omi man palone woman riah hair troll go varda see, look The Bible in Polari The whole of the Bible has been trans- lated into Polari Here’s Genesis Chapter 1. In the beginning Gloria created the heaven and the earth. And the earth was nanti form, and void; and munge was upon the eke of the deep. And the fairy of Gloria trolled upon the eke of the aquas. And Gloria cackled, Let there be sparkle: and there was sparkle. And Gloria var- dad the sparkle, that it was bona. The Bible in Polari Here’s a bit of “Matilda” Chapter 9 And Josie knowing their thoughts cack- led, Wherefore think ye nana in your thumping cheats? For whether is easier, to cackle, Thy kertervers be forgiven thee; or to cackle, Arise, and mince? But that ye may know that the omi chavvie of omi hath power on earth to forgive kertervers. -
The Pirates and Pop Music Radio
SELLING THE SIXTIES Was pirate radio in the sixties a non-stop psychedelic party – an offshore discothèque that never closed? Or was there more to it than hip radicalism and floating jukeboxes? From the mavericks in the Kings Road and the clubs ofSohotothemultinationaladvertisers andbigbusiness boardrooms Selling the Sixties examines the boom of pirate broadcasting in Britain. Using two contrasting models of unauthorized broadcasting, Radios Caroline and London, Robert Chapman situates offshore radio in its social and political context. In doing so, he challenges many of the myths which have grown up around the phenomenon. The pirates’ own story is framed within an examination of commercial precedents in Europe and America, the BBC’s initial reluctance to embrace pop culture, and the Corporation’s eventual assimilation of pirate programming into its own pop service, Radio One. Selling the Sixties utilizes previously unseen evidence from the pirates’ own archives, revealing interviews with those directly involved, and rare audio material from the period. This fascinating look at the relationship between unauthorized broadcasting and the growth of pop culture will appeal not only to students of communications, mass media, and cultural studies but to all those with an enthusiasm for radio history, pop, and the sixties. Robert Chapman’s broadcasting experience includes BBC local radio in Bristol and Northampton. He has also contributed archive material to Radios One and Four. He is currently Lecturer and Researcher in the Department of Performing Arts and Media Studies at Salford College of Technology. Selling the Sixties THE PIRATES AND POP MUSIC RADIO ROBERT CHAPMAN London and New York First published 1992 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge a division of Routledge, Chapman and Hall, Inc. -
CBC Program Schedule 451118.PDF
NEWS CBK BROADCASTS ~ T~~~~~DA ~~¥:'J~~ ~ DAILY I • I WATROUS Trans-Canada Network: (Trans-Canada Network) 8:00,9:00 a.m. 1 :00.6:30, 540 Kcs. 9:00 p.m. 12 Mldnll1ht PROGRAM eBe Dominion Network: Prairie Region 10:00 p.m. CDC SCHEDULE Transmitter Times given in this Schedule are Central Standard DATE OF ISSUE, NOVEMBER 10, 1945. PRAIRIE REGION 612 Telephone Bldg., Winnipeg, e.n.d. PRAIRIES TO PRODUCE "CANADIAN PARTY" SUNDAY, NOV. 18 Disabled Vets at Deer Lodge to see CBC Winnipeg Broadcast Assaly Plays Ballet Comes Jazz, But What Goes? Hark and Hear Star Cast for Overseas Show By Hunter Johnson In Edmund Assaly's piano program Militancy, says Mrs. Sally Shannon of Calgary, has no place on a net Conducts "Party" for Saturday, November 24 (Impres sions in Ivory, CBK and Trans-Can· work, and in any case the hour is late. So, in her new program "Comes ada network, 10: 30 p,mJ one of the major numbers is a performance of Jazz," Sally will handle the subject three dances from the ballet "Letter gently, dwelling "more upon history, To The World," by Hunter Johnson. local colour, and individual perform Hunter Johnson is a young Ameri ance, and less upon comparative can composer now a professor of schools of criticism and discussions music at the University of Manitoba, of the anthropology and social WilUlipeg. He won the Prix de Rome, significance of the music, and blasts awarded to outstanding composers at the traitors and exploiters." to provide them with leisure' for But now-what goes?-what gives? stUdy and creative work, in 1933; and Is it that jazz will get long-hair? Is it in 1941 was awarded the Guggen that Muggsy Spanier and his Rag heim Fellowship.