ATF Exhibitors

Total Page:16

File Type:pdf, Size:1020Kb

ATF Exhibitors ASIA TV FORUM EXHIBI TOR DIREC TORY COMPLETE LISTINGS FOR THE COMPANIES IN BOLD CAN BE FOUND IN THE ATF EDITION OF TV LISTINGS. 9 Story Media Group J30 Fuji Creative Corporation A24-4 Pilgrim Pictures E08/H08 A Little Seed E08/H08 Gala Television Corporation D10 Pixtrend J10 A+E Networks G20 Global Agency E27 Playlearn Media L10 Aardman K32 Globo C30 Premiere Entertainment F34 Aasia Productions E08/H08 GMA Worldwide J01 Primeworks Distribution E30 AB International Distribution E10/F10 Goquest Media Ventures D29 Public Television Service Foundation D10 ABC Commercial L08 Grafizix J10 Rainbow E23 ABC Japan A24-15 Green Gold Animation G30 Rajshri Entertainment L28 About Premium Content E10/F10 Green Yapim N10 Raya Group H07 ABS-CBN Corporation J18 Greener Grass Production D10 Record TV K22 activeTV Asia E08/H08 H Culture J10 Red Arrow International H25 ADK/NAS/D-Rights A24-5 Happy Dog TV L10 Reel One Entertainment K32 AK Entertainment H10/H20 HARI International E10/F10 Refinery Media E08/H08 Alfred Haber Distribution F30 Hasbro Studios F28 Regentact F32 all3media international K08 Hat Trick International K32 Resimli Filim N10 Ampersand E10/F10 Hello Earth B25 Rive Gauche Television J28 Animasia Productions E30 High Commission of Canada H29 RKD Studios L30 Antares International Media E08/H08 Huat Films E08/H08 Robot Playground Media E08/H08 Anyzac J10 Hub Media Group E08/H08 Roi Visual J10 Arab Telemedia Group C23 Iconix J10 SAMG Animation J10 Arirang TV H10/H20 IFA Media E08/H08 Sanlih E-Television D10 ARTE France E10/F10 iHQ H10/H20 SBS H10/H20 Asmik Ace A10-02 Imece Medya N10 Scripps Networks Interactive J23 Atresmedia Televisión K31 IndiaCast Media Distribution K18 Semerkand Production N10 ATV C29 Indonesia Entertainment Group B19 Shanghai WingsMedia B10-02 August Media Holdings E08/H08 Infinite Frameworks E08/H08 Shine Entertainment D10 Aurora World J10 Inter Medya L03 Shoreline Entertainment D34 Australian Children’s TV Foundation L08 iQiyi E25 Shortman Films E08/H08 Ava Entertainment H10/H20 Istanbul Chamber of Commerce N10 Signal Media E29 Avalon Distribution K24 ITV Studios Global Entertainment D21 Silver Media Group E08/H08 Bamhaneul Geurimjari J10 Jetpack Distribution K32 Silver Wolf International E08/H08 Bananamana Films E08/H08 The Jim Henson Company H32 Singapore Pavilion by IMDA E08/H08 Banijay Rights G31 JSBC B10-11 Siyahmarti Animation Studios N10 BBC Worldwide D18 JTBC H20 Sky Perfect JSAT A10-7 BEAJ A10-09 Kanal D International J20 Sky Vision N01 Beijing Hualu Baina Film&TV B10-07 Kawi Content E08/H08 SMG Pictures B10-02 Berserk Media K27 KBS Media H10/H20 Sonar Entertainment G28 Bethel Global Media Contents H10/H20 KCA L10 Sony Pictures Television Suite 5001 Beyond Distribution L08 Keshet International J08 Soul Creative J10 Blue Ant Media K20 Kids First Distribution E10/F10 Star Entertainment D10 Blue Sky Media K10-12 King Content H10/H20 Star India E26 Blue Spirit Productions E10/F10 Kwanza E10/F10 Studio 100 Media B27 Bomanbridge Media E08/H08 Lagardère Studios Distribution E10/F10 Studio W J10 Bomei Productions D10 Lian Contents H10/H20 Studio2 Animation Lab D10 Bonneville Distribution G34 Liang Li Media E08/H08 STUDIOCANAL TV E10/F10 Brainchild Pictures E08/H08 Lightning International K36 Sunrise/TVS Asia E08/H08 BTV Concepts E08/H08 Limonero Films K32 Superights E10/F10 Calinos Entertainment F23 Lionsgate Entertainment K02 Synergy Media J10 Caracol Internacional B29 Lucky You E10/F10 Tac Medya N10 CBS Studios International Suite 5202 Maro Studio H10/H20 TAITRA C10 CCTV/CITVC J10 Mart Agency N10 TakToon Enterprise J10 Children’s Playground Creative C10 MarVista Entertainment J21 Talpa Global D25 China Huace Film&TV K10-01 Match Point N10 TBS A24-11 China Television Company D10 Mattel Creations E21 Tech Storm TV E08/H08 Chips and Toon E08/H08 Mavi Baykus Animation N10 Ted World J10 Cineflix Rights H28 MBC H10/H20 Telmondis E10/F10 Cineplex Company F31 MBS A24-13 Tencent A04-03 CJ E&M H10/H20 Media Caravan K10-10 Terranoa E10/F10 Clover Films E08/H08 Media Prima E30 Tezuka Productions A24-22 Coconuts TV K16 Mediacorp G10 TF1 Studio E10/F10 CPB International E10/F10 Medialink Entertainment B21 The Media Pioneers K32 Creative Century Entertainment D10 Mediatoon Distribution E10/F10 The Moving Visuals E08/H08 Creative Power Entertaining G29 MGM D26 Thema G32 CREi A24-2 MIAM! Animation E10/F10 Time Vision D10 CREO Contents H10/H20 Millimages E10/F10 Tiny Island Productions E08/H08 Cyber Group Studios E10/F10 Miramax F27 TMS Entertainment L24 Daehan Mediaworld H10/H20 MISTCO M05 Toei Company A24-1 Dandelooo E10/F10 MK2 Films E10/F10 TRX J09 Dazzling Star Culture Development N05 MM2 Entertainment E08/H08 TV Asahi A24-14 DHX Media H31 MNC Media H09 TV Azteca International F26 Discovery Networks Asia-Pacific N03 Monster Entertainment L26 TV France International E10/F10 Disney Suite 5002/5102 Monstrou Studio E08/H08 TV Tokyo A24-21 Doc & Film International E10/F10 Mountain TV L10 TVN J23 Door to Door Pictures E08/H08 Moutarde & Wasabi E08/H08 Twentieth Century Fox TV Distribution Suite 5103 Dreamland Image D10 Myra Motion Pictures L32 Ubisoft Motion Pictures E10/F10 DRG G27 Muse Communication C10 Upside Distribution E10/F10 DW Transtel E20 NBCUniversal Suite 5003 Viacom18 K18 Eastern Broadcasting D10 Newen Distribution E10/F10 Viacom International Media Networks Suite 5301 EBS H10/H20 Next Animation Studio C10 Viddsee E08/H08 Eccho Rights L20 NHC Media J10 Vietnam Television J26 Electural J10 NHK Enterprises A24-10 Voguefilms E08/H08 Encore Films E08/H08 Nippon Animation A24-12 WAG Worldwide K32 Endemol Shine Group M01 Nippon TV A24-18 Warner Bros. International Television Suite 5101 Engine Studios C10 Novovision E10/F10 WaWa Pictures E08/H08 Entertainment One J19 NPO Sales H34 Wawoo Communications D10 Escapade Media L08 Oak 3 Films E08/H08 Weaving Clouds E08/H08 Fanlian Technology D10 Ocon P01 Weiyu Films E08/H08 Fantawild Animation B10-03 Off The Fence H27 Workpoint Group G16 FashionTV D20 Omens Studios E08/H08 Worldwide Rights Corporation E30 Federation Entertainment E10/F10 One Animation E08/H08 WOWOW A24-19 Film & Picture E10/F10 One Life Studios J06 XTREME Media E08/H08 Filmat36 E08/H08 Only Distrib E10/F10 Ying Group E08/H08 Five Star Production C28 Opus Pictures P01 YLE E10/F10 Fixed Stars Multi-media D10 Out of this World E08/H08 Yomiuri-TV/YTE A24-20 Flame Distribution K32 Pact K32 Young Toys J10 Formosa Television D10 Papahan Films E08/H08 Yoyo Film N10 Fortune Star Media G26 Parade Media Group E08/H08 Yu-Sheng Animation Studio C10 Fox Networks Group Content Dist. C18 Paramount Pictures Suite 5201 ZDF Enterprises H36 FranceTV Distribution E10/F10 Passion Distribution K25 Zee Entertainment Enterprises F20 Fred Media L08 Perfect World Pictures E08/H08 Zhejiang Zoland Animation K10 Freestate Productions E08/H08 PGS HK E10/F10 Zodiak Kids G31 FremantleMedia International J02 Phoenix Satellite Television G24 Visit asiatvforum.com for a full list of exhibitors. Information correct as of 11/13/2017.
Recommended publications
  • PROGRAM November 18-20, 2015 THANKS to the 2015 Children, Youth & Media Conference Sponsors
    Toronto PROGRAM November 18-20, 2015 THANKS tO tHe 2015 ChIlDrEn, YoUtH & MeDiA CoNfErEnCe sponsors MAIN SPONSOR PRESTIGE SPONSORS EXCELLENCE SPONSORS 2 SPECIAL THANKS Youth Media Alliance would like to warmly thank its 2015 Children, Youth & Media Conference advisory committee: NATALIE DUMOULIN / 9 Story Media Group MARTHA SEPULVEDA / RACHEL MARCUS / Guru Studio Breakthrough Entertainment MICHELLE MELANSON CUPERUS / CLAUDIA SICONDOLFO Radical Sheep Productions JULIE STALL / Portfolio Entertainment LYNN OLDERSHAW / Kids’ CBC TRAVIS WILLIAMS / Mercury Filmworks MIK PERLUS / marblemedia SUZANNE WILSON / TVO Kids JAMIE PIEKARZ / Corus Entertainment And the volunteers: KELLY LYNNE ASHTON, KAYLA LATHAM, HENRIKA LUONG, TATIANA MARQUES, JAYNA RAN and MARCELA LUCIA ROJAS. TABLE OF CONTENTS Words from Chair .............................................................................p. 4 Words from Executive Director ............................................................p. 5 Schedule and Venue ..........................................................................p. 6 General Conference ..........................................................................p. 8 Workshop with Sheena Macrae ............................................................p. 12 Workshop with Linda Schuyler .............................................................p. 12 Prix Jeunesse Screening ....................................................................p. 13 Speakers’ Biographies .......................................................................p.
    [Show full text]
  • EARNINGS RELEASE: Q4 and FY 2020-21
    EARNINGS RELEASE: Q4 and FY 2020-21 Mumbai, 20th April, 2021 – Network18 Media & Investments Limited today announced its results for the quarter and financial year ended 31st March 2021. Consolidated EBITDA up 29% in COVID year; Highest ever EBITDA margins led by cost controls and innovative measures. PAT up by ~9x at Rs. 547 cr. Strong recovery in TV ad-growth to high single digits in Q4; Digital growing at fast clip TV News remains #1 on reach; margins expanded all through the year TV Entertainment grew viewership share by ~2% to 10.9%; full year margins highest ever Flagship GEC Colors returns to a strong #2 position during the year Entertainment OTT fastest to 1mn D2C subscribers within first year of launch Digital News breaks even for the full year; subscription the next engine of growth Summary Consolidated Financials Q4FY21 Q4FY20 Growth FY21 FY20 Growth Consolidated Operating Revenue (Rs Cr) 1,415 1,464 -3% 4,705 5,357 -12% Consolidated Operating EBITDA (Rs Cr) 279 225 24% 796 617 29% Operating EBITDA margin 19.7% 15.4% 16.9% 11.5% Highlights for Q4 Q4 Operating EBITDA up 24% YoY, Q4 Operating Margin expanded to highest ever ~20% Entertainment operating margins are at a healthy ~19% in Q4. News margins rose to highest ever levels of ~27% in Q4, led by 5% YoY revenue growth. Digital News maintained its break-even performance. Consolidated revenue ex-film production grew 2% YoY, despite deferral of award shows Highlights for FY2020-21 Consolidated Annual EBITDA margins rose to ~17%, the best ever inspite of COVID Group EBITDA up 29% YoY despite pandemic impact dragging revenue down 12% YoY.
    [Show full text]
  • Piracy Or Productivity: Unlawful Practices in Anime Fansubbing
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Aaltodoc Publication Archive Aalto-yliopisto Teknillinen korkeakoulu Informaatio- ja luonnontieteiden tiedekunta Tietotekniikan tutkinto-/koulutusohjelma Teemu Mäntylä Piracy or productivity: unlawful practices in anime fansubbing Diplomityö Espoo 3. kesäkuuta 2010 Valvoja: Professori Tapio Takala Ohjaaja: - 2 Abstract Piracy or productivity: unlawful practices in anime fansubbing Over a short period of time, Japanese animation or anime has grown explosively in popularity worldwide. In the United States this growth has been based on copyright infringement, where fans have subtitled anime series and released them as fansubs. In the absence of official releases fansubs have created the current popularity of anime, which companies can now benefit from. From the beginning the companies have tolerated and even encouraged the fan activity, partly because the fans have followed their own rules, intended to stop the distribution of fansubs after official licensing. The work explores the history and current situation of fansubs, and seeks to explain how these practices adopted by fans have arisen, why both fans and companies accept them and act according to them, and whether the situation is sustainable. Keywords: Japanese animation, anime, fansub, copyright, piracy Tiivistelmä Piratismia vai tuottavuutta: laittomat toimintatavat animen fanikäännöksissä Japanilaisen animaation eli animen suosio maailmalla on lyhyessä ajassa kasvanut räjähdysmäisesti. Tämä kasvu on Yhdysvalloissa perustunut tekijänoikeuksien rikkomiseen, missä fanit ovat tekstittäneet animesarjoja itse ja julkaisseet ne fanikäännöksinä. Virallisten julkaisujen puutteessa fanikäännökset ovat luoneet animen nykyisen suosion, jota yhtiöt voivat nyt hyödyntää. Yhtiöt ovat alusta asti sietäneet ja jopa kannustaneet fanien toimia, osaksi koska fanit ovat noudattaneet omia sääntöjään, joiden on tarkoitus estää fanikäännösten levitys virallisen lisensoinnin jälkeen.
    [Show full text]
  • Viacom 18 Media Private Limited 1
    VIACOM 18 MEDIA PRIVATE LIMITED 1 VIACOM 18 MEDIA PRIVATE LIMITED Financial Statements 2018-19 2 VIACOM 18 MEDIA PRIVATE LIMITED Independent Auditor’s Report To The Members of Viacom 18 Media Private Limited Report on the Audit of the Standalone Financial Statements Opinion We have audited the accompanying standalone Ind AS financial statements ofViacom 18 Media Private Limited (“the Company”), which comprise the Balance Sheet as at March 31, 2019, and the Statement of Profit and Loss (including Other Comprehensive Income), the Cash Flow Statement and the Statement of Changes in Equity for the year then ended, and a summary of significant accounting policies and other explanatory information. In our opinion and to the best of our information and according to the explanations given to us, the aforesaid standalone Ind AS financial statements give the information required by the Companies Act, 2013 (“the Act”) in the manner so required and give a true and fair view in conformity with the Indian Accounting Standards prescribed under section 133 of the Act read with the Companies (Indian Accounting Standards) Rules, 2015, as amended, (“Ind AS”) and other accounting principles generally accepted in India, of the state of affairs of the Company as at March 31, 2019, and its profit, total comprehensive income, its cash flows and the changes in equity for the year ended on that date. Basis for Opinion We conducted our audit of the standalone Ind AS financial statements in accordance with the Standards on Auditing specified under section 143(10) of the Act. Our responsibilities under those Standards are further described in the Auditor’s Responsibility for the Audit of the Standalone Ind AS Financial Statements section of our report.
    [Show full text]
  • Pan Entertainment (068050 KQ) Poised to Benefit from China’S Growing Content Demand
    Pan Entertainment (068050 KQ) Poised to benefit from China’s growing content demand Snapshot: Producer of Winter Sonata, the origin of the Korean Wave Founded in 1998, Pan Entertainment was mainly engaged in the business of managing Company Report recording artists and making soundtracks before producing its first drama series “Winter December 5, 2014 Sonata” in 2002. The drama became a huge hit in Japan, setting in motion the “Korean Wave” across the country. Since then, the company has established itself as a drama producer, but has struggled to maintain stable profits due to the small size and buyer- Not Rated driven culture of the domestic market. Catalyst: China’s video content demand is surging, but options are limited Target Price (12M, W) - In China, there are over 4,000 television channels, all of which rely on advertising as their Share Price (12/03/14, W) 6,380 biggest source of income. Because advertising revenue is largely determined by primetime ratings, many broadcasters crave killer content, most preferably in the form Expected Return - of dramas and entertainment shows. But, while China’s video content demand has been rapidly increasing in terms of both quantity and quality, the country’s production capabilities have lagged far behind. Demand has been growing not only among major OP (14F, Wbn) 1 broadcasters and studios, but also among internet portals like Alibaba, and online video Consensus OP (14F, Wbn) 0 streaming sites such as Youku Tudou and Sohu. To make up for the lack of content, EPS Growth (14F, %) - Chinese companies are increasingly turning to Korean pr oducers, as Korean content is 1) Market EPS Growth (14F, %) 1.1 hugely popular in China, 2) of higher quality, and 3) cheaper to produce.
    [Show full text]
  • TRULY GLOBAL Worldscreen.Com *LIST 1218 ALT2 LIS 1006 LISTINGS 11/21/18 11:19 AM Page 2
    *LIST_1218_ALT2_LIS_1006_LISTINGS 11/21/18 11:19 AM Page 1 WWW.WORLDSCREENINGS.COM DECEMBER 2018 ASIA TV FORUM EDITION TVLISTINGS THE LEADING SOURCE FOR PROGRAM INFORMATION TRULY GLOBAL WorldScreen.com *LIST_1218_ALT2_LIS_1006_LISTINGS 11/21/18 11:19 AM Page 2 2 TV LISTINGS ASIA TV FORUM EXHIBITOR DIRECTORY COMPLETE LISTINGS FOR THE COMPANIES IN BOLD CAN BE FOUND IN THIS EDITION OF TV LISTINGS. 108 Media L28 Five Star Production C28 NHC Media J10 9 Story Distribution International J30 Fixed Stars Multimedia D10 NHK Enterprises B10-18 A+E Networks G20 Flame Distribution L05 Nippon Animation B10-14 ABC Commercial L05 Fortune Star Media G26 Nippon TV B10-19 About Premium Content F10 FOX Networks Group D18 NPO Sales H36 ABS-CBN Corporation J18 FranceTV Distribution F10 NTV Broadcasting Company H27 ADK/NAS/D-Rights B10-15 Fred Media L05 Oak 3 Films E08/H08 AK Entertainment H10 Fremantle E20 Ocon Studios H32 Albatross World Sales L30 Fuji Creative Corporation B10-9 Off The Fence J23 Alfred Haber Distribution F30 GAD F10 Omens Studios E08/H08 all3media international K08 Gala Television Corporation D10 One Animation E08/H08 Alpha Group L10/N10 Gaumont H33 One Life Studios J04 Ampersand F10 Global Agency E27 One Take Media J28 Anima Istanbul N08 Globo K24 Only Distrib F10 Animasia Studio M28 Gloob Participants Lounge Parade Media Group H08-01 Animonsta Studios M28 GMA Worldwide J01 Paramount Pictures Suite 5201 Animoon J25 GO-N International F10 PGS Entertainment F10 Aniplex B27 GoldBee H34 Phoenix Satellite Television G24 Antares International
    [Show full text]
  • The Oracle - Fall 2017 1 TABLE of CONTENTS the Oracle OMEGA PSI PHI FRATERNITY, INC
    The Oracle - Fall 2017 1 TABLE OF CONTENTS The Oracle OMEGA PSI PHI FRATERNITY, INC. International Headquarters 3951 Snapfinger Parkway Decatur, GA 30035 404-284-5533 U.S. Army's Lt. General Brother William E. "Kip" Ward was the Commander, U.S. Africa Command. Bro. Ward is one of Omega's highest ranking officers in Volume 89 No. 33 the Fraternity's history. FALL 2017 The official publication of Grand Basileus Message 7 Omega Psi Phi Fraternity, Inc. Bro. Antonio F. Knox, Sr. America's First Black Astronaut 10 Send address changes to: Bro. Major Robert H. Lawrence Omega Psi Phi Fraternity, Inc. Military Hall of Honor Attn: Grand KRS Omega Psi Phi's Military Men 12 3951 Snapfinger Parkway Decatur, GA 30035 Omega's War Chapter 14 The next Oracle deadline: By Bro. Jonathan A. Matthews January 15, 2018 *Deadlines are subject to change. Military Profiles 16 Brothers Jackson and Jones Please Email all editorial concerns, comments, and information to Military and Sports 20 Bro. M. Brown, Editor of The Oracle Brothers Black and Simmons [email protected] Leadership Conference 2017 24 Cincinnati, Ohio ORACLE COVER DESIGN By DEPARTMENTS Bro. Haythem Lafhaj Congressional Black Caucus-30 Legal News-32 Kappa Psi Graduate Chapter Omega's Office of Compliance-34 Lifetime Achievement Award-36 Undergraduate News-38 IHQ Website Editor District News-39 Brother Quinest Bishop Omega Chapter-56 2 The Oracle - Fall 2017 THE ORACLE Editorial Board EDITOR’S NOTES International Editor of The Oracle Brother Milbert O. Brown, Jr. n this issue we pay Itribute to the Brothers of Assistant Editor of The Oracle-Brother Norman Senior Omega who have served and are still serving in the Director of Photography- Brother James Witherspoon United States Armed Emeritus Photographer-Brother John H.
    [Show full text]
  • Keywords Studios 2019 Annual Report
    Keywords Studios plc Studios Keywords Annual Report Annual Report and Accounts 2019 and Accounts 2019 Building our platform for growth Keywords Studios plc Overview Strategic report Annual Report and Accounts 2019 Pages 1–6 Pages 8–44 Highlights 1 Q&A with Andrew Day 8 At a glance 2 Chief Executive’s review 10 Investment summary 4 Market outlook 16 Chairman’s statement 6 Business model 18 Our strategy 22 Service line review 24 Our people, our culture 28 KPIs 34 Financial and operating review 36 Responsible Business report 40 Board engagement with our stakeholders 43 Principal risks and uncertainties 45 2019 Highlights Our vision is to be the world’s leading technical and creative services platform for the video games industry and beyond. At Keywords Studios (Keywords), we are using our passion for games, technology and media to create a global services platform. In 2019, we delivered strong growth as we invested in a strengthened and more diversified services platform. Alternative performance measures* The Group reports certain Alternative performance measures (APMs) to present the financial performance of the business which are not GAAP measures as defined by International Financial Reporting Standards (IFRS). Management believes these measures provide valuable additional information for the users of the financial information to understand the underlying trading performance of the business. In particular, adjusted profit measures are used to provide the users of the accounts a clear understanding of the underlying profitability of the business over time. For full definitions and explanations of these measures and a reconciliation to the most directly referenceable IFRS line item, please see pages 135 to 143.
    [Show full text]
  • A Guide for College & University
    PBS-5b | MEMBER 2020 ACKNOWLEDGEMENT OF ANTI-HAZING PHI BETA SIGMAPOLICY FRATERNITY, AND INC. HOLD HARMLESS AGREEMENT A GUIDE FOR COLLEGE UPDATED: 11/8/2017 & UNIVERSITY OFFICIALS 145 KENNEDY STREET, NW | WASHINGTON, D.C. 20011 www.phibetasigma1914.org www.phibetasigma1914.org TABLE OF CONTENT Message from the President pg3 About Phi Beta Sigma Fraternity, Inc. pg4 Phi Beta Sigma’s Community Initiatives, Partnerships and Programs pg5 Training, Development and Support pg6 Fraternity Structure pg7 Organizational Flow pg9 Membership Criteria pg10 2 Sigma’s MIP at a glance pg11 Sigma’s Risk Management Policy pg14 2018 Regional Conference Schedule pg49 2017 Fraternity Highlights pg50 Notable Members pg52 Phi Beta Sigma’s Branding Standards pg55 MESSAGE FROM THE PRESIDENT Dear Campus Partner- It is an honor and a privilege to address you as the 35th International President of Phi Beta Sigma Fraternity, Incorporated! This is an exciting time to be a Sigma, as our Fraternity moves into a new era, as “A Brotherhood of Conscious Men Actively Serving Our Communities.” We are excited about the possibilities of having an even greater impact on your campus as the Men of Sigma march on! We prepared this booklet to provide you a glance into the world of Phi Beta Sigma, our cause and our initiatives. Indeed, we are a brotherhood of conscious men; Conscious Husbands, Conscious Fathers, Conscious Servants, Conscious Leaders, called to improve the lives of the people we touch. Our collegiate Brothers play a major role in achieving our mission, as they are the lifeblood and future of our Fraternity and communities.
    [Show full text]
  • << HOPE in CRISIS 2020 ALUMNI
    ALUMNI MAGAZINE • WINTER 2020 << HOPE IN CRISIS 2020 ALUMNI MEDALLION THE GREATEST SHOWMEN “ William & Mary has given me so much, I want to pass it down the line. It’s important for the future of the university.” — Betsy Calvo Anderson ’70, HON J.D. ’15, P ’00 YOUR LEGACY FOR ALL TIME COMING. “ Why do I give? I feel lucky to have a unique perspective on William & Mary. As a Muscarelle Museum of Art Foundation board member, an emeritus member of the William & Mary Law School Foundation board and a past president of the Alumni Association, I’ve seen first-hand the resources and commitment it takes to keep William & Mary on the leading edge of higher education — and how diligently the university puts our contributions to work. My late husband, Alvin ’70, J.D. ’72, would be happy to know that in addition to continuing our more than 40-year legacy of annual giving, I’ve included our alma mater in my estate plans. Although I never could have imagined when I arrived on campus at age 18 what an enormous impact William & Mary would have on my life, I also couldn’t have imagined the opportunity I would have to positively influence the lives of others.” WILLIAM & MARY For assistance with your charitable gift plans, contact OFFICE OF GIFT PLANNING Kirsten A. Kellogg ’91, Ph.D., Executive Director of Principal Gifts and Gift Planning, at (757) 221-1004 or [email protected]. giving.wm.edu/giftplanning BOLD MOMENTS DEFINE US. For Omiyẹmi, that moment was when she stopped waiting for approval to create art and started devising her own opportunities.
    [Show full text]
  • Fiscal Year 2015 Results Briefing(4.1MB)
    HAPPINET CORPORATION Stock Listing :Tokyo Stock Exchange Code Number :7552 Fiscal Year 2015 Results Briefing May 20, 2016 Table目次 of Contents FY2015 Results Summary 2 FY2015 Financial Results 9 FY2016 Group- Group-WideWide Main Policy 19 FY2016 Measures for the Distribution Business 21 FY2016 Measures for the Contents Business 26 FY2016 Fu ll-YPjtiYear Projection 31 Information related to Share Price 34 FY2015 Results Summary TtTetsuo IhikIshikawa President and Representative Director 2 FY2015目次 Results Summary (¥ million) FY2014 FY2015 YOY Net sales 217,232 187,274 --13.813.8% Operating income 5,056 3,450 --31.831.8% Ordinary income 5,124 3,497 -31.8% Profit attributable to owners of parent 4,049 2,359 -41.7% 3 FY2015目次 Results Summary Toy Business Net sales Segment income (millions of yen) ■ FY2015 Results Summary 93,270 Compared to the previous fiscal year, net sales hovered at a low level due to a lack of major hit products during the 76,874 yearyear--endend sales season, which is the greatest sales 76,821 opportunity. 4,279 Segment income also lagged, due mainly to posting of an valuation loss from overstocked products. 2, 710 2,848 FY2013 FY2014 FY2015 Segment income 2712.71 billion yen 4274.27 billion yen 2842.84 billion yen Clearance amounts 1.0 billion yen 1.6 billion yen 1.8 billion yen Inventory amounts 2.4 billion yen 2.3 billion yen 2.2 billion yen Inventory turnover rate 31.0 38.7 33.6 FY2013 FY2014 FY2015 4 FY2015目次 Results Summary Visual and Music Business Net sales Segment income (millions of yen) ■ FY2015 Results Summary In an environment where the package market remains sluggish as a whole due to effects of the distribution of software via the Internet, net sales of the Group in this 42,955 43,372 business segment also remained weak.
    [Show full text]
  • Viacom18 Media Private Limited– Update on Material Event Rationale
    April 29, 2021 Viacom18 Media Private Limited– Update on Material Event Summary of rating(s) outstanding Previous Rated Amount Current Rated Amount Instrument* Rating Outstanding (Rs. crore) (Rs. crore) Commercial Paper Programme 500.0 500.0 [ICRA]A1+ Short-term, Fund-based/Non 1,610.7 1,610.7 [ICRA]A1+ fund based Limits Total 2,110.7 2,110.7 *Instrument details are provided in Annexure-1 Rationale On February 17, 2020, Network18 intimated the stock exchanges regarding a scheme of amalgamation and arrangement amongst Network18, TV18, DEN Networks Limited (DEN) and Hathway Cable & Datacom Limited (Hathway). Under the scheme, DEN, Hathway and TV18 were to merge into Network18 with effect from February 1, 2020, subject to receipt of necessary approvals to consolidate Reliance Industries Limited’s (RIL, rated [ICRA]AAA (Stable) / [ICRA]A1+ and Baa2 Stable by Moody’s Investors Service) media and distribution business spread across multiple entities into Network18. The company again announced on April 20, 2021 that considering more than a year has passed from the time the Board considered the Scheme, the Board of the Company has decided not to proceed with the arrangement envisaged in the Scheme. ICRA has taken cognizance of the above and the rating remain unchanged at the earlier rating of [ICRA]A1+ as the parent company, TV18 would continue with the existing corporate structure. Please refer to the following link for the previous detailed rationale that captures Key rating drivers and their description, Liquidity position, Rating sensitivities,: Click here Analytical approach Analytical Approach Comments Corporate Credit Rating Methodology Applicable Rating Methodologies Rating Methodology for Media Broadcasting Industry Impact of Parent or Group Support on an Issuer’s Credit Rating Parent / Group Company: RIL Group.
    [Show full text]