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“Music-Making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts
“Music-making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts Daniel Hautzinger Candidate for Senior Honors in History Oberlin College Thesis Advisor: Annemarie Sammartino Spring 2016 Hautzinger ii Table of Contents 1. Introduction 1 2. Historiography and the Origin of the Festival 9 a. Historiography 9 b. The Origin of the Festival 14 3. The Democratization of Music 19 4. Technology, Modernity, and Their Dangers 31 5. The Festival as Community 39 6. Conclusion 53 7. Bibliography 57 a. Primary Sources 57 b. Secondary Sources 58 Hautzinger iii Acknowledgements This thesis would never have come together without the help and support of several people. First, endless gratitude to Annemarie Sammartino. Her incredible intellect, voracious curiosity, outstanding ability for drawing together disparate strands, and unceasing drive to learn more and know more have been an inspiring example over the past four years. This thesis owes much of its existence to her and her comments, recommendations, edits, and support. Thank you also to Ellen Wurtzel for guiding me through my first large-scale research paper in my third year at Oberlin, and for encouraging me to pursue honors. Shelley Lee has been an invaluable resource and advisor in the daunting process of putting together a fifty-some page research paper, while my fellow History honors candidates have been supportive, helpful in their advice, and great to commiserate with. Thank you to Steven Plank and everyone else who has listened to me discuss Britten and the Aldeburgh Festival and kindly offered suggestions. -
The YOUTH's INSTRUCTOR
The YOUTH'S INSTRUCTOR Vol. LXVII November 25, 1919 No. 47 .1 II It 10 111 • 111 =1:1=0=3n11$11211 Photo, Keystone View (o., N. Y. SUGAR LOAF MOUNTAIN, RIO DE JANEIRO, RRAZIL One of the Highest Points of South America 111.11111.1 In the New York " Sun " of April 13, 1844, there From Here and There appeared what purported to be the circumstantial account of an actual trip that had just been made by In Norway married couples may travel on the rail- an English balloon across the Atlantic from Wales to ways for a fare and a half. South Carolina. That was just before the telegraph was introduced, and mail was slow. It was therefore Adelina Patti, the world's prima donna, died re- several days before the astonished world found that cently at the age of seventy-six. it had been faked by the biggest hoax ton record. The Sun called its correspondent by the name of For- syth, but Edgar Allan Poe was the author of the Rudyard Kipling was named, we are told, for Lake story. The Sun recently spoke of the hoax which Poe Rudyard in North Staffordshire in his native land. played, with its connivance, and said : " Poe's account It was there that Lockwood Kipling, the poet's father, now becomes a statement of almost exact fact, the met Miss Macdonald, who later became his wife. In only difference of importance being that while Poe's commemoration of that meeting and the beginning flying ship took a little more than three days for its of their romance they named their son for the beauti- voyage, the British dirigible R-34 used four and one- ful sheet of water. -
'A Ffitt Place for Any Gentleman'?
‘A ffitt place for any Gentleman’? GARDENS, GARDENERS AND GARDENING IN ENGLAND AND WALES, c. 1560-1660 by JILL FRANCIS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY School of History and Cultures College of Arts and Law University of Birmingham July 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis sets out to investigate gardens, gardeners and gardening practices in early modern England, from the mid-sixteenth century when the first horticultural manuals appeared in the English language dedicated solely to the ‘Arte’ of gardening, spanning the following century to its establishment as a subject worthy of scientific and intellectual debate by the Royal Society and a leisure pursuit worthy of the genteel. The inherently ephemeral nature of the activity of gardening has resulted thus far in this important aspect of cultural life being often overlooked by historians, but detailed examination of the early gardening manuals together with evidence gleaned from contemporary gentry manuscript collections, maps, plans and drawings has provided rare insight into both the practicalities of gardening during this period as well as into the aspirations of the early modern gardener. -
London in the Sixties Free
FREE LONDON IN THE SIXTIES PDF Rainer Metzger | 368 pages | 06 Feb 2012 | Thames & Hudson Ltd | 9780500515631 | English | London, United Kingdom London s overview | Britannica We were a good two years into the s before we really began to feel that we had moved London in the Sixties from post-war austerity. By the end ofmost of us at last felt able to celebrate the prospects of more prosperous times ahead. Britain was in a post-war boom period and unemployment was very London in the Sixties. British goods and services were in great demand and we had a thriving manufacturing industry. The majority of ordinary working people had much more disposable income than their predecessors and were financially better off and more able to enjoy life. We were now living in peaceful times and although our country was saddled with wartime debt there was a greater sense of optimism and adventure, especially among the younger generation who were keen to embrace any new ideas that might help improve the mood of the country and even change the established British way of life. It started in Britain and changes happened very quickly. We were by now rapidly distancing ourselves from what we considered to be the dull and staid fifties culture. It was these earlys pop-groups that paved the way for an abundance of other British groups and solo artists to make their own breakthroughs in the music industry. It was not long before the fame of these and other London based fashion entrepreneurs spread around the world. England and more especially London quickly became a magnet for tourists from all over the globe. -
Great Expectations on Screen
UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE HISTORIA Y TEORÍA DEL ARTE TESIS DOCTORAL GREAT EXPECTATIONS ON SCREEN A Critical Study of Film Adaptation Violeta Martínez-Alcañiz Directoras de la Tesis Doctoral: Prof. Dra. Valeria Camporesi y Prof. Dra. Julia Salmerón Madrid, 2018 UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE HISTORIA Y TEORÍA DEL ARTE TESIS DOCTORAL GREAT EXPECTATIONS ON SCREEN A Critical Study of Film Adaptation Tesis presentada por Violeta Martínez-Alcañiz Licenciada en Periodismo y en Comunicación Audiovisual para la obtención del grado de Doctor Directoras de la Tesis Doctoral: Prof. Dra. Valeria Camporesi y Prof. Dra. Julia Salmerón Madrid, 2018 “It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair” (Charles Dickens, A Tale of Two Cities) “Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?” (Sergei Eisenstein, “A dialectic approach to film form”) “An honest adaptation is a betrayal” (Carlo Rim) Table of contents ACKNOWLEDGMENTS 13 CHAPTER 1. INTRODUCTION 15 CHAPTER 2. LITERATURE REVIEW 21 Early expressions: between hostility and passion 22 Towards a theory on film adaptation 24 Story and discourse: semiotics and structuralism 25 New perspectives 30 CHAPTER 3. -
The Swinging Sixties
THE SWINGING SIXTIES The swinging sixties, the economical boom, A new way to make art, music and everything about the 60’s. “ SWINGING “ WHAT does “SWINGING“ mean? WHEN SOMETHING MOVES FORWARD AND BACKWARD, IT SWINGs. SWING STAnd FOR THE EASE OF DIFFUSION OF NEW INNOVATIVE TRENDS. WHAT WAS THE SWINGING 60’S? The swinging 60’s was a cultural revolution (or youth revolution) which started in UK and, then, it spread ALL IN the world. REVOLUTION So, This was a period of optimist, hedonism and a revolution in many fields: YOUTH MENTALITY; FASHION; MUSIC; ECONOMIC FIELD; ART; SOCIAL FIELDS. YOUTH REVOLUTION THE REVOLUTION STARTED FROM YOUNGER GENERATION: THEY BECAME MORE LIBERAL REBELLING AGAINST MANY SOCIAL VALUES; THEY DEMANDED SOCIAL/SEXUAL/RELIGIOUS FREEDOM; THEY LISTENED TO NEW MUSIC, WHICH TALKED ABOUT SOCIETY AND ITS PROBLEMS; THEY STARTED TO USE PSYCHEDELIC DRUGS; THEY PROTESTED AGAINST THE CONVENTIONS. FOCUS: THE HIPPIE GENERATION THE HIPPIE GENERATION (FLOWER CHILDREN) EMBRACED PHILOSOPHIES OF PEACE AND LOVE. THE LIVED IN COMMUNITY. THEY PROTESTED AGAINST THE STATUS QUO. THEY LIVING PROFESSING SEXUAL FREEDOM, DRUG USE, EQUALITY AND THE RESPECT FOR THE ENVIRONMENT. FASHION FREEDOM REVOLUTION STARTED FROM THE FASHION. SOME DESIGNERS INVENTED OR CHANGED THE WAY TO WEAR: MARY QUANT, FOR EXAMPLE, INVENTED THE MINISKIRT: A WAY TO EXPRESS FASHION FREEDOM; BARBARA HULANICKI: THE FOUNDER OF THE CLOTHES STORE biba, in london. NEW MUSIC IN THIS PERIOD THERE WAS AN EXPLOSION IN THE MARKET FOR MUSIC. NEW EMERGING BANDS BORN. SOME OF THESE WERE: THE BEATLES; ROLLING STONES; THE DOORS FOCUS: BOB DYLAN IN THIS PERIOD OF REVOLUTION MANY SINGERS WROTE SONG TO PROTEST. -
Christmas Past Recipes
Christmas Past Recipes Roasting the Christmas baron of beef at Windsor Castle in 1856. HISTORIC FOOD COOKERY COURSES Recipes of dishes made or sampled on The Taste of Christmas Cookery Courses 2009. TO MAKE A HACKIN. From a Gentleman in Cumberland. SIR, THERE are some Counties in England, whose Customs are never to be set aside and our Friends in Cumberland, as well as some of our Neighbours in Lancashire, and else-where, keep them up. It is a Custom with us every Christmas-Day in the Morning, to have, what we call an Hackin, for the Breakfast of the young Men who work about our House; and if this Dish is not dressed by that time it is Day-light, the Maid is led through the Town, between two Men, as fast as they can run with her, up Hill and down Hill, which she accounts a great shame. But as for the Receipt to make this Hackin, which is admired so much by us, it is as follows. Take the Bag or Paunch of a Calf, and wash it, and clean it well with Water and Salt ; then take some Beef-Suet, and shred it small, and shred some Apples, after they are pared and cored, very small. Then put in some Sugar, and some Spice beaten small, a little Lemon-Peel cut very fine, and a little Salt, and a good quantity of Grots, or whole Oat-meal, steep'd a Night in Milk; then mix thefe all together, and add as many Currans pick'd clean from the Stalks, and rubb'd in a coarfe Cloth ; but let them not be wash'd. -
The Consolidation of Youth Lifestyle in the 1960S: Swinging London Through the Drapers’ Record Magazine
Journalism and Mass Communication, April 2016, Vol. 6, No. 4, 221-225 doi: 10.17265/2160-6579/2016.04.005 D DAVID PUBLISHING The Consolidation of Youth Lifestyle in the 1960s: Swinging London Through The Drapers’ Record Magazine Maíra Zimmermann Armando Alvares Penteado Foundation (FAAP), São Paulo, Brazil This paper discusses how consumerism boosted youth lifestyle in the 1960s—mainly through modern magazines (particularly in Britain) and built a territorial symbolic identity through fashion. In the 1960s, the consolidation of youth culture becomes an international phenomenon. With the development of ready-to-wear, adolescents begin to be target as a consumer market. The music and fashion industries unite to create and advertise youth lifestyle. The fashion shifts from Paris to London. Magazine articles and publicity set the latest trends. The method applied is research in primary source—the British journal The Drapers’ Record—aiming to recognize fashion transformation and juvenilization in this period of time. The magazine shows ads and fashion editorials (mainly feminine), articles and news about fashion trend. There is also a brands guide for shoppers and retailers. The magazines used in the research are from 1964 to 1967, July and August issues, when the fall-winter trends are shown. From 1964 on, we notice the orientation towards a juvenile market and style, but these trends will only fully materialize through 1967. It leads to the conclusion that between 1965 and 1967 fashion juvenilization developed, reached its peak and global range. Keywords: youth culture, 1960s, trend, media Introduction: Consolidation of Youth Culture in the 1960s In the 1960s, the consolidation of youth culture becomes an international phenomenon. -
Chronicles of Fashion
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The Festival of Britain 1951
BANK OF ENGLAND ISSUED BY THE COURT OF DIRECTORS ON THE OCCASION OF THE FESTIVAL OF BRITAIN 1951 Bank of England Archive (E6/8) The Bank of England completed III I939 to the design of Sir Herbert Baker Bank of England Archive (E6/8) [Copyright BUII/� 0/ Ellglalld HE BANK OF ENGLAND came into being to provide funds for the T war that was being fought between 1689 and 1697 by William III against Louis XIV of France. In return for a loan of £1,200,000 to the King the subscribers, who numbered 1,272, were granted a Royal Charter on the 27th July, 1694, under the title " The Governor and Company of the Bank of England ". The Bank of England Act of I 946 brought the Bank into public ownership, of the but provided for the continued existence of the " Governor and Company ; Bank of England " under Royal Charter. The affairs of the Bank are administered by the Court of Directors, appointed by the King and comprising a Governor and Deputy Governor, each appointed for five years, and 16 Directors, each appointed for four years. The Court may appoint four of their members as Executive· . Directors, who, together with the senior officials and a number of specialists as advisers, assist the Governors in the day-ta-day management of the Bank. Over the years the Bank of England has become the " bankers' bank ". and banker to the Government. The description " bankers' bank" indicates that the principal banks in the United Kingdom deposit with it their reserves of cash. -
1950S, 1960S and 1970S Word Search
1950s, 1960s and 1970s wordsearch B E A T L E S H E L E R O R V T E A P G G Y L O X S L A D E M I N I V L T U V C E R W S I D I L N O P Y G G I W T A S I B A L L R W R A T F A N C O R O N A T I O N M G B N A M W I N D A Q E S B T Y E E S L A C E A T W S P A C E R A C E M O B P A B N M A S W Q A N N A N P L A P E B O N E N N A M E A P L E A E S R G A R A T I O N I N G N L R A P P N O L U N A M E K I R T O P T R M A N S O M A N T E I V H Y B U N P L K I R E D D A S C H O P P E R B I K E O P E A G L E C O M I C Words to find: Beatles - An English rock band formed in Liverpool in 1960. Comprising John Lennon, Paul McCartney, George Harrison and Ringo Starr, they are regarded as the most influential band of all time with well known hits, 'Hey Jude', 'I Want to Hold Your Hand' and 'Here comes the sun'. -
A History of the French in London Liberty, Equality, Opportunity
A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick A history of the French in London liberty, equality, opportunity A history of the French in London liberty, equality, opportunity Edited by Debra Kelly and Martyn Cornick LONDON INSTITUTE OF HISTORICAL RESEARCH Published by UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU First published in print in 2013. This book is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International (CC BY- NCND 4.0) license. More information regarding CC licenses is available at https://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN 978 1 909646 48 3 (PDF edition) ISBN 978 1 905165 86 5 (hardback edition) Contents List of contributors vii List of figures xv List of tables xxi List of maps xxiii Acknowledgements xxv Introduction The French in London: a study in time and space 1 Martyn Cornick 1. A special case? London’s French Protestants 13 Elizabeth Randall 2. Montagu House, Bloomsbury: a French household in London, 1673–1733 43 Paul Boucher and Tessa Murdoch 3. The novelty of the French émigrés in London in the 1790s 69 Kirsty Carpenter Note on French Catholics in London after 1789 91 4. Courts in exile: Bourbons, Bonapartes and Orléans in London, from George III to Edward VII 99 Philip Mansel 5. The French in London during the 1830s: multidimensional occupancy 129 Máire Cross 6. Introductory exposition: French republicans and communists in exile to 1848 155 Fabrice Bensimon 7.