Year in Review for Dealers
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The YOUTH's INSTRUCTOR
The YOUTH'S INSTRUCTOR Vol. LXVII November 25, 1919 No. 47 .1 II It 10 111 • 111 =1:1=0=3n11$11211 Photo, Keystone View (o., N. Y. SUGAR LOAF MOUNTAIN, RIO DE JANEIRO, RRAZIL One of the Highest Points of South America 111.11111.1 In the New York " Sun " of April 13, 1844, there From Here and There appeared what purported to be the circumstantial account of an actual trip that had just been made by In Norway married couples may travel on the rail- an English balloon across the Atlantic from Wales to ways for a fare and a half. South Carolina. That was just before the telegraph was introduced, and mail was slow. It was therefore Adelina Patti, the world's prima donna, died re- several days before the astonished world found that cently at the age of seventy-six. it had been faked by the biggest hoax ton record. The Sun called its correspondent by the name of For- syth, but Edgar Allan Poe was the author of the Rudyard Kipling was named, we are told, for Lake story. The Sun recently spoke of the hoax which Poe Rudyard in North Staffordshire in his native land. played, with its connivance, and said : " Poe's account It was there that Lockwood Kipling, the poet's father, now becomes a statement of almost exact fact, the met Miss Macdonald, who later became his wife. In only difference of importance being that while Poe's commemoration of that meeting and the beginning flying ship took a little more than three days for its of their romance they named their son for the beauti- voyage, the British dirigible R-34 used four and one- ful sheet of water. -
Bruegel Notes Writing of the Novel Began October 20, 1998
Rudy Rucker, Notes for Ortelius and Bruegel, June 17, 2011 The Life of Bruegel Notes Writing of the novel began October 20, 1998. Finished first fully proofed draft on May 20, 2000 at 107,353 words. Did nothing for a year and seven months. Did revisions January 9, 2002 - March 1, 2002. Did additional revisions March 18, 2002. Latest update of the notes, September 7, 2002 64,353 Words. Table of Contents Table of Contents .................................................................................................... 1 Timeline .................................................................................................................. 9 Painting List .......................................................................................................... 10 Word Count ........................................................................................................... 12 Title ....................................................................................................................... 13 Chapter Ideas ......................................................................................................... 13 Chapter 1. Bruegel. Alps. May, 1552. Mountain Landscape. ....................... 13 Chapter 2. Bruegel. Rome. July, 1553. The Tower of Babel. ....................... 14 Chapter 3. Ortelius. Antwerp. February, 1556. The Battle Between Carnival and Lent......................................................................................................................... 14 Chapter 4. Bruegel. Antwerp. February, -
Selected Filmography of Digital Culture and New Media Art
Dejan Grba SELECTED FILMOGRAPHY OF DIGITAL CULTURE AND NEW MEDIA ART This filmography comprises feature films, documentaries, TV shows, series and reports about digital culture and new media art. The selected feature films reflect the informatization of society, economy and politics in various ways, primarily on the conceptual and narrative plan. Feature films that directly thematize the digital paradigm can be found in the Film Lists section. Each entry is referenced with basic filmographic data: director’s name, title and production year, and production details are available online at IMDB, FilmWeb, FindAnyFilm, Metacritic etc. The coloured titles are links. Feature films Fritz Lang, Metropolis, 1926. Fritz Lang, M, 1931. William Cameron Menzies, Things to Come, 1936. Fritz Lang, The Thousand Eyes of Dr. Mabuse, 1960. Sidney Lumet, Fail-Safe, 1964. James B. Harris, The Bedford Incident, 1965. Jean-Luc Godard, Alphaville, 1965. Joseph Sargent, Colossus: The Forbin Project, 1970. Henri Verneuil, Le serpent, 1973. Alan J. Pakula, The Parallax View, 1974. Francis Ford Coppola, The Conversation, 1974. Sidney Pollack, The Three Days of Condor, 1975. George P. Cosmatos, The Cassandra Crossing, 1976. Sidney Lumet, Network, 1976. Robert Aldrich, Twilight's Last Gleaming, 1977. Michael Crichton, Coma, 1978. Brian De Palma, Blow Out, 1981. Steven Lisberger, Tron, 1982. Godfrey Reggio, Koyaanisqatsi, 1983. John Badham, WarGames, 1983. Roger Donaldson, No Way Out, 1987. F. Gary Gray, The Negotiator, 1988. John McTiernan, Die Hard, 1988. Phil Alden Robinson, Sneakers, 1992. Andrew Davis, The Fugitive, 1993. David Fincher, The Game, 1997. David Cronenberg, eXistenZ, 1999. Frank Oz, The Score, 2001. Tony Scott, Spy Game, 2001. -
Body Bags One Shot (1 Shot) Rock'n
H MAVDS IRON MAN ARMOR DIGEST collects VARIOUS, $9 H MAVDS FF SPACED CREW DIGEST collects #37-40, $9 H MMW INV. IRON MAN V. 5 HC H YOUNG X-MEN V. 1 TPB collects #2-13, $55 collects #1-5, $15 H MMW GA ALL WINNERS V. 3 HC H AVENGERS INT V. 2 K I A TPB Body Bags One Shot (1 shot) collects #9-14, $60 collects #7-13 & ANN 1, $20 JASON PEARSON The wait is over! The highly anticipated and much debated return of H MMW DAREDEVIL V. 5 HC H ULTIMATE HUMAN TPB JASON PEARSON’s signature creation is here! Mack takes a job that should be easy collects #42-53 & NBE #4, $55 collects #1-4, $16 money, but leave it to his daughter Panda to screw it all to hell. Trapped on top of a sky- H MMW GA CAP AMERICA V. 3 HC H scraper, surrounded by dozens of well-armed men aiming for the kill…and our ‘heroes’ down DD BY MILLER JANSEN V. 1 TPB to one last bullet. The most exciting BODY BAGS story ever will definitely end with a bang! collects #9-12, $60 collects #158-172 & MORE, $30 H AST X-MEN V. 2 HC H NEW XMEN MORRION ULT V. 3 TPB Rock’N’Roll (1 shot) collects #13-24 & GS #1, $35 collects #142-154, $35 story FÁBIO MOON & GABRIEL BÁ art & cover FÁBIO MOON, GABRIEL BÁ, BRUNO H MYTHOS HC H XMEN 1ST CLASS BAND O’ BROS TP D’ANGELO & KAKO Romeo and Kelsie just want to go home, but life has other plans. -
9281 Desire, Love, Identity- Follow the LGBTQ History Trail.Indd
Desire, love, identity Follow the LGBTQ history trail Exploring LGBTQ histories This trail highlights 15 objects that You should be able to complete have a connection with LGBTQ this trail comfortably in 60 to 75 history. You can download audio minutes. The objects have been commentaries for each of the objects arranged to create an efficient to listen to on your own device. route. However, you don’t need Search for ‘Desire love identity’ in to follow this order, or even see iTunes, Google Play Music, or Spotify. all of the objects. If you’d rather read about the objects you’ll find more information at britishmuseum.org/desireloveidentity 1 2 3 The Discus Thrower Maori Treasure Box* Statue of Ganymede Room 1 Room 1 Room 1 This sculpture may have This intricately carved wooden In mythology, the god Zeus been part of a larger group box features male and female (or Jupiter) was overcome of statuary. The beautiful figures intertwined in sexual by desire for the beautiful youth Hyacinth was struck union. One scene appears to youth Ganymede. He took and killed by a discus thrown blur heterosexual boundaries the form of an eagle to abduct by his lover, the god Apollo. and gender roles. Ganymede who later became The discus was blown off the god’s cupbearer. course by the jealous Zephyr. 4 5 6 A Maya ruler N’domo masquerade mask* Queen of the Night East stairs, Ground fl oor Room 25, downstairs from Room 56 This image of a male Maya Room 24 The Mesopotamian deity ruler was once assumed to In many African cultures, Ishtar had the power to assign be a woman. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Title: Buy Gold and Silver Safely
Buy Gold and Silver Safely by Doug Eberhardt © Copyright 2018, Doug Eberhardt All Rights Reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission from the author. ISBN: 978-0-9825861-7-4 Dedicated to Chris Furman for all you do. iv The most important aspect to learning about buying gold and silver is to know what you are doing and what you want to buy before calling a gold dealer. This is why I wrote the book; so you don’t make any mistakes. Enjoy the book! v DISCLAIMER EVERY EFFORT HAS BEEN MADE TO ACCURATELY REPRESENT THIS PRODUCT AND SERVICES OFFERED, AND ITS POTENTIAL. THERE IS NO GUARANTEE THAT YOU WILL EARN ANY MONEY USING THE TECHNIQUES AND IDEAS IN THIS BOOK. EXAMPLES IN THE BOOK ARE NOT TO BE INTERPRETED AS A PROMISE OR GUARANTEE OF EARNINGS. EARNING POTENTIAL IS ENTIRELY DEPENDENT ON THE PERSON USING THE INFORMATION INCLUDED TO THE BOOK AND THE IDEAS AND THE TECHNIQUES. WE DO NOT PURPORT THIS AS A GET RICH SCHEME. YOUR LEVEL OF SUCCESS IN ATTAINING THE RESULTS IN THIS BOOK DEPENDS ON THE TIME YOU DEVOTE TO THE IDEAS AND TECHNIQUES MENTIONED, YOUR FINANCES, KNOWLEDGE AND VARIOUS SKILLS. SINCE THESE FACTORS DIFFER ACCORDING TO INDIVIDUALS, WE CANNOT GUARANTEE YOUR SUCCESS OR PROFIT LEVEL. NOR ARE WE RESPONSIBLE FOR ANY OF YOUR ACTIONS. MATERIALS IN THIS BOOK MAY CONTAIN INFORMATION THAT INCLUDES FORWARD-LOOKING STATEMENTS THAT GIVE OUR EXPECTATIONS OR FORECASTS OF FUTURE EVENTS. -
The Experience of Physical and Social Presence in a Virtual Learning Environment As Impacted by the Affordance of Movement Enabled by Motion Tracking
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2015 The Experience of Physical and Social Presence in a Virtual Learning Environment as Impacted by the Affordance of Movement Enabled by Motion Tracking Aleshia Hayes University of Central Florida Part of the Engineering Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Hayes, Aleshia, "The Experience of Physical and Social Presence in a Virtual Learning Environment as Impacted by the Affordance of Movement Enabled by Motion Tracking" (2015). Electronic Theses and Dissertations, 2004-2019. 5014. https://stars.library.ucf.edu/etd/5014 THE EXPERIENCE OF PHYSICAL AND SOCIAL PRESENCE IN A VIRTUAL LEARNING ENVIRONMENT AS IMPACTED BY THE AFFORDANCE OF MOVEMENT ENABLED BY MOTION TRACKING by ALESHIA TAYLOR HAYES B.S. Purdue University, 2001 M.A. Purdue University, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Modeling and Simulation in the College of Engineering and Computer Science at the University of Central Florida Orlando, Florida Summer Term 2015 Major Professor: Charles E. Hughes © 2015 Aleshia Hayes ii ABSTRACT This research synthesizes existing research findings that social presence (sense of connection with others) and physical presence (sense of being there) increase learning outcomes in Virtual Learning Environments (VLEs) with findings that traditional motion tracking of participants wearing head mounted displays in virtual reality increases both physical and social presence. -
USA Olympian Sydney Mclaughlin ‘17 UC Magazine
Celebrating the Community of Union Catholic High School 2016 UC Track Phenom’s Road to Rio USA Olympian Sydney McLaughlin ‘17 UC Magazine In Every Issue 3 Q & A with Principal Sister Percylee Hart, RSM 5 Message from the School Consultative FEATURED ARTICLES Board Chair 6 Graduation and Class of 1966 Celebrates Senior Spotlights 12 50th Anniversary of Graduation 36 Faculty Notes The Class of 1966, always the trailblazers, started a new tradition at Union Catholic. 38 Community Corner The Virtual Revolution 44 Alumni Notes 14 UC is ahead of the curve in the realm of educational technology, in and out of the classroom. A Futuristic Approach 18 Engineering and robotics expand UC’s STEM (Science, Technology, UC Administration Engineering, Math) curricula. Sister Percylee Hart, RSM Principal Going Up? A Dream Comes True Ms. Karen Piasecki ‘88 20 UC installed an elevator this summer to make the building more Associate Principal accessible for all. Read about how former Assistant Principal Dr. James Reagan, Jr. ‘96 Mr. Michael Marotti’s dream became a reality. Assistant Principal Mrs. Noreen Korner Andrews Union Catholic Earns Glowing Middle Assistant Principal 21 States Reaccreditation Reaccredited by the Middle States Association, UC earned high Editors Mrs. Susan Dyckman praise from the Visiting Team. Director of Development Mrs. Kristine Mintel Esposito ’04 Hard Work and Dedicated Service Development Assistant 22 The custodial and maintenance staffs at UC may work quietly behind the scenes, but, without them, the building and grounds Contributing Editors would never be what we know and love. Mrs. Barbara Dellanno Academic & Faith Formation Dean UC Track Phenom’s Road to Rio Ms. -
Roman Art Kindle
ROMAN ART PDF, EPUB, EBOOK Paul Zanker | 216 pages | 10 Jan 2012 | Getty Trust Publications | 9781606061015 | English | Santa Monica CA, United States Roman Art PDF Book If you don't know about Paracas textiles Construction of the Baths of Diocletian , for instance, monopolised the entire brick industry of Rome, for several years. Roman aqueducts , also based on the arch, were commonplace in the empire and essential transporters of water to large urban areas. The Romans also made frequent use of the semicircular arch, typically without resorting to mortar: relying instead on the precision of their stonework. The heads of the Marcus Aurelius figures are larger than normal, to show off their facial expressions. However it never lost its distinctive character, especially notable in such fields as architecture, portraiture, and historical relief. This led to a popular trend among the ancient Romans of including one or more such statues in the gardens and houses of wealthier patrons. With the authenticity of the medallion more firmly established, Joseph Breck was prepared to propose a late 3rd to early 4th century date for all of the brushed technique cobalt blue-backed portrait medallions, some of which also had Greek inscriptions in the Alexandrian dialect. They also served an important unifying force. Useing vivid colours it simulates the appearance of marble. From Wikipedia, the free encyclopedia. Sculpture: Types and Characteristics. A higher relief is used, permitting greater contrast between light and shadow. Further information: Roman portraiture. As another example of the lost "Golden Age", he singled out Peiraikos , "whose artistry is surpassed by only a very few But flagship buildings with domes were far from being the only architectural masterpieces built by Ancient Rome. -
A Study Companion
The Jefferson Performing Arts Society Presents A Study Companion 1118 Clearview Pkwy, Metairie, LA 70001 Ph 504.885.2000 Fx 504.885.3437 [email protected] www.jpas.org 1 TABLE OF CONTENTS TEACHERS’ NOTES……………………………………………………….3 LOUISIANA CONTENT STANDARDS………………………………….4 Jungle Book, THE BOOK……………………………………………….…….5 Rudyard Kipling, THE AUTHOR………………………………………….27 KIPLING’S INFLUDENCE ON CULTURE…………………………………....36 The Jungle Book, THE FILMS………………………………………………….…42 The Jungle Book, THE PLAY……………………………………………………...52 LESSONS………………………………………………………………………….55 RESOURCE LIST…………………………………………………………………….106 2 TEACHERS’ NOTES JPAS Theatre Kids! take the stage once more in another classic Disney tale brought to life through song and dance on stage! Performed by an all-kid cast, the jungle is jumpin' with jazz is this exciting Disney classic! Join Mowgli, Baloo, King Louie and the gang as they swing their way through madcap adventures and thwart the ferocious tiger, Shere Khan. With colorful characters and that toe-tapping jungle rhythm, The Jungle Book KIDS is a crowd-pleaser for audiences of all ages! Music by Richard M. Sherman and Robert B. Sherman and Terry Gilkyson Lyrics by Richard M. Sherman and Robert B. Sherman and Terry Gilkyson Additional lyrics by Marcy Heisler Book adapted by Marcy Heisler Music adapted by Bryan Louiselle Music arranged by Bryan Louiselle This Study Companion provides background information on Rudyard Kipling’s book, published in 1894, biographical information on Kipling, background information on the Disney films and play and lesson plans that pull directly from the book, films and play. One focus of the lesson plans is to highlight how an author’s individual voice can shape the telling and re-telling of a tale. -
Brilliant Light
56 PERSONAL HISTORY BRILLIANT LIGHT A chemical boyhood. 6 BY O LI V ER SAC KS Something has got into me these last Achilles. Or you could alloy copper with weeks—I do not know why. I have pulled zinc, my mother said, to produce brass. out my old books (and bought many new All of us—my mother, my brothers, ones), have set the little tungsten bar on a and I—had our own brass menorahs for pedestal and papered the kitchen with Hanukkah. (My father, though, had a chemical charts. I read lists of cosmic abun- silver one.) dances in the bath. On cold, dismal Satur- I knew copper, the shiny rose color day afternoons, there is nothing better than of the great copper cauldron in our curling up with a fat volume of Thorpe’s kitchen—it was taken down only once a Dictionary of Applied Chemistry, opening year, when the quinces and crab apples it anywhere, and reading at random. It were ripe in the garden and my mother was Uncle Tungsten’s favorite book, and would stew them to make jelly. now it is one of mine. On depressive morn- I knew zinc—the dull, slightly bluish ings, I like to work out atomic radii or ion- birdbath in the garden was made of ization potentials with my Grape-Nuts— zinc—and tin, from the heavy tinfoil in their charm has come back, and they will get which sandwiches were wrapped for a me going for the day. picnic. My mother showed me that when tin or zinc was bent it uttered a I—BEFORE THE WAR special “cry.” “It’s due to deformation of the crystal structure,” she said, forget- ANY of my childhood memo- ting that I was five and could not un- ries are of metals: these seemed derstand her—and yet her words made M to exert a power on me from me want to know more.