Virgin Tv 360 Channel Guide June 2021
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Verizon Fios Channel Guide
1/14/2020 Extreme HD Print 344 Ch, 151 HD # A 169 A Wealth of Entertainment 669 A Wealth of Entertainment HD 181 A&E 681 A&E HD 571 ACC Network HD 119 AccuWeather DC MD VA 619 AccuWeather DC MD VA HD 424 Action Max 924 Action Max HD 425 Action Max West 231 AMC 731 AMC HD 125 American Heroes Channel 625 American Heroes Channel HD 130 Animal Planet 630 Animal Planet HD 215 AXS tv 569 AXS tv HD # B 765 BabyFirst HD 189 BBC America 689 BBC America HD 107 BBC World News 609 BBC World News HD 596 beIN Sports HD 270 BET 225 BET Gospel 770 BET HD 213 BET Jams 219 BET Soul 330 Big Ten 1 331 Big Ten 2 Programming Service offered in each package are subject to change and not all programming Included Channel Premium Available For Additional Cost services will be available at all times, Blackout restrictions apply. 1/15 1/14/2020 Extreme HD Print 344 Ch, 151 HD 333 Big Ten 3 85 Big Ten Network 585 Big Ten Network HD 258 Boomerang Brambleton Community 42 Access [HOA] 185 Bravo 685 Bravo HD 951 Brazzers 290 BYU Television # C 109 C-SPAN 110 C-SPAN 2 111 C-SPAN 3 599 Cars.TV HD 257 Cartoon Network 757 Cartoon Network HD 94 CBS Sports Network 594 CBS Sports Network HD 277 CGTN 420 Cinemax 920 Cinemax HD 421 Cinemax West 921 Cinemax West HD 236 Cinémoi 221 CMT 721 CMT HD 222 CMT Music 102 CNBC 602 CNBC HD+ 100 CNN 600 CNN HD 105 CNN International 190 Comedy Central 690 Comedy Central HD 695 Comedy.TV HD 163 Cooking Channel 663 Cooking Channel HD Programming Service offered in each package are subject to change and not all programming Included Channel Premium Available For Additional Cost services will be available at all times, Blackout restrictions apply. -
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Virgin Media Submission
NON-CONFIDENTIAL VERSION VIRGIN MEDIA LIMITED OFCOM INVESTIGATION INTO THE UK PAY TV INDUSTRY1 SUPPLEMENTARY SUBMISSION OF 15 AUGUST 2008 1. INTRODUCTION: UK PAY TV CONSUMERS CAN BE BETTER SERVED 1.1 In January 2007, Virgin Media Limited ("Virgin Media"), together with British Telecommunications plc, Setanta Sport Holdings Limited and Top Up TV Europe Limited (together, "the Parties"), jointly made a submission to Ofcom demonstrating that competition in the UK pay TV market is not working effectively, and calling for Ofcom to make a market investigation reference to the Competition Commission. In this initial submission, a number of subsequent submissions and responses to numerous information request responses2, Virgin Media has provided voluminous evidence of market failure and highlighted specific areas of consumer detriment which result from this market failure. 1.2 Consumers would be demonstrably better off if steps were taken to remedy the features of the market which are preventing, restricting or distorting competition in the supply of pay TV in the UK. Against that background, this supplementary submission provides: (a) further evidence that consumers are not being well served by the current market structure; and (b) [CONFIDENTIAL], a more detailed explanation of the ways that Virgin Media could innovate (and the types of offerings consumers could expect to see) were the distorting features of the market corrected. 1.3 Ofcom has a discretion under section 131 of the Enterprise Act ("EA") to make a market investigation reference to the Competition Commission where: "… it has reasonable grounds to suspect that any feature, or combination of features, of a market in the United Kingdom for goods and services prevents, restricts or distorts competition in connection with the supply or acquisition of any goods or services in the United Kingdom or a part of the United Kingdom." 1.4 There can be no question such "reasonable grounds" have been established since the inception of this process approximately nineteen months ago. -
Gigabit-Broadband in the UK: Government Targets and Policy
BRIEFING PAPER Number CBP 8392, 30 April 2021 Gigabit-broadband in the By Georgina Hutton UK: Government targets and policy Contents: 1. Gigabit-capable broadband: what and why? 2. Gigabit-capable broadband in the UK 3. Government targets 4. Government policy: promoting a competitive market 5. Policy reforms to help build gigabit infrastructure Glossary www.parliament.uk/commons-library | intranet.parliament.uk/commons-library | [email protected] | @commonslibrary 2 Gigabit-broadband in the UK: Government targets and policy Contents Summary 3 1. Gigabit-capable broadband: what and why? 5 1.1 Background: superfast broadband 5 1.2 Do we need a digital infrastructure upgrade? 5 1.3 What is gigabit-capable broadband? 7 1.4 Is telecommunications a reserved power? 8 2. Gigabit-capable broadband in the UK 9 International comparisons 11 3. Government targets 12 3.1 May Government target (2018) 12 3.2 Johnson Government 12 4. Government policy: promoting a competitive market 16 4.1 Government policy approach 16 4.2 How much will a nationwide gigabit-capable network cost? 17 4.3 What can a competitive market deliver? 17 4.4 Where are commercial providers building networks? 18 5. Policy reforms to help build gigabit infrastructure 20 5.1 “Barrier Busting Task Force” 20 5.2 Fibre broadband to new builds 22 5.3 Tax relief 24 5.4 Ofcom’s work in promoting gigabit-broadband 25 5.5 Consumer take-up 27 5.6 Retiring the copper network 28 Glossary 31 ` Contributing Authors: Carl Baker, Section 2, Broadband coverage statistics Cover page image copyright: Blue Fiber by Michael Wyszomierski. -
Media: Industry Overview
MEDIA: INDUSTRY OVERVIEW 7 This document is published by Practical Law and can be found at: uk.practicallaw.com/w-022-5168 Get more information on Practical Law and request a free trial at: www.practicallaw.com This note provides an overview of the sub-sectors within the UK media industry. RESOURCE INFORMATION by Lisbeth Savill, Clare Hardwick, Rachael Astin and Emma Pianta, Latham & Watkins, LLP RESOURCE ID w-022-5168 CONTENTS RESOURCE TYPE • Scope of this note • Publishing and the press Sector note • Film • Podcasts and digital audiobooks CREATED ON – Production • Advertising 13 November 2019 – Financing and distribution • Recorded music JURISDICTION • Television • Video games United Kingdom – Production • Radio – Linear and catch-up television • Social media – Video on-demand and video-sharing services • Media sector litigation SCOPE OF THIS NOTE This note provides an overview of the sub-sectors within the UK media industry. Although the note is broken down by sub-sector, in practice, many of these areas overlap in the converged media landscape. For more detailed notes on media industry sub-sectors, see: • Sector note, Recorded music industry overview. • Sector note, TV and fi lm industry overview. • Practice note, Video games industry overview. FILM Production Total UK spend on feature fi lms in 2017 was £2 billion (up 17% on 2016) (see British Film Institute (BFI): Statistical Yearbook 2018). Film production activity in the UK is driven by various factors, including infrastructure, facilities, availability of skills and creative talent and the incentive of fi lm tax relief (for further information, see Practice note, Film tax relief). UK-produced fi lms can broadly be sub-divided into independent fi lms, UK studio-backed fi lms and non-UK fi lms made in the UK. -
The BBC's Use of Spectrum
The BBC’s Efficient and Effective use of Spectrum Review by Deloitte & Touche LLP commissioned by the BBC Trust’s Finance and Strategy Committee BBC’s Trust Response to the Deloitte & Touche LLPValue for Money study It is the responsibility of the BBC Trust,under the As the report acknowledges the BBC’s focus since Royal Charter,to ensure that Value for Money is the launch of Freeview on maximising the reach achieved by the BBC through its spending of the of the service, the robustness of the signal and licence fee. the picture quality has supported the development In order to fulfil this responsibility,the Trust and success of the digital terrestrial television commissions and publishes a series of independent (DTT) platform. Freeview is now established as the Value for Money reviews each year after discussing most popular digital TV platform. its programme with the Comptroller and Auditor This has led to increased demand for capacity General – the head of the National Audit Office as the BBC and other broadcasters develop (NAO).The reviews are undertaken by the NAO aspirations for new services such as high definition or other external agencies. television. Since capacity on the platform is finite, This study,commissioned by the Trust’s Finance the opportunity costs of spectrum use are high. and Strategy Committee on behalf of the Trust and The BBC must now change its focus from building undertaken by Deloitte & Touche LLP (“Deloitte”), the DTT platform to ensuring that it uses its looks at how efficiently and effectively the BBC spectrum capacity as efficiently as possible and uses the spectrum available to it, and provides provides maximum Value for Money to licence insight into the future challenges and opportunities payers.The BBC Executive affirms this position facing the BBC in the use of the spectrum. -
FREEVIEW DTT Multiplexes (UK Inc NI) Incorporating Planned Local TV and Temporary HD Muxes
As at 07 December 2020 FREEVIEW DTT Multiplexes (UK inc NI) incorporating planned Local TV and Temporary HD muxes 3PSB: Available from all transmitters (*primary and relay) 3 COM: From *80 primary transmitters only Temp HD - 25 Transmiters BBC A (PSB1) BBC A (PSB1) continued BBC B (PSB3) HD SDN (COM4) ARQIVA A (COM5) ARQIVA B (COM6) ARQIVA C (COM7) HD ARQIVA D (COM8) HD LCN LCN LCN LCN LCN LCN LCN 1 BBC ONE 65 TBN UK 12 QUEST 11 Sky Arts 22 Ideal World 64 Free Sports BBC RADIO: 1 BBC ONE NI Cambridge, Lincolnshire, 74 Shopping Quarter 13 E4 (Wales only) 17 Really 23 Dave ja vu 70 Quest Red+1 722 Merseyside, Oxford, 1 BBC ONE Scot Solent, Somerset, Surrey, 101 BBC 1 Scot HD 16 QVC 19 Dave 26 Yesterday 83 NOW XMAS Tyne Tees, WM 1 BBC ONE Wales 101 BBC 1 Wales HD 20 Drama 30 4Music 33 Sony Movies 86 More4+1 2 BBC TWO 101 BBC ONE HD 21 5 USA 35 Pick 36 QVC Beauty 88 TogetherTV+1 (00:00-21:00) 2 BBC TWO NI BBC RADIO: 101 BBC ONE NI HD 27 ITVBe 39 Quest Red 37 QVC Style 93 PBS America+1 726 BBC Solent Dorset 2 BBC TWO Wales BBC Stoke 102 BBC 2 Wales HD 28 ITV2 +1 42 Food Network 38 DMAX 96 Forces TV 7 BBC ALBA (Scot only) 102 BBC TWO HD 31 5 STAR 44 Gems TV 40 CBS Justice 106 BBC FOUR HD 9 BBC FOUR 102 BBC TWO NI HD 32 Paramount Network 46 Film4+1 43 HGTV 107 BBC NEWS HD Sony Movies Action 9 BBC SCOTLAND (Scot only) BBC RADIO: 103 ITV HD 41 47 Challenge 67 CBS Drama 111 QVC HD (exc Wales) 734 Essex, Northampton, CLOSED 24 BBC FOUR (Scot only) Sheffield, 103 ITV Wales HD 45 Channel 5+1 48 4Seven 71 Jewellery Maker 112 QVC Beauty HD 201 CBBC -
Scotland's Home of News and Entertainment
Scotland’s home of news and entertainment Strategy Update May 2018 STV in 2020 • A truly multi-platform media company with a balanced profit base across broadcast, production and digital o Expect around 1/3rd of profit from sources other than linear spot advertising (vs 17% today) • A magnet for the best creative talent from Scotland and beyond • A brand famous for a range of high quality programming and accessible by all Scots wherever they are in the world via the STV app • One of the UK’s leading producers, making world class returning series for a range of domestic and international players • Working in partnership with creative talent, advertisers, businesses and Government to drive the Scottish economy and showcase Scotland to the world Scotland’s home of news and entertainment 2 We have a number of strengths and areas of competitive advantage Strong, trusted brand Unrivalled Talented, connection with committed people Scottish viewers and advertisers Robust balance sheet and growing Scotland’s most returns to powerful marketing shareholders platform Settled A production relationship with business well ITV which placed for incentivises STV Profitable, growing “nations and to go digital digital business regions” growth holding valuable data 3 However, there is also significant potential for improvement •STV not famous for enough new programming beyond news •STV brand perceived as ageing and safe BROADCAST •STV2 not cutting through •News very broadcast-centric and does not embrace digital •STV Player user experience lags competition -
David-Greathead-Cv
David Greathead Avid Offline / Online Profile Previously staff editor at Prime Focus, David Greathead is well loved and renowned for his speed and creativity. He really understands individual director’s quirks and creative preferences and pushes it further to produce promos and programmes with real style and flair. In addition to this he is very laid back and easy to get along with and brings calm to a stressful environment. Long Form Credits “How To Garden With Carol Klein” Series 2, 5 x 60min. The gardening guru shares her insights on everything from edibles to ornamentals. Knickerbocker Glory for Channel 5 “The Nolans Coming Home” 1 x 60min. The singing sisters return to dry land after their incredible sea trip. Colleen, Linda, Maureen and Anne share more glamorous, revelatory and moving moments. Koska for Quest Red “Ricky and Ralphs Very Northern Roadtrip” 2 x 1hr episodes. Royle Family stars Ricky Tomlinson and Ralf Little reunite for a road trip in a campervan around the North of England. The stars share memories, entertain each other, and discover just what sets the north apart from the rest of the UK. North One for UKTV “The Wonderful World of Chocolate” 1 x 60min. Documentary series. The UK chocolate market is worth over £5 billion a year. This delicious world is packed with eccentric and colourful modern day Willy Wonkas - many of whom have given up everything in their pursuit of chocolate perfection. This series uncovers eye-popping factory secrets and reveals chocolate’s rich history. Elephant House Studios for Channel 5. “Garden Rescue” 6 x 45min. -
So What Better Way to Celebrate Than to Catch up with the Lovely Adele, SBC’S Brand Ambassador
This year SBC are celebrating 11 Years on QVC – so what better way to celebrate than to catch up with the lovely Adele, SBC’s Brand Ambassador. So, come with us, back in time, to dig a little deeper into Adele’s years on QVC! 1. So, Adele, what did you do before you became SBC’s knowledgeable Brand Ambassador? I worked for the NHS, before re-training in 2007 as a Holistic Therapist. I have always been interested in holistic therapy, it is a form of healing that considers the whole person - body, mind, spirit, and emotions - in the quest for optimal health and wellness. I then began working for a Beauty and Wellness Spa based in Bury St. Edmunds, which was an ideal environment to practice my skills as a holistic therapist, whilst learning a lot about skincare. 2. How did you get into presenting? The Spa I worked for was, and still is, under the same parent company as SBC, and I was asked by the CEO if I fancied presenting on QVC for them. Surprised, excited, and terrified, I auditioned and in 2010 I had my first experience on QVC. 3. Do you remember who was presenting your first show? Of course, it was Jilly Halliday, and she was so lovely and really helped with my nerves. It was a great first experience. 4. If you can remember, how did you feel before your very first show? Honestly, I was sick with nerves. Once we got going I realised that all we were doing is chatting about the products. -
The Ideal Made Real;
THE IDEAL MADE REAL or Kpplied MetaphysicsforBeginners CHRISTIAN D. LARSON THE IDEAL MADE REAL THE IDEAL MADE REAL OR APPLIED METAPHYSICS FOR BEGINNERS BY CHRISTIAN D. LARSON Editor of ETERNAL PROGRESS AND THE COSMIC WORLD 1909 THE PROGRESS COMPANY CHICAGO Copyright 1909 By THE PROGRESS COMPANY CONTENTS CHAPTER PAGE I. The Ideal Made Real ,..,.., 9 II. How to Begin: The Prime Essentials. 22 III. The First Steps in Ideal Living. .,. .,. 41 IV. The First Thought in Ideal Thinking. 61 V. The Ideal and the Eeal Made One 77 VI. The First Step Towards Complete Emancipation . .,. 94 VII. Paths to Perpetual Increase. 106 VIII. Consider the Lilies. ., 116 IX. Count It All Joy 134 X. The True Use of Kindness and Sym- pathy . ., , , , 145 XI. Talk Health, Happiness and Prosperity.160 XII. What Determines the Destiny of Man. .170 XIII. To Him That Hath Shall Be Given. ... .177 XIV. The Life That is Worth Living .187 XV. When All Things Become Possible ... 197 XVI. The Art of Getting What is Wanted ... 210 XVII. Paths to Happiness 221 XVIII. Creating Ideal Surroundings. 235 XIX. Changing Your Own Fate 246 XX. BuUding Your Own Ideal World 255 3 FOREWORD. The purpose of this work is to present practical methods through which anyone, the beginner in par- ticular, may realize his ideals, cause his cherished dreams to come true, and cause the visions of the soul to become tangible realities in every-day life. The best minds now believe that the ideal can be made real; that every lofty idea can be applied in practical living, and that all that is beautiful on the heights of existence can be made permanent expres- sions in personal existence. -
MG ALBA Response to 'Provisional Determination', P2-3
Reply to Consultation on Ofcom’s provisional determination on the proposed new BBC Scotland channel We are grateful for the opportunity to respond to the consultation on Ofcom’s provisional determination. Key Points BBC ALBA is a minority language channel, broadcasting in standard definition across the UK on an annual content budget of £16.4m1. In addition to being a channel that competes on merit to attract the viewership of over 10% of adults in Scotland each week, it creates value for speakers and learners of Gaelic and plays a major role in the fulfilment of public policy objectives for Gaelic, culture and economy. The new BBC Scotland channel will undoubtedly have an impact on BBC ALBA. It will target broadly the same viewers as BBC ALBA with a content budget double that of BBC ALBA and, as announced recently by the BBC, with carriage in High Definition (HD). This is not a level playing field. We have three principal concerns: 1. The research and the conclusions drawn from it, insofar as they relate to BBC ALBA, are hedged around by uncertainty; 2. The approach taken to public value, insofar as it relates to BBC ALBA, appears not to give weight to the citizenship, public policy and language aspects of Gaelic broadcasting; and 3. There appears to be an assumption that it will be the responsibility of the Scottish Government to provide additional funding to BBC ALBA should the new BBC Scotland channel cause cost inflation. MG ALBA does not stand in the way of the new channel. However, we ask Ofcom to ensure that conditions, and related monitoring arrangements, are put in place to ensure that the new BBC Scotland will not cause detriment to Gaelic language television broadcasting or, if it does, that the BBC will undertake to make good that detriment.