Lars Von Trier

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LARS VON TRIER NIMF()MANKAczęśćII PamięTAJ O ROZKOSZY ZENTROPA ENTERTAINMENTS PRESENTS NYMPHOMANIAC WRITTEN AND DIRECTED BY LARS VON TRIER STARRING CHARLOTTE GAINSBOURG · STELLAN SKARSGÅRD · STACY MARTIN · SHIA LABEOUF · CHRISTIAN SLATER · JAMIE BELL · UMA THURMAN · WILLEM DAFOE · MIA GOTH · SOPHIE KENNEDY CLARK CONNIE NIELSEN · MICHAËL PAS · jean-marC BARR · UDO KIER PRODUCER LOUISE VESTH EXECUTIVE PRODUCERS PETER AALBÆK JENSEN · MARIE GADE DENESSEN · PETER GARDE EXECUTIVE Co-pRODUCER BETTINA BROKEMPER Co-pRODUCERS MARIANNE SLOT · BERT HAMELINCK · MADELEINE EKMAN DIRECTOR OF PHOTOGRAPHY MANUEL ALBERTO CLARO, DFF VISUAL EECTS SUPERVISOR PETER HJORTH EDITOR MOLLY MALENE STENSGAARD SOUND DESIGNER KRISTIAN SELIN EIDNES ANDERSEN STORY DEVELOPER JENLE HALLUND STORY SUPERVISOR VINCA WIEDEMANN ADDITIONAL DIRECTING ANDERS REFN PRODUCTION DESIGNER SIMONE GRAU RONEY ART DIRECTOR ALEXANDER SCHERER COSTUME DESIGNER MANON RASMUSSEN KEY MAKEUP & HAIR DESIGNER DENNIS KNUDSEN POST PRODUCTION SUPERVISOR CHARLOTTE BUCH LINE PRODUCERS MARIANNE JUL HANSEN · SASCHA VERHEY PRODUCED BY ZENTROPA ENTERTAINMENTS31 APS IN Co-pRODUCTION WITH ZENTROPA INTERNATIONAL KÖLN · SLOT MACHINE · ZENTROPA INTERNATIONAL FRANCE · CAVIAR · ZENBELGIE · ZENTROPA INTERNATIONAL SWEDEN · ARTE FRANCE CINÉMA · LM I VÄST GROUPE GRAND ACCORD: ARTE G.E.I.E. WITH SUPPORT FROM DANISH LM INSTITUTE · lm- UND MEDIENSTIUNG NRW · EURIMAGES · DEUTSCHER LMFÖRDERFONDS · CENTRE NATIONAL DU CINÉMA ET DE L’IMAGE ANIMÉE THE BELGIAN TAX SHELTER · SWEDISH LM INSTITUTE · THE ANDERS AUDIOVISUAL FUND (vAF ) · THE MEDIA PROGRAMME OF THE EUROPEAN UNION IN COOPERATION WITH DR · NORDISK LM & TV FOND · CANAL+ · ARTE FRANCE · NORDISK LM CINEMA DISTRIBUTION · DEN VESTDANSKE LMPULJE · CINE+ INTERNATIONAL SALES BY TRUSTNORDISK AN OCIAL DANISH · GERMAN · FRENCH · BELGIAN Co-pRODUCTION IN ACCORDANCE WITH THE 1992 EUROPEAN CONVENTION ON CINEMATOGRAPHIC Co-pRODUCTION © 2013 ZENTROPA ENTERTAINMENTS31 APS · ZENTROPA INTERNATIONAL KÖLN · SLOT MACHINE · ZENTROPA INTERNATIONAL FRANCE · CAVIAR · ZENBELGIE · ARTE FRANCE CINÉMA W KINACH OD 31 STYCZNIA.

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CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT I Love the August Festivals, Though Not As Much As I Love Cinema
3 AUG 18 6 SEP 18 1 | 3 AUG 18 - 6 SEP 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT I love the August festivals, though not as much as I love cinema. You? I usually take the opportunity when writing this column every August to grumble about how distracted potential cinema-goers appear to be by the world’s largest arts festival that takes place in our glorious (a word which currently also describes the weather!) city every year, but this year I’m seeing it as nothing more than a challenge. A challenge, dear reader, which I feel we have risen to in impressive style with a stunning array of great cinema, much of which is, as it happens, of a ‘one-off’ nature and will likely not come around again any time soon… That sounds like I’m trying to dragoon you into coming to the cinema in August (instead of going to the Tattoo, perhaps?), and conceivably I am, but try not to see it that way… Rather, I simply wouldn’t want you to miss out on any of the must-see cinema experiences contained within these pages. In any case, cinema is surely the best of all the art forms wouldn’t you say, as well as being one of the cheaper days/nights out? Beyond the form itself, with cinema, you rarely have to worry about not liking a film and it being apparent to the people who made it, because they’re generally not there in the room.
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Netanyahu Formally Denies Charges in Court
WWW.JPOST.COM THE Volume LXXXIX, Number 26922 JERUSALEFOUNDED IN 1932 M POSTNIS 13.00 (EILAT NIS 11.00) TUESDAY, FEBRUARY 9, 2021 27 SHVAT, 5781 Eye in the sky A joint goal Feminist religious art IAI unveils aerial Amos Yadlin on the need to When God, Jesus surveillance system 6 work with Biden to stop Iran and Allah were women Page 6 Page 9 Page 16 How did we miss Netanyahu formally denies charges in court Judges hint witnesses to be called only after election • PM leaves hearing early the exit • By YONAH JEREMY BOB two to three weeks to review these documents before wit- Prime Minister Benjamin nesses are called, that would ramp? Netanyahu’s defense team easily move the first witness fought with the prosecution beyond March 23. ANALYSIS on Monday at the Jerusalem Judge Rivkah Friedman Feld- • By YONAH JEREMY BOB District Court over calling man echoed the prosecution’s witnesses in his public cor- arguments that the defense A lifetime ago when living ruption trial before the March had between one to two years in northern New Jersey, I 23 election. to prepare for witnesses. But often drove further north for It seemed that the judges ultimately the judges did not work. were leaning toward calling seem anxious to call the first Sometimes the correct exit the first witness in late March witness before March 23. was small and easy to miss. or early April, which they A parallel fight between the But there were around five would present as a compro- sides was the prosecution’s or so exits I could use to avoid mise between the sides.
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Uk / 2018 / 1.66 / 5.1
HIGH LIFE 110 min / Germany – France – USA – Poland – UK / 2018 / 1.66 / 5.1 EVA DIEDERIX [email protected] SILVIA SIMONUTTI [email protected] FANNY BEAUVILLE [email protected] OLPHA BEN SALAH [email protected] PHOTOS AND PRESS KIT CAN BE DOWNLOADED FROM https://www.wildbunch.biz/movie/high-life/ Deep space. Monte and his daughter Willow live together aboard a spacecraft, in complete isolation. A man whose strict self-discipline is a shield against desire, Monte fathered her against his will. His sperm was used to inseminate the young woman who gave birth to her. They were members of a crew of prisoners – death row inmates. Guinea pigs sent on a mission. Now only Monte and Willow remain. Through his daughter, he experiences the birth of an all-powerful love. Together, father and daughter approach their destination – the black hole in which time and space cease to exist. How did High Life come about? A while back, an English producer asked me if I wanted to participate in a collection of films called Femmes Fatales. At first, I wasn’t that interested, but after thinking it over, I agreed. The project took ages to get off the ground. There was no money. It took 6 or 7 years to hammer out a coproduction: France, Germany, Poland and eventually America. During that time, I went to England and the States to meet with actors. The actor I dreamed of for the lead role of Monte was Philip Seymour Hoffman, because of his age, his weariness – but he died mid- route.
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Coronavirus Has Exposed the Reality of a World Without Work. P4-5
Monday, March 30, 2020 Sha’ban 6, 1441 AH Doha today 190 - 280 COVER STORY Circle of fear Coronavirus has exposed the reality of a world without work. P4-5 HOLLYWOOD BACK PAGE Succession star talks QPO musicians entertain music about taking it easy. lovers by playing from home. Page 15 Page 16 2 GULF TIMES Monday, March 30, 2020 COMMUNITY ROUND & ABOUT SEASONS TO BINGE WATCH ON NETFLIX PRAYER TIME Fajr 4.09am Shorooq (sunrise) 5.29am Zuhr (noon) 11.40am Asr (afternoon) 3.08pm Maghreb (sunset) 5.51pm Isha (night) 7.21pm USEFUL NUMBERS The Haunting of Hill House famous haunted house in the country. Now adults, and forced DIRECTION: Mike Flanagan back together in the face of tragedy, the family must finally CAST: Henry Thomas, Oliver Jackson-Cohen, Kate Siegel confront the ghosts of their past, some of which still lurk in SYNOPSIS: The show explores a group of siblings who, their minds while others may actually be stalking the shadows as children, grew up in what would go on to become the most of Hill House. Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Water Corporation 44845555, 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Humanitarian Services Office (Single window facility for the repatriation of bodies) Ministry of Interior 40253371, 40253372, 40253369 Daredevil it gave him superhuman senses that enabled him to see the Ministry of Health 40253370, 40253364 DIRECTION: Drew Goddard world in a unique and powerful way.
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No Vember/De Cember 20 18
NOV/DEC 2018 NOVEMBER/DECEMBER 2018 NOVEMBER/DECEMBER Christmas atCINEMASTERS: GFT BILLY WILDER PETERLOO | WIDOWS | NAE PASARAN SUSPIRIA | SHOPLIFTERS | OUTLAW KING FRENCH FILM FESTIVAL | AFRICA IN MOTION THE OLD MAN AND THE GUN | UTØYA | SQIFF GLASGOWFILM.ORG | 0141 332 6535 12 ROSE STREET, GLASGOW, G3 6RB CONTENTS 3 Days in Quiberon 23 Possum + Q&A 21 White Christmas 17 Access Film Club: Blindspotting 28 Science Fair 21 CINEMASTERS: BILLY WILDER Scottish Animation: Access Film Club: Home Alone 28 7 The Apartment 15 Stories Brought to Life Anna and the Apocalypse + short 23 Double Indemnity 15 Shoplifters 22 Archive Film, Propaganda and The Private Life of Sherlock Holmes - 5 15 Spanish Civil War Sorry to Bother You 23 35mm Bad Reputation 20 Super November + Q&A 7 Some Like It Hot 15 Becoming Animal + Q&A 6 Suspiria 22 Sunset Boulevard 15 Been So Long + Q&A 6 Three Identical Strangers 23 COMEDY GENIUS Blue Black Permanent 24 Utøya - July 22 20 9 to 5 25 Blueprint: Scottish Independent Shorts 8 Visible Cinema: It’s A Wonderful Life 28 Shaun of the Dead 25 Calibre + Q&A 5 Visible Cinema: RCS Curates: Widows 28 South Park Sing-a-long - 35mm 25 21 Disobedience 23 Widows DID YOU MISS 22 The Wild Pear Tree 23 Distant Voices, Still Lives Black 47 25 20 Wildlife 22 Don’t Worry, He Won’t Get Far on Foot BlacKkKlansman 25 6 A Woman Captured + Q&A 5 Evelyn + Discussion C’est la vie 25 20 The Workshop 22 An Evening with Beverley Luff Linn Cold War 25 @glasgowfilm 24 Worlds of Ursula K Le Guin 7 The Evil Dead ESTONIA NOW Fahrenheit 11/9 20 AFRICA
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Celebrating Forty Years of Films Worth Talking About
2 NOV 18 6 DEC 18 1 | 2 NOV 18 - 6 DEC 18 88 LOTHIAN ROAD | FILMHOUSEcinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT Move over, Braveheart! Last month saw the culmination of our 40th anniversary celebrations here at Filmhouse, and it has been hugely interesting time (for me at any rate!) comparing the us of now with the us of then. I’ve thoroughly enjoyed spending time talking to Filmhouse’s first Artistic Director, Jim Hickey, and finding out in more detail than I knew what myriad ways the business of running Filmhouse has stayed the same and the as many ways it has not (one of these days I’ll write it all down and you can find out how interesting it is for yourselves!). UK film distribution itself has changed immeasurably – the dawn of the multiplex in the latter half of the 1980s saw to that. Back in 1978, Filmhouse itself was part of a sort of movement that saw the birth of a number of similar venues around the UK whose aim was to show a kind of cinema (predominantly foreign language) that simply was not catered for within mainstream film exhibition. Despite 40 years having passed and much having changed, the notion of an audience-driven, ‘curated’ cinema like Filmhouse remains something of a film exhibition anomaly; and something Jim Hickey wrote 30+ years ago rings just as true today as it did then: “But best of all, the new cinemas are being run by those who care about audiences as well as the films that they have paid to watch.” Now, we’ve got a bit of a first for you in November, for we have metaphorically got into bed with Netflix to give one of their films a hugely deserved, exclusive, short run in a cinema – namely David Mackenzie’s splendidly entertaining Robert the Bruce epic, Outlaw King.
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IN PERSON & PREVIEWS Talent Q&As and Rare Appearances, Plus A
IN PERSON & PREVIEWS Talent Q&As and rare appearances, plus a chance for you to catch the latest film and TV before anyone else Preview: Vox Lux USA 2018. Dir Brady Corbet. With Natalie Portman, Raffey Cassidy, Jude Law, Willem Dafoe. 101min. Digital. Cert tbc. Courtesy of Curzon-Artificial Eye In 1999, a teenage Celeste survives a high-school shooting and, inspired by her experience, performs a song that captures the public imagination and catapults her into pop stardom. After his striking debut The Childhood of a Leader, Brady Corbet presents a film of contrasts, looking at celebrity and artistry through the journey of a fictional pop diva (superbly played by Cassidy and Portman at different stages). Tickets £15, concs £12 (Members pay £2 less) WED 1 MAY 18:15 NFT1 TV Preview: Victorian Sensations + Q&A with director Sebastian Barfield, presenter Philippa Perry and BFI curator Bryony Dixon BBC Four 2019. Dir Sebastian Barfield. Clips from Eps 1&2 + complete Ep3, TRT 145min Victorian Sensations transports us to the thrilling era of the 1890s, a decade of rapid and often bewildering discovery and change, which continues to resonate today. In their respective films, mathematician Dr Hannah Fry, actor Paul McGann and psychotherapist Philippa Perry explore the technology, art and culture of the last years of Queen Victoria’s reign. Drawing extensively on the newly available BFI National Archive collection of Victorian films, director Sebastian Barfield reveals a Britain bewitched by electricity and x-rays, a time when decadence and artistic genius went hand in hand and when a mass-media revolution encompassed the dawn of cinema – and some very Victorian fake-news scandals.
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Chicago Reader | June | Volume Number 
CHICAGO’SFREEWEEKLYSINCE | JUNE CHICAGO’SFREEWEEKLYSINCE Photos of Black fatherhood W.D. Floyd 12 The early years of gay liberation in Chicago Albert Williams 15 LUCY The city’s best drag mom uses a favorite vintage store to make a point about showing STOOLE: up for your community. a good look for Chicago By TTRBE27 THIS WEEK CHICAGOREADER | JUNE | VOLUME NUMBER IN THIS ISSUE T R - CITYLIFE 12 PhotoAphotographercaptures @ 04 SightseeingTakeourquizon quietmomentsofBlackfatherhood Chicagounderworldslangandﬁ nd outwhatcackleberriesare PTB IEC SKKH DEKS FILM C LSK 21 FestivalCinepocalypsereturnsto D P JR CEAL theMusicBoxwithafreshcropof M EP M horrorﬁ lmsandcultclassics A EJL 22 PrideThecaseforaccurate 34 SecretHistoryofChicago SWDI BJ MS LGBTQrepresentationinmovies MusicDiscodivaLoleatta SWMD L G 23 ReviewShotsfocusestoo Hollowaygotasecondwindfrom EA SN L muchontheLaquanMcDonald housemusic G D D C S MEBW FOOD&DRINK shootingattheexpenseof 36 EarlyWarningsCiara M L C NEWS&POLITICS 10 RestaurantReviewTwo McDonaldhimself EyehategodSleaterKinneyand S C -J 05 Joravsky|PoliticsDon’tgive powerfulnewcontendersonthe 24 MoviesofnoteTheDeadDon’t morejustannouncedshows FL CPF TA ECS uponanelectedschoolboard hotfriedchickenfront DiedirectssatiricalbarbsatTrump 36 GossipWolfBodymilkTapes CN B MayorLightfoot eraracismTheLastBlackManin invitesacrowdofqueerand D C LCI 06 Isaacs|CultureSomuchfor SanFranciscotakesapoeticview transmusicianstoNoisePromII G AG KT ARTS&CULTURE HR H JH gamblingofthepeoplebythe 15 PrideA‘freakingfag
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Pvr Movies First Vol
PVR MOVIES FIRST VOL. 36 YOUR WINDOW INTO THE WORLD OF CINEMA OCTOBER 2018 21 LITTLE-KNOWN THINGS ABOUt…. GUEST RVIEW RYAN INTE GOSLING VARUN SHARMA THE BEST NEW MOVIES PLAYING THIS MONTH: LUPT, ANDHADHUN, FIRST MAN, FRYDAY, BADHAAI HO GREETINGS ear Movie Lovers, We rewind to “A Beautiful Mind,”(2001) the Oscar-winning Ron Howard classic that portrayed the struggle of a Here’s the October issue of Movies First, your exclusive true genius. Join us in wishing legendary actress Susan window to the world of cinema. Sarandon a happy birthday. This month, one of Marvel’s most enigmatic, complex We really hope you enjoy the issue. Wish you a fabulous and badass characters hits the screen, starring Academy month of movie watching. Award nominated actor Tom Hardy as the lethal “Venom.” Vipul Shah brings you a refreshing love story Regards with “Namaste England.” Actor Varun Sharma tells us why his upcoming Govinda-starrer comedy “FryDay” is Gautam Dutta so much fun. CEO, PVR Limited USING THE MAGAZINE We hope you’ll find this magazine easy to use, but here’s a handy guide to the icons used throughout anyway. You can tap the page once at any time to access full contents at the top of the page. PLAY TRAILER SET REMINDER BOOK TICKETS SHARE PVR MOVIES FIRST PAGE 2 CONTENTS Tap for... Tap for... Movie OF THE MONTH UP CLOSE & PERSONAL Tap for... Tap for... MUST WATCH FESTIVAL FLASH Tap for... Tap for... GUEST INTERVIEW RISING Star TO BOOK TICKETS GO TO PVRCINEMAS.COM OR DOWNLOAD OUR MOBILE APP.
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Ronnie Wood: Somebody up There Likes Me
APRIL 2020 RONNIE WOOD: SOMEBODY UP THERE LIKES ME “velveteen glamour and brilliant programming...” (The Guardian) “possibly Britain’s most beautiful cinema..” (BBC) APRIL 2020 • ISSUE 181 www.therexberkhamsted.com 01442 877759 Mon-Sat 10.30-6.30pm Sun 4.30-5.30pm BEST IN APRIL CONTENTS Films At A Glance 20-21 Rants & Pants 30-31, 33 BOX OFFICE: 01442 877759 Ronnie Wood: Somebody Up There Likes Me Mon to Sat 10.30-6.30 An off-the-wall documentary about a fabulous One-Off from the up-the- wall world of full-on (it’s only) rock’n roll but… Don’t dare miss. Sun 4.30-5.30 See page 16 SEAT PRICES FILMS OF THE MONTH Circle £9.50 Concessions/ABL £8.00 Back Row £8.00 Table £11.50 Concessions/ABL £10.00 Royal Box Seat (Seats 6) £13.00 Whole Royal Box £73.00 Matinees - Upstairs £5, Downstairs £6.50, Royal Box £10 Casino Royale Portrait of a Lady Disabled and flat access: through Daniel’s first and best 007 where he the gate on High Street (right of on Fire should have hung out his speedos, apartments) Gorgeous, sumptuous, beautiful - dropped his gun and greased those and all and none. Stunning, teasing, pecs - just this once…? diverting, riveting, mesmerising and Director: James Hannaway See page 10 unbearably French. See page 14 01442 877999 Advertising: Chloe Butler 01442 877999 Artwork: Demiurge Design 01296 668739 The Rex High Street (Three Close Lane) Berkhamsted, Herts HP4 2FG www.therexberkhamsted.com “ Unhesitatingly The Rex Ragtime The Truth is the best cinema I Coalhouse Walker Jnr from far “…is rarely plain and never simple” outside, runs with the posh NY (Oscar Fingal O’Flahertie etc…) have ever..” society of 1910 - and pays the An Irish poet, a Japanese auteur and (STimes Culture) price.
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Fall 2019 Advance Publicity Announcing the New All-Access Pass!
For Immediate Release For more information, Please contact Mary Fessenden At 607.255.3883 Fall 2019 Advance Publicity (Aug 26 – Nov 19) All films open to the public Ticket Prices: $9.50 general admission/$7.50 seniors/ $7 students/$5.50 CU graduate students and kids 12 & under $7 general/$5.50 students for matinees (before 6:00pm) Special event prices may apply Advance tickets available at CornellCinemaTickets.com Announcing the new All-Access Pass! This Fall Cornell Cinema introduces a new All-Access Pass that will give patrons access to all regularly priced screenings for the entire academic year (over 150 titles!) for one low price. Pricing is almost too good to be true: CU graduate & professional students - $10 All other students - $20 Community members (including faculty & staff) - $30 There will be certain special events for which the pass cannot be used, although having the pass will likely provide the holder with a discount on the special ticket price. Read the fine print! All-Access Passes can be purchased online at cinema.cornell.edu as of August 15, at Cornell Cinema’s Open Houses (in Willard Straight Theatre) on August 23 & 24, or at the box office before shows. Purchasing in advance online is highly recommended. All screenings in Willard Straight Theatre except where noted Many films will feature faculty or graduate student introductions For more information visit http://cinema.cornell.edu Cornell Cinema Open Houses Friday, August 23 10:00 - 2:00 Saturday, August 24 10:00 – noon Free to all Visit the historic Willard Straight Theatre, home of Cornell Cinema, considered one of the best campus film exhibition programs in the country, screening >150 different films throughout the academic year.
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EMMA. an Autumn De Wilde Film Running Time: 125 Minutes
EMMA. an Autumn de Wilde film Running Time: 125 minutes 1 TABLE OF CONTENTS I. Synopsis . 3 II. A Screwball Romantic Comedy of Manners and Misunderstandings . 5 III. Casting EMMA.: Bringing Together an Electric Ensemble . 9 IV. About the Production . 16 V. Period Finery: Styling EMMA. 20 VI. Soundtrack and Score: The Music of EMMA. 23 VII. About the Cast . 27 VIII. About the Filmmakers . 39 IX. Credits . 49 2 SHORT SYNOPSIS Jane Austen’s beloved comedy about finding your equal and earning your happy ending is reimagined in this delicious new film adaptation of EMMA. Handsome, clever and rich, Emma Woodhouse is a restless “queen bee” without rivals in her sleepy little English town. In this glittering satire of social class, Emma must navigate her way through the challenges of growing up, misguided matches and romantic missteps to realize the love that has been there all along. LONG SYNOPSIS Jane Austen’s beloved comedy about finding your equal and earning your happy ending is reimagined in this delicious new film adaptation of EMMA. Handsome, clever and rich, 21-year-old Emma Woodhouse (Anya Taylor-Joy) is a restless “queen bee” who has lived all her life in the sleepy English village of Highbury with very little to distress or vex her. When our story begins, Emma has recently discovered the thrill of matchmaking. She has succeeded in orchestrating a marriage between her governess and the kind widower, Mr. Weston. Emma celebrates her success until she realizes that she has also orchestrated the loss of her only mother figure and companion in the house.
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