Fall 2019 Advance Publicity Announcing the New All-Access Pass!
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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Npr 3.2: Nuclear-Related Trade and Cooperation
Nuclear Developments NUCLEAR-RELATED TRADE AND COOPERATION DEVELOPMENTS FOR SELECTED STATES, JULY-OCTOBER 1995 CONTENTS OVERVIEW, 97 France, Japan, United COMMONWEALTH OF FRANCE Kingdom, and U.S., 118 INDEPENDENT STATES with ALGERIA Russia, 119 with Belgium, Canada, Germany, with Iran, 108 Russia, and United King- PRC, 99 BRAZIL dom, 141 Internal Developments, 102 CUBA ARGENTINA Belgium, Finland, and with Internal Developments, 104 with Ukraine, 154 Argentina, 99 with Brazil, 99 Belgium, Japan, United Argentina, Cuba, and Argentina, Brazil, and Brazil, Cuba, and Mexico, 99 Kingdom, and U.S., 118 Mexico, 99 Mexico, 99 Israel and United States, 99 Cuba (Juragua Plant), 104 Germany, 103 Juragua Plant Participants South Korea, 99 Japan, 119 India, Indonesia, PRC and (Brazil, France, Germany, Syria, 99 Kazakhstan, 121 Russia, 103 Italy, Russia, and United United States, 100 PRC, 133 Russia, 103 Kingdom), 104 PRC and United Kingdom, 133 United States, 103 Mexico, 105 ARMENIA Russia, 142 with BULGARIA CZECH REPUBLIC South Korea and U.S., 151 ISTC, 100 with with Ukraine, 154 Russia and Ukraine, 141 Iran, 108 ASSOCIATION OF SOUTH GEORGIA EAST ASIAN NATIONS Russia and Slovakia, 142 CAMBODIA with (ASEAN) Ukraine, 154 with IAEA, 106 Internal Developments, 100 Thailand and Vietnam, 153 EGYPT ISTC, 100 BELARUS Internal Developments, 105 CANADA GERMANY with with ESTONIA with Estonia and Ukraine, 101 Belgium, France, Germany, with Belgium, Canada, France, Iran, 101 Russia, and U.K., 141 Belarus and Ukraine, 101 Russia, and U.K., 141 ISTC, 100 Japan, -
After Disney-Fox, Who's Next?
cc Wednesday, December 20, 2017 latimes.com/news After Disney-Fox, who’s next? Huge deal may force smaller media firms to grow or struggle By MEG JAMES AND RYAN FAUGHNDER TIMES STAFF WRITERS alt Disney Co.'s block- buster deal to buy W much of 21st Century Fox revealed Rupert Murdoch's fear that his media company was not strong enough to survive the digital onslaught — raising questions about how even smaller media com- panies will weather the storm. Since Disney clinched its $52.4- billion deal last week to buy some of Murdoch's most lucrative assets, many wonder which media compa- The entrance of the Metro-Goldwyn-Mayer offices in Santa Monica offices. nies might be next. MGM is among smaller media companies that are considered prime targets for The scramble to bulk up is likely acquisition. (Nick Ut / Associated Press) to force medium-sized players to strike their own deals out of con- nies to sell," predicted Ken Klein- "This is clearly an arms race and cern that they need to grow or get berg, a veteran Los Angeles enter- these companies need to step up left behind as tech giants like Net- tainment business lawyer. "If com- their game," said Lloyd Greif, a Los flix gain more power in Hollywood. panies like Fox are worried, what Angeles investment banker. "We are Sony Pictures Entertainment, are they waiting for?" going to see more creative, accretive CBS Corp., Viacom Inc., Liberty The Disney-Fox deal is just the strategic acquisitions — and acqui- Media Corp., Lionsgate and Metro- latest combination. -
Rogan's List 2019
Rogan’s List 2019 Greetings WFU parents! Fond thanks to the many of you who recommended this book or that movie or the new restaurant in your home city. Keep ‘em coming! Parents who’ve seen this previously skip this graf, but if you’re new to this odd enterprise: three inspirations converged a dozen-plus years ago. As a still-singleton, felt a response was necessary to my expanding circle of married-with-kids friends’ annual Holiday Letters, tinged with a certain “here’s how life works”-ness. And I loved pal Drew Littman’s roundup of his fave movies/books of the year (Drew also originated the B game/A game you’ll see on next page). Third, I grew up with Roger Angell’s annual New Yorker rhyming ‘poem’ of boldface names, & added my own pale imitation after Angell stopped…then NYer’s Ian Frazier picked up the tradition. Shifted therefore to a ‘found poem’ of lines from songs by millennial/rising-generation musicians; this year’s is after the best-of music page below. Speaking of poems, a stanza from one long beloved, WS Merwin’s To the New Year: so this is the sound of you here and now whether or not anyone hears it this is where we have come with our age our knowledge such as it is and our hopes such as they are invisible before us untouched and still possible On to my favorites of 2019. To adapt a venerable Welsh saying, may the best artistic creations of the decade just ending be the worst of the next. -
Glenn-Garland-Editor-Credits.Pdf
GLENN GARLAND, ACE Editor Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. WELCOME TO THE BLUMHOUSE: BLACK BOX Emmanuel Osei-Kuffour Amazon / Blumhouse Productions EP: Jay Ellis, Jason Blum, Aaron Bergman PARADISE CITY*** (series) Ash Avildsen Sumerian Films EP: Lorenzo Antonucci PREACHER (season 3) Various AMC / Sony Pictures Television EP: Sam Catlin, Seth Rogen, Evan Goldberg ALTERED CARBON** (series) Various Netflix / Skydance EP: Laeta Kalogridis, James Middleton, Steve Blackman STAN AGAINST EVIL (series) Various IFC / Radical Media EP: Dana Gould, Frank Scherma, Tom Lassally BANSHEE (series) Ole Christian Madsen HBO / Cinemax Magnus Martens EP: Alan Ball THE VAMPIRE DIARIES (series) Various CW / Warner Bros. Television EP: Julie Plec, Kevin Williamson Feature Films PROJECT DIRECTOR STUDIO / PRODUCTION CO. BROKE Carlyle Eubank Wild West Entertainment Prod: Wyatt Russell, Alex Hertzberg, Peter Billingsley THE TURNING Floria Sigismondi Amblin Partners 3 FROM HELL Rob Zombie Lionsgate FAMILY Laura Steinel Sony Pictures / Annapurna Pictures Official Selection: SXSW Film Festival Prod: Kit Giordano, Sue Naegle, Jeremy Garelick SILENCIO Lorena Villarreal 5100 Films / Prod: Beau Genot 31 Rob Zombie Lionsgate / Saban Films Official Selection: Sundance Film Festival Prod: Mike Elliot, Andy Gould THE QUIET ONES John Pogue Lionsgate / Exclusive Media LORDS OF SALEM Rob Zombie Blumhouse / Anchor Bay Entertainment LOVE & HONOR Danny Mooney IFC Films / Red 56 HALLOWEEN 2 Rob Zombie Dimension Films BUNRAKU* Guy Moshe Snoot Entertainment Official -
Hollywood Foreign Press Association 2019 Golden Globe Awards for the Year Ended December 31, 2018 Press Release
HOLLYWOOD FOREIGN PRESS ASSOCIATION 2019 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2018 PRESS RELEASE 1. BEST MOTION PICTURE – DRAMA a. BLACK PANTHER Marvel Studios; Walt Disney Studios Motion Pictures b. BLACKKKLANSMAN QC Entertainment / Blumhouse / Monkeypaw / 40 Acres and a Mule; Focus Features c. BOHEMIAN RHAPSODY Twentieth Century Fox and Regency Enterprises; Twentieth Century Fox d. IF BEALE STREET COULD TALK Annapurna Pictures / Plan B Entertainment / We Pastel; Annapurna Pictures e. A STAR IS BORN Warner Bros. Pictures / Live Nation Productions / Metro Goldwyn Mayer Pictures / Jon Peters Production / Bill Gerber Production / Joint Effort Production; Warner Bros. Pictures 2. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA a. GLENN CLOSE THE WIFE b. LADY GAGA A STAR IS BORN c. NICOLE KIDMAN DESTROYER d. MELISSA MCCARTHY CAN YOU EVER FORGIVE ME? e. ROSAMUND PIKE A PRIVATE WAR This document is being provided to the media pertaining to the nominations announcements for the 76th Annual Golden Globe Awards. The official press release is presented in PDF format and contains the official results. As a courtesy to the media, this version of the press release in Microsoft Word format is provided for ease of use. Ernst & Young LLP takes no responsibility for errors or changes made by the users of the Word file or the resulting impacts on their reporting. The official press release in PDF format represents the only official results. HOLLYWOOD FOREIGN PRESS ASSOCIATION 2019 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2018 PRESS RELEASE 3. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA a. -
Network Review #37 Cannes 2021
Network Review #37 Cannes 2021 Statistical Yearbook 2020 Cinema Reopening in Europe Europa Cinemas Network Review President: Nico Simon. General Director: Claude-Eric Poiroux Head of International Relations—Network Review. Editor: Fatima Djoumer [email protected]. Press: Charles McDonald [email protected]. Deputy Editors: Nicolas Edmery, Sonia Ragone. Contributors to this Issue: Pavel Sladky, Melanie Goodfellow, Birgit Heidsiek, Ste- fano Radice, Gunnar Rehlin, Anna Tatarska, Elisabet Cabeza, Kaleem Aftab, Jesus Silva Vilas. English Proofreader: Tara Judah. Translation: Cinescript. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Bergman Island by Mia Hansen-Løve © DR CG Cinéma-Les Films du Losange. Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Editorial by Claude-Eric Poiroux 6 Interview with Lucia Recalde 8 2020: Films, Facts & Figures 10 Top 50 30 European movies by admissions Czech Republic in the Europa Cinemas Network Czech exhibitors try to keep positive attitude while cinemas reopen 12 Country Focus 2020 32 France 30 French Resistance Cinema Reopening in Europe 34 46 Germany The 27 Times Cinema initiative Cinema is going to have a triumphant return and the LUX Audience Award 36 Italy Reopening -
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23Rd, 2019
Embargoed Until 12:00PM ET / 9:00AM PT on Tuesday, April 23rd, 2019 FOR IMMEDIATE RELEASE 24th ANNUAL NANTUCKET FILM FESTIVAL ANNOUNCES FEATURE FILM LINEUP DANNY BOYLE’S YESTERDAY TO OPEN FESTIVAL ALEX HOLMES’ MAIDEN TO CLOSE FESTIVAL LULU WANG’S THE FAREWELL TO SCREEN AS CENTERPIECE DISNEY•PIXAR’S TOY STORY 4 PRESENTED AS OPENING FAMILY FILM IMAGES AVAILABLE HERE New York, NY (April 23, 2019) – The Nantucket Film Festival (NFF) proudly announced its feature film lineup today. The opening night selection for its 2019 festival is Universal Pictures’ YESTERDAY, a Working Title production written by Oscar nominee Richard Curtis (Four Weddings and a Funeral, Love Actually, and Notting Hill) from a story by Jack Barth and Richard Curtis, and directed by Academy Award® winner Danny Boyle (Slumdog Millionaire, Trainspotting, 28 Days Later). The film tells the story of Jack Malik (Himesh Patel), a struggling singer-songwriter in a tiny English seaside town who wakes up after a freak accident to discover that The Beatles have never existed, and only he remembers their songs. Sony Pictures Classics’ MAIDEN, directed by Alex Holmes, will close the festival. This immersive documentary recounts the thrilling story of Tracy Edwards, a 24-year-old charter boat cook who became the skipper of the first ever all-female crew to enter the Whitbread Round the World Yacht Race. The 24th Nantucket Film Festival runs June 19-24, 2019, and celebrates the art of screenwriting and storytelling in cinema. A24’s THE FAREWELL, written and directed by Lulu Wang, will screen as the festival’s Centerpiece film. -
Approved Electives 2021-22
Gender Studies Chester New Hall Phone 905.525.9140 & 1280 Main Street West Ext. 24491 Feminist Research Hamilton, Ontario, Canada Fax: 905.777.8316 L8S 4L9 Email [email protected] GSFR Electives 2021-2022 Preferred Electives These courses have been pre-approved by the GSFR Director to count towards your GSFR program in 2021-22. In some but not all courses, seats have been reserved for GSFR students. You will need department consent to enroll. Please see each course for who to contact for help enrolling; please include your McMaster student number in all email requests for elective seats. Fall 2021/Term 1 (September-December 2021) A decision has not yet been made about whether Fall 2021/Term 1 courses will be in person or online GENDRST 708 Creating and Embodying Theory – Dr. Grace Kehler Day/Time TBD Contact: Angela Zaya, [email protected] This course focuses on a range of creative texts (such as film, painting, short stories, novels, and autobiography), looking to their prompts to engage with the pressing everyday issues of ongoingness and revitalization in the face of violence, loneliness, loss, disability, and racial and sexual/gender discrimination. All of the primary texts will be accompanied by theoretical ones, but the impetus is to explore how the creative invites particular theoretical and embodied engagement. Possible textual pairings include: • the diary, paintings, and sketches of Frida Kahlo (Mexican); the documentary The Life and Times of Frida Kahlo; and critical writing by Carlos Fuentes (Introduction to Kahlo’s Diary) and -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT I Love the August Festivals, Though Not As Much As I Love Cinema
3 AUG 18 6 SEP 18 1 | 3 AUG 18 - 6 SEP 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT I love the August festivals, though not as much as I love cinema. You? I usually take the opportunity when writing this column every August to grumble about how distracted potential cinema-goers appear to be by the world’s largest arts festival that takes place in our glorious (a word which currently also describes the weather!) city every year, but this year I’m seeing it as nothing more than a challenge. A challenge, dear reader, which I feel we have risen to in impressive style with a stunning array of great cinema, much of which is, as it happens, of a ‘one-off’ nature and will likely not come around again any time soon… That sounds like I’m trying to dragoon you into coming to the cinema in August (instead of going to the Tattoo, perhaps?), and conceivably I am, but try not to see it that way… Rather, I simply wouldn’t want you to miss out on any of the must-see cinema experiences contained within these pages. In any case, cinema is surely the best of all the art forms wouldn’t you say, as well as being one of the cheaper days/nights out? Beyond the form itself, with cinema, you rarely have to worry about not liking a film and it being apparent to the people who made it, because they’re generally not there in the room. -
Revisiting Andrzej Wajda's Korczak (1990)
Studia Filmoznawcze 39 Wroc³aw 2018 Marek Haltof Northern Michigan University THE CASUALTY OF JEWISH-POLISH POLEMICS: REVISITING ANDRZEJ WAJDA’S KORCZAK (1990) DOI: 10.19195/0860-116X.39.4 Emblematic of Wajda’s later career is Korczak (1990), one of the most important European pictures about the Holocaust. Steven Spielberg1 More interesting than the issue of Wajda’s alleged an- ti-Semitism is the question of Korczak’s martyrdom. East European Jews have suffered a posthumous violation for their supposed passivity in the face of the Nazi death machine. Why then should Korczak be exalted for leading his lambs to the slaughter? It is, I believe, because the fate of the Orphan’s Home hypostatizes the extremity of the Jewish situation — the innocence of the victims, their utter abandonment, their merciless fate. In the face of annihilation, Janusz Korczak’ tenderness is a terrifying reproach. He is the father who did not exist. J. Hoberman2 1 S. Spielberg, “Mr. Steven Spielberg’s Support Letter for Poland’s Andrzej Wajda,” Dialogue & Universalism 2000, no. 9–10, p. 15. 2 J. Hoberman, “Korczak,” Village Voice 1991, no. 6, p. 55. Studia Filmoznawcze, 39, 2018 © for this edition by CNS SF 39.indb 53 2018-07-04 15:37:47 54 | Marek Haltof Andrzej Wajda produced a number of films dealing with the Holocaust and Polish-Jewish relationships.3 His often proclaimed ambition had been to reconcile Poles and Jews.4 The scriptwriter of Korczak, Agnieszka Holland, explained that this was Wajda’s “obsession, the guilt.”5 Given the above, it should come as no surprise that he chose the story of Korczak as his first film after the 1989 return of democracy in Poland. -
The Holocaust in French Film : Nuit Et Brouillard (1955) and Shoah (1986)
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research 2008 The Holocaust in French film : Nuit et brouillard (1955) and Shoah (1986) Erin Brandon San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Brandon, Erin, "The Holocaust in French film : Nuit et brouillard (1955) and Shoah (1986)" (2008). Master's Theses. 3586. DOI: https://doi.org/10.31979/etd.y3vc-6k7d https://scholarworks.sjsu.edu/etd_theses/3586 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. THE HOLOCAUST IN FRENCH FILM: NUITETBROUILLARD (1955) and SHOAH (1986) A Thesis Presented to The Faculty of the Department of History San Jose State University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Erin Brandon August 2008 UMI Number: 1459690 Copyright 2008 by Brandon, Erin All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 1459690 Copyright 2008 by ProQuest LLC.