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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
Shakespeare's Great Cycle of Kings / Brooklyn Academy of Music Elizabeth Zeman Kolkovich
Early Modern Culture Volume 12 Article 24 6-12-2017 King and Country: Shakespeare's Great Cycle of Kings / Brooklyn Academy of Music Elizabeth Zeman Kolkovich Joey Burley Kaylor Montgomery Will Sly Ashley Van Hesteren Follow this and additional works at: https://tigerprints.clemson.edu/emc Part of the Literature in English, British Isles Commons, and the Theatre and Performance Studies Commons Recommended Citation Elizabeth Zeman Kolkovich, Joey Burley, Kaylor Montgomery, Will Sly, and Ashley Van Hesteren (2017) "King and Country: Shakespeare's Great Cycle of Kings / Brooklyn Academy of Music," Early Modern Culture: Vol. 12 , Article 24. Available at: https://tigerprints.clemson.edu/emc/vol12/iss1/24 This Theater Review is brought to you for free and open access by TigerPrints. It has been accepted for inclusion in Early Modern Culture by an authorized editor of TigerPrints. For more information, please contact [email protected]. King and Country: Shakespeare’s Great Cycle of Kings Harvey Theater, Brooklyn Academy of Music (BAM) Brooklyn, New York Performance Dates: April 8-10, 2016 Reviewed by ELIZABETH ZEMAN KOLKOVICH with JOEY BURLEY, KAYLOR MONTGOMERY, WILL SLY, and ASHLEY VAN HESTEREN he Royal Shakespeare Company’s “King and Country: Shakespeare’s Great Cycle of Kings,” directed by Gregory Doran, performed full-length versions of Richard T II, 1 Henry IV, 2 Henry IV, and Henry V in succession. These plays originated as individual performances at Stratford-upon-Avon in 2013-15 and then toured as a cycle to London, China, Hong Kong, and New York. We saw the New York version: a whirlwind tour through four plays in three days at the Brooklyn Academy of Music.1 The production merged Shakespeare’s time with our own in its costuming and effects. -
Mvff's Mind the Gap Initiative the Politics Of
Press/Media Contacts: Shelley Spicer, Mill Valley Film Festival 415.526.5845; [email protected] Karen Larsen, Larsen Associates 415.957.1205; [email protected] (Above number and email are not for publication) FOR IMMEDIATE RELEASE CELEBRATING 43 YEARS Showcasing the Best in Independent and World Cinema Thursday, October 8 – 18, 2020 MILL VALLEY FILM FESTIVAL’S MIND THE GAP 2020 INITIATIVE THE POLITICS OF NOW: REDEFINING THE NARRATIVES SPOTLIGHTS INCLUSION AND WOMEN DIRECTORS 57% TITLES THROUGHOUT FESTIVAL DIRECTED OR CO-DIRECTED BY WOMEN SAN RAFAEL, CA (September 22, 2020) – Mark Fishkin, Executive Director/Founder of the California Film Institute (CFI) and Zoë Elton, MVFF Director of Programming have reiterated their commitment to gender, equity and inclusion in the 2020 Mind the Gap program, acknowledging that the challenges of the pandemic, Black Lives Matter and climate change have opened the door to a deeper commitment of Mind the Gap’s responsibilities as the world changes and evolves. Since its inception, Mind The Gap has embraced the intersectionality of its filmmakers and conversations within the fight for gender equity. The importance of intersectional perspectives and gender’s indissociable connections to other identity traits has become a cornerstone of the platform’s focus. “We see this as a moment when we can step up”, Elton says.”Mind the Gap shines the light on issues that 2020 has laid bare—systemic racism, inequity, and the deep need to reframe narratives in film and life. The opportunity to address and explore those issues has inspired a series of online events with amazing filmmakers and thought leaders that will be streamed worldwide throughout this year’s festival. -
Press Release
Press Release Unique collaboration with RSC to mark 400th anniversary of Shakespeare’s death Shakespeare in Art: Tempests, Tyrants and Tragedy 19 March ‐ 19 June 2016 Compton Verney, Warwickshire Already hailed as one of 2016’s must‐see exhibitions, Shakespeare in Art: Tempests, Tyrants and Tragedy is a landmark collaboration with the Royal Shakespeare Company commemorating the 400th anniversary of the bard’s death. A master of dramatising human emotions in their myriad forms, Shakespeare’s plays have in turn inspired countless artists. Shakespeare in Art: Tempests, Tyrants and Tragedy will focus on those pivotal Shakespeare plays which have motivated artists across the ages – from Sargent, Fuseli, Rossetti, Blake, Watts and Romney to Karl Weschke, Kate Tempest and Tom Hunter – exploring the enduring appeal of the Elizabethan playwright. This exhibition offers an exceptional opportunity for both art and theatre lovers to reimagine Shakespeare’s works through a unique series of multi‐media, multi‐sensory encounters; including painting, photography, projection, sound and light. Using specially commissioned audio drawing on excerpts from Shakespeare's plays, leading RSC actors will bring to life scenes from some of the major paintings. Uniquely for an art gallery, the exhibition will be designed by the Royal Shakespeare Company’s Director of Design, Stephen Brimson Lewis. Over seventy works – including paintings, drawings, engravings, woodcuts and photos – have been sourced from across the UK for this remarkable show, taking place just nine miles away from Shakespeare’s birthplace, Stratford‐upon‐Avon. Works will travel to Compton Verney from Bolton, Birmingham, Edinburgh and York, plus Tate and the V&A in London and the show will also include a number of key works from the RSCS’s own, rarely publicly displayed art collection. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT I Love the August Festivals, Though Not As Much As I Love Cinema
3 AUG 18 6 SEP 18 1 | 3 AUG 18 - 6 SEP 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT I love the August festivals, though not as much as I love cinema. You? I usually take the opportunity when writing this column every August to grumble about how distracted potential cinema-goers appear to be by the world’s largest arts festival that takes place in our glorious (a word which currently also describes the weather!) city every year, but this year I’m seeing it as nothing more than a challenge. A challenge, dear reader, which I feel we have risen to in impressive style with a stunning array of great cinema, much of which is, as it happens, of a ‘one-off’ nature and will likely not come around again any time soon… That sounds like I’m trying to dragoon you into coming to the cinema in August (instead of going to the Tattoo, perhaps?), and conceivably I am, but try not to see it that way… Rather, I simply wouldn’t want you to miss out on any of the must-see cinema experiences contained within these pages. In any case, cinema is surely the best of all the art forms wouldn’t you say, as well as being one of the cheaper days/nights out? Beyond the form itself, with cinema, you rarely have to worry about not liking a film and it being apparent to the people who made it, because they’re generally not there in the room. -
“I Will Never Play the Dane”: Shakespeare and the Performer's Failure
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by MURAL - Maynooth University Research Archive Library DOI: 10.1111/lic3.12470 ARTICLE “I will never play the Dane”: Shakespeare and the performer's failure Richard O'Brien University of Birmingham Abstract Correspondence Richard O'Brien, Department of Film and The cultural prestige accorded to Shakespeare's great roles Creative Writing, University of Birmingham, has made them high watermarks for ‘great acting’ in general. Birmingham, UK. Email: [email protected] They are therefore also uniquely capable of channelling a performer's sense of his own failure. The 1987 film Withnail &Ifamously ends with its title character, an out‐of‐work actor and self‐destructive alcoholic, delivering Hamlet's “What a piece of work is a man” to an audience of unre- sponsive wolves. And in 2014's The Trip to Italy, Steve Coogan plays a fictionalised version of himself: a comedian who fears he will never be remembered as a serious artist. On a visit to Pompeii, Coogan's delivery of Hamlet's speech to Yorick's skull similarly becomes a way of channelling the series's wider reflections on fame, mortality, and the value of the actor's art. Drawing on Marvin Carlson's argument that the role of Hamlet is unusually densely ghosted by its previous occupants, this article will explore how these two contemporary depictions of struggling performers evoke the received idea of the great Shakespearean role as the pinnacle of the actor's art to respond to the dilemma of how to cope with creative failure. -
Annual Report |2016
Annual report | 2016 $500 million Commitment worth celebrating! Marking our $500,000,000 milestone in financing for Canada’s independent television & film community Proud to support Canadian television & film — and even prouder of the results Half a billion … and counting As industry insiders, we know just how much work — and money — it takes to create great television and film. So in 1980, we launched our first fund to support Canada’s independent producers. Since then, we’ve invested a total of $532,039,665 in nearly 2,000 productions via four different funds and programs. And while we’re tremendously proud of that contribution, we’re even prouder of the results. Many of these productions have attracted critical acclaim and awards, including Emmys, Rockies and fistfuls of Geminis, Genies and Canadian Screen Awards. They’ve premiered at Cannes, TIFF and Sundance and been broadcast around the world. Most importantly, they’ve contributed to a rich and diverse Canadian culture. In 2016, we committed $28.2 million in 113 productions that ran the gamut from serious to seriously entertaining: from exposés and insight-packed documentaries to edgy comedy and absorbing dramas. Now, thanks to recent changes to the CRTC rules governing Certified Independent Producer Funds, we’ll have the flexibility to support an even broader range of productions, including co-ventures. At the Rogers Group of Funds, we believe in supporting great television and film. It’s why we’ve invested more than half a billion dollars to date. And it’s why we’ll continue to offer Canadian independent producers a vital source of funding in the years to come. -
Netanyahu Formally Denies Charges in Court
WWW.JPOST.COM THE Volume LXXXIX, Number 26922 JERUSALEFOUNDED IN 1932 M POSTNIS 13.00 (EILAT NIS 11.00) TUESDAY, FEBRUARY 9, 2021 27 SHVAT, 5781 Eye in the sky A joint goal Feminist religious art IAI unveils aerial Amos Yadlin on the need to When God, Jesus surveillance system 6 work with Biden to stop Iran and Allah were women Page 6 Page 9 Page 16 How did we miss Netanyahu formally denies charges in court Judges hint witnesses to be called only after election • PM leaves hearing early the exit • By YONAH JEREMY BOB two to three weeks to review these documents before wit- Prime Minister Benjamin nesses are called, that would ramp? Netanyahu’s defense team easily move the first witness fought with the prosecution beyond March 23. ANALYSIS on Monday at the Jerusalem Judge Rivkah Friedman Feld- • By YONAH JEREMY BOB District Court over calling man echoed the prosecution’s witnesses in his public cor- arguments that the defense A lifetime ago when living ruption trial before the March had between one to two years in northern New Jersey, I 23 election. to prepare for witnesses. But often drove further north for It seemed that the judges ultimately the judges did not work. were leaning toward calling seem anxious to call the first Sometimes the correct exit the first witness in late March witness before March 23. was small and easy to miss. or early April, which they A parallel fight between the But there were around five would present as a compro- sides was the prosecution’s or so exits I could use to avoid mise between the sides. -
Alice Cooper
Super Duper Alice Cooper Shock rocker, golfer, night-time DJ, loving husband and doting father. The former Vincent Furnier is a man at peace with himself. But what a remarkable journey it took young Vincent to reach this point. Super Duper Alice Cooper is the story of Vincent Furnier, preacher’s son, who struck fear into the hearts of parents everywhere as Alice Cooper, the ultimate rock star of the bizarre. From the advent of Alice as frontman for a group of Phoenix freaks in the sixties to the hazy decadence of celebrity in the seventies to the winking comeback as glam metal godfather in the eighties, one will watch in wonder as Alice and Vincent battle for each other’s souls. Super Duper Alice Cooper is told in the form of a “doc opera”, a dizzying blend of documentary and rock opera that combines audio interviews with a bounty of Alice Cooper archive footage. Concerts, TV appearances, movie cameos, newspaper headlines, magazine spreads and many other visual elements have been cut out, layered and collaged like a cinematic View-Master. Alongside the hits that defined an era, overlooked gems of Alice Cooper’s oeuvre have been dug up and melded into montages that soundtrack his life. Footage from old scary movies serve as allegories for Alice’s madness. The film touches on all the major highlights in Alice Cooper’s evolution; the 7am audition for Frank Zappa; the Chicken Incident; posing for Salvador Dali; the Hollywood Bowl triumph where a helicopter dropped “panties” on thousands of fans; his appearance on the Muppets; and many more, including all the choppings, hangings and mutilations that thrilled a generation of kids. -
After a Six-Year Hiatus, Robert Schwartzman Is Reviving Rooney with a Brand-New Album That’ S Well Worth the Wait
RADAR AFTER A SIX-YEAR HIATUS, ROBERT SCHWARTZMAN IS REVIVING ROONEY WITH A BRAND-NEW ALBUM THAT’ S WELL WORTH THE WAIT. BY CELIA SHATZMAN. PHOTOGRAPHED BY ZOEY GROSSMAN At Milano’s Bar in New York City’s Nolita neighborhood, Robert But nostalgics, never fear: Rooney classics from earlier albums Schwartzman leans against the picture-covered walls of the will still be in rotation at their shows. Schwartzman relishes the classic dive, sipping hard cider while chatting with his girlfriend blend of old and new. “What’s cool about making a new record and photographer Zoey Grossman. The bar opted out of hosting is you get to add more songs to the mix. When I make a set list, our shoot on this busy Saturday, but the Rooney frontman still I can pull from so many albums from yesterday and I can add wanted to swing by. from today and tomorrow. When I play these songs live I feel Why the dedication to visiting this little watering hole? very excited and passionate. It feels like it did the first time I Because along with the Mercury Lounge, it’s part of today’s trip played it. When you take a break, you feel that same innocence down memory lane. Schwartzman moved to the East Village and original spark you had when you first started.” in the fall of 2001 to attend Eugene Lang College at The New In case you’re wondering what Schwartzman was doing School, and these were his regular spots. “While I was living in during those years away from Rooney, the answer is a lot.