New Yorker August 4 1986

Total Page:16

File Type:pdf, Size:1020Kb

New Yorker August 4 1986 ' GOINGJ ON ABOUT TOWN A CONJCIENTIOU5 CALENDAR OF EVENT5 OF INTEREST THE THEATRE through Sunday at 7:30. Matin6es Saturday S• M •T ' •T '• F• 5 and Sunday at 3. Closes Sunday, Aug. 3.) PLAYS AND MUSICALS SweetCharity—A musical that, with very little Arsenic and Old Lace—Jean Stapleton, Polly 30 31 1 2 alteration, has mysteriously improved with Holliday, and Tony Roberts are the leading age. Directed and choreographed by Bob characters in.this farce bv Joseph Kesselring 3 4 5 6 7 8 9 Fosse, it has a book by Neil Simon, songs by which was a big hit back in 1941. It is still Cy Coleman and Dorothy Fields, settings by pretty funny and so worth devoting an idle Robert Randolph, and a star in the person of summer evening to: (Reviewed in our issue of Debbie Allen. (5/12/86) (Minskoff, 45th St. Lafayette St. 254-4370. Tuesdays through west of Broadway. 869-0550. 'Tuesdays 7/7/86.) (46lh Street Theatre, 226 W. 46th Fridays at 8; Saturdays at 7 and 10; and Tuesdays through Saturdays at through Saturdays at 8. Matin(;cs Wednes 8. Matinees Wednesdaysand Saturdays at 2, Sundays at 7. Matinees Sundays at 3.) days and Saturdays at. 2. and Sundays at 3.) and Sundays at 3.) Sills & Company—The return of Severn Darden Today I Am a Fountain Pen—A play by Israel Cuba and His Teddy Bear—Robert De Niro is a along with several other distinguished alumni Horovitz. (890 Theatre. Broadway at 19th Hispanic drug dealer (cocaine), who is of Paul Sills' "Second City" in Chicago, in an St. 239-6200. Tuesdays through Saturdays at bringing up his teen-age son. Reinaldo evening of cheerful improvisation. (Actors 8:15. Matinees Wednesdays and Saturdavs at Playhouse, 100- Seventh Ave. S. 691-6226. 2:30, and Sundays at 3.) Povod s first play is considerably better than Tuesdays through Thursdays at 8; Fridays at promising; Mr. De Niro's performance is 8:30; Saturdays at 7 and. 10; and Sundays at Long Runs—big river: William Hauptman and remarkable, and he is well supported by Burt 7. Matinees Sundays at 3.) Roger Miller have drawn an agreeably sen Vourig, Ralph Macchio, and Paul Cafderon. timental musical out of "The Adventures of Social Security—With his first Broadway com Huckleberry Finn," and Mark Twain in W.w" 48th St. 239-6200.(6/2/86)Wednesdays(Longacre,through220 edy, Andrew Bergman proves a worthy Heaven has reason to be satisfied with the re- Saturdays at 8. Matinees Sundays at 3 and successor to the Neil Simon of "Barefoot in O'Neill, 230 W. 49th St. 246- Saturday, Aug. 9, at 2.) the Park." The fine cast includes Mario Thomas, Ron Silver, Olympia Dukakis, Joan "mfies Wednesdaysthroughand Saturdays at at 8. 2 Mat- and Honky Tonk Nights—A musical directed and na Gleason, and Stefan Schnabel. (4/28/86) choreographed by Ernest 0. Flatt, with a (Ethel Barrymore, 243 W. 47th St. 239- Sundays at 3.). la cage aux folles: A mu score by Michael Valenti and a book and sical about a pair of tenderhearted middle- ^rics by Ralph Allen and David Campbell. 6200. Tuesdays through Saturdays at 8. Previews through Wednesday, Aug. 6. Opens Matinfees Wednesdays and Saturdays at 2, clubrhfh in Saint-Tropez; "Y"''the productiona clrag-queenis oneofnight officially on Thursday, Aug. 7. (Biltmore, 261 and Sundays at 3.) the most beautiful—and extravagant—ever W. 47th St. 582-5340. Tuesdays through The Sovereign State of Boogeuy Boogedy—Andrd to reach Broadway. Jerry Herman wrote the Saturdays at 8; opening-night- curtain at De Shields in a comedy by Lonnie Carter. music and lyrics; the book is by Harvey Fier- 6;30. Matinees Wednesdays and Saturdays at (Henry Street Settlement's New Federal 2, and Sundays at 3.) Theatre, 466 Grand St. 598-0400. Thursday 2626.T1uesdaysh'"'' through Saturdaysatat- 47th St. 8. Mat-757- The House of Blue Leaves—A superb revival of John Guare's brilliant, ferocious comedy with Swoosie Kurtz, among, other fine performers. Jerry Zaks was the acute, perceptive director. (3/31/86) (Vivian Beaumont, TABLE OF CONTENTS Lincoln Center. 239-6200. Tuesdays through Saturdays at 8. Matinees Wednesdays and Saturdays at 2, and Sundays at 3.) THE TALK OF THE TOWN Light Opera of Manhattan—Through Sunday, "GHOSTLY" Aug. 3: Gilbert and Sullivan's patience.... Starting Wednesday, Aug. 6: William H. Smith's THE DRUNKARD. (Cherry Lane, 38 Com merce St. 989-2020. Wednesdays through Saturdays at 8. Matinees Wednesdays at 2, and Saturdays and Sundays at 3:30.) AREPORTER AT LARGE (THE VOYAGER) „' Mummenschanz—A return engagement by the mime-and-mask trio. (Helen Hayes, 240 W. THE SPORTING SCENE (GOLF) ^ Bernstein 37 44th St. 944-9450, Tuesdays through Saturdays at 8. Matinees Wednesdays and AROUND CITY HALL l^erbert Warren Wind 54 Saturdays at Z, and Sundays at 3.) THE ART WORLD The Mystery of Edwin Drood—The novel that Dickens left unfinished at the time of his DANCING 72 sudden death has been turned into a splendidly nonsensical musical by Rupert books " " Holmes. The big cast is headed by George BRIEFLY NOTED James Lardner 84 Rose, and the direction is by Wilford Leach (12/16/85) (Imperial, 249 W. 45th St. 239- 86 6200. Nightly, except Sundays, at 8. Mat COVER: Roz Chast inees Wednesdays and Saturdays at 2.) Nunsense—A musical comedy by Dan Goggin. DRAWINGS: Mick Stevens, J. B. Handelsman. George Price t p. i (Sheridan Square Playhouse, 99 Seventh Ave. William Steig, James Mulligan, J. J Se^Z n fTf' S. 924-7100. Tuesdays through Fridays at 8; ToaContinentalbanker,this isa sweatsmt. Saturdays at 7 and. 10; and Sundays at 7, Ziegler, Barney Tobey Robert Weber / c Schoenbaum, Jack Matinees Sundays at 3.) Funk. CkarlehaJ.: ChJlL Barso\tT "'TT' Olympus on My Mind—A musical with a score by CuUu7n, Mischa Richler. Robert Mankoff """ Cline, Leo Grant Sturiale and book, lyrics, and direction The New Continental Illinois is we'll make informed recommendations by Barry Harman. (Lambs, 130 W. 44th St. 997-1780. Nightly, except Sundays, at using a remarkably effective weapon in about loans, investmentproducts,raising 8. Matinees Wednesdays and Saturdays at THE NEV YOUKER today's banking battlefield. capital and managing cash. The Perfect Party—A. R. Gurney, Jr.,'s deliber- 25 WEST 43RD STREET, NEW YORK, N.Y. 10036 ately mannered comedy about a professor We call it hard work. So when you come to The New who IS obsessed withperfection isoftendisap- (212) 840-3800 but just as often Mr. Gurney's wit While the whole notion may seem Continental, you can count on a bank and high spirits break through the Wildean foreign in a business known for its short that will make an extra effort to find ^ngham n.?! by John Cun- CHANGE OF ADDI\E55 Mooney, and Charlotte In ordering a change of address, subscribers should give four weeks' notice provid' hours, we've found that a little extra creative ways to meet your financial (4/14/86)(4/14/Rfi\ (Astor/A® PlaceTillingerTheatre,directed.434 and new addre.sses, with Zip Codes. If possible, please send the address label'from a'recem effort can go a long way. challenges. For example, before wegive advice Becausewe're willing to do more we'lllook at the way cash moves within than simply dress for success. -Mass. 02108; 19South A, n» c v"" Osgood Placc, S - Angeles Calif East Miami. FL33nv33133; 3016?n-ia Pi W1Y SDN. MetropolitanMe Publishersihers Representatives: 3017 Piedmont Road, NE Atlanta T \ or St., Boston, yourcompany, the way youbuy services We're willing to work for it. Authorized assoconrii? FL 33629. Vol. LXII, No 24, August 4, 1986. Second-class postage paid at New York NV i "'Rhway, •hcUnhoclStat;;^^Jniiwl Siainc ».,.i r. --mMinaiimail bybv lhePo<;ithe Po.si f^n •'•t, ^u^u.m t, xyou. oucunu-ciabb posiage paid ai l\ew VnrL- M v i i^Kuwiiy wa, Canada, and for payment of postage in cash lEi iqsa i,. ™ additional mailingmailine and materials, how youpayyour debts, and howyou invest your money. ContinentalIllinois 10036. Then,after asking the rightquestions. WeworkhardWehave to. • 1986 Contincnial Illinois National Bank and Trusi Company of Chicago. Aug. 4,1986 THE Price $1.50 NEWYOKKEIl "i. & I ' -/ /.
Recommended publications
  • Scanned Using Scannx OS15000 PC
    cTlif g'nliimltiis Dl5|inlth Fritfay, April 30, 1993 Otterbein makes ‘Big River’ better than it is By Michael Grossberg The acting is superb. So is tlie lioiiK! tube “civilized.” Dispdich Thcaicr Critic singing (guided by vocal director Riciardson and Moore’s stir­ THEATER REVIEW Craig Johnson), the lively pit orches­ ring durts (Mnddy Water, River in Big Riwr falls short of the ait- tra (conducted by music director the Ra'ni and especially Worlds istry and depOi of Into Vie WooiL% Big River, Otterbein College's stii- David DeVenney), Rob John.son’s AjKiii) rellect their grawing lioiids Sweeney Todd, Evita, A Chorm ilent production of the musical picturesque scenic design, Katie of tinst ind friendship. Line and Man of La Mancha — all adaptation of I luck Finn's adven­ Robbins’ rags-io-nouvean riche- The show’s underlying spiritual­ first-i’ank Broadway musicals that tures. Directed by John Stefano. style 19th-century costumes and ity is caiveyed with grice and long- have received first-class I’evivals at Jim............................Ron Richardson lighting designer Fred Thayer’s biu'- suffering strength by the black OUerbein College in recent yeai-s. I luck Finn.....................Corey Moore slaves ii Cmssing Over and by iH- ;• Yet, Otterbein’s rousing produc­ nished sunsets, hazy sunrises and King...............................Keith Weirich ice’s Duighter (’Tonya Watson) in tion of Bitj River, which opened last (h'amatic atmosjiheric effects. Duke................................ Todtl Crain night at Westeiwille’s Cowan Hall, is The cast’s soaidng baritones, the gosjel-style How Blest We Air.. Mark'Twain..............Daryl Toziipone I iwlished and professional that one plmigent tenois and lilting sopranos Hov ble.ssed indeed is Otterbein Tom Sawyer......................losh Gildrie ('iisily overlooks tlie show’s folksy, make Miller’s catchall coimti^-west- to have such a strong supporting- Pap Finn.......................Nick Koeslers fiimiiy-oiiented vulgaiizations.
    [Show full text]
  • American Spiritual Program Spring 2009
    American Spiritual Ensemble Sunday, February 22, 2009 • 4 p.m. Asbury United Methodist Church Comprised of some of the finest voices in the world, the internationally acclaimed ensemble offers stirring renditions of Negro spirituals, Broadway songs and other music in the African-American tradition. The concert is sponsored by Asbury United Methodist Church; the Peter and Judy Jackson Music Performance Fund; Salisbury University’s Department of Music, Office of the Dean of the Charles R. and Martha N. Fulton School of Liberal Arts and Office of Multicultural Student Services; the SU Foundation, Inc.; and is made possible, in part, by a grant from the Salisbury Wicomico Arts Council, awarded by the Maryland State Arts Council and the National Endowment for the Arts. AMERICAN SPIRITUAL ENSEMBLE EVERETT MCCORVEY , F OUNDER AND MUSIC DIRECTOR www.americanspiritualensemble.com PROGRAM Walk Together, Children ............................................................arr. William Henry Smith We Shall Walk Through the Valley in Peace ............................................arr. Moses Hogan Plenty Good Room ......................................................................arr. William Henry Smith Oh, What A Beautiful City! ........................................................................arr. Johnie Dean Mari-Yan Pringle, Jeryl Cunningham, Sopranos I Want Jesus to Walk With Me ....................arr. Eurydice Osterman/Tedrin Blair Lindsay Ricky Little, Baritone Fi-yer, Fi-yer Lord (from the operetta Fi-yer! )......................Hall
    [Show full text]
  • The Inventory of the Alvin Epstein Collection #1717
    The Inventory of the Alvin Epstein Collection #1717 Howard Gotlieb Archival Research Center Epstein, Alvin #1717 2/17/06 Preliminary Listing I. Professional Materials. Box 1 A. Files, re: American Repertory Theater, unless noted; may include reviews; scores; scripts; notes; correspondence; printed materials; legal materials; photographs; artwork; audio material. 1. AAlliance for the Development of Theater Arts, Inc.@ [F. 1] 2. AAmerican Repertory Theater.@ [F.1-3] 3. AAspen Musical Festival.@ [F. 4] 4. ABeckett, Samuel.@ [F. 5] 5. AContracts.@ [F. 5-6] 6. AThe Cabinet of Dr. Caligari.@ [F. 7] 7. ACaligula - Yale Repertory Theater.@ [F. 8] 8. ACarnegie Hall.@ 9. ACharlie in the House of Rue,@ includes photographs; slides. 10. AThe Cherry Orchard.@ 11. AClerambard,@ includes printed material; telegram; photographs. [F. 9] 12. AColette,@ includes printed material. [F. 10] 13. AColette Scores.@ [F. 11] 14. ACrossing Niagra,@ includes printed material; telegram. [F. 12] 15. ACrimes and Crimes.@ 16. ADear Liar.@ [F. 13] Box 2 17. ADoctor=s Dilemma.@ [F. 1] 18. ADoing Life,@ includes contract. 19. ADon Juan.@ 20. ADream of the Red Spider.@ [F. 2] 21. ADynamite Tonite,@ includes sub-files: a. AYale Repertory Theater,@ includes 2 contracts, 11/14/06. b. ANew York,@ includes contract, 2/23/67. 22. AHamlet.@ 23. AOn Ne Badine Pas Avec L=Amour (No Trifling With Love),@ includes original sketches. [F. 2-4] 24. AOpera,@ includes printed material. [F. 5] 25. ARevue Material.@ 26. ASolider=s Tale.@ [F. 6] 27. AStory Theater.@ [F. 7] 28. ASalzburg American Seminar.@ 29. ATartuffe,@ includes printed material. [F. 8] 30. ATempest,@ American Repertory Theater and Yale Repertory Epstein, Alvin (2/17/06) Theater, MS, 200 p.; includes score; photograph.
    [Show full text]
  • New Yorker May 20 1985
    GOINGJ ON ABOUT TOWN A C0N5CIENT10U5 CALENDAR OF EVENT5 OF INTEREST "Smiles of a Summer Night," is the last m THE THEATRE s 'M* T • J • P • S this season's series of productions. (103rd St. PLAYS AND MUSICALS and Riverside Dr. Nightly, except Mondays, at 8. Matinees Saturdays and Sundays at Aren't We All?—A revival of a smart Mayfair 15 16 17 18 comedy of 1923, written by Frederick Lons- 2:30. Closes Sunday, June 2. For information dale. Claudette Colbert, Rex Harrison, Lynn 19 20 21 22 23 24 25 about tickets, for which contributions are Redgrave, Brenda Forbes, and George Rose requested, call 663-2028.) find no difficulty bringing it back to life. The Foreigner—A very funny play by (and with) (Reviewed in our issue of S/13/8S.) (Brooks sive Behavior," by Stuart Spencer; and Larry Shue, with good performances by every Atkinson, 256 W. 47th St. 719-4099. Tues "Between Cars," by Alan Zweibel: Wednes single member of the company, most notably days through Saturdays at 8. Matinfies day and Thursday, May 15-16, at 7:30, and by Kevin Geer as a lovable half-wit. Jerry Wednesdays and Saturdays at 2, and Sun Saturday, May 18, at 7 and 10 (previews); Zaks was the admirable director. (11/19/84) days at 3.) Monday, May 20, at 7:30 (opening); and (Astor Place Theatre. 434 Lafayette St., near As Is—^This touching play by William M. Thursday, May 23, at 7:30. ... <51 "Life Astor PI. 254-4370. Tuesdays through Fri Hoffman concerns a personable young homo- Under Water," by Richard Greenberg; "Mar- days at 8; Saturdays at 7 and 10; and Sun se.xual who is afflicted with AIDS, and is also iens Kammer," by Roger Hedden; "The Frog days at 7.
    [Show full text]
  • American Spiritual Program Fall 2009
    Saturday, September 26, 2009 • 7:30 p.m. Asbury United Methodist Church • 1401 Camden Avenue, Salisbury Comprised of some of the finest voices in the world, the internationally acclaimed ensemble offers stirring renditions of Negro spirituals, Broadway songs and other music influenced by the spiritual. This concert is sponsored by The Peter and Judy Jackson Music Performance Fund;SU President Janet Dudley-Eshbach; Provost and Senior Vice President of Academic Affairs Diane Allen; Dean Maarten Pereboom, Charles R. and Martha N. Fulton School of Liberal Arts; Dean Dennis Pataniczek, Samuel W. and Marilyn C. Seidel School of Education and Professional Studies; the SU Foundation, Inc.; and the Salisbury Wicomico Arts Council. THE AMERICAN SPIRITUAL ENSEMBLE EVERETT MCCORVEY , F OUNDER AND MUSIC DIRECTOR www.americanspiritualensemble.com PROGRAM THE SPIRITUAL Walk Together, Children ..........................................................................................arr. William Henry Smith Jacob’s Ladder ..........................................................................................................arr. Harry Robert Wilson Angelique Clay, Soprano Soloist Plenty Good Room ..................................................................................................arr. William Henry Smith Go Down, Moses ............................................................................................................arr. Harry T. Burleigh Frederick Jackson, Bass-Baritone Is There Anybody Here? ....................................................................................................arr.
    [Show full text]
  • Disney's Beauty and the Beast
    2009-2010 ON STAGE • TPAC PRES YING ENTS PLA • N W OW NO • PL G AY N IN YI G A • L P N W O O W N P L • A G Y N I I N Y G A L • P N O W W O N P L • A G Y I N N I Y G A • L P N O W W O N P L • A Y I C N A G P T • T T A P A Y A C W F D A A M O I L R Y B F R I A E T L S D I R T T R / I P A C • H N O • W G N P I L Y A A Y L I P N G W • O N N O • W G N P I L Y A A Y L I P N G W • O N WWW.TPAC.ORG ¢ 615-782-4040 POWERING YOUR ext stage i life At First Tennessee, we love the arts as much as you do. That’s why we support them. And why we make it easier for you to be there for every great performance by providing convenient hours and online banking. Not to mention multiple ATMs and locations that make it easy to find us on the way to the show. For all the other financial ways we help power your dreams, stop by or visit ftb.com. Banking products and services provided by First Tennessee Bank National Association. Member FDIC.
    [Show full text]
  • Ahmanson Theatre
    AHMANSON THEATRE 1967-68 PREMIERE SEASON 1968-69 SEASON “More Stately Mansions” “Captain Brassbound’s Conversion” by Eugene O’Neill; by George Bernard Shaw; Starring Ingrid Bergman, Arthur Hill Starring Greer Garson, and Colleen Dewhurst; Darren McGavin, Jim Backus, Paul Directed by José Quintero. Ford, John Williams, George Rose (American Premiere). and Tony Tanner; September 12 - October 21, 1967. Directed by Joseph Anthony. “The Happy Time” September 24 - November 9, 1968. Book by N. Richard Nash; “Love Match” Based on the play by Samuel A. Book by Christian Hamilton; Taylor and the book by Robert L. Music by David Shire; Fontaine; Music by John Kander; Lyrics by Richard Maltby Jr.; Lyrics by Fred Ebb; Starring Patricia Routledge, Starring Robert Goulet and Michael Allinson and Hal Linden; David Wayne; Directed and choreographed by Directed and choreographed by Danny Daniels. Gower Champion. (World Premiere). (World Premiere). November 19, 1968 - January 4, 1969. November 13 - December 23, 1967. The Royal Shakespeare Company in The Royal Shakespeare Company in “Dr. Faustus” “As You Like It” by Christopher Marlowe; by William Shakespeare; Directed by Clifford Williams. Directed by David Jones. “Much Ado About Nothing” “The Taming of the Shrew” by William Shakespeare; by William Shakespeare; Directed by Trevor Nunn. Directed by Trevor Nunn. January 14 - March 1, 1969. January 2 - February 10, 1968. “Rosencrantz and Guildenstern Are Dead” “Catch My Soul” by Tom Stoppard; Words by William Shakespeare; Starring Brian Murray and Music by Ray Pohlman; George Backman; Starring William Marshall, Jerry Lee Directed by Derek Goldby. Lewis and Julienne Marie; March 11 - April 26, 1969.
    [Show full text]
  • Matters of Health
    looked at some of the reasons for not for providers/staff; development of proto- sharing the information. The findings sug- cols for the care of young transgender matters of health gest that bisexual men often anticipate patients, as well as roadmaps for families; strong judgmental reactions from their part- asking and recording of chosen name/ ners and families. Many report staying quiet pronoun; increased number of HIPAA Waiver in Orlando Shooting about their past in order to avoid rejection multidisciplinary gender clinics; providing In an interesting twist to the situation in Orlando, the White House approved a HIPAA and problems in their current heterosexual cross-sex hormones at an age that permits waiver. Just what does that mean? HIPAA stand for the Health Insurance Portability and relationships. Participants believed that peer-congruent development; and desig- Accountability Act. It protects the privacy of health information and if you have called a their family, friends, and female partners nating a navigator for transgender patients hospital to find out information about someone and only been told that the person is there held stigmatizing attitudes toward homo- in clinics. and that’s all they can tell you, you experienced the protections it provides. It restricts the sexuality; and had prior experience with sharing of medical information only to those the patient approves. But in the case of the negative reactions to disclosure. “Our find- Online Tools to Find PrEP victims in Orlando, most could not give that permission. The
    [Show full text]
  • Edition 11 | 2018-2019
    CURTAIN CALL 1 2 CURTAIN CALL BEST LIVE THEATRE – Stamford Advocate 2018 ACE AWARD FOR EXCELLENCE IN THE ARTS – 2016 GOVERNOR’S AWARD FOR EXCELLENCE IN THE ARTS – 2011 Voted Fairfield County’s BEST LOCAL THEATRE GROUP – Ten Years Running! In Fairfield County Weekly Voted BEST PERFORMING ARTS GROUP – 2008 Through 2018 In StamfordPlus CURTAIN CALL, INC. 1349 Newfield Avenue, Stamford, CT 06905 203-329-8207 BOARD OF DIRECTORS TED YUDAIN, ESQ. CHAIR GORDON CASAGRANDE VICE CHAIR WILLIAM SQUIER SECRETARY JOHN ATKIN TREASURER DIANE ARDITTI TERRY BLANK GEORGE BRADT DOMINICK BRIA TOM DESALVO JOANN LATORRACA THOMAS M. ORMOND JAMI SHERWOOD KEVIN THOMPSON SEYMOUR WEINSTEIN, ESQ. LOU URSONE EXECUTIVE DIRECTOR PETER BARBIERI, JR. ASSOCIATE ARTISTIC DIRECTOR BRIAN BIANCO EDUCATION DIRECTOR MEGAN LATTE ORMOND RESIDENT WARDROBE MANAGER GAIL YUDAIN OFFICE MANAGER LISA DIDONATO, JEFF KARWOSKY BOX OFFICE MANAGERS MEREDITH WALKER BOX OFFICE STAFF JAMIE LAJOIE TECHNICAL DIRECTOR MARC URSONE PRODUCTION ASSISTANT CURTAIN CALL 3 WELCOME FROM THE EXECUTIVE DIRECTOR “A person who won’t read has no advantage over one who can’t read.” – Origin unknown While the above quote is often attributed to one of America’s most-read authors, (and long-time Connecticut resident), Mark Twain, its true origins are unknown. I’m pretty sure that the nuns who taught me in grade school used it as a means to inspire what has been, for me, a life-long love of reading. Twain’s 12 novels, nearly three dozen short stories and much more, marked him as one of the most prolific American authors of his time. Twain, often noted as the father of American literature, was credited thus by Ernest Hemingway: “All modern American literature comes from one book by Mark Twain called ‘Huckleberry Finn’.” That book is why we’re here today.
    [Show full text]
  • 1984-2011 Production History Illinois State University School of Theatre and Dance
    1984-2011 Production History Illinois State University School of Theatre and Dance 2010-2011 Production Season Playboy of the Western World by John Millington Synge (directed by Emily Gill) Sept. 29, 30, October 1, 2 at 7:30 pm; October 2, 3 at 2 pm (Westhoff Theatre) The 25th Annual Putnam County Spelling Bee by Rachel Sheinkin and William Finn (directed by Cyndee Brown) October 7, 8, 9, 12, 13, 14, 15, 16 at 7:30 pm; October 10 at 2 pm (Center for the Performing Arts) (Note: October 15-16 is Homecoming Weekend) Measure for Measure by William Shakespeare (directed by Brandon Ray) October 27, 28, 29, 30 at 7:30 pm; October 30, 31 at 2 pm (Westhoff Theatre) Les Liaisons Dangereuses by Christopher Hampton (directed by Jon Ferreira) November 11, 12, 13, 14 at 7:30 pm; November 13, 14 at 2 pm (Center for the Performing Arts) Major Barbara by George Bernard Shaw (directed by Sandra Zielinski) December 8, 9 10, 11 at 7:30 pm; December 11 at 2 pm (Westhoff Theatre) Dance Theatre December 9, 10, 11 at 7:30 pm; December 11 at 2 pm (Center for the Performing Arts) Madrigal Dinners 55th Anniversary December 8, 9, 10, 11 at 6:30 pm; December 11 at 1 pm (Alumni Center) Musical to be announced. February 10, 11, 12, 15, 16, 17, 18, 19 at 7:30 pm; February 13 at 2 pm (Center for the Performing Arts) Bhopal by Rahul Varma February 23, 24, 25, 26 at 7:30 pm; February 26, 27 at 2 pm (Westhoff Theatre) Two Gentlemen of Verona by William Shakespeare March 30, 31, April 1, 2 at 7:30 pm; April 2, 3 at 2 pm (Westhoff Theatre) Rock 'n' Roll by Tom Stoppard March
    [Show full text]
  • A CHORUS LINE Was Produced by the Public Theater, in Association with Plum Productions
    2009-2010 ON STAGE • TPAC PRES YING ENTS PLA • N W OW NO • PL G AY N IN YI G A • L P N W O O W N P L • A G Y N I I N Y G A L • P N O W W O N P L • A G Y I N N I Y G A • L P N O W W O N P L • A Y I C N A G P T • T T A P A Y A C W F D A A M O I L R Y B F R I A E T L S D I R T T R / I P A C • H N O • W G N P I L Y A A Y L I P N G W • O N N O • W G N P I L Y A A Y L I P N G W • O N WWW.TPAC.ORG ¢ 615-782-4040 POWERING YOUR ext stage i life At First Tennessee, we love the arts as much as you do. That’s why we support them. And why we make it easier for you to be there for every great performance by providing convenient hours and online banking. Not to mention multiple ATMs and locations that make it easy to find us on the way to the show. For all the other financial ways we help power your dreams, stop by or visit ftb.com. Banking products and services provided by First Tennessee Bank National Association. Member FDIC.
    [Show full text]
  • Big River Characters P
    STUDY GUIDE TABLE OF Contents CONTEXT Synopsis p. 4-5 Biographies of the Creative Team p. 6-7 Big River Characters p. 8 Historical Context p. 9 The Trouble Begins at Eight p. 10-11 Big River, Small Chance p. 12 CONTEXT Mark Twain Makes a Playlist p. 13 ACTIVITIES & RESOURCES Before the Show p. 15 Theater Manners p. 16 ! OW Write a Review p. 17 SH E H T After the Show p. 18 T U O Encores! and You p. 19 B A E Learner Outcomes p. 20-22 R O M Sources p. 23 N R A E L ACTSYNOPSIS I ACT II Along the Mississippi River in the 1840s, Huckleberry Finn and his best friend Tom Sawyer are up Huck, Jim, The King, and The Duke have rafted to Tennessee. The King and The Duke scheme to to no good. The adults around them try to steer him onto the path of good (Do Ya Wanna Go to create a show that they think will make them a lot of money, even though it isn’t very good. They Heaven?), but Huck and his friends decide they’d rather start a gang of thieves (The Boys). Tom and hype up the show to a group of people to trick them into paying for it (The Royal Nonesuch). Huck Huck make plans to run away, but Huck knows that Tom is probably not going to follow through. and Jim talk about leaving together, since they’re starting to become friends (Worlds Apart), but He thinks about what he wants for his life (Waitin’ For The Light to Shine).
    [Show full text]