Hollywood Plan Amendment Final EIR 3

Total Page:16

File Type:pdf, Size:1020Kb

Hollywood Plan Amendment Final EIR 3 III. ENVIRONMENTAL IMPACT ANALYSIS H. NOISE A noise study for the Proposed Project was prepared by Martin Newson and Associates in April, 2002 A summary of the noise study is provided below. The complete noise study is included in Technical Appendix F to the EIR. ENVIRONMENTAL SETTING Introduction - What is Noise and How is it Quantified? Noise is commonly defined as unwanted sound. Noise is characterized as a function of its sound pressure level, its frequency (as measured in cycles per second, or Hertz), and its duration. In particular, the sound pressure level has become the most common descriptor used to characterize the loudness of an ambient sound level. The unit of sound pressure ratioed to an assumed zero sound level is called a decibel (dB). The “pitch” of a sound is determined by the frequency. Since the human ear is not equally sensitive to all sound frequencies within the entire spectrum, noise levels at maximum human sensitivity are factored more heavily into sound descriptions in a process called “A-weighting”, written as dBA. All further references to decibel (dB) levels in this section should be taken to refer to A-weighted decibel levels, i.e., dBA levels. Time variations in noise exposure are typically expressed in terms of a steady-state energy level equal to the energy content of the time varying noise source (called Leq). Because community receptors such as residential uses are more sensitive to unwanted noise intrusion during the evening and at night, a 24- hour noise descriptor called the Community Noise Equivalent Level (CNEL) has been developed. In this noise rating system, an artificial dB increment is added to quiet-time noise levels (5dB for evening hours and 10 dB for nighttime noise levels). CNEL is used in the City of Los Angeles Noise Element to specify maximum acceptable noise exposure levels for various land use categories. For the purposes of assessing potential project related impacts, noise can be broken down into two categories: short-term and long-term. Short-term noise is primarily associated with on-site construction activities and haul-truck traffic, while long-term noise is generally associated with off-site motor vehicle traffic and on-site activities (e.g., mechanical equipment, trash-pick-up and truck deliveries). Both short-term and long-term effects from the proposed project on the noise environment are addressed in this section. Hollywood Redevelopment Plan Amendment Noise Final Environmental Impact Report (SCH No. 1985052903) Page III.H-1 PRELIMINARY WORKING DRAFT ~ Work In Progress Community Redevelopment Agency of the City of Los Angeles February 2003 This section predicts and discusses specific noise levels. In order to provide the reader with some reference to specific decibel levels, Figure III.H-1 shows the sound levels typically produced by a variety of common indoor and outdoor noise sources. Existing Noise Setting Existing noise levels within the Hollywood Redevelopment Project Area derive mainly from vehicular sources on the roadways in the area. Other potential sources of noise include operation of building equipment such as Heating, Ventilation and Air Conditioning (HVAC) equipment, loading docks and associated truck activities, music from stores and gatherings of people, although these sources rarely generate sufficient noise levels to rise above the prevailing traffic noise. Existing land uses within the Project Area boundaries consist of residential and commercial developments. In order to better define the existing noise environment within the Hollywood Redevelopment Project Area, a noise survey was conducted on Wednesday April 3rd and Thursday April 4th 2002, between 4 PM and 6 PM. Noise levels were measured using a Bruel & Kjaer Type 2236 sound level meter approved by ANSI. The eleven different measurement locations are shown in Figure III.H-2. The measurement locations were selected based upon locations of residential communities within the Project Area, the need to measure evenly across the Project Area, and locations where the traffic report predicted no impact for the No Project scenario, but did predict an impact for the Minimum Project scenario. The measurement position for each location was on the far side of the sidewalk from the street (i.e., closest point to adjacent uses). The measurement results are shown in Table III.H-1. At all measurement positions, the noise levels were dominated by road traffic noise. Further details of the noise survey are provided in Appendix B to the complete Noise Report (Appendix F to the EIR). In general, the highest existing noise levels within the Project Area can be found along major thoroughfares (Hollywood Boulevard, La Brea Avenue) in the northern portion of the Project Area. Most of the predominantly residential areas within the Project Area presently experience ambient noise levels less than 70 dBA, which is generally considered to be the maximum compatible noise level for residential uses (see discussion of Community Compatibility Noise Criteria below). Hollywood Redevelopment Plan Amendment Noise Final Environmental Impact Report (SCH No. 1985052903) Page III.H-2 PRELIMINARY WORKING DRAFT ~ Work In Progress Community Redevelopment Agency of the City of Los Angeles February 2003 Common Noise Levels (Caltrans Noise Manual, California Department of Transportation, March 1980) Noise Level Common Indoor Noise Levels Common Outdoor Noise Levels (dBA) 110 Rock Band Jet Flyover @ 1,000 feet 100 Inside Subway Train Gas Lawn Mower @ 3 feet Diesel Truck @ 50 feet 90 Food Blender @ 3 feet Noisy Urban Daytime Garbage Disposal @ 3 feet 80 Shouting @ 3 feet Gas Lawn Mower @ 100 feet 70 Vacuum Cleaner @ 10 feet Commercial Area Normal Speech @ 3 feet Heavy Traffic @ 300 feet 60 Large Business Office 50 Dishwasher next room Quiet Urban Daytime Small Theater/Conference Room Quiet Urban Nightime 40 (background) Quiet Suburban Nightime Library 30 Bedroom at Night Concert Hall (background) Quiet Rural Nightime 20 Broadcast & Recording Studio 10 Threshold of Hearing 0 Figure III.H-1 Common Noise Levels H-1 Source: Caltrans Noise Manual, California Department of Transportation, March 1980. Hollywood Redevelopment Plan Amendment Noise Final Environmental Impact Report (SCH No. 1985052903) Page III.H-3 PRELIMINARY WORKING DRAFT ~ Work In Progress 2 12 1 8 3 9 6 10 5 4 7 11 Source: Martin Newson & Associates LLC, April 11, 2002. Christopher A. Joseph & Associates Figure III.H-2 environmental planning and research Roadway Segments Selected for Road Traffic Noise Analysis Community Redevelopment Agency of the City of Los Angeles February 2003 Table III.H-1 Existing Measured Noise Levels SEGMENT MEASURED NOISE ROAD SEGMENT DESCRIPTION NUMBER LEVEL (dBA Leq) 1 Franklin Ave, west of Highland 68 2 Franklin Ave, west of Wilcox 68 3 Hollywood Blvd, east of Wilton 72 4 Fountain Ave, west of Highland 67 5 Fountain Ave, east of Western 66 6 Bronson Ave, north of Sunset 66 7 Cahuenga Blvd, north of Fountain 68 8 Wilcox Ave, north of Hollywood 66 9 Orange Dr, north of Sunset 65 10 La Brea Ave, north of Fountain 73 11 Wilton Pl, north of Santa Monica 70 Source: Martin Newson & Associates Regulatory Environment Construction Noise City of Los Angeles Noise Ordinance Section 41.40 of the City of Los Angeles Municipal Code explicitly forbids construction of any type between the hours of 9 p.m. and 7 a.m. from Monday to Friday. On other days it states that no construction work can be carried out within 500 feet of residences “before 8:00 am or after 6:00 pm on any Saturday or national holiday nor at any time on a Sunday.” In addition, Section 112.05 of the Municipal Code designates maximum noise levels for powered equipment and hand tools: “Between the hours of 7:00am and 10:00pm, in any residential zone of the City or within 500 feet thereof, no person shall operate or cause to be operated any powered equipment or powered hand Hollywood Redevelopment Plan Amendment Noise Final Environmental Impact Report (SCH No. 1985052903) Page III.H-5 PRELIMINARY WORKING DRAFT ~ Work In Progress Community Redevelopment Agency of the City of Los Angeles February 2003 tool that produces a maximum noise level exceeding the following noise limits at a distance of 50 feet there from: • 75dBA for construction, industrial, and agricultural machinery including crawler-tractors, dozers, rotary drills and augers, loaders, power shovels, cranes, derricks, motor graders, paving machines, off-highway trucks, ditchers, trenchers, compactors, scrapers, wagons, pavement breakers, compressors and pneumatic or other powered equipment; Long-Term Operational Noise City of Los Angeles Noise Ordinance The City of Los Angeles Municipal Code (Chapter XII, Noise Regulation) sets technical noise standards that are applicable to noise sources such as HVAC systems and places of public entertainment. As such, all on site operational noise sources associated with the development are required to be controlled in accordance with the requirements of the ordinance. City of Los Angeles General Plan, Noise Element The City, in its General Plan Noise Element, provides maximum acceptable exterior noise exposure levels for various land use categories. The City has included in the Noise Element a chart displaying which CNEL levels are Normally Acceptable and Clearly Unacceptable (see Table III-H-2). These CNEL noise limits are applicable in the assessment of the noise impact upon a proposed noise sensitive development. Normally Acceptable – Specified Land use is satisfactory, based upon the assumption that any buildings involved are of normal conventional construction without any special noise insulation requirements. Conditionally Acceptable – New construction or development should be undertaken only after a detailed analysis of the noise reduction requirements is made and needed noise insulation features included in the design. Conventional construction, but with closed windows and fresh air supply systems or air conditioning will normally suffice. Normally Unacceptable – New construction or development should generally be discouraged.
Recommended publications
  • INITIAL STUDY 6250 Sunset Project
    City of Los Angeles Department of City Planning Environmental Analysis Section City Hall 200 N. Spring Street, Room 750 Los Angeles, CA 90012 INITIAL STUDY HOLLYWOOD COMMUNITY PLAN AREA 6250 Sunset Project Case Number: ENV-2014-751-EIR Project Location: 6230-6254 Sunset Boulevard, and 6237-6253 Leland Way, Los Angeles, CA, 90028 Council District: 13 Project Description: The Project proposes a mixed-use development on an approximately 2.06 acre site located between Sunset Boulevard and Leland Way in the Hollywood community of the City of Los Angeles. The Project Site is currently developed with a building constructed in the late 1930’s as the Earl Carroll Theatre (ECT Building) and a surface parking lot with accessory structures. The ECT Building has been used by the Nickelodeon on Sunset Corporation (Nickelodeon) as a sound stage for television productions with associated offices since the early 1980’s. The Project would protect and retain the ECT Building and construct a new seven-story, mixed-use building on the western portion of the Project Site. The Project includes approximately 4,700 square feet of ground floor commercial space and 200 residential units. Five percent of the residential units are restricted as very-low income. The Project would also provide a pedestrian paseo between the new building and the ECT Building that would link Sunset Boulevard and Leland Way. Other amenities associated with the residential units include a lobby, fitness center, pool terrace, pool, spa area, sky deck, landscaped areas, and a club house/lounge area. Parking would be located in a four-level, 316 space parking structure with two levels of subterranean parking, an at-grade parking level, and one level above-grade.
    [Show full text]
  • Marian Dean Newman Gibbons 1921-2010
    Hollywood Heritage is a non- profit organization dedicated to preservation of the historic built environment in Hollywood and to education about the early film industry and the role its pioneers played in shaping March 2011 www.hollywoodheritage.org Volume 30, Number 1 Hollywood’s history. Marian Dean Newman Gibbons 1921-2010 ollywood Heritage co-founder and Offenhauser spoke of her as a “pied piper” past president Marian Gibbons regarding her ability to enlist everyone, from Hpassed away on December 8th from former Los Angeles County Supervisor John lung cancer. She had been seriously ill since Anson Ford and former Mayor Tom Bradley July. A memorial for Mrs. Gibbons was held through the most casual acquaintance, to vol- on December 29th at the Hollywood Heritage unteer and help save the “1913 Movie Studio.” Museum, and was attended by family, friends, For many, Marian was the face of Hollywood Hollywood Heritage directors (past and pres- Heritage and she spent endless amounts of ent) and members. time and personal resources to publicize and Two of Marian’s grandchildren, Marcy promote it, first as an idea and then as a work- Newman of Lebanon, and Lucas Shane Knopf ing organization. Up until mid-2010, Marian of Amherst, Massachusetts, spoke movingly was still on the Hollywood Heritage Board of of their love for their grandmother and the Directors and took pride in the fact that the very great influence that she had on their lives. organization had endured and prospered over Two themes were present among the speak- the past 30 years. ers. One was her awe-inspiring leadership in The second theme was Marian’s humor, public causes which included not only Holly- noted by a number of speakers, including Mrs.
    [Show full text]
  • IV. Environmental Impact Analysis B. Cultural Resources
    IV. Environmental Impact Analysis B. Cultural Resources 1. Introduction This section of the Draft EIR provides an analysis of the Project’s potential impacts on cultural resources, including historic, archaeological, and paleontological resources, as well as human remains. This section is based in part on the Historic Resources Assessment (Historic Report) prepared by Historic Preservation Consulting (November 2017) included as Appendix C.1 of this Draft EIR. The analysis of potential impacts to archaeological and paleontological resources is based on records searches included as Appendices C.2 and C.3 of this Draft EIR, respectively, as well as a review of previous, existing, and proposed on-site conditions. 2. Environmental Setting a. Regulatory Framework (1) Historic Resources Historic resources fall within the jurisdiction of several levels of government. The framework for the identification and, in certain instances, protection of historic resources is established at the federal level, while the identification, documentation, and protection of such resources are often undertaken by state and local governments. As described below, the principal federal, state, and local laws governing and influencing the preservation of historic resources of national, state, regional, and local significance include the National Historic Preservation Act (NHPA) of 1966, as amended; the California Environmental Quality Act (CEQA); the California Register of Historical Resources (California Register); and the City of Los Angeles Cultural Heritage Ordinance
    [Show full text]
  • ABC Television Center Studios (Name Circa 1960)
    ESTUDIOS DE CINEMA QUE VIRARAM ESTUDIOS DE TV Antigos estúdios de Hollywood http://www.retroweb.com/tv_studios_and_ranches.html ABC Television Center Studios (name circa 1960) Formerly: Vitagraph Studios Currently: The Prospect Studios (aka ABC Television Center West) Location: 4151 Prospect Avenue, Hollywood, California opened in 1912 as Vitagraph Studios, making it one of the oldest studios in Hollywood. eventually purchased by Warner Bros in 1925 ABC Television acquired the studio property in 1949, and opened the world's largest, state-of-the-art television center. "The old Vitagraph lot, then ABC, now Disney in East Hollywood, once had a large backlot, but by the time of television, the backlot was gone. For an early live western tv show, the side of one of the sound stages was painted to look like a western town or desert scene or something, and the show was show live from in front of that painted building." - Jerry S. "I've been told that all the scenes [in 42nd STREET] inside the theater were shot at Prospect on [what was known as] the Vitaphone theater stage. That stage later became Studio E at ABC, (now Stage 5). Eventually, the auditorium end of the stage was demolished to make way for a new studio now called Stage 4. The Vitaphone stage was sort of like the Phantom stage at Universal in that a portion of it had a permanent auditorium set with seats and boxes. It was removed once ABC took over. The old TV series SPACE PATROL was shot on those combined stages." - Richard P.
    [Show full text]
  • 1 O'clock in the the Places to Be Identified by the Morning
    WEEIC'S COMPLETE A's STARTING FRIDAY, iiI0e 10 -1 (e-wit51,como The Secret of JACK BENNY'S SUCCESS Page 5 GAINES IN ONE ONLY 10 CENTS WorldRadioHistory MORRIS HOLLANDER, ANGELENO SMILIN ED McCONNELL seems who recently won $25,000 in a little distraught over the prizes on the CBS "Sing It Again" show, speed with which his camera collecticn donates $2000 in games and candy to is growing. Ed's jolly children's pro- the Hollywood - Los Feliz Community gram can be tuned in Saturdays, 8:30 Camp, where his son Jeffrey, seven, a.m., NBC. (NBC-Ball photo.) spent last summer. Accepting the prizes from the Hollanders is Ruth Lippin, camp )4. counselor. (CBS-Braslaff photo.) 4- SEEN ON THE RADIO SCEN II& THE LOVELY LYRIC soprano voice TYPICAL OF top-flight personali- heard Saturdays (Mutual, 9:30 ties who regularly visit ABC's p.m.) on "Chicago Theater of the Air" 4"Betty Crocker Magazine of he belongs to lovely Nancy Carr. Air" is Betty Hutton, mugging here with announcer Win Elliot. RADIO-TELEVISION LIFE 101.- NEW GIMMICK incorporated by ONE OF THE WEST'S most-I istened- Member Audit Bureau Irene Beasley on her CBS to newscasters, Bob Garred brings "Grand Slam" show is phone calls to Of Circulations you up-to-the-minute bulletins Monday listeners. Those who can answer cor- Vol. 22, No. 1 / through Saturday, 7:30 a.m. and 6:05 Nov. /0, 1950 a 44 rectly a five-part musical question p.m. on ABC. CARL M. RIGSBY. Publistier receive a one-hundred-dollar savings Published Weekly at Los Angeles, California.
    [Show full text]
  • Lasky-Demille Barn Approved for Listing on the National Register Of
    The publication of Hollywood Heritage, a private, non-profit organization dedicated to preservation of the historic built environment in Hollywood and to education about the role of the early flim industry and its pioneers in shaping Hollywood’s Winter 2014 www.hollywoodheritage.org Volume 32, Number 4 history Lasky-DeMille Barn Approved Hollywood Heritage Directors tarting with the January 2014 for Listing on the National Hollywood Heritage Board meeting, SHollywood Heritage will be welcom- Register of Historic Places ing some new directors. They will have been isitors to the Hollywood Heritage for its association with the development of the film elected to a new term as director, filling an Museum have noticed the plaque industry in Hollywood and California, as well as expanded board position, or they will be fill- Vnear the front door telling the story the early growth and development of the City of ing the position of a director who has been of California Registered Landmark No. 554, Hollywood. Notably, the building is the last sur- termed-out of office and must wait a year Hollywood’s First Major Film Company viving historical resource associated with the early before eligible to run again. Directors are Studio. It has held that designation for 57 establishment of the motion picture industry in Hol- not compensated for their service, like all years. We are proud to announce that the lywood, and the oldest historical resource associated the other volunteers who keep Hollywood historic Lasky-DeMille Barn is now being with the establishment of the major motion picture Heritage the vital organization that it is.
    [Show full text]
  • The History of CBS Hollywood Television Studios
    1 The History of CBS Hollywood Television Studios By Bobby Ellerbee and Eyes Of A Generation.com Preface and Acknowledgement This is a unique look at the events that preceded the need for CBS television studios in Hollywood and, as in New York, the radio division is leading the way. This project is somewhat different than the prior reports on the New York studios of CBS and NBC, for two reasons. The first reason is that in that in those reports, television was brand new and being developed through the mechanical function to an electronic phenomenon. Most of that work occurred in and around their headquarters in New York. In this case, both CBS and NBC are at the mercy of geological and technological developments outside their own abilities…namely the Rocky Mountains and AT&T. The second reason has to do with the success of the network’s own stars. Their popularity on radio soon translated to public demand once “talking pictures” became possible. That led many New York based radio stars to Hollywood and, in a way, Mohammed had to come to the mountain. This story is told to the best of our abilities, as a great deal of the information on these facilities is now gone…like so many of the men and women who worked there. I’ve told this as concisely as possible, but some elements are dependent on the memories of those who were there many years ago, and from conclusions drawn from research. If you can add to this with facts or photos, please contact me as this is an ongoing project.
    [Show full text]
  • 7901 W Sunset Blvd., Los Angeles, Ca 90046
    7901 W SUNSET BLVD., LOS ANGELES, CA 90046 SUNSET BLVD FAIRFAX AVE CONFIDENTIAL OFFERINGCONFIDENTIAL MEMORANDUM GENERATIONAL OPPORTUNITY FOR MIXED-USE DEVELOPMENT SITE ON SUNSET STRIP This Memorandum (“Offering Memorandum”) has been prepared by Hudson Partners based on information that TABLE OF CONTENTS was furnished to us by sources we deem to be reliable. No warranty or representation is made to the accuracy thereof; SECTION ONE 04 subject to correction of errors, omissions, change of price, EXECUTIVE PROFILE prior sale, or withdrawal from market without notice. This Memorandum is being delivered to a limited number of SECTION TWO 10 parties who may be interested in and capable of purchasing PROPERTY INFORMATION the Property. By its acceptance hereof, each recipient agrees that it will not copy, reproduce or distribute to others this Memorandum in whole or in part, at any time, without the SECTION THREE 24 prior written consent of Hudson Partners, and it will keep MARKET OVERVIEW permanently confidential all information contained herein not already public and will use this Confidential Memorandum only for the purpose of evaluating the possible acquisition of the Property. This Memorandum does not purport to provide a complete or fully accurate summary of the Property or any of the documents related thereto, nor does it purport to be all-inclusive or to contain all of the information, which prospective buyers may need, or desire. All financial projections are based on assumptions relating to the general economy, competition and other factors beyond the control of the Owner and, therefore, are subject to material variation. This Memorandum does not constitute an indication that there has been no change in the business or affairs of the © 2017 Hudson Commercial Partners, Inc.
    [Show full text]
  • The City Is Divided Into Many Neighborhoods, Many of Which Were Towns That Were Annexed by the Growing City
    The city is divided into many neighborhoods, many of which were towns that were annexed by the growing city. There are also several independent cities in and around Los Angeles, but they are popularly grouped with the city of Los Angeles, either due to being completely engulfed as enclaves by Los Angeles, or lying within its immediate vicinity. Generally, the city is divided into the following areas: Downtown Los Angeles, Northeast - including Highland Park and Eagle Rock areas, the Eastside, South Los Angeles (still often colloquially referred to as South Central by locals), the Harbor Area, Hollywood, Wilshire, the Westside, and the San Fernando and Crescenta Valleys. Some well-known communities of Los Angeles include West Adams, Watts, Venice Beach, the Downtown Financial District, Los Feliz, Silver Lake, Hollywood, Hancock Park, Koreatown, Westwood and the more affluent areas of Bel Air, Benedict Canyon, Hollywood Hills, Pacific Palisades, and Brentwood. [edit] Landmarks Important landmarks in Los Angeles include Chinatown, Koreatown, Little Tokyo, Walt Disney Concert Hall, Kodak Theatre, Griffith Observatory, Getty Center, Los Angeles Memorial Coliseum, Los Angeles County Museum of Art, Grauman's Chinese Theatre, Hollywood Sign, Hollywood Boulevard, Capitol Records Tower, Los Angeles City Hall, Hollywood Bowl, Watts Towers, Staples Center, Dodger Stadium and La Placita Olvera/Olvera Street. Downtown Los Angeles Skyline of downtown Los Angeles Downtown Los Angeles is the central business district of Los Angeles, California, United States, located close to the geographic center of the metropolitan area. The area features many of the city's major arts institutions and sports facilities, a variety of skyscrapers and associated large multinational corporations and an array of public art, unique shopping opportunities and the hub of the city's freeway and public transportation networks.
    [Show full text]
  • Hollywood Heritage Ends 25 Year Association with Landmark by Stephen X
    Hollywood Heritage is a non- profit organization dedicated to preservation of the historic built environment in Hollywood and to education about the early film industry and the role its pioneers played in shaping May 2009 www.hollywoodheritage.org Volume 28, Number 1 Hollywood’s history. Hollywood Heritage Ends 25 Year Association With Landmark by Stephen X. Sylvester & Brian Curran corrections in a public Parks Commis- t’s official, Hollywood Heritage, Inc. sion meeting and on the Parks website.. Iplans to end our 25 year stewardship Sadly, HHI is still required by the City of the Wattles Mansion and Gardens. to vacate the property. During those many years, H.H.I. Hollywood Heritage’s troubles with slowly raised funds to painstakingly Wattles were made more difficult by an restore and maintain the house and inability to raise needed funds through grounds in an effort to preserve one of renting out the house and grounds for Hollywood’s earliest and greatest es- events such as parties and weddings. tates. Our group has agreed to end our These events provided a regular in- tenancy by May 16th, 2009. come, which was used for mainte- This decision was the result of an nance and restoration projects. The ordeal regarding the Wattles Mansion, Parks Department has forbidden the which Hollywood Heritage has been rental of Wattles since July 7, 2008. going through during the last year. We leave Wattles however with our Our organization was wrongly penal- heads held high. Our accomplishments ized by the Department of Parks and are many and the results speak for Recreation due to an erroneous audit, themselves.
    [Show full text]
  • Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980
    LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Entertainment Industry, 1908-1980 Theme: Industrial Properties Associated with the Entertainment Industry, 1908-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources December 2019 SurveyLA Citywide Historic Context Statement Entertainment Industry/Industrial Properties Associated with the Entertainment Industry, 1908-1980 TABLE OF CONTENTS PREFACE 1 CONTRIBUTORS 1 INTRODUCTION 1 HISTORIC CONTEXT INDUSTRIAL PROPERTIES ASSOCIATED WITH THE ENTERTAINMENT INDUSTRY, 1908-1980 3 Origins of the Entertainment Industry in Southern California 3 Entertainment Industry Development in the 1920s and 1930s 13 Entertainment Industry Development During World War II 59 Entertainment Industry Development in the Postwar Era 63 SUB-THEME: ORIGINS OF THE MOTION PICTURE INDUSTRY, 1908-1919 72 Development of Industrial Districts and “Motion Picture Zones” 72 Development of Early Motion Picture Production Facilities 73 SUB-THEME: MOTION PICTURE INDUSTRY: MAJOR STUDIO ERA – “THE BIG EIGHT,” 1919-1949 76 Development of Major Motion Picture Production Facilities 76 SUB-THEME: MOTION PICTURE INDUSTRY: INDEPENDENT STUDIOS AND RENTAL PLANTS, 1919-1980 80 Development of Independent Motion Picture Production Facilities 80 SUB-THEME: RADIO BROADCASTING INDUSTRY, 1922-1945 84 Development of Radio Broadcasting Facilities 84 SUB-THEME: TELEVISION BROADCASTING INDUSTRY, 1931-1980 88 Development of Television Broadcasting Facilities 88 SUB-THEME: RECORDING INDUSTRY, 1925-1980
    [Show full text]
  • Kilroy Realty Buys Entertainment Properties Tribeca West and Columbia Square for $138 Million
    Kilroy Realty Buys Entertainment Properties Tribeca West and Columbia Square for $138 Million 9:35 PM PDT 10/1/2012 by Daniel Miller [2] Charles LeNoir Tribeca West The publicly-traded real estate investment trust owns several office developments in the Los Angeles area that cater to Hollywood companies. Commercial real estate investment firm Kilroy Realty Corp. has purchased the historic Columbia Square development in Hollywood for $65 million, and struck a separate deal to acquire West Los Angeles office campus Tribeca West for $73 million. Los Angeles-based Kilroy, a publicly-traded real estate investment trust, acquired Columbia Square from iStar Financial on Sept. 28; the property at 6121 Sunset Blvd. formerly was the home of CBS' Los Angeles television and radio operations. Kilroy is buying Tribeca West from Ocean West Capital Partners; the deal is expected to close by the end of October. Ocean West bought the 12233 W. Olympic Blvd. [4] development, which houses tenants such as Disney, Technicolor and NBC Studios, in February 2011 for $58 million. The 4.7-acre Columbia Square site includes about 96,000 square feet of existing office and studio space in five structures. Kilroy plans to renovate those buildings -- which are used by postproduction companies -- starting in second quarter 2013. "What we are going to be doing is bringing it back to the 1938 historic look but adapting the buildings to creative office use," said David Simon, Kilroy's executive vice president for the Los Angeles region. The company also will build about 550,000 square feet of new development at the Columbia Square site, including three office buildings and a residential tower.
    [Show full text]