C:\Users\Randy\Documents\Wesley\Poetry and Hymns\John Wesley Files\Published Collections\Moral and Sacred Poems (1744) Vol 2.Wp

Total Page:16

File Type:pdf, Size:1020Kb

C:\Users\Randy\Documents\Wesley\Poetry and Hymns\John Wesley Files\Published Collections\Moral and Sacred Poems (1744) Vol 2.Wp Moral and Sacred Poems (1744)1 Volume 2 [Baker List, #78] Editorial Introduction: Poetry played a prominent role in genteel culture in eighteenth-century Britain. In addition to well-selling collections by poets like John Dryden, Alexander Pope, and Edward Young, there were regular sections of poetry in most of the leading periodicals. The genre was embraced for political critique, moral instruction, philosophical argument, religious devotion, light diversion, and a range of other public purposes. John Wesley was typical of many in his day in keeping a manuscript notebook during his Oxford years where he copied poems that he found instructive or worthy of reading repeatedly (see the MS Poetry Miscellany in this collection). While Wesley’s manuscript collection includes several selections that he would have viewed as entertaining, it is clear that he particularly valued poems with strong moral and religious themes. Thus, he was sympathetic to a suggestion made by Selina Hastings, Countess of Huntingdon, in 1742 that public culture would greatly benefit from a collection of “chaste” moral and sacred poems. Wesley soon began work on such a collection. It was issued as a series of unbound leaflets, beginning in 1743. The last installment appeared in 1744 and the full compliment were bound as a three-volume set. While the target audience of Wesley’s Collection of Psalms and Hymns series was Anglican worshipers, and the Hymns and Sacred Poems series was particularly aimed at those involved in the renewal movement, the hoped- for audience of this series was the larger public, particularly those of genteel society. Slow sales suggest that it was not well received in this setting. About 150 sets of the initial bound copies remained in the inventory at John Wesley’s house in London at his death, nearly fifty years after its publication. Despite this lack of commercial success, the three volume collection remains valuable as a window into Wesley’s moral and spiritual emphases in the 1740s. Wesley includes several prominent poets of the last century in this published set (some of which appeared in his earlier MS Poetry Miscellany). He also drew upon more recent works, without seeking permission from their original publishers, which drew him into copyright disputes in a couple of cases, most notably over Edward Young’s Night Thoughts in this volume. While we have modernized capitalization in the transcription below, we have generally retained the spelling and punctuation of the original, correcting only the printer errors that are scattered through the text. Edition: John Wesley. Collection of Moral and Sacred Poems. 3 vols. Bristol: Farley, 1744. 1This document was produced under the editorial direction of Randy L. Maddox, with the diligent assistance of Aileen F. Maddox. Last updated: March 28, 2013. Table of Contents Of the True Use of Riches [Alexander Pope] 3–14 The Tenth Satyr of Juvenal [John Dryden] 15–33 [Blank] 34 The Second Satyr of Persius [John Dryden] 35–38 Love of Fame the Universal Passion [Edward Young] 39–49 Satire II [Edward Young] 50–56 A Paraphrase on the 38th, 39th, 40th and 41st Chapters of Job [Edward Young] 57–70 The Last Day [Edward Young] 71–94 The Forty-Third Chapter of Ecclesiasticus paraphrased [William Broome] 95–99 [Blank] 100 The Song of the Three Children paraphrased [Marc Le Pla] 101–34 Bedlam [Thomas Fitzgerald] 135–41 An Ode [Thomas Fitzgerald] 142 Another [Thomas Fitzgerald] 143 The 104th Psalm paraphrased [Thomas Fitzgerald] 144–48 Abraham’s Sacrifice [Thomas Fitzgerald] 149–56 From Mr. Lewis’s Miscellany An Ode 157–59 On Riches [Samuel Wesley Jr.] 159–60 Against Life [Samuel Wesley Jr.] 160–61 For Life [Samuel Wesley Jr.] 161 The Pyramid 162 On the Death of Alexander the Great 163 Epitaph on a Man and his Wife 163 Alexander and Xerxes 164 Epitaph on an Infant 165–66 Lapidarium 166 Melissa [Samuel Wesley Jr.] 167–69 Grongar Hill [John Dyer] 170–75 The Thracian 175 Epigram [Samuel Wesley Jr.] 176 On the foregoing Epigram [Samuel Wesley Jr.] 176 The Monument [Samuel Wesley Jr.] 177 The Savage 177–78 An Essay on Time 179–84 Adriani morientis ad Animam [Alexander Pope] 184 Christiani morientis ad Animam [Alexander Pope] 185 To Stella, on Her Picture 186–87 A Hermit’s Meditation [George Huddesford ?] 187–91 Wrote at Ocriculum in Italy [John Dyer] 191–93 On an Open Grave 194 The Retirement 195–96 A Thought upon Death [Thomas Fitzgerald] 196–97 On the Creation 198–200 On the Death of a good Poor Woman 200–201 An Anacreontick Ode, Upon a Wedding after Thirteen Years Courtship [Samuel Wesley Jr.] 201–2 To a Young Lady on her Birth-Day [Samuel Wesley Jr.] 203–4 On a Fine Day 204 An Ode 205–7 A Fragment of an Epistle to a Friend 208–9 An Ode to the Creator of the World, by John Hughes 210–16 A Monumental Ode to the Memory of Mrs. Elizabeth Hughes [John Hughes] 217–19 The Ecstasy [John Hughes] 220–28 The Complaint; or, Night-Thoughts on Life, Death and Immortality [Edward Young] Night the First 229–43 Night the Second 244–61 Night the Fourth 262–84 Night the Fifth 285–308 Night the Sixth 309–38 Night the Seventh 339–73 [Page 3] A COLLECTION OF MORAL AND SACRED POEMS. Of the True Use of Riches.1 To the Right Honourable Allen Lord Bathurst. By Mr. Pope. Who shall decide, when doctors disagree, And soundest casuists doubt like you and me? You hold the word, from Jove to Momus giv’n, That man was made the standing jest of heav’n, 1Alexander Pope, The Works of Alexander Pope (London: Bernard Lintot, 1736), 2:22–45. [Page] 4 And GOLD a but sent to keep the fools in play, For half to heap, and half to throw away. But I, who think more highly of our kind, (And surely heav’n and I are of a mind) Opine, that nature, as in duty bound, Deep hid the shining mischief under ground: But when, by man’s audacious labour won, Flam’d forth this rival to its sire, the sun, Then, in plain prose, were made two sorts of men, To squander some, and some to hide agen. Like doctors thus, when much dispute has past, We find our tenets just the same at last. Both fairly owning, riches in effect No grace of heav’n, or token of th’ elect, Giv’n to the fool, the mad, the vain, the evil, To ward, to waters, Chartres, and the devil. What nature wants, commodious gold bestows, ’Tis thus we eat the bread another sows: But how unequal it bestows, observe, ’Tis thus we riot, while who sow it, starve. What nature wants (a phrase I much distrust) Extends to luxury, extends to lust; And if we count among the needs of life Another’s toil, why not another’s wife? Useful, we grant, it serves what life requires, But dreadful too, the dark assassin hires: _______________ a That the true use of RICHES is known to few, most falling into one of the extremes, avarice, or profusion. [Page] 5 Trade it may help, society extend; But lures the pyrate,2 and corrupts the friend: It raises armies in a nation’s aid, But bribes a Senate, and the land’s betray’d. Oh! that such bulky bribes as all might see Still, as of old, encumber’d villainy! In vain may heroes fight, and patriots rave, If secret gold saps on from knave to knave. Could France or Rome divert our brave designs; With all their brandies, or with all their wines? What could they more than knights and ’squires confound, Or water all the quorum ten miles round? A statesman’s slumbers how this speech would spoil! “Sir, Spain has sent a thousand jars of oyl; “Huge bales of British cloth blockade the door; “A hundred oxen at your levee roar.[”] Poor avarice one torment more would find, Nor could profusion squander all, in kind. Astride his cheese Sir Morgan might we meet, And worldly crying coals from street to street, (Whom with a wig so wild, and mien so maz’d, Pity mistakes for some poor tradesman craz’d.) Had Colepeper’s whole wealth been hops and hogs, Could he himself have sent it to the dogs? His Grace will game: to White’s a bull be led, With spurning heels, and with a butting head; To White’s be carry’d, as to antient games, Fair coursers, vases, and alluring dames. Shall then Uxorio, if the stakes he sweep, Bear home six whores, and make his lady weep? 2Ori., “yrate”; corrected in the errata. [Page] 6 Or soft Adonis, so perfum’d and fine, Drive to St. James’s a whole herd of swine? Oh! filthy check on all industrious skill, To spoil the nation’s last great trade, quadrille! Once, we confess, beneath the patriot’s cloak,b From the crack’d bagg the dropping guinea spoke, And gingling down the back-stairs, told the crew, “Old Cato is as great a rogue as you.” Blest paper-credit! that advanc’d so high, Now lends corruption lighter wings to fly! Gold, imp’d with this, can compass hardest things, Can pocket states, or fetch or carry kings;c A single leaf can waft an army o’er, Or ship off Senates to some distant shore;d _______________ b “Beneath the patriot’s cloak.” This is a true story which happened in the reign of William III to an unsuspected old patriot, who coming out of the back-door from having been closeted by the king, where he had received a large bag of guineas, the bursting of the bag discovered his business there.
Recommended publications
  • TPTV Schedule March April 1St - 7Th 2019
    TPTV Schedule March April 1st - 7th 2019 DATE TIME PROGRAMME SYNOPSIS Mon 01 6:00 Impulse (1955) 1955. Drama. Directed by Charles De la Tour & Cy Endfield. Stars Arthur Apr 19 Kennedy, Constance Smith & Joy Shelton. A Night club singer tricks an estate agent into thinking he killed a jewel thief. Mon 01 7:40 Johnny Ringo The Assassins. Directed by Aaron Spelling. A Russian violinist takes up Apr 19 residence in Velardi but refuses Johnny's offer of assistance when members of his country's secret police arrive. (S1, E20) Mon 01 8:10 Bela Lugosi A short insight into his career, who found fame playing Dracula on Apr 19 Broadway for 3 years and was laid to rest in his full Dracula costume and cape. Mon 01 8:20 The Gay Dog 1954. Comedy. Director: Maurice Elvey. Stars Wilfred Pickles, Petula Apr 19 Clark, Megs Jenkins, John Blythe, Peter Butterworth & Jon Pertwee. A Miner tries to increase his dog's odds at a big greyhound race Mon 01 10:05 The Farmer's 1947. Drama. Directed by H.C. Potter. Stars Loretta Young, Joseph Apr 19 Daughter Cotten & Ethel Barrymore. Katie leaves the farm to become a nurse, but is side tracked into domestic service, romance, & politics. Mon 01 12:05 No Highway in the 1951. Drama. Directed by Henry Koster. Stars James Stewart, Jack Apr 19 Sky Hawkins, Marlene Dietrich & Glynis Johns. An aeronautical engineer predicts that a new model of plane will fail catastrophically. ​(Subtitles Available) Mon 01 14:00 The Edgar Wallace Solo For Sparrow.
    [Show full text]
  • From the on Inal Document. What Can I Write About?
    DOCUMENT RESUME ED 470 655 CS 511 615 TITLE What Can I Write about? 7,000 Topics for High School Students. Second Edition, Revised and Updated. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-5654-1 PUB DATE 2002-00-00 NOTE 153p.; Based on the original edition by David Powell (ED 204 814). AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock no. 56541-1659: $17.95, members; $23.95, nonmembers). Tel: 800-369-6283 (Toll Free); Web site: http://www.ncte.org. PUB TYPE Books (010) Guides Classroom Learner (051) Guides Classroom Teacher (052) EDRS PRICE EDRS Price MF01/PC07 Plus Postage. DESCRIPTORS High Schools; *Writing (Composition); Writing Assignments; *Writing Instruction; *Writing Strategies IDENTIFIERS Genre Approach; *Writing Topics ABSTRACT Substantially updated for today's world, this second edition offers chapters on 12 different categories of writing, each of which is briefly introduced with a definition, notes on appropriate writing strategies, and suggestions for using the book to locate topics. Types of writing covered include description, comparison/contrast, process, narrative, classification/division, cause-and-effect writing, exposition, argumentation, definition, research-and-report writing, creative writing, and critical writing. Ideas in the book range from the profound to the everyday to the topical--e.g., describe a terrible beauty; write a narrative about the ultimate eccentric; classify kinds of body alterations. With hundreds of new topics, the book is intended to be a resource for teachers and students alike. (NKA) Reproductions supplied by EDRS are the best that can be made from the on inal document.
    [Show full text]
  • Doctor Who 4.8 - Return to Telos Pdf, Epub, Ebook
    DOCTOR WHO 4.8 - RETURN TO TELOS PDF, EPUB, EBOOK Nicholas Briggs,Anthony Lamb,Jamie Robertson,Tom Baker,Louise Jameson,John Leeson,Frazer Hines | none | 31 Aug 2015 | Big Finish Productions Ltd | 9781781783528 | English | Maidenhead, United Kingdom Doctor Who 4.8 - Return to Telos PDF Book Steve Tribe. About this product Product Information This range of two-part audio dramas stars Tom Baker reprising his most popular role as the Fourth Doctor from - with a number of his original TV companions. Follow us. Jenny T Colgan. However, they quickly realise that, if they do eliminate the Second Doctor, the Fourth will not exist and they will not be able to take control of the TARDIS, so they desist and the timelines return to normal. As they sleep, they take heir leave; seeing Telos up in the sky, a distant planet, the Doctor starts telling Leela about the Cybermen, wishing for her she'd never meet them. Things now go smoothly: the Doctor and Leela go fishing, they meet Geralk's robot, fish with it and then stay with him and Relly for dinner. You can learn more about how we plus approved third parties use cookies and how to change your settings by visiting the Cookies notice. The Doctor, persuaded, comes up with an idea, and tells Geralk to put on his robot control. As a result, the robot stops working and begins to repeat words about the last thing he was doing when it met them: going fishing. Are you happy to accept all cookies? This category only includes cookies that ensures basic functionalities and security features of the website.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • Full Circle Sampler
    The Black Archive #15 FULL CIRCLE SAMPLER By John Toon Second edition published February 2018 by Obverse Books Cover Design © Cody Schell Text © John Toon, 2018 Range Editors: James Cooray Smith, Philip Purser-Hallard John would like to thank: Phil and Jim for all of their encouragement, suggestions and feedback; Andrew Smith for kindly giving up his time to discuss some of the points raised in this book; Matthew Kilburn for using his access to the Bodleian Library to help me with my citations; Alex Pinfold for pointing out the Blake’s 7 episode I’d overlooked; Jo Toon and Darusha Wehm for beta reading my first draft; and Jo again for giving me the support and time to work on this book. John Toon has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 For you. Yes, you! Go on, you deserve it. 3 Also Available The Black Archive #1: Rose by Jon Arnold The Black Archive #2: The Massacre by James Cooray Smith The Black Archive #3: The Ambassadors of Death by LM Myles The Black Archive #4: Dark Water / Death in Heaven by Philip Purser-Hallard The Black Archive #5: Image of the Fendahl
    [Show full text]
  • A Young-Old Face : out with the New and in with the Old Hewett, RJ
    A young-old face : out with the new and in with the old Hewett, RJ Title A young-old face : out with the new and in with the old Authors Hewett, RJ Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/34862/ Published Date 2018 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. PART ONE THE DOCTOR AND HIS COMPANIONS 1 1 A Young-Old Face Out with the New and in with the Old in Doctor Who Richard Hewett Introduction ‘I approve of your new face, Doctor - so much more like mine.’ This line, spoken by the now ancient, enervated and seemingly dying Davros in ‘The Magician’s Apprentice’, is just one of many age-related barbs directed at the Twelfth Doctor during Peter Capaldi’s reign, serving as a constant reminder that the Time Lord is no longer (if, indeed, his on-screen self ever was)1 a young man. Throughout his tenure, friends and foes alike highlighted the latest incarnation’s wrinkled, somewhat cadaverous visage, grey hair, and scrawny body, the Doctor being variously described as a ‘desiccated man crone’ (‘Robot of Sherwood’), a ‘grey-haired stick insect’ (‘Listen’), and a ‘skeleton man’ (‘Last Christmas’).
    [Show full text]
  • File Stardom in the Following Decade
    Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole.
    [Show full text]
  • Dark Water / Death in Heaven
    The Black Archive #4 DARK WATER / DEATH IN HEAVEN By Philip Purser-Hallard 1 Published March 2016 by Obverse Books Cover Design © Cody Schell Text © Philip Purser-Hallard, 2016 Range Editor: Philip Purser-Hallard Philip would like to thank: Stuart Douglas at Obverse Books, for encouraging the Black Archive project from the start, and to the growing number of authors who have agreed to contribute to it; my ever-tolerant family for allowing me the time to write this book and edit the others in the series; everyone who read and commented on the manuscript, especially Jon Arnold and Alan Stevens; and Steven Moffat and all the creators of Doctor Who ancient and modern, for providing such an endlessly fascinating subject of investigation for us all. Philip Purser-Hallard has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 To Rachel Churcher, who might enjoy it 3 CONTENTS Overview Synopsis Introduction: ‘So, What’s Happened?’ Chapter 1. ‘Everyone in London Just Clapped’: The Season Finale Chapter 2. ‘I’ve Been Up and Down Your Timeline’: Gathering the Threads Chapter 3.
    [Show full text]
  • Rivers of London
    Rivers of London Rivers of London, #1 by Ben Aaronovitch, 1964– Published: 2011 Victor Gollancz, London J J J J J I I I I I Table of Contents Chapter 1 … Material Witness. Chapter 2 … Ghost-hunting Dog. Chapter 3 … The Folly. Chapter 4 … By the River. Chapter 5 … Action at a Distance. Chapter 6 … The Coach House. Chapter 7 … The Puppet Fayre. Chapter 8 … The Jackanory Version. Chapter 9 … The Judas Goat. Chapter 10 … The Blind Spot. Chapter 11 … A Better Class of Riot. Chapter 12 … The Last Resort. Chapter 13 … London Bridge. Chapter 14 … The Job. Acknowledgements * * * * * All characters and events in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental. J J J J J I I I I I In memory of Colin Ravey, because some people are too large to be contained by just the one universe. Yet ah! why should they know their fate? Since sorrow never comes too late, And happiness too swiftly flies. Thought would destroy their paradise. No more; where ignorance is bliss, ’Tis folly to be wise. Ode on a Distant Prospect of Eton College —Thomas Gray Chapter 1 Material Witness. It started at one thirty on a cold Tuesday morning in January when Martin Turner, street performer and, in his own words, apprentice gigolo, tripped over a body in front of the West Portico of St Paul’s at Covent Garden. Martin, who was none too sober himself, at first thought the body was that of one of the many celebrants who had chosen the Piazza as a convenient outdoor toilet and dormitory.
    [Show full text]
  • Film Club Sky 328 Newsletter Freesat 306 APR/MAY 2020 Virgin 445
    Freeview 81 Film Club Sky 328 newsletter Freesat 306 APR/MAY 2020 Virgin 445 Dear Supporters of Film and TV History, What an awful time we are all witnessing, we do hope you are all safe, well and wallowing in nostalgia on Talking Pictures TV. It’s nice to have a bit of a way to escape from the news every once in a while. It’s been a challenging time here at HQ trying to keep everything going and keep the channel on air for you all. We are working our hardest and keeping the cinema doors firmly open. Renown Pictures also continues to be open for business and we are still posting orders to you all every day. It might be difficult for some of you to get to a post box at the moment; we love receiving post but if it is difficult you can order with us over the phone using a card if that helps, it’s always nice to talk to you all. We were so sad to hear of the passing of Roy Hudd on the 15th of March. A great friend and supporter of the channel, he will be greatly missed. A tribute to his life and work is on page 5 of this newsletter. ‘At last,’ I hear you cry! That’s right – it’s the long awaited release of our next new DVD box set The Renown Crime Collection Volume 6! Filled with unseen and rare crimes and cases to crack, with optional subtitles, all for just £20 for the whole collection.
    [Show full text]
  • Table of Contents
    TABLE OF CONTENTS Acknowledgments ...........................................................................................................................5 Table of Contents ..............................................................................................................................7 Foreword by Gary Russell ............................................................................................................9 Preface ..................................................................................................................................................11 Introduction .......................................................................................................................................13 Chapter 1 The New World ............................................................................................................16 Chapter 2 Daleks Are (Almost) Everywhere ........................................................................25 Chapter 3 The Television Landscape is Changing ..............................................................38 Chapter 4 The Doctor Abroad .....................................................................................................45 Sidebar: The Importance of Earnest Videotape Trading .......................................49 Chapter 5 Nothing But Star Wars ..............................................................................................53 Chapter 6 King of the Airwaves .................................................................................................62
    [Show full text]
  • Scream of the Shalka Sampler
    The Black Archive #10 SCREAM OF THE SHALKA SAMPLER By Jon Arnold Published March 2017 by Obverse Books Cover Design © Cody Schell Text © Jon Arnold, 2017 Range Editor: Philip Purser-Hallard Jon would like to thank: Phil Purser-Hallard for asking me back Simon Clark, James Goss, Jonathan Clements, Paul Scoones and Paul Driscoll for their much appreciated assistance Mark Donovan, for the Withnail joke Carolyn and Eddie, for patience Jon Arnold has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. Also available The Black Archive #1: Rose by Jon Arnold The Black Archive #2: The Massacre by James Cooray Smith The Black Archive #3: The Ambassadors of Death by LM Myles The Black Archive #4: Dark Water / Death in Heaven by Philip Purser-Hallard The Black Archive #5: Image of the Fendahl by Simon Bucher-Jones The Black Archive #6: Ghost Light by Jonathan Dennis The Black Archive #7: The Mind Robber by Andrew Hickey The Black Archive #8: Black Orchid by Ian Millsted The Black Archive #9: The God CompleX by Paul Driscoll Coming soon The Black Archive #11: The Evil of the Daleks by Simon Guerrier The Black Archive #12: Pyramids of Mars by Kate Orman The Black Archive #13: Human Nature / The Family of Blood by Naomi Jacobs and Philip Purser- Hallard ‘OR ARE YOU JUST THE SAME AS ALL THE OTHER SHEEP?’ ‘Alison Cheney is an everywoman […] someone for you and me to identify with while the Doctor is being mysterious and difficult.’ [Paul Cornell]1 The idea of the everywoman (or everyman) companion became somewhat lost from Doctor Who with the departure of Sarah Jane Smith.
    [Show full text]