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TPTV Schedule March April 1St - 7Th 2019
TPTV Schedule March April 1st - 7th 2019 DATE TIME PROGRAMME SYNOPSIS Mon 01 6:00 Impulse (1955) 1955. Drama. Directed by Charles De la Tour & Cy Endfield. Stars Arthur Apr 19 Kennedy, Constance Smith & Joy Shelton. A Night club singer tricks an estate agent into thinking he killed a jewel thief. Mon 01 7:40 Johnny Ringo The Assassins. Directed by Aaron Spelling. A Russian violinist takes up Apr 19 residence in Velardi but refuses Johnny's offer of assistance when members of his country's secret police arrive. (S1, E20) Mon 01 8:10 Bela Lugosi A short insight into his career, who found fame playing Dracula on Apr 19 Broadway for 3 years and was laid to rest in his full Dracula costume and cape. Mon 01 8:20 The Gay Dog 1954. Comedy. Director: Maurice Elvey. Stars Wilfred Pickles, Petula Apr 19 Clark, Megs Jenkins, John Blythe, Peter Butterworth & Jon Pertwee. A Miner tries to increase his dog's odds at a big greyhound race Mon 01 10:05 The Farmer's 1947. Drama. Directed by H.C. Potter. Stars Loretta Young, Joseph Apr 19 Daughter Cotten & Ethel Barrymore. Katie leaves the farm to become a nurse, but is side tracked into domestic service, romance, & politics. Mon 01 12:05 No Highway in the 1951. Drama. Directed by Henry Koster. Stars James Stewart, Jack Apr 19 Sky Hawkins, Marlene Dietrich & Glynis Johns. An aeronautical engineer predicts that a new model of plane will fail catastrophically. (Subtitles Available) Mon 01 14:00 The Edgar Wallace Solo For Sparrow. -
From the on Inal Document. What Can I Write About?
DOCUMENT RESUME ED 470 655 CS 511 615 TITLE What Can I Write about? 7,000 Topics for High School Students. Second Edition, Revised and Updated. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-5654-1 PUB DATE 2002-00-00 NOTE 153p.; Based on the original edition by David Powell (ED 204 814). AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock no. 56541-1659: $17.95, members; $23.95, nonmembers). Tel: 800-369-6283 (Toll Free); Web site: http://www.ncte.org. PUB TYPE Books (010) Guides Classroom Learner (051) Guides Classroom Teacher (052) EDRS PRICE EDRS Price MF01/PC07 Plus Postage. DESCRIPTORS High Schools; *Writing (Composition); Writing Assignments; *Writing Instruction; *Writing Strategies IDENTIFIERS Genre Approach; *Writing Topics ABSTRACT Substantially updated for today's world, this second edition offers chapters on 12 different categories of writing, each of which is briefly introduced with a definition, notes on appropriate writing strategies, and suggestions for using the book to locate topics. Types of writing covered include description, comparison/contrast, process, narrative, classification/division, cause-and-effect writing, exposition, argumentation, definition, research-and-report writing, creative writing, and critical writing. Ideas in the book range from the profound to the everyday to the topical--e.g., describe a terrible beauty; write a narrative about the ultimate eccentric; classify kinds of body alterations. With hundreds of new topics, the book is intended to be a resource for teachers and students alike. (NKA) Reproductions supplied by EDRS are the best that can be made from the on inal document. -
Doctor Who 4.8 - Return to Telos Pdf, Epub, Ebook
DOCTOR WHO 4.8 - RETURN TO TELOS PDF, EPUB, EBOOK Nicholas Briggs,Anthony Lamb,Jamie Robertson,Tom Baker,Louise Jameson,John Leeson,Frazer Hines | none | 31 Aug 2015 | Big Finish Productions Ltd | 9781781783528 | English | Maidenhead, United Kingdom Doctor Who 4.8 - Return to Telos PDF Book Steve Tribe. About this product Product Information This range of two-part audio dramas stars Tom Baker reprising his most popular role as the Fourth Doctor from - with a number of his original TV companions. Follow us. Jenny T Colgan. However, they quickly realise that, if they do eliminate the Second Doctor, the Fourth will not exist and they will not be able to take control of the TARDIS, so they desist and the timelines return to normal. As they sleep, they take heir leave; seeing Telos up in the sky, a distant planet, the Doctor starts telling Leela about the Cybermen, wishing for her she'd never meet them. Things now go smoothly: the Doctor and Leela go fishing, they meet Geralk's robot, fish with it and then stay with him and Relly for dinner. You can learn more about how we plus approved third parties use cookies and how to change your settings by visiting the Cookies notice. The Doctor, persuaded, comes up with an idea, and tells Geralk to put on his robot control. As a result, the robot stops working and begins to repeat words about the last thing he was doing when it met them: going fishing. Are you happy to accept all cookies? This category only includes cookies that ensures basic functionalities and security features of the website. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Full Circle Sampler
The Black Archive #15 FULL CIRCLE SAMPLER By John Toon Second edition published February 2018 by Obverse Books Cover Design © Cody Schell Text © John Toon, 2018 Range Editors: James Cooray Smith, Philip Purser-Hallard John would like to thank: Phil and Jim for all of their encouragement, suggestions and feedback; Andrew Smith for kindly giving up his time to discuss some of the points raised in this book; Matthew Kilburn for using his access to the Bodleian Library to help me with my citations; Alex Pinfold for pointing out the Blake’s 7 episode I’d overlooked; Jo Toon and Darusha Wehm for beta reading my first draft; and Jo again for giving me the support and time to work on this book. John Toon has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 For you. Yes, you! Go on, you deserve it. 3 Also Available The Black Archive #1: Rose by Jon Arnold The Black Archive #2: The Massacre by James Cooray Smith The Black Archive #3: The Ambassadors of Death by LM Myles The Black Archive #4: Dark Water / Death in Heaven by Philip Purser-Hallard The Black Archive #5: Image of the Fendahl -
A Young-Old Face : out with the New and in with the Old Hewett, RJ
A young-old face : out with the new and in with the old Hewett, RJ Title A young-old face : out with the new and in with the old Authors Hewett, RJ Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/34862/ Published Date 2018 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. PART ONE THE DOCTOR AND HIS COMPANIONS 1 1 A Young-Old Face Out with the New and in with the Old in Doctor Who Richard Hewett Introduction ‘I approve of your new face, Doctor - so much more like mine.’ This line, spoken by the now ancient, enervated and seemingly dying Davros in ‘The Magician’s Apprentice’, is just one of many age-related barbs directed at the Twelfth Doctor during Peter Capaldi’s reign, serving as a constant reminder that the Time Lord is no longer (if, indeed, his on-screen self ever was)1 a young man. Throughout his tenure, friends and foes alike highlighted the latest incarnation’s wrinkled, somewhat cadaverous visage, grey hair, and scrawny body, the Doctor being variously described as a ‘desiccated man crone’ (‘Robot of Sherwood’), a ‘grey-haired stick insect’ (‘Listen’), and a ‘skeleton man’ (‘Last Christmas’). -
File Stardom in the Following Decade
Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole. -
Dark Water / Death in Heaven
The Black Archive #4 DARK WATER / DEATH IN HEAVEN By Philip Purser-Hallard 1 Published March 2016 by Obverse Books Cover Design © Cody Schell Text © Philip Purser-Hallard, 2016 Range Editor: Philip Purser-Hallard Philip would like to thank: Stuart Douglas at Obverse Books, for encouraging the Black Archive project from the start, and to the growing number of authors who have agreed to contribute to it; my ever-tolerant family for allowing me the time to write this book and edit the others in the series; everyone who read and commented on the manuscript, especially Jon Arnold and Alan Stevens; and Steven Moffat and all the creators of Doctor Who ancient and modern, for providing such an endlessly fascinating subject of investigation for us all. Philip Purser-Hallard has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. 2 To Rachel Churcher, who might enjoy it 3 CONTENTS Overview Synopsis Introduction: ‘So, What’s Happened?’ Chapter 1. ‘Everyone in London Just Clapped’: The Season Finale Chapter 2. ‘I’ve Been Up and Down Your Timeline’: Gathering the Threads Chapter 3. -
Rivers of London
Rivers of London Rivers of London, #1 by Ben Aaronovitch, 1964– Published: 2011 Victor Gollancz, London J J J J J I I I I I Table of Contents Chapter 1 … Material Witness. Chapter 2 … Ghost-hunting Dog. Chapter 3 … The Folly. Chapter 4 … By the River. Chapter 5 … Action at a Distance. Chapter 6 … The Coach House. Chapter 7 … The Puppet Fayre. Chapter 8 … The Jackanory Version. Chapter 9 … The Judas Goat. Chapter 10 … The Blind Spot. Chapter 11 … A Better Class of Riot. Chapter 12 … The Last Resort. Chapter 13 … London Bridge. Chapter 14 … The Job. Acknowledgements * * * * * All characters and events in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental. J J J J J I I I I I In memory of Colin Ravey, because some people are too large to be contained by just the one universe. Yet ah! why should they know their fate? Since sorrow never comes too late, And happiness too swiftly flies. Thought would destroy their paradise. No more; where ignorance is bliss, ’Tis folly to be wise. Ode on a Distant Prospect of Eton College —Thomas Gray Chapter 1 Material Witness. It started at one thirty on a cold Tuesday morning in January when Martin Turner, street performer and, in his own words, apprentice gigolo, tripped over a body in front of the West Portico of St Paul’s at Covent Garden. Martin, who was none too sober himself, at first thought the body was that of one of the many celebrants who had chosen the Piazza as a convenient outdoor toilet and dormitory. -
Film Club Sky 328 Newsletter Freesat 306 APR/MAY 2020 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 APR/MAY 2020 Virgin 445 Dear Supporters of Film and TV History, What an awful time we are all witnessing, we do hope you are all safe, well and wallowing in nostalgia on Talking Pictures TV. It’s nice to have a bit of a way to escape from the news every once in a while. It’s been a challenging time here at HQ trying to keep everything going and keep the channel on air for you all. We are working our hardest and keeping the cinema doors firmly open. Renown Pictures also continues to be open for business and we are still posting orders to you all every day. It might be difficult for some of you to get to a post box at the moment; we love receiving post but if it is difficult you can order with us over the phone using a card if that helps, it’s always nice to talk to you all. We were so sad to hear of the passing of Roy Hudd on the 15th of March. A great friend and supporter of the channel, he will be greatly missed. A tribute to his life and work is on page 5 of this newsletter. ‘At last,’ I hear you cry! That’s right – it’s the long awaited release of our next new DVD box set The Renown Crime Collection Volume 6! Filled with unseen and rare crimes and cases to crack, with optional subtitles, all for just £20 for the whole collection. -
Table of Contents
TABLE OF CONTENTS Acknowledgments ...........................................................................................................................5 Table of Contents ..............................................................................................................................7 Foreword by Gary Russell ............................................................................................................9 Preface ..................................................................................................................................................11 Introduction .......................................................................................................................................13 Chapter 1 The New World ............................................................................................................16 Chapter 2 Daleks Are (Almost) Everywhere ........................................................................25 Chapter 3 The Television Landscape is Changing ..............................................................38 Chapter 4 The Doctor Abroad .....................................................................................................45 Sidebar: The Importance of Earnest Videotape Trading .......................................49 Chapter 5 Nothing But Star Wars ..............................................................................................53 Chapter 6 King of the Airwaves .................................................................................................62 -
Scream of the Shalka Sampler
The Black Archive #10 SCREAM OF THE SHALKA SAMPLER By Jon Arnold Published March 2017 by Obverse Books Cover Design © Cody Schell Text © Jon Arnold, 2017 Range Editor: Philip Purser-Hallard Jon would like to thank: Phil Purser-Hallard for asking me back Simon Clark, James Goss, Jonathan Clements, Paul Scoones and Paul Driscoll for their much appreciated assistance Mark Donovan, for the Withnail joke Carolyn and Eddie, for patience Jon Arnold has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding, cover or e-book other than which it is published and without a similar condition including this condition being imposed on the subsequent publisher. Also available The Black Archive #1: Rose by Jon Arnold The Black Archive #2: The Massacre by James Cooray Smith The Black Archive #3: The Ambassadors of Death by LM Myles The Black Archive #4: Dark Water / Death in Heaven by Philip Purser-Hallard The Black Archive #5: Image of the Fendahl by Simon Bucher-Jones The Black Archive #6: Ghost Light by Jonathan Dennis The Black Archive #7: The Mind Robber by Andrew Hickey The Black Archive #8: Black Orchid by Ian Millsted The Black Archive #9: The God CompleX by Paul Driscoll Coming soon The Black Archive #11: The Evil of the Daleks by Simon Guerrier The Black Archive #12: Pyramids of Mars by Kate Orman The Black Archive #13: Human Nature / The Family of Blood by Naomi Jacobs and Philip Purser- Hallard ‘OR ARE YOU JUST THE SAME AS ALL THE OTHER SHEEP?’ ‘Alison Cheney is an everywoman […] someone for you and me to identify with while the Doctor is being mysterious and difficult.’ [Paul Cornell]1 The idea of the everywoman (or everyman) companion became somewhat lost from Doctor Who with the departure of Sarah Jane Smith.