The Leaders of the 1916 Rising (Signatories of the Proclamation)
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The Kent Family & Cork's Rising Experience
The Kent Family & Cork’s Rising Experience By Mark Duncan In the telling of the Easter 1916 story, Cork appears only the margins. The reasons for this are not too hard to comprehend. Here was a county that had thought about mounting insurrection, then thought better of it. This failure to mobilise left an unpleasant aftertaste, becoming, for some at least, a source of abiding regret which bordered on embarrassment. It left behind it, Liam de Roiste, the Gaelic scholar and then leading local Irish Volunteer, wistfully recalled, a trail of ‘heart burning, disappointments, and some bitter feelings. The hour had come and we, in Cork, had done nothing.’1 In the circumstances, the decision to remain inactive – encouraged by the intervention by local bishop Daniel Colohan and Cork City Lord Mayor W. T. Butterfield - was an understandable one, wise even in view of the failed landing of German arms on board the Aud and the confusion created by the countermanding order of Eoin Mac Neill which delayed for a day, and altered completely, the character of the Rising that eventually took place.2 In any case, with Dublin planned as the operational focus of the Rising, Cork was hardly alone in remaining remote from the fray. Yes, trouble flared in Galway, in Enniscorthy, Co. Wexford and in Ashbourne, Co. Meath, but so few were these locations and so limited was the fighting that it served only to underline the failure of the insurgents to ignite a wider rebellion across provincial Ireland. For much of the country, the Rising of 1916 was experienced only in the heavy-handed and occasionally brutal backlash to it. -
Irish History Links
Irish History topics pulled together by Dan Callaghan NC AOH Historian in 2014 Athenry Castle; http://www.irelandseye.com/aarticles/travel/attractions/castles/Galway/athenry.shtm Brehon Laws of Ireland; http://www.libraryireland.com/Brehon-Laws/Contents.php February 1, in ancient Celtic times, it was the beginning of Spring and later became the feast day for St. Bridget; http://www.chalicecentre.net/imbolc.htm May 1, Begins the Celtic celebration of Beltane, May Day; http://wicca.com/celtic/akasha/beltane.htm. ------------------------------------------------------------------------------------ February 14, 269, St. Valentine, buried in Dublin; http://homepage.eircom.net/~seanjmurphy/irhismys/valentine.htm March 17, 461, St. Patrick dies, many different reports as to the actual date exist; http://www.newadvent.org/cathen/11554a.htm Dec. 7, 521, St. Columcille is born, http://prayerfoundation.org/favoritemonks/favorite_monks_columcille_columba.htm January 23, 540 A.D., St. Ciarán, started Clonmacnoise Monastery; http://www.newadvent.org/cathen/04065a.htm May 16, 578, Feast Day of St. Brendan; http://parish.saintbrendan.org/church/story.php June 9th, 597, St. Columcille, dies at Iona; http://www.irishcultureandcustoms.com/ASaints/Columcille.html Nov. 23, 615, Irish born St. Columbanus dies, www.newadvent.org/cathen/04137a.htm July 8, 689, St. Killian is put to death; http://allsaintsbrookline.org/celtic_saints/killian.html October 13, 1012, Irish Monk and Bishop St. Colman dies; http://www.stcolman.com/ Nov. 14, 1180, first Irish born Bishop of Dublin, St. Laurence O'Toole, dies, www.newadvent.org/cathen/09091b.htm June 7, 1584, Arch Bishop Dermot O'Hurley is hung by the British for being Catholic; http://www.exclassics.com/foxe/dermot.htm 1600 Sept. -
De Búrca Rare Books
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 141 Spring 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 141 Spring 2020 PLEASE NOTE 1. Please order by item number: Pennant is the code word for this catalogue which means: “Please forward from Catalogue 141: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our front and rear cover is illustrated from the magnificent item 331, Pennant's The British Zoology. -
BMH.WS1737.Pdf
ROINN COSANTA BUREAU OF MILITARY HISTORY, 1913-21 STATEMENT BY WITNESS. DOCUMENT NO. W.S. 1,757. Witness Seamus Fitzgerald, "Carrigbeg", Summerhill. CORK. Identity. T.D. in 1st Dáll Éireann; Chairman of Parish Court, Cobh; President of East Cork District Court.Court. Subject.District 'A' Company (Cobh), 4th Battn., Cork No. 1 Bgde., - I.R.A., 1913 1921. Conditions, if any, Stipulated by Witness. Nil. File No S. 3,039. Form BSM2 P 532 10006-57 3/4526 BUREAUOFMILITARYHISTORY1913-21 BURO STAIREMILEATA1913-21 No. W.S. ORIGINAL 1737 STATEMENT BY SEAMUS FITZGERALD, "Carrigbeg". Summerhill. Cork. On the inauguration of the Irish Volunteer movement in Dublin on November 25th 1913, I was one of a small group of Cobh Gaelic Leaguers who decided to form a unit. This was done early in l9l4, and at the outbreak of the 1914. War Cobh had over 500 Volunteers organised into six companies, and I became Assistant Secretary to the Cobh Volunteer Executive at the age of 17 years. When the split occurred in the Irish Volunteer movement after John Redmond's Woodenbridge recruiting speech for the British Army - on September 20th 1914. - I took my stand with Eoin MacNeill's Irish Volunteers and, with about twenty others, continued as a member of the Cobh unit. The great majority of the six companies elected, at a mass meeting in the Baths Hall, Cobh, to support John Redmond's Irish National Volunteers and give support to Britain's war effort. The political feelings of the people and their leaders at this tint, and the events which led to this position in Cobh, so simply expressed in the foregoing paragraphs, and which position was of a like pattern throughout the country, have been given in the writings of Stephen Gwynn, Colonel Maurice Moore, Bulmer Hobson, P.S. -
Teachers' Notes
TEACHERS’ NOTES PRIMARY VIRTUAL TOUR Introduction This set of Teachers’ Notes has been created by the Education Department of the National Museum of Ireland at Collins Barracks in order to aid the teaching and interpretation of the ‘Proclaiming a Republic: the 1916 Rising’ Virtual Tour. The virtual tour - Provide teachers and student with an engaging and thought-provoking learning resource based around the aims to: 1916 Easter Rising and the National Museum of Ireland’s expansive ‘Easter Week’ collection of artefacts and images. - Provoke discussion and reflection upon key themes reflected in the exhibition. These include the roles of ordinary people during the Rising, in particular children, young people and women – the choices they had to make and what motivated those choices. These Teachers’ - Provide further information about the key artefacts on each stop of the Notes aim to: Virtual Tour, as well as a brief historical context. - Suggest potential discussion points in order to aid classroom discussion, and to suggest possible solo and group activities for students to engage in, which will enhance their understanding of the material presented. - Provide teachers with the relevant curriculum links, highlighting why each section of the tour was chosen and to explain what we hope to achieve for students at each location. Themes 1. The theme of choices – what motivated those who took part in the Rising and why others did not participate? We also consider those who had no A number of themes choice but were impacted by, or caught up in the Rising. We ask students are highlighted and to think about what choices they might have made, and to consider the explored throughout complexities inherent in these choices. -
“Am I Not of Those Who Reared / the Banner of Old Ireland High?” Triumphalism, Nationalism and Conflicted Identities in Francis Ledwidge’S War Poetry
Romp /1 “Am I not of those who reared / The banner of old Ireland high?” Triumphalism, nationalism and conflicted identities in Francis Ledwidge’s war poetry. Bachelor Thesis Charlotte Romp Supervisor: dr. R. H. van den Beuken 15 June 2017 Engelse Taal en Cultuur Radboud University Nijmegen Romp /2 Abstract This research will answer the question: in what ways does the poetry written by Francis Ledwidge in the wake of the Easter Rising reflect a changing stance on his role as an Irish soldier in the First World War? Guy Beiner’s notion of triumphalist memory of trauma will be employed in order to analyse this. Ledwidge’s status as a war poet will also be examined by applying Terry Phillips’ definition of war poetry. By remembering the Irish soldiers who decided to fight in the First World War, new light will be shed on a period in Irish history that has hitherto been subjected to national amnesia. This will lead to more complete and inclusive Irish identities. This thesis will argue that Ledwidge’s sentiments with regards to the war changed multiple times during the last year of his life. He is, arguably, an embodiment of the conflicting loyalties and tensions in Ireland at the time of the Easter Rising. Key words: Francis Ledwidge, Easter Rising, First World War, Ireland, Triumphalism, war poetry, loss, homesickness Romp /3 Table of contents Introduction ................................................................................................................................ 4 Chapter 1 History and Theory ................................................................................................... -
From the Putumayo to Connemara Roger Casement's Amazonian
Irish Migration Studies in Latin America Vol. 4, No. 3: July 2006 www.irlandeses.org From the Putumayo to Connemara Roger Casement’s Amazonian Voyage of Discovery * Peter James Harris University of São Paulo Roger Casement in his Brazilian Period (Pádraig Ó Cuanacháin Irish History) This article examines the evidence provided by Roger Casement’s accounts of his voyage to the Putu- mayo in the Amazon rain forest in 1910 in order to reveal the Odyssean complexity of his personality, and to suggest that, in a metaphorical sense at least, this journey represented the beginnings of an Irish homecoming for Casement, just as the wanderings of Homer’s hero led him to the recovery of his house and kingdom in Ithaca. The hanging of Roger Casement as a traitor at Pentonville prison, London, on 3 August 1916 placed him amongst the most prominent martyrs to the Irish nationalist cause. Yet just five years previously he had received a knighthood from the British government for his investigations into the methods of white rubber traders in the Peruvian jungle. The dichotomy in his character represented by these two moments has been charted as a life-long series of ambivalences and paradoxes in Roger Sawyer’s biography Casement: The Flawed Hero (1984), and was judged to be of paramount significance by the prosecution in his trial for treason. A compulsive journal-writer, Casement was to find his diaries used at the time of his trial to sully his reputation and to ensure that he was denied the chance of a reprieve. To this day, opinion continues to be divided between those who believe that his ‘Black’ diaries are a genuine, albeit clandestine, account of his homosexual activities, written at a time when such activities were a prisonable offence, and those who claim that they were the calumnious work of the British Secret Service. -
The Historical Development of Irish Euroscepticism to 2001
The Historical Development of Irish Euroscepticism to 2001 Troy James Piechnick Thesis submitted as part of the Doctor of Philosophy (PhD) program at Flinders University on the 1st of September 2016 Social and Behavioural Sciences School of History and International Relations Flinders University 2016 Supervisors Professor Peter Monteath (PhD) Dr Evan Smith (PhD) Associate Professor Matt Fitzpatrick (PhD) Contents GLOSSARY III ABSTRACT IV ACKNOWLEDGEMENTS V CHAPTER 1 INTRODUCTION 1 DEFINITIONS 2 PARAMETERS 13 LITERATURE REVIEW 14 MORE RECENT DEVELOPMENTS 20 THESIS AND METHODOLOGY 24 STRUCTURE 28 CHAPTER 2 EARLY ANTECEDENTS OF IRISH EUROSCEPTICISM: 1886–1949 30 IRISH REPUBLICANISM, 1780–1886 34 FIRST HOME RULE BILL (1886) AND SECOND HOME RULE BILL (1893) 36 THE BOER WAR, 1899–1902 39 SINN FÉIN 40 WORLD WAR I AND EASTER RISING 42 IRISH DECLARATION OF INDEPENDENCE 46 IRISH WAR OF INDEPENDENCE 1919 AND CIVIL WAR 1921 47 BALFOUR DECLARATION OF 1926 AND THE STATUTE OF WESTMINSTER IN 1931 52 EAMON DE VALERA AND WORLD WAR II 54 REPUBLIC OF IRELAND ACT 1948 AND OTHER IMPLICATIONS 61 CONCLUSION 62 CHAPTER 3 THE TREATY OF ROME AND FAILED APPLICATIONS FOR MEMBERSHIP IN 1961 AND 1967 64 THE TREATY OF ROME 67 IRELAND IN THE 1950S 67 DEVELOPING IRISH EUROSCEPTICISM IN THE 1950S 68 FAILED APPLICATIONS FOR MEMBERSHIP IN 1961 AND 1967 71 IDEOLOGICAL MAKINGS: FURTHER DEVELOPMENTS OF A EUROSCEPTIC NATURE (1960S) 75 Communist forms of Irish euroscepticism 75 Irish eurosceptics and republicanism 78 Irish euroscepticism accommodating democratic socialism 85 -
Visual Gender Separation During the Troubles
Irish Communication Review Volume 17 Issue 1 Article 6 July 2020 Posters, Handkerchiefs and Murals: Visual Gender Separation During the Troubles Bradley Rohlf Mount Aloysius College, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/icr Part of the Communication Commons, History of Gender Commons, Visual Studies Commons, and the Women's Studies Commons Recommended Citation Rohlf, Bradley (2020) "Posters, Handkerchiefs and Murals: Visual Gender Separation During the Troubles," Irish Communication Review: Vol. 17: Iss. 1, Article 6. Available at: https://arrow.tudublin.ie/icr/vol17/iss1/6 This Article is brought to you for free and open access by the Current Publications at ARROW@TU Dublin. It has been accepted for inclusion in Irish Communication Review by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Irish Communications Review vol 17 (2020) Posters, handkerchiefs and murals: Visual gender separation during the Troubles Bradley Rohlf, Mount Aloysius College (Pennsylvania) Abstract The Troubles in Northern Ireland provide a complex and intriguing topic for many scholars in various academic disciplines. Their violence, publicity and tragedy are common themes that elicit a plethora of emotional responses throughout the world. However, the very intimate nature of this conflict creates a much more complex system of friends, foes and experiences for those involved. While the very heart of the Irish nationalist movement is founded on liberal and progressive concepts such as socialism and equality, the media associated with it sometimes promote tradition and conservatism, especially regarding gender. -
A League of Extraordinary Gentlemen
THE ROLE OF THE GAELIC LEAGUE THOMAS MacDONAGH PATRICK PEARSE EOIN MacNEILL A League of extraordinary gentlemen Gaelic League was breeding ground for rebels, writes Richard McElligott EFLECTING on The Gaelic League was The Gaelic League quickly the rebellion that undoubtedly the formative turned into a powerful mass had given him nationalist organisation in the movement. By revitalising the his first taste of development of the revolutionary Irish language, the League military action, elite of 1916. also began to inspire a deep R Michael Collins With the rapid decline of sense of pride in Irish culture, lamented that the Easter Rising native Irish speakers in the heritage and identity. Its wide was hardly the “appropriate aftermath of the Famine, many and energetic programme of time for memoranda couched sensed the damage would be meetings, dances and festivals in poetic phrases, or actions irreversible unless it was halted injected a new life and colour DOUGLAS HYDE worked out in similar fashion”. immediately. In November 1892, into the often depressing This assessment encapsulates the Gaelic scholar Douglas Hyde monotony of provincial Ireland. the generational gulf between delivered a speech entitled ‘The Another significant factor participation in Gaelic games. cursed their memory”. Pearse the romantic idealism of the Necessity for de-Anglicising for its popularity was its Within 15 years the League had was prominent in the League’s revolutionaries of 1916 and the Ireland’. Hyde pleaded with his cross-gender appeal. The 671 registered branches. successful campaign to get Irish military efficiency of those who fellow countrymen to turn away League actively encouraged Hyde had insisted that the included as a compulsory subject would successfully lead the Irish from the encroaching dominance female participation and one Gaelic League should be strictly in the national school system. -
Toccata Classics TOCC0242 Notes
Americas, and from further aield: basically, if it’s good music and it hasn’t yet been recorded, JOHN KINSELLA, IRISH SYMPHONIST by Séamas da Barra John Kinsella was born in Dublin on 8 April 1932. His early studies at the Dublin College of Music were devoted to the viola as well as to harmony and counterpoint, but he is essentially self-taught as a composer. He started writing music as a teenager and although he initially adopted a straightforward, even conventional, tonal idiom, he began to take a serious interest in the compositional techniques of the European avant-garde from the early 1960s. He embraced serialism in particular as a liberating influence on his creative imagination, and he produced a substantial body of work during this period that quickly established him in Ireland as one of the most interesting younger figures of the day. In 1968 Kinsella was appointed Senior Assistant in the music department of Raidió Teilefís Éireann (RTÉ), the Irish national broadcasting authority, a position that allowed him to become widely acquainted with the latest developments in contemporary music, particularly through the International Rostrum of Composers organised under the auspices of UNESCO. But much of what he heard at these events began to strike him as dispiritingly similar in content, and he was increasingly persuaded that for many of his contemporaries conformity with current trends had become more P important than a desire to create out of inner conviction. As he found himself growing disillusioned with the avant-garde, his attitude to his own work began to change and he came to question the artistic validity of much of what he had written. -
A Poet's Rising
A POET’S RISING A POET’S RISING In 2015 the Irish Writers Centre answered the Arts Council’s Open Call for 2016 and A Poet’s Rising was born. Our idea was this: to commission six of Ireland’s most eminent poets to respond through poetry focusing on a key historical figure and a particular location associated with the Rising. The poets would then be filmed in each discreet location and made permanent by way of an app, freely available for download. The resulting poems are beautiful, important works that deserve to be at the forefront of the wealth of artistic responses generated during this significant year in Ireland’s history. We are particularly proud to be producing this exceptional oeuvre in the year of our own 25th anniversary since the opening of the Irish Writers Centre. • James Connolly at Liberty Hall poem by Eiléan Ní Chuilleanáin • Pádraig Pearse in the GPO poem by Paul Muldoon • Kathleen Lynn in City Hall poem by Jessica Traynor • The Ó Rathaille at O’Rahilly Parade poem by Nuala Ní Dhomhnaill • Elizabeth O’Farrell in Moore Lane poem by Theo Dorgan • The Fallen at the Garden of Remembrance poem by Thomas McCarthy We wish to thank Eiléan Ní Chuilleanáin, Paul Muldoon, Jessica Traynor, Nuala Ní Dhomhnaill, Theo Dorgan and Thomas McCarthy for agreeing to take part and for their resonant contributions, and to Conor Kostick for writing the historical context links between each poem featured on the app. A special thanks goes to Colm Mac Con Iomaire, who has composed a beautiful and emotive score, entitled ‘Solasta’, featured throughout the app.