Stephen Baines, the Yorkshire Mary Rose. the Ship General Carleton Of
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Paine, Ships of the World Bibliography
Bibliography The bibliography includes publication data for every work cited in the source notes of the articles. It should be noted that while there are more than a thousand titles listed, this bibliography can by no means be considered exhaustive. Taken together, the literature on the Titanic, Bounty, and Columbus’s Niña, Pinta, and Santa María comprises hundreds of books and articles. Even a comprehensive listing of nautical bibliographies is impossible here, though four have been especially helpful in researching this book: Bridges, R.C., and P. E. H. Hair. Compassing the Vaste Globe of the Earth: Studies in the History of the Hakluyt Society 1846–1896. London: Hakluyt Society, 1996. Includes a list of the more than 300 titles that have appeared under the society’s imprint. Labaree, Benjamin W. A Supplement (1971–1986) to Robert G. Albion’s Naval & Maritime History: An Annotated Bibliography. 4th edition. Mystic, Conn.: Mystic Seaport Museum, 1988. Law, Derek G. The Royal Navy in World War Two: An Annotated bibliography. London: Greenhill Books, 1988. National Maritime Museum (Greenwich, England). Catalogue of the Library, Vol. 1, Voyages and Travel. London: Her Majesty’s Stationery Office, 1968. There are many interesting avenues of research in maritime history on the Internet. Two have been particularly useful: Maritime History Virtual Archives, owned and administered by Lar Bruzelius. URL: http://pc-78– 120.udac.se:8001/WWW/Nautica/Nautica.html Rail, Sea and Air InfoPages and FAQ Archive (Military and TC FAQs), owned and administered by Andrew Toppan. URL: http://www.membrane.com/~elmer/ mirror: http://www.announce.com/~elmer/. -
Guide to the William A. Baker Collection
Guide to The William A. Baker Collection His Designs and Research Files 1925-1991 The Francis Russell Hart Nautical Collections of MIT Museum Kurt Hasselbalch and Kara Schneiderman © 1991 Massachusetts Institute of Technology T H E W I L L I A M A . B A K E R C O L L E C T I O N Papers, 1925-1991 First Donation Size: 36 document boxes Processed: October 1991 583 plans By: Kara Schneiderman 9 three-ring binders 3 photograph books 4 small boxes 3 oversized boxes 6 slide trays 1 3x5 card filing box Second Donation Size: 2 Paige boxes (99 folders) Processed: August 1992 20 scrapbooks By: Kara Schneiderman 1 box of memorabilia 1 portfolio 12 oversize photographs 2 slide trays Access The collection is unrestricted. Acquisition The materials from the first donation were given to the Hart Nautical Collections by Mrs. Ruth S. Baker. The materials from the second donation were given to the Hart Nautical Collections by the estate of Mrs. Ruth S. Baker. Copyright Requests for permission to publish material or use plans from this collection should be discussed with the Curator of the Hart Nautical Collections. Processing Processing of this collection was made possible through a grant from Mrs. Ruth S. Baker. 2 Guide to The William A. Baker Collection T A B L E O F C O N T E N T S Biographical Sketch ..............................................................................................................4 Scope and Content Note .......................................................................................................5 Series Listing -
Navies and Soft Power Historical Case Studies of Naval Power and the Nonuse of Military Force NEWPORT PAPERS
NAVAL WAR COLLEGE NEWPORT PAPERS 42 NAVAL WAR COLLEGE WAR NAVAL Navies and Soft Power Historical Case Studies of Naval Power and the Nonuse of Military Force NEWPORT PAPERS NEWPORT 42 Bruce A. Elleman and S. C. M. Paine, Editors U.S. GOVERNMENT Cover OFFICIAL EDITION NOTICE The April 2010 Deepwater Horizon oil-rig fire—fighting the blaze and searching for survivors. U.S. Coast Guard photograph, available at “USGS Multimedia Gallery,” USGS: Science for a Changing World, gallery.usgs.gov/. Use of ISBN Prefix This is the Official U.S. Government edition of this publication and is herein identified to certify its au thenticity. ISBN 978-1-935352-33-4 (e-book ISBN 978-1-935352-34-1) is for this U.S. Government Printing Office Official Edition only. The Superinten- dent of Documents of the U.S. Government Printing Office requests that any reprinted edition clearly be labeled as a copy of the authentic work with a new ISBN. Legal Status and Use of Seals and Logos The logo of the U.S. Naval War College (NWC), Newport, Rhode Island, authenticates Navies and Soft Power: Historical Case Studies of Naval Power and the Nonuse of Military Force, edited by Bruce A. Elleman and S. C. M. Paine, as an official publica tion of the College. It is prohibited to use NWC’s logo on any republication of this book without the express, written permission of the Editor, Naval War College Press, or the editor’s designee. For Sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512-1800; DC area (202) 512-1800 Fax: (202) 512-2104 Mail: Stop IDCC, Washington, DC 20402-00001 ISBN 978-1-935352-33-4; e-book ISBN 978-1-935352-34-1 Navies and Soft Power Historical Case Studies of Naval Power and the Nonuse of Military Force Bruce A. -
Medieval Shipping
Medieval Shipping A Wikipedia Compilation by Michael A. Linton Contents 1 Caravel 1 1.1 History ................................................. 1 1.2 Design ................................................ 1 1.3 See also ................................................ 2 1.4 References ............................................... 2 1.5 External links ............................................. 2 2 Carrack 6 2.1 Origins ................................................ 8 2.2 Carracks in Asia ........................................... 10 2.3 Famous carracks ............................................ 10 2.4 See also ................................................ 12 2.5 References ............................................... 12 2.6 Further reading ............................................ 12 2.7 External links ............................................. 12 3 Cog (ship) 13 3.1 Design ................................................. 14 3.2 History ................................................. 14 3.3 Gallery ................................................. 15 3.4 See also ................................................ 15 3.5 References ............................................... 15 3.5.1 Footnotes ........................................... 15 3.5.2 Bibliography ......................................... 15 3.6 External links ............................................. 15 4 Fire ship 16 4.1 History ................................................. 16 4.1.1 Ancient era, first uses .................................... -
Abstract Crucial Factors for the Recovery and Conservation of An
Abstract Crucial Factors for the Recovery and Conservation Of An Archaeological Ship By Melissa M. Ashmore March, 2012 Director of Thesis: Lynn Harris Major Department: Maritime Studies What factors determine the successful recovery and concentration of a full archaeological ship? While an article by G.D. van der Heide provides guidelines for recovery, he offers no analysis to explain why his issues are valid. Using ten case studies from diverse time periods and geographic locations around the world, this thesis explores van der Heide’s issues to determine their significance. The case studies showed that while van der Heide’s issues are valid there is no guarantee of a successful project even if they are addressed. There are other issues that are more influential to the outcome of a project, namely the parties responsible for the project and acquiring funding early on. Addressing these two issues increases the chances of having a successful outcome. Crucial Factors for the Recovery and Conservation Of An Archaeological Ship A Thesis Presented To the Faculty of the Department of Maritime Studies East Carolina University In Partial Fulfillment of the Requirements for the Degree Master’s of Arts by Melissa M. Ashmore March, 2012 ©Melissa M. Ashmore, 2012 Crucial Factors for the Recovery and Conservation Of An Archaeological Ship by Melissa M. Ashmore APPROVED BY: DIRECTOR OF THESIS: ________________________________________________________ Lynn Harris, PhD COMMITTEE MEMBER:________________________________________________________ Charles Ewen, PhD COMMITTEE MEMBER:________________________________________________________ Susanne Grieve, MA COMMITTEE MEMBER:________________________________________________________ Mona L. Russell, PhD CHAIR OF THE DEPARTMENT OF HISTORY: _________________________________________________________ Gerry Prokopowicz, PhD DEAN OF THE GRADUATE SCHOOL: __________________________________________________________ Paul J. -
The New Vikings
A LIVING HISTORY PROJECT THE NEW VIKINGS COMPETITIVE, EXHILARATING, SOMETIMES Archaeological findings in Newfoundland, Canada, have proved that the Scandinavian Vikings were the first DANGEROUS AND ALWAYS ENTERTAINING, Europeans to discover and explore North America – 492 years before Columbus set foot in the new land. THE NEW VIKINGS WILL BRING TO LIFE THE SAGA OF HOW THE SCANDINAVIAN VIKINGS But what was life like for the ancient Vikings as they crossed the Atlantic? How were relationships built and lost, CROSSED THE ATLANTIC OCEAN TO THE challenges met and overcome? This extraordinary documentary series offers a revealing look into the ancient Viking crossings, by enlisting the help of Viking descendants to mount a real expedition across the Atlantic AMERICAS, LONG BEFORE COLUMBUS. Ocean. We will carefully select a group Viking descendants from the Scandinavian countries, United Kingdom and North America – place them in a world set 10 centuries back in time – and watch how ancient history comes alive, as they walk in the footsteps of their predecessors from centuries ago.... At the close of an intensive training period, 8 new Vikings will be selected to make a historical journey. Only the best prepared (mentally and physically) will board an original replica of an ocean-going Viking ship, to begin a 2,600 mile odyssey across the drift-ice and stormy seas of the North Atlantic Ocean. Duration: 5 one-hour episodes An adventurous journey set in magnificent natural environments, with recreated sets and special visual effects (or 10 half-hour episodes) - all this will make The New Vikings an unbeatable television event for a worldwide audience! Format: HDV THE VIKING ERA Few periods in the history of mankind are more fascinating than the era of the warlike Vikings, who dominated the maritime regions of Northern Europe in the Viking Age. -
1St Cultural Heritage Forum Gdańsk 3Rd–6Th April 2003 at the Polish Maritime Museum in Gdańsk Baltic Sea Identity Common Sea – Common Culture?
BALTIC SEA IDENTITY Common Sea – Common Culture? 1st Cultural Heritage Forum Gdańsk 3rd–6th April 2003 at the Polish Maritime Museum in Gdańsk Baltic Sea Identity Common Sea – Common Culture? 1st Cultural Heritage Forum Gdańsk 3rd-6th April 2003 at the Polish Maritime Museum in Gdańsk Publication subsidized by the Ministry of Culture of Poland Editor Jerzy Litwin Subeditors: Kate Newland Anna Ciemińska Designed & typeset by Paweł Makowski Copyright © 2003 Centralne Muzeum Morskie w Gdańsku ul. Ołowianka 9–13, 80-751 Gdańsk tel. (+48-58) 301 86 11, fax (+48-58) 301 84 53 www.cmm.pl, e-mail: [email protected] ISBN 83-919514-0-5 Printed in Poland by Drukarnia Misiuro in Gdańsk CONTENTS List of contributors . 7 Note by Rafał Skąpski . 9 Note by Jerzy Litwin . 10 Introduction by Christina von Arbin . 11 PART I: “COMMON SEA – COMMON CULTURE?” Merja-Liisa Hinkkanen Common Sea, Common Culture? On Baltic Maritime Communities in the 19th Century . 17 Michael Andersen Mare Balticum – Reflections in the Wake of an Exhibition . 22 Christer Westerdahl Scando-Baltic Contacts during the Viking Age . 27 Fred Hocker Baltic Contacts in the Hanseatic Period . 35 Mirosław Kuklik Selected Issues of the Sea Fishery Heritage of the Polish Baltic Coast . .. 41 PART II: UNDERWATER CULTURAL HERITAGE – Short Reports Marcus Lindholm Underwater Cultural Heritage – a short report from the Åland Islands . 49 Friedrich Lüth Underwater Cultural Heritage – present situation along the German East Coast in the State of Mecklenburg-Vorpommern . 51 Flemming Rieck Underwater Cultural Heritage – the Danish situation . 55 Willi Kramer Report from Germany (Schleswig-Holstein) . 58 Iwona Pomian Underwater Cultural Heritage in Poland . -
Archaeological and Historical Perspectives on Early Modern Maritime Violence and Warfare
ON WAR ON BOARD Archaeological and historical perspectives on early modern maritime violence and warfare Edited by Johan Rönnby ON WAR ON BOARD Archaeological and historical perspectives on early modern maritime violence and warfare Edited by Johan Rönnby Södertörns högskola Södertörns högskola Biblioteket SE-141 89 Huddinge www.sh.se/publications © Authors Licensed under a Creative Commons Attribution 3.0 Unported License All images are subject to individual licensing Cover image: Skirmish between Amsterdam and English warships, 20 April 1605, detail of a painting, by Hendrick Cornelisz Vroom (1566–1640), 1614 (A.0002) The National Maritime Museum, Amsterdam Het Scheepvaartmuseum, Amsterdam (HSM) Cover: Jonathan Robson Graphic form: Per Lindblom & Jonathan Robson Printed by Elanders, Stockholm 2019 Södertörn Archaeological Studies 15 ISSN 1652-2559 Södertörn Academic Studies 78 ISSN 1650-433X ISBN 978-91-88663-86-3 (print) ISBN 978-91-88663-87-0 (digital) Contents Introduction JOHAN RÖNNBY 7 The Performance of a Naval Hero Admirals in the Nordic Seven Years’ War 1563–1570 KEKKE STADIN 19 Symbols of Power – Attributes of Rank on Warships in the 17th Century PATRIK HÖGLUND 39 Notions of Fear in a 17th Century Navy ANNASARA HAMMAR 51 Heroes, Cowards and Their Shipwrecks – Thoughts on the Maritime Archaeology of the Scanian War (1675–1679) NIKLAS ERIKSSON 73 An Introduction to Hand-to-Hand Combat at Sea – General Characteristics and Shipborne Technologies from c. 1210 BCE to 1600 CE ROLF FABRICIUS WARMING 99 Understanding the Gundeck Experience -
Viking Ships
Viking Ships Ancient Europe, 8000 B.C. to A.D. 1000, 2004 Viking Ships The region settled by the Vikings during the ninth to eleventh centuries consisted of the Scandinavian Peninsula and Jutland, the Danish archipelago, and islands in the Baltic and the North Atlantic as well as areas along the coasts and larger rivers of Britain, Ireland, northern France, and Russia. There were no overland routes connecting these areas, and consequently all communication relied on the ships and boats that rightfully became a trademark for Viking expansion as recorded in contemporaneous sources and in the archaeological record. Several ships of the Viking period have been found in graves and as wrecks, and reused ships' parts have been excavated in Viking towns, giving a detailed insight into the boat- and shipbuilding traditions of the period. There are few remains found of Nordic ships from the fifth to eighth centuries, the crucial period during which ship design in this area changed from large rowing vessels of the Migration period to the ships of the early Viking Age, combining propulsion by oars and sail. In contrast, wrecks of the medieval period and later provide evidence for the study of the region's shipbuilding heritage and traditions from the Viking era to the twenty-first century. All Viking ships were built by the clinker technique—that is, starting from a central keel, with identical stems fore and aft and with the overlapping edges of the planking riveted together. After shaping the lower planks to give the desired shape of the bottom, the floor timbers were inserted and fastened to the planking, with lashings in the early phase and later using treenails. -
Viking-Voyagers-Teacher-Notes.Pdf
TEACHERS NOTES Background information summarised from the National Maritime Museum Cornwall’s Viking Voyagers exhibition Teachers notes Contents: 1. Warriors of the Sea 2. Life on the Waves 3. From Faerings to Fighting Ships 4. Cargo, Trading and Camps 5. Women and wool Additional learning resources on our website. To find out more visit nmmc.co.uk/education or call our Learning Officer on 01326 214 535. Viking Voyagers exhibition and development of learning programme and resources supported by the Heritage Lottery Fund and the Sir John Fisher Foundation. 1. WARRIORS Karrasch. © The Viking Ship Museum, Denmark Werner OF THE SEA Warriors of the sea A Viking army’s most terrifying weapon was its dragon-headed ship. The sight of a square-sailed, long and slender warship was enough to strike fear into their enemies. On the battlefield Viking warriors were no better fighters than their opponents, whether Irish, Saxon or Arab. But aboard their legendary ships they were stealthier, faster and more deadly than their opponents. With sails lowered, they were nearly invisible on approach giving the raiders and conquerors The Sea Stallion, a reconstruction of the warship Skuldelev 2. This great warship was rigged with over 2 km of cordage. She carried the advantage of surprise. an enormous sail, estimated to be 112 m² and woven with some 200 kg of wool or flax. Werner Karrasch. © The Viking Ship Museum, Denmark BG Werner Shock and oar Viking warriors were highly disciplined rowers of enormous strength and stamina. Powered by up to 100 rowers, warships were capable of speeds of up to 17 knots (19.5mph). -
The Early Viking Ship Types
ELDAR HEIDE e early Viking ship types . Introduction !e Viking ship, a world-famous icon, is known to us from ship finds, iconography, and written accounts, especially Old Norse sagas. Most of the research, however, has focused on the material remains. !ere is reason to believe that a more extensive utilization of the textual evidence can substantially increase our under- standing. For example, we need the texts if we want to know not only what the ships were like, but also what people called them. In this article the author attempts to sift out the early Viking Age terms for ship types from Old Norse (ON) written sources and link them to actual ships and ship depictions from that period. !e author argues that kn orr , beit, skeið, kjóll, askr, and elliði were the main ship types of the early Viking Age in Scandinavia, at least in the west, and that knerrir referred during this period to warships like Oseberg and only later to cargo ships like Skuldelev . ‘A ship with a backwards curved stem’ seems to have been the original meaning of kn orr . Kjólar were heavy, all-round ships like Gokstad, and beit were very early ships with angular stems known from depictions. Skeiðar were low, narrow ships like Ladby. Askar were also very early, small, light ships with stitched planking, whereas elliðar were com- The Oseberg ship at the Viking Ship Museum in bined inland / sea vessels, originally Eastern European. Oslo. (Photo: BSJ) Most introductions to Old Scandinavian ship types, such as kn orr , snekkja, or karfi etc., are problematic and Osebergskipet på Vikingskip- shuset i Oslo. -
American Lightships, 1820-1983: History, Construction, and Archaeology with the Maritime Cultural Landscape
Abstract American Lightships, 1820-1983: History, Construction, and Archaeology within the Maritime Cultural Landscape by Morgan MacKenzie April, 2011 Director: Dr. Lawrence Babits DEPARTMENT OF HISTORY, PROGRAM IN MARITIME STUDIES In 1820, the United States Government began funding construction and conversion of watercraft for use as lightships. Floating beacons utilized to mark dangerous shoals, reefs, and shifting channels in inland as well as open waters, lightships served where lighthouse construction was unfeasible. This study intends to examine the general history of U.S. lightships, improvements to construction design, technological modifications in illumination and signaling, venue of employment, as well as use, re-use, and the maritime cultural landscape associated with these craft. American Lightships, 1820-1983: History, Construction, and Archaeology within the Maritime Cultural Landscape A Thesis Presented To The Faculty of the Department of History, Program in Maritime Studies East Carolina University In Partial Fulfillment of the Requirements for the Degree Master of Arts By Morgan MacKenzie April 2011 © Copyright 2011 Morgan MacKenzie American Lightships, 1820-1983: History, Construction, and Archaeology within the Maritime Cultural Landscape by Morgan MacKenzie APPROVED BY: DIRECTOR OF THESIS:___________________________________________________ Dr. Lawrence Babits, PhD COMMITTEE MEMBER:__________________________________________________ Dr. Wade Dudley, PhD COMMITTEE MEMBER:__________________________________________________