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Page 01 Dec 24.Indd
WEDNESDAY 24 DECEMBER 2014 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Japanese COMMUNITY reptile takes on • AMU Alumni observes founder’s birth anniversary Hollywood rival P | 4 P | 8-9 MARKETPLACE • AlFaisal Without Borders flies students to Beijing P | 5 ART AND CULTURE • Rome’s Maxxi art museum aims to build Cancer patients are paying private labs to breed mice that creativity out of crisis carry bits of their own tumours so treatments can be tried first on the customised rodents. The idea is to see which drugs might work best on a specific person’s specific P | 6 cancer. FOOD • Shawarma sizzles Indian city of Hyderabad P | 7 HEALTH • Medical tourism CANCER PATIENTS booms in Asia TURN TO RATS FOR P | 11 LEARN ARABIC • Learn commonly used Arabic words CURE and their meanings P | 13 2 PLUS | WEDNESDAY 24 DECEMBER 2014 COVER STORY Cancer patients testing drugs on mouse Charles Cook, manager of facilities and operations at Champions Oncology, opens a plastic cage containing mice carrying bits of a cancer patient’s tumour in a lab in Baltimore. By Marilyn Marchione hey are paying a private lab to breed mice that carry bits of their own tumours so treat- Tments can be tried first on the customised rodents. The idea is to see which drugs might work best on a specific person’s specific cancer. The mice may help patients make what can be very hard choices under difficult circumstances. Studies can suggest a certain chemotherapy may help, but patients wonder whether it will work for them. -
Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Indian Celibrity
Bollywood celebrities were either blessed with a baby or spilled the news of their pregnancy. Here is a look at top 10 celebrity Parents of 2011. 1) Aishwarya Rai Bachchan and Abhishek Bachchan: the biggest news in Bollywood this year was Beti B, the latest addition to the Bachchan family. Aishwarya and Abhishek were blessed with a baby girl on 16th November at Seven Hills Hospital, Mumbai. Abhi and Ash tied the knot on 20th April, 2007. 2) Aamir Khan and Kiran Rao: Aamir and Kiran became proud parents of a baby boy on 1st December. The baby was born to a surrogate mom via IVF. The child was born in Mumbai at a private clinic. They have named their child Azad Rao Khan. This name has been kept after the freedom fighter and Maulana Abdul Kalam Azad, Aamir’s great grand uncle. 3) Konkona Sen Sharma and Ranveer Shorey: this couple was blessed with a baby boy on 15th March, 2011 in a hospital in South Mumbai. The excited Konkona even flaunted her baby bump at the cover page of OK magazine’s April issue. Konkona has named her child Haroon which means protector or chief in Arabic. Konkona and Ranveer entered wedlock on 3rd September, 2011 at a private ceremony. 4) Mandira Bedi and Raj Kaushal: Mandira and Raj became proud parents of a cute baby boy on 17th June. The child was born at Mumbai’s Lilavati Hospital. They have named their child Vir. The two tied the knot on 14th February, 1999. An elated Raj expressed his joy of turning a father through the medium of Twitter. -
Movies of Feroz Khan
1 / 2 Movies Of Feroz Khan Feroze Khan (born July 11, 1990) is famous for being tv actor. ... Padmavati is undeniably the most awaited movie of the year and it won't be hard to call it a hit .... Feroz Khan Movies List. Thambi Arjuna (2010)Ramana, Aashima. Welcome (2007)Feroz Khan, Anil Kapoor. Ek Khiladi Ek Haseena (2005)Fardeen Khan, .... See more ideas about actors, pakistani actress, feroz khan. ... Khushbo is Pakistani film and stage Actress. c) On some minimal productions (e. Want to Become .... Tasveer Full Hindi Movie (1966) Film cast : Feroz Khan, Kalpana, Helen, Sajjan, Rajendra Nath, Nazir Hasain, Leela Mishra, Raj Mehra, Lalita Pawar, Sabeena. MUMBAI, India (Agence France-Presse) — Feroz Khan, a Bollywood ... he made “Dharmatma,” the first Hindi-language movie shot on location .... Actor Rishi Kapoor tweeted that the two actors, who worked together in three films, died of Cancer on the same date. Known for his flamboyant persona, Feroz Khan was an actor, director and producer who had a long innings in the Hindi film industry. The actor .... Feroz Khan was born at Bangalore in India to an Afghan Father, Sadiq Khan and an Iranian mother Fatima. After schooling from Bangalore he shifted to Bombay .... He would have turned 79 on September 25. However, actor, director and producer Feroz Khan – one of his kind in the Hindi film industry .... Feroz Khan All Movies List · Ek Khiladi Ek Haseena - 2005 · Ek Khiladi Ek Haseena (2005)Feroz Khan , Fardeen Khan , Koena Mitra , Gulshan Grover , Kay Kay , .... India's answer to Clint Eastwood, Feroz Khan is known as the most stylish bollywood actor. -
Vaada Song Download Free
Vaada song download free Vaada () download free mp3 songs, download mp3 songs Vaada (). Direct Download Links For Hindi Movie Vaada MP3 Songs. Vaada Hai 3. Singer: Alka Yagnik, Kumar Sanu, Sangeeta, Udit Narayan mb | Hits. File. Ishq 3. Singer: Alka Yagnik, Babul. Vaada () Hindi mp3 songs download, Vaada songs free download, Vaada Hindi movie mp3 songs download, Himesh Reshammiya Hidni songs download. Vaada () Bollywood Movie Mp3 songs In Kbps, Kbps, Kbps Quality Movie Original Soundtrack Vaada () Mp3 Songs Download Itunesrip. Vaada songs, Vaada Mp3 Songs, Vaada download free music, mp3 hindi music, download Vaada bollywood, indian mp3 rips, Vaada kbps, download cd rip. Vaada Mp3 Songs, Download Vaada, Vaada Songs mp3 Download, Vaada Bollywood, Watch Vaada Full Movie Online download Video Songs. Vaada Songs pk Free Download MP3, Songs List: Mein Deewana, Mein Ishq Uska, Maula, Teri Kurti Sexy, Ud Ud Ud Ud Jaye, Vaada Hai Ye Sad, Vaada Hai. Vaada () Mp3 Song Download, Download, vipmusic, , mp3 song. Song - Vaada Hai Ye Film - Vaada Singer - Kumar Sanu, Udit Narayan, Alka Yagnik Lyricist - Sameer Music. vaada film all songs free Download Link ?keyword=vaada-film-all-songs- free&charset=utf Download Vaada () songs, Download Vaada () Songs Tamil, Vaada () mp3 free download, Vaada () songs, Vaada () songs download. free mp3 songs of movie vaada Download Link ?keyword=free--mp3-songs-of-movie-vaada&charset=utf Vaada Songs Download- Listen Vaada MP3 songs online free. Play Vaada movie songs MP3 by Kumar Sanu and download Vaada songs on Vaada Tumse Hain Vaada Hindi Movies Pandit Jasraj Vaada Tumse Hain Vaada Free Download. (). Song Detail: Pandit Jasraj is a famous Hindi. -
Filmpodium Biel/Bienne 10/06–11/07/11
FILMPODIUM BIEL/BIENNE indien Fr/Ve 10/06 20h00 LUCK BY CHANCE 10/06 –11/07/11 Zoya Akhtar, Indien 2009, 156’, Ov/d,f SONGS, SAMOSAS, CHAÏ & FILM In Zusammenarbeit mit der Musikschule Biel / en collaboration avec l’Ecole de Musique Bienne BollywoodConcert Sa 11/06 20h00 CADENZA Fanny Anderegg (vocal), Isabelle Lehmann (flute), Katrin Scholl (violin),Thomas Niggli (sitar), Luca Carangelo (tabla, percussion) 21 h 00 DEVDAS Film Bhansali Sanjay Leela, Indien 2002, 182’, Ov/d,f Eintritt/entrée: Fr. 43.– / Mitglieder/membres Fr. 30.– So/Di 12/06 20h00 MY NAME IS KHAN Mo/Lu 13/06 20h00 Karan Johar, Indien 2010, 155’, Ov/d Fr/Ve 17/06 20h30 SITA SINGS THE BLUES Sa 18/06 20h30 Nina Paley, USA 2008, 82’, Ov/d So/Di 19/06 20h30 PATHER PANCHALI Mo/Lu 20/06 20h30 Satyajit Ray, Indien 1955, 126’, Ov/d,f Fr/Ve 24/06 20h30 PEEPLI (LIVE) Sa 25/06 20h30 Anusha Rizvi, Indien 2010, 107’, Ov/d So/Di 26/06 20h30 Mo/Lu 27/06 20 h 30 Fr/Ve 01/07 20h30 WATER Sa 02/07 20h30 Deepa Mehta, CND/Indien 2005, 114’, Ov/d,f So/Di 03/07 20h30 THE NAMESAKE Mo/Lu 04/07 20h30 Mira Nair, Indien/USA 2006, 122’, Ov/d,f REGARDS SUISSES SUR L’INDE Fr/Ve 08/07 20h30 HIPPIE MASALA Sa 09/07 20h30 Ulrich Grossenbacher, Damaris Lüthi, CH 2006, 93’, Ov/d,f Sa 09/07 18h00 LA CITÉ ANIMALE (STADT DER TIERE) So/Di 10/07 18h00 Frédéric Gonseth, Catherine Azad, CH 2000, 70’, Ov/f So/Di 10/07 20h30 DHARAVI, SLUM FOR SALE Mo/Lu 11/07 20h30 Lutz Konermann, CH/D 2010, 80’, Ov/d Mo/Lu 11/07 18h00 UNE VILLE À CHANDIGARH – LE CORBUSIER FILMPODIUM BIEL/BIENNE // CentrePasquArt // Seevorstadt/Faubourg du Lac 73 Alain Tanner, Indien, 50’, F/d T 032 322 71 01 // [email protected] // www.filmpodiumbiel.ch Mit Unterstützung der Stadt Biel und des Kantons Bern / Avec le soutien de la Ville de Bienne et du Canton de Berne FILMPODIUM BIEL/BIENNE Fr/Ve 10/06 ces irréductibles. -
Q1. Where Is the 4Th Edition of International
Bankersadda.com General Awareness Quiz for RBI Assistant Mains 2020 Adda247.com Quiz Date: 1st May 2020 Q1. Where is the 4th edition of International Seminar cum Exhibition on Naval Weapon Systems „NAVARMS-19‟ begins? (a) Mumbai (b) Chennai (c) New Delhi (d) Bhubaneswar (e) Thiruvananthapuram Q2. Who among the following Indian match referee is set to become the first woman match referee to officiate a men‟s ODI match? (a) Shivani Mishra (b) GS Lakshmi (c) Gargi Banerji (d) Nilima Jogalekar (e) Runa Basu Q3. On which of the following day United Nations observes International Day of Neutrality on every year? (a) 12th December (b) 13th December (c) 14th December (d) 15th December (e) 16th December Q4. World's first fully electric commercial aircraft takes flight in ____________ (a) Scotland (b) Finland (c) Canada (d) Iceland (e) Norway Q5. Name the Indian actress who was honoured for her 20 years of work and contribution in cinema at the Marrakech Film Festival held at the famous Jemaa el Fna square. (a) Priyanka Chopra (b) Katrina Kaif (c) Deepika Padukone (d) Aishwarya Rai (e) Amisha Patel Q6. Who among the following Indian actor has been appointed by PepsiCo as the new brand ambassador of its flagship Pepsi brand of carbonated beverage in India? For any Banking/Insurance exam Assistance, Give a Missed call @ 01141183264 Bankersadda.com General Awareness Quiz for RBI Assistant Mains 2020 Adda247.com (a) Shah Rukh Khan (b) Zayed Khan (c) Imran Khan (d) Salman Khan (e) Amir Khan Q7. Which of the following company has partnered with UNESCO Mahatma Gandhi Institute of Education for Peace to enable school teachers to adopt technology in classrooms by using ICT tools? (a) Dell Technologies (b) Hewlett Packard Enterprise (c) DXC Technology (d) International Business Machines Corporation (e) General Motors Q8. -
Sunny Singh London Metropolitan University [email protected]
The Road to Rāmar ājya : Analysing Shah Rukh Khan’s Parallel Text in Commercial Hindi Cinema Sunny Singh London Metropolitan University [email protected] This paper attempts to trace the construction of Shah Rukh Khan’s parallel text with explicit references to the Hindu epic Rāmāyana through an analysis of key cinematic texts produced from 1995 to 2007. The analysis follows the development of Shah Rukh Khan’s star text as a growing narrative drawn from, and interacting with, the epic and its protagonist, Rāma , and his idealised reign, Rāmar ājya , which is used in India to refer to an epoch of social stability. In addition, the paper explores how the star’s parallel text intersects the aspirations of a nation poised at the edge of monumental change, and the ways in which it challenges and subverts the popularly accepted notions of the growth of Hindu nationalist politics in the country in the late-1990s, finally leading to the assertion of a new, post-Hindutva, post-globalization identity as an Indian Muslim. Keywords: Shah Rukh Khan; India; stars; Bollywood; Rāmāyana . Este estudio intenta delinear la construcción del texto paralelo del actor Shah Rukh Khan con referencias explícitas al clásico épico hindú Rāmāyana por medio de análisis de textos cinematográficos del actor producidos entre 1995 y 2007. El análisis demuestra el desarrollo del texto paralelo de Khan como una narrativa basada en—y dialogando con—el clásico épico, su protagonista, Rāma , y su reino ideal, el Rāmar ājya . Además, el ensayo explora las maneras en que dicho texto llega a representar las pretensiones de una nación al borde de cambios monumentales, y las formas en las que desafía y subvierte las ideas generalmente aceptadas del desarrollo de nacionalismo hindú en el país durante la década de los noventa. -
Brochure Print New.Indd
“excellence is the fabric of our work, spun with the yarn of knowledge and expertise, built on the foundation of transparent dealing”. 91 ABOUT US ................................................................................................................................................... 04 EVENT MANAGEMENT ................................................................................................................................................... 06 EVENT HIGHLIGHTS ................................................................................................................................................... 10 INTERNATIONAL SHOWS ................................................................................................................................................... 12 CHARITY EVENTS ................................................................................................................................................... 14 AWARD NIGHTS ................................................................................................................................................... 20 MOTION PICTURES ................................................................................................................................................... 26 WEDDING PLANNERS ................................................................................................................................................... 32 THEME SHOWS .................................................................................................................................................. -
Newsletter 13/11 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 13/11 DIGITAL EDITION Nr. 296 - August 2011 „Einer der beeindruckendsten Filme der letzten Jahre! Unbedingt anschauen!“ www.wolframhannemann.de Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 13/11 (Nr. 296) August 2011 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Herzlich willkommen zu Ausgabe 296 unseres Newsletters, die eigentlich schon vor einer Woche hätte realisiert werden sollen. Doch wie so oft waren es wieder einmal viele wichtige Termi- ne, die wahrgenommen werden mussten, bevor wir uns dem neuen Newsletter zuwenden konnten. Durch die Verspätung bedingt ist der Umfang der vorliegenden Ausgabe dafür auf ganze 72 Seiten angewachsen. Und das obwohl wir aus Platzgründen bereits weitestgehend auf Bilder verzichtet haben! Somit dürfte es also genügend Lesestoff geben, auch wenn wir in die- ser Ausgabe auf Annas Gespräch mit Hollywood verzichten müssen. Die Ärmste wird augenblicklich von Ihrer Diplomarbeit voll in Anspruch genom- men, für die wir Ihr natürlich gutes Ge- lingen wünschen. Geblieben ist in die- sem Newsletter aber immerhin noch “Wolfram Hannemanns Film-Blog”, in dem Sie alles Wichtige zu aktuellen Kinofilmen erfahren können. Damit ist auf alle Fälle genügend Lesestoff vor- handen, um die Zeit bis zum nächsten Newsletter bequem zu überbrücken. Wir wünschen viel Spaß dabei. Ihr Laser Hotline Team LASER HOTLINE Seite 2 Newsletter 13/11 (Nr. 296) August 2011 Wolfram Hannemanns Film-Blog Montag, 11. -
Bollywood in South Africa
From “ghetto” to mainstream: Bollywood in South Africa . HASEENAH EBRAHIM Wits School of Arts University of the Witwatersrand [email protected] Abstract This essay explores two aspects of the Bollywood “phenomenon” as it has played out, in the past decade, in South Africa — a part of the Indian diaspora where the popularity of Hindi-language Indian cinema has an established history. Firstly, the article maps the expansion of Bollywood beyond the Indian diasporic audience to so-called “crossover” audiences, a phenomenon I have labelled the “mainstreaming” of Bollywood in South Africa. Secondly, it examines developments in relation to the expansion of Bollywood — South African film industry co-operation, including Bollywood’s use of South Africa for location shooting. Bollywood is apparently trapped in some sort of in South Africa. Most South Africans coming purgatory of global cultural expectations; at any from Tamil- and Telegu-speaking (i.e. South given time, it’s too “Indian” to be accessible to Indian) backgrounds seem eagerly to consume Western audiences, too north Indian-centric for the %ROO\ZRRG¿OPVDQGPXVLFGHVSLWHDVRPHWLPHV rest of South Asia, too imitative of Hollywood to vocal South Indian dissident view. Any be appreciated as authentic Indian cinema among perceived imitativeness of Hollywood does not North Americans seeking something exotic, too VHHP WR KDYH GHÀHFWHG IURP LWV DSSHDO DPRQJ potent of an imposition of an Indian version of its South African fans; on the contrary, most modernity on other traditional societies, or too low- cite its “wholesomeness” (usually referring to culture to qualify as real art for snobs of all national Bollywood’s lack of explicit sex and excessive origins. -
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The Road to Rāmar ājya : Analysing Shah Rukh Khan’s Parallel Text in Commercial Hindi Cinema Sunny Singh London Metropolitan University [email protected] This paper attempts to trace the construction of Shah Rukh Khan’s parallel text with explicit references to the Hindu epic Rāmāyana through an analysis of key cinematic texts produced from 1995 to 2007. The analysis follows the development of Shah Rukh Khan’s star text as a growing narrative drawn from, and interacting with, the epic and its protagonist, Rāma , and his idealised reign, Rāmar ājya , which is used in India to refer to an epoch of social stability. In addition, the paper explores how the star’s parallel text intersects the aspirations of a nation poised at the edge of monumental change, and the ways in which it challenges and subverts the popularly accepted notions of the growth of Hindu nationalist politics in the country in the late-1990s, finally leading to the assertion of a new, post-Hindutva, post-globalization identity as an Indian Muslim. Keywords: Shah Rukh Khan; India; stars; Bollywood; Rāmāyana . Este estudio intenta delinear la construcción del texto paralelo del actor Shah Rukh Khan con referencias explícitas al clásico épico hindú Rāmāyana por medio de análisis de textos cinematográficos del actor producidos entre 1995 y 2007. El análisis demuestra el desarrollo del texto paralelo de Khan como una narrativa basada en—y dialogando con—el clásico épico, su protagonista, Rāma , y su reino ideal, el Rāmar ājya . Además, el ensayo explora las maneras en que dicho texto llega a representar las pretensiones de una nación al borde de cambios monumentales, y las formas en las que desafía y subvierte las ideas generalmente aceptadas del desarrollo de nacionalismo hindú en el país durante la década de los noventa.