American Folk Art Museum

Total Page:16

File Type:pdf, Size:1020Kb

American Folk Art Museum NEH Application Cover Sheet (PW-253795) Humanities Collections and Reference Resources PROJECT DIRECTOR Dr. Valerie Rousseau E-mail: [email protected] Curator, Self-Taught Art and Art Brut Phone: 212-595-9533 x 104 47-29 32nd Place Fax: Long Island City, NY 111012409 USA Field of expertise: Arts, General INSTITUTION American Folk Art Musuem New York, NY 100236214 APPLICATION INFORMATION Title: Planning to digitize and create broad online access to the Henry Darger Papers at the American Folk Art Museum. Grant period: From 2017-05-01 to 2018-04-30 Project field(s): Arts, General Description of project: The American Folk Art Museum is the home to the single largest public repository of works by Henry Darger (1892-1973), one of the most significant self-taught artists of the 20th century. The Darger Papers collection totals 38 cubic feet and includes his epic 15,145-page novel called “The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinian War Storm, Caused by the Child Slave Rebellion”, other manuscripts including his autobiography and journals, scrapbooks, and 12 cubic feet of source materials used by the artist to make hundreds of large-scale illustrations for the “Realms.” The manuscripts have never been published and are fragile, making access difficult and necessitating minimal handling. The grant will be used to consult with copyright and technical specialists, determine which materials will be digitized, complete a conservation survey, convene a panel of Darger scholars, and consult with digital humanities experts. BUDGET Outright Request 50,000.00 Cost Sharing 19,348.00 Matching Request 0.00 Total Budget 69,348.00 Total NEH 50,000.00 GRANT ADMINISTRATOR Karley Klopfenstein E-mail: [email protected] 47-29 32nd Place Phone: 212-595-9533 x 318 Long Island City, NY 111012409 Fax: USA American Folk Art Museum Digitizing the Henry Darger Papers 1. Description of the Project The American Folk Art Museum seeks a Foundations grant from the National Endowment for the Humanities to prepare for the Henry Darger Papers at the American Folk Art Museum to be digitized and made widely accessible online. The American Folk Art Museum is the home to the single largest public repository of the papers of Henry Darger (1892-1973), one of the most significant self-taught artists of the 20th century. The collection totals 35 cubic feet of materials, including the epic 15,145-page novel called The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinian War Storm, Caused by the Child Slave Rebellion. The Realms, as it is known, is a tale of seven little girls—the Vivian Girls—who set out to rescue abducted children who have been enslaved by the adult Glandelinians. The heroes in this tale are children, who occasionally appear unclothed and are of mixed gender. The villains typically are adults. The manuscript is a story of war and peace, of good versus evil, and loosely parallels many of the events of the American Civil War. The Darger Papers also include two other manuscripts, journals, diaries, scrapbooks, planning journals, collages/portraits of characters. Additionally, there are 12 cubic feet of source materials used by the artist to make hundreds of large-scale watercolor illustrations for which the artist is acclaimed; personal papers; religious paraphernalia; and a collection of books. Henry Darger was born in Chicago in 1892 and was institutionalized in an asylum at a young age for behavioral problems. In 1909, at age 17, he escaped the asylum and returned to Chicago, where he lived for the rest of his life, working more than fifty hours a week as a dishwasher, bandage roller, and janitor for local hospitals. He led a solitary life and attended mass several times each day at a Catholic church near his home. In 1930, he rented a large second-floor room on Chicago’s North Side, which he inhabited until his death in 1973, at the age of 81. After his death, his landlords, Nathan and Kiyoko Lerner, discovered hundreds of watercolors, found images, and hand- bound volumes of Darger’s literary work among the clutter he had accumulated over the years. Nathan Lerner, an influential photographer and inventor, recognized the merit of the works and shared it among his art peers. Lerner took charge of the estate, ensuring its preservation. Darger’s watercolor paintings are critically acclaimed and in many prestigious collections around the world. The manuscripts and other unique papers in the collection of the American Folk Art Museum have never been published and are in fragile condition making access difficult and necessitating minimal handling. A HCRR Foundations grant from the National Endowment for the Humanities will be used for the formative stages of efforts to preserve and create access to the Darger Papers which will have significant impact on the understanding of a complex and enigmatic artist whose work intersects many humanities themes. Activities include consulting with copyright and technical specialists to determine how to digitize the fragile materials, convening an advisory board with Darger scholars and museum colleagues to strategically determine which materials will be digitized and identify the best Web platform possible to communicate the scope of this oeuvre, completing a conservation survey, and consulting with digital humanities experts. The result of the planning process will be a white paper report that will 1) guide decision making for preserving and creating access to the Darger Papers, 2) describe technical requirements for future digitization, and 3) make recommendations for future conservation. American Folk Art Museum Digitizing the Henry Darger Papers 2. Table of Contents Table of Contents Narrative 1 History of Grants 11 List of Participants 12 Budget 13 Appendices 15 Key Participant Support letters Key Participant Resumes Henry Darger Finding Aid (TOC) The Art of Henry Darger List of Exhibitions American Folk Art Museum Digitizing the Henry Darger Papers 3. Narrative Project Narrative Significance The American Folk Art Museum is the home to the single largest public repository of artworks and writings by Henry Darger (1892-1973), one of the most significant self-taught or “outsider” artists of the 20th century. The American Folk Art Museum seeks a Foundations grant from the National Endowment for the Humanities to prepare for the Henry Darger Papers at the American Folk Art Museum to be digitized and made widely accessible online. Henry Darger’s large-scale, double-sided watercolor paintings are critically acclaimed and in many prestigious collections around the world. Lesser known is the artist’s extensive writing activity, highly connected with his visual practice. All of his manuscripts are in the collection of the American Folk Art Museum, including his autobiography and several epic novels, the most famous being The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glandeco-Angelinian War Storm, Caused by the Child Slave Rebellion, which exceeds 15,000 pages. The manuscripts and other papers in the collection have never been published. Their fragile condition makes their access difficult, as it necessitates minimal handling. A HCRR Foundations grant from the National Endowment for the Humanities will be used for the formative stages of efforts to preserve and create access to the Darger Papers which will have significant impact on the understanding of a complex and enigmatic artist whose writings and art dealt with many humanities themes. Activities include completing a conservation survey, convening an advisory board with Darger scholars and museum colleagues to strategically determine which materials will be digitized and identify the best Web platform possible to communicate the scope of this oeuvre, consulting with copyright and technical specialists to determine how to digitize the fragile materials, and consulting with digital humanities experts. The result of the planning process will be a white paper report that will 1) guide decision making for preserving and creating access to the Darger Papers, 2) describe technical requirements for future digitization, and 3) make recommendations for future conservation. About the Artist Henry Darger was born in Chicago in 1892. When he was nearly four, his mother died after she gave birth to a girl who was then given up for adoption. Darger never met his sister; he lived with his father, an impoverished tailor, until 1900, when he was placed in a Catholic institution for young boys, the Mission of Our Lady of Mercy. He attended public school during this period and was apparently a very good student, showing a particular interest in the Civil War. After evincing signs of behavioral problems, and at the recommendation of several medical evaluations, however, he was sent to live in an asylum for “feeble-minded” children in Lincoln, Illinois. The institution housed fifteen hundred unprivileged children, many of whom were severely developmentally disabled. There, Darger received a rudimentary education. After his father died in 1905, Darger made several attempts to escape from the asylum; in 1909, at age 17, he succeeded. He returned to Chicago, where he lived for the rest of his life, working more than fifty hours a week as a dishwasher, bandage roller, and janitor for local hospitals. He led a solitary life and attended mass several times each day at a Catholic church near his home. In 1930, he rented a large second-floor room on Chicago’s North Side, which he inhabited until he died at age of 81 on April 13, 1973. 1 | P a g e American Folk Art Museum Digitizing the Henry Darger Papers 3. Narrative Shortly after Darger died, his landlords, Nathan and Kiyoko Lerner, discovered hundreds of watercolors—most of them bounded in large scrapbooks—found images, and hand-bound volumes of Darger’s literary work among the clutter he had accumulated over the years.
Recommended publications
  • A Cross-Case Analysis of Possible Facial Emotion Extraction Methods That Could Be Used in Second Life Pre Experimental Work
    Volume 5, Number 3 Managerial and Commercial Applications December 2012 Managing Editor Yesha Sivan, Tel Aviv-Yaffo Academic College, Israel Guest Editors Shu Schiller, Wright State University, USA Brian Mennecke, Iowa State University, USA Fiona Fui-Hoon Nah, Missouri University of Science and Technology, USA Coordinating Editor Tzafnat Shpak The JVWR is an academic journal. As such, it is dedicated to the open exchange of information. For this reason, JVWR is freely available to individuals and institutions. Copies of this journal or articles in this journal may be distributed for research or educational purposes only free of charge and without permission. However, the JVWR does not grant permission for use of any content in advertisements or advertising supplements or in any manner that would imply an endorsement of any product or service. All uses beyond research or educational purposes require the written permission of the JVWR. Authors who publish in the Journal of Virtual Worlds Research will release their articles under the Creative Commons Attribution No Derivative Works 3.0 United States (cc-by-nd) license. The Journal of Virtual Worlds Research is funded by its sponsors and contributions from readers. http://jvwresearch.org A Cross-Case Analysis: Possible Facial Emotion Extraction Methods 1 Volume 5, Number 3 Managerial and Commercial Applications December 2012 A Cross-Case Analysis of Possible Facial Emotion Extraction Methods that Could Be Used in Second Life Pre Experimental Work Shahnaz Kamberi Devry University at Crystal City Arlington, VA, USA Abstract This research-in-brief compares – based on documentation and web sites information -- findings of three different facial emotion extraction methods and puts forward possibilities of implementing the methods to Second Life.
    [Show full text]
  • 1960 National Gold Medal Exhibition of the Building Arts
    EtSm „ NA 2340 A7 Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/nationalgoldOOarch The Architectural League of Yew York 1960 National Gold Medal Exhibition of the Building Arts ichievement in the Building Arts : sponsored by: The Architectural League of New York in collaboration with: The American Craftsmen's Council held at: The Museum of Contemporary Crafts 29 West 53rd Street, New York 19, N.Y. February 25 through May 15, i960 circulated by The American Federation of Arts September i960 through September 1962 © iy6o by The Architectural League of New York. Printed by Clarke & Way, Inc., in New York. The Architectural League of New York, a national organization, was founded in 1881 "to quicken and encourage the development of the art of architecture, the arts and crafts, and to unite in fellowship the practitioners of these arts and crafts, to the end that ever-improving leadership may be developed for the nation's service." Since then it has held sixtv notable National Gold Medal Exhibitions that have symbolized achievement in the building arts. The creative work of designers throughout the country has been shown and the high qual- ity of their work, together with the unique character of The League's membership, composed of architects, engineers, muralists, sculptors, landscape architects, interior designers, craftsmen and other practi- tioners of the building arts, have made these exhibitions events of outstanding importance. The League is privileged to collaborate on The i960 National Gold Medal Exhibition of The Building Arts with The American Crafts- men's Council, the only non-profit national organization working for the benefit of the handcrafts through exhibitions, conferences, pro- duction and marketing, education and research, publications and information services.
    [Show full text]
  • A Finding Aid to the Perls Galleries Records, 1937-1997, in the Archives of American Art
    A Finding Aid to the Perls Galleries Records, 1937-1997, in the Archives of American Art Julie Schweitzer January 15, 2009 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Historical Note.................................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 5 Series 1: Correspondence, 1937-1995.................................................................... 5 Series 2: Negatives, circa 1937-1995.................................................................. 100 Series 3: Photographs, circa 1937-1995.............................................................. 142 Series 4: Exhibition, Loan, and Sales Records, 1937-1995................................
    [Show full text]
  • Airwaves (1985-08 And
    / AIRWAVES \ · A Service of Continuing Education & Extension University of Minnesota-Duluth Volume 6, Number 4 ' August-September 1985 Special •· Ray Charles: His Life and Music. kumd 103.3 fm Station Manager • Paul Schmitz Program Director • John Ziegler Public Aflairs Director • Jean Johnson Report to the Listeners Outreach Coordinator • Bob DeArmond Engineer • Kirk Kersten by Paul Schmitz, Station Manager Secretary • Donna Neveau Volunteer Staff • Remember the slighlly perplexed look patience. Projects of this magnitude jus.t couple of different departments at UMD, Lake Lime. Bil l Agnew, Bob Allen, Craig Anderson, Jon on Kirk Kerslen's face in lasl month's started with us on July 17, and will be Anderson, Kath Anderson, Mark Anderson, Bob issue when he was plugging in our new al the front desk from about 9:30 a.m. Lo Andresen, Leo Babcau, Todd Borstad, John"llrazner, antenna? I don't really know what he You may notice a change in our staff list - 2:30 p.m. four days a week. We are look- Dave Brygger, Jan Cohen, Tim Connelly, was thinking about al the moment that this issue; if you visit the station 'in ing forward Lo having her with us, and Christopher Devaney, Bruce Eckland, Dann Edholm, Pat Eller, Phil Enke, Linda Estel, Doug Fifield, photo was taken, but ever since he's been person, you will certainly notice a LO utilizing her previous experience with Kerry Fillmore, Susanna Frenkel, Scott Frisby, Brian thinking about "field Lun·ing .." That's a change becau e we have lost Helen computers as we are about LO enter the Gitar, Stan Goltz, Doug Greenwood, Jim Gruba, term for a specialized kind of work on Prekker.
    [Show full text]
  • SMC Campuses and Program Sites
    Santa Monica College SMC Campuses and Program Sites Center for Media and Design – CMD Closed for Construction Administration Performing ADDRESSES Arts Center PAC Main Campus S BROADWAY TE 1900 Pico Boulevard, Santa Monica, CA 90405 W Emeritus A 20 COLORADO BLVD. R SANTA MONICA BLVD. T College Center for Media and Design – TH ST. 15 S T CMD Closed for Construction TH . ST. 1660 Stewart Street, Santa Monica, CA 90404 11 TH C ST. LO V LINCOLN E 27 Administration R F TH BLVD. IE BUNDY DR. 2714 Pico Boulevard, Santa Monica, CA 90405 L ST. D 4 BLVD. TH B 2 ST. OLYMPIC BLVD. L Airport Arts Campus – AIR ND V D NATIONAL ST. 2800 Airport Avenue, Santa Monica, CA 90405 . Bundy Campus PICO BLVD. 3171 S. Bundy Drive, Los Angeles, CA 90066 PEARL ST. 23 S.CENTINELA AV. Emeritus College RD 1227 2nd Street, Santa Monica, CA 90401 ST. AIRPORT AV. Performing Arts Center – PAC OCEAN PARK BLVD. 1310 11th Street, Santa Monica, CA 90401 Santa Monica John Adams Additional Class Locations High School Santa Monica Middle School Bundy John Adams Middle School College Campus 2425 16th Street, Santa Monica, CA 90405 Main Campus and Airport Arts Campus – AIR Shuttle Santa Monica High School and Parking 601 Pico Boulevard, Santa Monica, CA 90405 CMD Classrooms (Temporary) 2-16 MAIN CAM P U S Santa Monica College 1900 Pico Boulevard • Santa Monica, CA 90405 B 310 / 434-4000 • www.smc.edu 17th St. Station - SMC #41 17th (starts 2-21-16) Street B BBB #7 Performing Arts Center 17th St.
    [Show full text]
  • The Maw Free Xbox Live
    The maw free xbox live The Maw. The Maw. 16, console will automatically download the content next time you turn it on and connect to Xbox Live. Free Download to Xbox Go to Enter as code 1 with as time stamp 1 Enter as code 2 with as time stamp 2. Fill out. The full version of The Maw includes a bonus unlockable dashboard theme and free gamerpics for beating the game! This game requires the Xbox hard. In this "deleted scene" from The Maw, Frank steals a Bounty Hunter Speeder and Be sure to download this new level on the Xbox Live Marketplace, Steam. Unredeemed code which download the Full Version of The Maw Xbox Live Arcade game to your Xbox (please note: approx. 1 gigabyte of free storage. For $5, you could probably buy a value meal fit for a king -- but you know what you couldn't get? A delightfully charming action platformer. EDIT: Codes have all run out now. I can confirm this works % on Aussie Xbox Live accounts as i did it myself. Basically enter the blow two. Please note that Xbox Live Gold Membership is applicable for new Toy Soldiers and The Maw plus 2-Week Xbox Live Gold Membership free. Xbox Live Gold Family Pack (4 x 13 Months Xbox Live + Free Arcade Game "The Maw") @ Xbox Live Dashboard. Avatar Dr4gOns_FuRy. Found 11th Dec. Free codes for XBLA games Toy Soldiers and The Maw, as well as more codes for day Xbox Live Gold trials for Silver/new members. 2QKW3- Q4MPG-F9MQQFYC2Z - The Maw.
    [Show full text]
  • American Folk Art from the Volkersz Collection the Fine Arts Center Is an Accredited Member of the American Alliance of Museums
    Strange and Wonderful American Folk Art from the Volkersz Collection The Fine Arts Center is an accredited member of the American Alliance of Museums. We are proud to be in the company of the most prestigious institutions in the country carrying this important designation and to have been among the first group of 16 museums The Fine Arts Center is an accredited member of the American Alliance of Museums. We are proud to be in the company of the most accredited by the AAM in 1971. prestigious institutions in the country carrying this important designation and to have been among the first group of 16 museums accredited by the AAM in 1971. Copyright© 2013 Colorado Springs Fine Arts Center Copyright © 2013 Colorado Springs Fine Arts Center Library of Congress Cataloguing-in-Publication Data Library of Congress Cataloguing-in-Publication Data Strange and Wonderful: American Folk Art from the Volkersz Collection. Authors: Steve Glueckert; Tom Patterson Charles Bunnell: Rocky Mountain Modern. Authors: Cori Sherman North and Blake Milteer. Editor: Amberle Sherman. ISBN 978-0-916537-16-6 Published on the occasion of the exhibition Strange and Wonderful: American Folk Art from the Volkersz Collection at the Missoula Art 978-0-916537-15-9 Museum, September 22 – December 22, 2013 and the Colorado Spring Fine Arts Center, February 8 - May 18, 2014 Published on the occasion of the exhibition Charles Bunnell: Rocky Mountain Modern at the Colorado Springs Fine Arts Center, Printed by My Favorite Printer June 8 – Sept. 15, 2013 Projected Directed and Curated by Sam Gappmayer Printed by My Favorite Printer Photography for all plates by Tom Ferris.
    [Show full text]
  • Darger, Henry (1892-1973) by Jim Elledge
    Darger, Henry (1892-1973) by Jim Elledge Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2013 glbtq,Inc. Reprinted from http://www.glbtq.com Now considered one of the most original and important artists of the last half of the twentieth century, Henry Darger died completely unknown in his native Chicago. When he moved out of his one-room apartment on November 24, 1972 into an old folks home a few blocks away, his next door neighbor, who had been hired to clear out Darger's room, discovered over 300 canvases Darger had painted and the huge manuscripts of two novels and an autobiography that he had written. The canvases, which depict naked little girls with penises (who, in many of the paintings, are being eviscerated, strangled, and crucified by adults), became synonymous with the man, causing critics who were unaware of their relevance to the gay subculture of the time to call Darger a pedophile, child killer, and sadist. Darger's Life Darger was born into utter poverty on April 12, 1892. His mother died in childbirth when he was four. Within a few years, his father, a failed, alcoholic tailor, had all but abandoned his parental responsibilities to the boy. Growing up in one of the darkest and most desperate vice districts in Chicago, now Henry Darger. Photo by the much-gentrified Near West Side, Darger became involved in male-male sexual David Berglund, c. 1970. activities early in life, admitting to the most significant one in his autobiography decades later. In it, he reported that, by the time he was eight years old, he had developed a relationship with an adult guard whom he visited late at night at the lumberyard where the man worked.
    [Show full text]
  • Nyc-Cation” in All Five Boroughs August 28–30
    ***MEDIA ADVISORY*** THIS WEEKEND IN NYC: TAKE A “NYC-CATION” IN ALL FIVE BOROUGHS AUGUST 28–30 NYC & Company, the official destination marketing organization and convention and visitors bureau for the five boroughs of New York City, is encouraging locals and regional visitors to take a “NYC-cation” this weekend, August 28–30, by heading to a museum in Manhattan, the New York Aquarium in Brooklyn or grabbing lunch and swimming in Queens. CONTACTS Chris Heywood/ This week, museums and cultural institutions begin to reopen in NYC, offering Alyssa Schmid locals and regional visitors even more places to explore and reinvigorating the NYC & Company destination as an arts and culture capital. 212-484-1270 [email protected] Visitors to the five boroughs are encouraged to wear masks, practice social Mike Stouber Rubenstein distancing and frequently wash/sanitize hands, as indicated in NYC & 732-259-9006 Company’s Stay Well NYC Pledge. [email protected] DATE Below is a brief selection of what’s open this weekend, including museums August 27, 2020 and places to visit on the water: The Bronx: FOR IMMEDIATE RELEASE August 2020 marks the 100th anniversary of women’s suffrage. This weekend, take a trip to Woodlawn Cemetery to honor a few of the women who helped shape this country today, including Elizabeth Cady Stanton, who was also buried there. Other notable figures interred in the 400-acre cemetery include artists and writers, business moguls, civic leaders, entertainers, jazz musicians, and more, with names including Miles Davis, Robert Moses, Nellie Bly, Duke Ellington, Herman Melville and more.
    [Show full text]
  • The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
    4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18
    [Show full text]
  • The Henry Darger Study Center at the American Folk Art Museum a Collections Policy Recommendation Report
    The Henry Darger Study Center at the American Folk Art Museum A Collections Policy Recommendation Report by Shannon Robinson Spring 2010 I. Overview page 3 II. Mission and Goals page 5 III. Service Community and Programs page 7 IV. The Collection and Future Acquisition page 8 V. Library Selection page 11 VI. Responsibilities page 12 VII. Complaints and Censorship page 13 VIII. Evaluation page 13 IX. Bibliography page 15 X. Additional Materials References page 16 I. Overview The American Folk Art Museum in New York City is largely focused on the collection and preservation of the artwork of self-taught artists in the United States and abroad. The Museum began in 1961 as the Museum of Early American Folk Arts; at that time, the idea of appreciating folk art alongside contemporary art was a consequence of modernism (The American Folk Art Museum, 2010c). The collection’s pieces date to as early as the eighteenth century and in it’s earlier days was largely comprised of sculpture. The Museum approached collecting and exhibiting much like a contemporary art gallery. This was in support of its mission promoting the “aesthetic appreciation” and “creative expressions” of folk artists as parallel in content and quality to more mainstream, trained artists. (The American Folk Art Museum, 2010b). Within ten years of opening, however, and though the collection continued to grow, a financial strain hindered a bright future for the Museum. In 1977, the Museum’s Board of Trustees appointed Robert Bishop director (The American Folk Art Museum, 2010c). While Bishop was largely focused on financial and facility issues, he encouraged gift acquisitions, and increasing the collection in general, by promising many artworks from his personal collection.
    [Show full text]
  • 398 Neponset Ave, Dorchester, MA | (617) 282∙3200 | Membership Is Only $5, Elections in June
    Dorchester Reporter “The News and Values Around the Neighborhood” Volume 29 Issue 21 Thursday, May 24, 2012 50¢ It’s the day when we remember our fallen heroes Talk of long-ago battles and of the conflicts America is engaged in today will fill the air in cemeteries across the nation on Monday as America takes a time-out to remember that from the time when colonists first took up arms against the British crown in the late 18th century to this very week, hundreds of thousands of Americans have given their lives in service to the welfare of the United States. In Dorchester, Memorial Day means a time- honored salute to the neighborhood’s fallen soldiers that begins with a parade from the McKeon Post to Cedar Grove Cemetery, where hundreds are expected to gather for solemn observances begin- ning at 10 a.m. For a roundup of events planned locally for the Dr. Francis Murphy, longtime organizer of Dorchester’s Memorial Day observances, speaks at Cedar Grove Cemetery in 2009. Today’s editorial recognizes his contributions. Page 6. Photo by Bill Forry holiday, please see Page 3. Dot parents: School policy casts our children adrift By gintautaS duMciuS The children of Carl at the O’Bryant School Beth Nagy moved to “We really don’t see part of a system-wide nEwS Editor and Beth Nagy attend of Math and Science Dorchester in 1999, and each other anymore,” she restructuring in 2010. A City Hall hearing on the Thacher Montessori in Roxbury and the she and her husband said, noting exceptions Like the other parents Tuesday put the spotlight School in Milton.
    [Show full text]