Be a Friend of Moja

Total Page:16

File Type:pdf, Size:1020Kb

Be a Friend of Moja Najee October 7 The Gaillard Center 95 Calhoun Street Having collaborated with everyone in the music business from Prince and Quincy Jones to Stevie Wonder, Chaka Khan and Herbie Hancock, Najee’s technical agility, grace, compositional prowess, unbridled passion and fearless genre bending have made him one of the most sought after musicians of his generation. 2011MOJA Program Book_2004 MOJA Program Book 9/12/11 9:54 PM Page 2 City of Charleston South Carolina DEAR MOJADear MOJA FESTIVAL Festival Guests: GUESTS: Welcome to MOJA,Welcome Charleston’sto the 2011 MOJA annual Arts Festival, celebration Charleston’s annualof African-American celebration of African- and Carib- American and Caribbean Arts and Culture, produced by the City of Charleston Office of bean arts andCultural culture! Affairs. The 2016 MOJA Arts Festival assembles an amazing array of talents and traditions, affording locals and visitors alike the opportunity to celebrate This year’s festival highlights include: An Evening of Jazz Under the Stars with Najee at the cultural heritagePorter-Gaud and School artistic Stadium (pg.vitality 10); City of Gallery the Lowcountry.at Waterfront Park exhibitionProudly “Special produced by the Moments: Works From the Collection of Dr. Harold Rhodes, III” (pg. 27); A Classical City of CharlestonEncounter Office with Eleganza of atCultural the City GalleryAffairs at Waterfront in a longstanding Park followed by a champagnepartnership with the all-volunteer MOJAreception Arts(pg. 11); Festival Mt. Zion PlanningSpiritual Singers’ Committee, soul stirring Camp year Meeting after (pg. year 11); MOJA an brings enchanting evening of dance by PHILADANCO at the Gaillard Auditorium (pg. 7); Gwen Charleston togetherButler’s jazz as cruise we on gather the Charleston and Harborengage aboard in the festive Spirit of Charlestonperformances, (pg. 18); and exhibitions, African writer Jacqueline Maduneme’s lecture about her compelling autobiography, Ada’s and events thatDaughter enrich (pg. 8).and New enliven this year, is aour unique community. partnership between the Preservation Society of Charleston and the MOJA Festival that offers three concerts in historic downtown churches called “Architecture in Concert” (pg. 10). These are just a few of the outstanding programs During the elevenin this year’s days MOJA of Festival.the MOJA Arts Festival, our city resounds with rhythm and revels in a colorful palette, as we immerse ourselves in arts and traditions that are Each year the MOJA Festival is produced by the City’s Office of Cultural Affairs in collabora- deeply rootedtion in withAfrica the MOJA and Planning blossom Committee, brilliantly chaired this throughout year by Edna Edwards the Williamsworld, with particularly Elease Amos-Goodwin serving as the Planning Committee Liaison to the OCA. MOJA’s here in Charleston.Advisory InCommittee the pages assists with of advocacythis program for the festival guide and is you chaired will by the find Honorable compelling stage plays; musicalJames performances E. Clyburn. Special ranging thanks go to from Charleston gospel City Council and for classical their on-going to support jazz andof R&B; pre- the MOJA Festival and also to the individual donors, foundations, government agencies and miere dance work;corporations poetry who provide and literaryfunding, grants talks; and visualin-kind donations arts exhibitions; to help us make and MOJA public events that animate ouraccessible parks to everyone and streets in the community. with the sounds and spirit of our shared African heritage. And finally, Bravo to the members of our hard-working Office of Cultural Affairs team along with all of the City departments that help make it happen: Parks, Recreation, Legal, Finance, Budget, Police, Traffic & Transportation, Information Technology, Human Resources, Public The City is extremelyServices, Public fortunate Information, to Special be ableFacilities to and work the Mayor’s with Office. a host of tireless community partners, dedicatedWe invite youvolunteers, to bring your family and and the friends inspiring to attend this artists year’s MOJAand Festival enthusiastic which con- audiences nects everyone in a joyous atmosphere celebrating the arts. Enjoy! that bring MOJA to life. We extend sincere thanks and gratitude to the members of the MOJA ArtsSincerely, Festival Planning Committee, chaired again this year by Angel R. Quintero. We also recognize the heroic efforts and contagious enthusiasm of our MOJA Program Coordinator for 2016, Romaine Marion-Heyward, who has worked closely with committeeMayor Joseph P. members Riley, Jr. and coordinatorsEllen Dressler to bring Moryl, thisDirector year’s Festival to City of Charleston Office of Cultural Affairs fruition. Special thanks to Charleston City Council for their steadfast support of the MOJA Arts Festival and to the individuals, foundations, government agencies and corporations who help make MOJA sustainable2 and accessible. A round of applause, as well, to the Office of Cultural Affairs staff and to the vari- ous City departments that make MOJA possible: Parks, Recreation, Legal, Finance, Budget, Police, Traffic & Transportation, Information Technology, Human Resources, Public Services, Public Information, Special Facilities, and the Mayor’s Office. We invite you to bring your family and friends to this year’s MOJA Arts Festival, and City of Charlestonto delight in MOJA’s many and diverse arts and cultural experiences. We look forward John J. Tecklenburgto seeing you! Mayor May 12, 2016 Most sincerely yours, MAYORJohn JOHN J. Tecklenburg J. TECKLENBURG SCOTT WATSON, DIRECTOR City of CharlestonMayor, City of Charleston Office of Cultural Affairs 1 P.O. Box 652, Charleston, South Carolina 29402 843-577-6970 FAX 843-720-3827 MOJA ARTS FESTIVAL A CELEBRATION OF AFRICAN-AMERICAN AND CARIBBEAN ARTS DEAR MOJA SUPPORTERS: On behalf of the MOJA Planning Committee we extend greetings and welcome you to the 2016 MOJA Arts Festival: A Celebration of African-American and Caribbean Arts. We hope that your experience at this year’s Festival (our 33rd annual) will be memorable and rewarding. From our perspective, we are excited to be coming home to the beau- tifully restored Gaillard Center, where Dance Theatre of Harlem will grace the stage, and then on the following evening, Najee will fill the hall with his musical artistry. We equally welcome the premiere of Stick Fly by Art Forms & Theatre Concepts, Inc. at the historic Dock Street Theatre, which will also host the MOJA debut of Charleston Black Theatre, with their presentation of Harriet’s Return. And, naturally, we are thrilled to give Charleston a chance to get into a collective groove; whether you like reggae, salsa, funk, pop, or R&B, MOJA always strikes the right chord. From the opening parade to the final notes of the Finale at Hampton Park, we hope to see you at multiple events. We are also proud to once again honor at the MOJA Community Tribute Luncheon members of the community who give unselfishly of themselves to improve the quality of life in our community. This annual gathering salutes the accomplishments of Charles- ton’s best and brightest and provides an opportunity for us to celebrate the remarkable individuals who make our city such a special place. We express our sincere thanks to all of you who continue to support MOJA as sponsors, contributors, volunteers, Planning Committee coordinators and members, and ticket buyers. We especially express our deep appreciation to the Office of Cultural Affairs’ small but dedicated staff, Scott Watson - Director, Harrison Chapman, Shannon Drake, Mindy Manziano, Anne Quattlebaum, Gordon Rooney, Ray Swagerty, Kelly Walker, and Rachel Workman. We also applaud our 2016 MOJA Program Coordinator, Romaine Hey- ward, as she assumes a new role with the City as Managing Director of the Dock Street Theatre. Heartfelt thanks to adjunct staff members, with a special nod to our talented graphic designer, Marcus Amaker, who this year was named Charleston’s Poet Laureate. We welcome and sincerely thank the Honorable John J. Tecklenburg, Mayor of our fine city, as well as the members of Charleston City Council. MOJA’s stature as a major arts festival in the Southeast is due in large part to their continued stalwart support and commitment. We feel that we have, once again, planned a first class festival featuring phenomenal artistic talents and public events that will engage and inspire the entire community. We hope you enjoy the 2016 MOJA Arts Festival and we will look forward to greeting you at many Festival events this year and in the years to come. ROMAINE MARION-HEYWARD ANGEL R. QUINTERO 2016 MOJA Program Coordinator Planning Committee Chairperson Managing Director, Dock Street Theatre 2016 MOJA Arts Festival 2 MOJA ARTS FESTIVAL is produced by The City of Charleston Office of Cultural Affairs in cooperation with the MOJA Planning Committee. CITY OF CHARLESTON Romaine Heyward Theresa J. Hilliard SOUTH CAROLINA 2016 MOJA Program Franklin Hilliard John J. Tecklenburg, Mayor Coordinator Greg Jenkins Managing Director, Vertelle Amos Kenion Dock Street Theatre Arianne King Comer CITY COUNCIL Jazzie V. Clay King MEMBERS Veronica McDaniel F. Gary White, Jr. ADJUNCT STAFF Hampton R. Olfus, Jr. District 1 Rebecca Gosnell Yvonne Tolley Orr Rodney Williams Logistics Coordinator Clifton Polite District 2 Marcus Amaker Bev Prince-Muhammad James Lewis, Jr. Graphic Designer Terri Prince-Gilliard District 3 Debbie Davis Erica Prioleau-Taylor Robert M. Mitchell Ticket Agent John S. Purvis
Recommended publications
  • Annual AT&T San Jose Jazz Summer Fest Friday, August 12
    ***For Immediate Release*** 22nd Annual AT&T San Jose Jazz Summer Fest Friday, August 12 - Sunday, August 14, 2011 Plaza de Cesar Chavez Park, Downtown San Jose, CA Ticket Info: www.jazzfest.sanjosejazz.org Tickets: $15 - $20, Children Under 12 Free "The annual San Jose Jazz [Summer Fest] has grown to become one of the premier music events in this country. San Jose Jazz has also created many educational programs that have helped over 100,000 students to learn about music, and to become better musicians and better people." -Quincy Jones "Folks from all around the Bay Area flock to this giant block party… There's something ritualesque about the San Jose Jazz [Summer Fest.]" -Richard Scheinan, San Jose Mercury News "San Jose Jazz deserves a good deal of credit for spotting some of the region's most exciting artists long before they're headliners." -Andy Gilbert, San Jose Mercury News "Over 1,000 artists and 100,000 music lovers converge on San Jose for a weekend of jazz, funk, fusion, blues, salsa, Latin, R&B, electronica and many other forms of contemporary music." -KQED "…the festival continues to up the ante with the roster of about 80 performers that encompasses everything from marquee names to unique up and comers, and both national and local acts...." -Heather Zimmerman, Silicon Valley Community Newspapers San Jose, CA - June 15, 2011 - San Jose Jazz continues its rich tradition of presenting some of today's most distinguished artists and hottest jazz upstarts at the 22nd San Jose Jazz Summer Fest from Friday, August 12 through Sunday, August 14, 2011 at Plaza de Cesar Chavez Park in downtown San Jose, CA.
    [Show full text]
  • Earnest Walker Jr
    EARNEST WALKER JR. Smooth Groove Artist Earnest Walker Jr. spent the first 15 years of his life traveling the country with his family. The experience taught him an appreciation of different cultures and musical styles. At the age of nine, Walker started playing the guitar, but a year later he picked up the saxophone and it has been his passion ever since. When he was only 14 years old, the established musicians in Pensacola, Florida felt his playing was so essential they would sneak Walker into night clubs to showcase his talents. Walker studied music education at Bethune-Cookman College in Daytona Beach, and later attended Florida State University, quickly establishing himself as one of the most sought-after saxophonists on both campuses and all around the state of Florida. After college, Walker joined the Air Force, where he performed with different groups in each town he was stationed. After the military, Walker toured and performed in most of the central to eastern portions of the country, including Miami, Daytona Beach, Charleston SC, Philadelphia, New Orleans, Atlanta, Tampa, Orlando and Denver. In the late 90’s, he moved to Philadelphia and became a member of the prestigious smooth jazz band “Blind Date”. Returning to Miami in 2003, Earnest Walker Jr is well known in the city of South Beach as a show stopper that is sure to leave the audience breathless. Location: Miami, FL USA Influences: Grover Washington Jr, Cannonball Adderly, Maceo Parker, Earth Wind & Fire, Gerald Albright, Ronnie Laws Booking & Media Contact: HJ Entertainment | 816.945.0288 | www.EarnestWalkerJr.com ON STAGE As solid, compelling and in the pocket as Walker is on disc, he’s best known in the jazz world as a powerhouse performer whose stage presence and creative style guarantees that every crowd is in an uproar.
    [Show full text]
  • “I Want to Go to School, but I Can't”: Examining the Factors That Impact
    ―I Want to go to School, but I Can‘t‖: Examining the Factors that Impact the Anlo Ewe Girl Child‘s Formal Education in Abor, Ghana A dissertation presented to the faculty of The Gladys W. and David H. Patton College of Education and Human Services of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Karen Yawa Agbemabiese-Grooms August 2011 © 2011 Karen Yawa Agbemabiese-Grooms. All Rights Reserved. 2 This dissertation titled ―I Want to go to School, but I Can‘t‖: Examining the Factors that Impact the Anlo Ewe Girl Child‘s Formal Education in Abor, Ghana by KAREN YAWA AGBEMABIESE-GROOMS has been approved for the Department of Educational Studies and The Gladys W. and David H. Patton College of Education and Human Services by Jaylynne N. Hutchinson Associate Professor of Educational Studies Renée A. Middleton Dean, The Gladys W. and David H. Patton College of Education and Human Services 3 Abstract AGBEMABIESE-GROOMS, KAREN YAWA, Ph.D., August 2011, Curriculum and Instruction, Cultural Studies ―I Want to go to School, but I Can‘t‖: Examining the Factors that Impact the Anlo Ewe Girl Child‘s Formal Education in Abor, Ghana (pp. 306) Director of Dissertation: Jaylynne N. Hutchinson This study explored factors that impact the Anlo Ewe girl child‘s formal educational outcomes. The issue of female and girl child education is a global concern even though its undesirable impact is more pronounced in African rural communities (Akyeampong, 2001; Nukunya, 2003). Although educational research in Ghana indicates that there are variables that limit girl‘s access to formal education, educational improvements are not consistent in remedying the gender inequities in education.
    [Show full text]
  • CASH BOX JAZZ ALBUMS Only Representatives of the Last 25 Years
    — C-i 1 ON JAZZ \ CASH BOX JAZZ ALBUMS only representatives of the last 25 years in jazz, by the way) — is the place to go Title, Artist, Label, Number, Distributor for anybody who wants to learn about = Available on Compact Disc LB = Platinum (RIAA Certified) jazz, to hear how Louis Armstrong | W| ( = Gold (RIAA Certified) MANHATTAN BURN 23 V relates to Charlie Parker, how Char- El W PAQUITO D'RIVERA (Columbia FC lie Parker relates to Ornette Cole- L O 40583) 22 FULTON STREET MAUL etc. It is an indispensable W C man, TIM BERNE (Columbia FC 40530) NAJEE’S THEME * 2 19 collection and it is available from Smith- CLOUD ABOUT NAJEE (EMI ST 17241) El sonian Collection of Recordings, P.O. MERCURY* A CHANGE OF HEART * 1 11 DAVID TORN WITH MARK 1SHAM, DAVID SANBORN (Warner Bros. Box 23345, Washington, D.C. 20026. TONY LEVIN. BILL BRUFORD (ECM 27479-1) 831 108) SPARE CHANGE— I wrote a couple THE OTHER SIDE OF 18 EJ LADY FROM BRAZIL* MAXINE AND CO. - The late Maxine of weeks ago in this space about the ROUND MIDNIGHT TANIA MARIA (Manhattan ST 53045) at Holly- FEATURING DEXTER 25 GOOD MORNING KISS Sullivan was joined during a gig the new Bluebird and Novus reissues RCA GORDON * CARMEN LUNDY (Blackhawke BKH wood Roosevelt's Cinegrill earlier this year ai d issues, but I’d like to add a couple (Blue Note BT 85135) _ 523) 1 by fellow vocalists Diane Schuur (I) and Nellie A NICE PLACE TO BE 20 fzl REUNITED Dri of things.
    [Show full text]
  • Festival 2021
    ARTS ACADEMY FESTIVAL 2 021 Interlochen Center for the Arts, a recipient of the National Medal of Arts, is a global arts organization that includes: • Interlochen Arts Academy - Arts boarding high school with Academy Fact Sheet rigorous college-prep academics • Interlochen Arts Camp - 59th Year | August 2020 - May 2021 Summer arts programs for grades 3-12 • College of Creative Arts - Lifelong learning in the arts Total Enrollment Classes • Interlochen Public Radio - 545 Students Freshman 50 Two stations: Classical Music and News (NPR Member Station) Sophomore 95 46 U.S. states and territories Junior 165 • Interlochen Presents - presenting more than 600 events annaully represented Senior 213 featuring students, faculty, and Post-graduate 22 internationally recognized guest artists. Top state delegations: • Interlochen Online - a virtual State Students Residential Status platform that brings the world- Michigan 104 Boarding 503 renowned Interlochen experience Day Students 42 into your home, building a virtual California 32 bridge of connection to the world’s New York 26 leading arts educators. Arts Areas Florida 25 Creative Writing 25 Interlochen Arts Academy challenges Illinois 23 Dance 41 students to achieve artistically and Texas 19 Film & New Media 22 academically. Since 1980, 46 Arts Wisconsin 18 Interdisciplinary Arts 24 Academy students have been named Presidential Scholars, unmatched Ohio 17 Music 269 by any other high school in the country. Maryland 16 Theatre 109 Indiana 14 Visual Arts 55 Academy students create hundreds of presentations including student concerts, performances, exhibits, readings, and screenings. 20 countries and territories More than 300 faculty and staff work to maintain a positive and safe Angola 1 Korea 6 environment for all students.
    [Show full text]
  • The BG News November 23, 1993
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 11-23-1993 The BG News November 23, 1993 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News November 23, 1993" (1993). BG News (Student Newspaper). 5617. https://scholarworks.bgsu.edu/bg-news/5617 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. 4? The BG News Tuesday , November 23, 1993 Bowling Green, Ohio Volume 76, Issue 64 Briefs Handgun bill center of debate Weather The Associated Press clean up the savings and loan fi- baum, D-Ohio. over unanimous Republican op- an ambitious final-day agenda asco. President Clinton prodded position, and last week's approv- that ranged from the campaign lawmakers to deliver the bill for Sunny skies coming: The House approved a plan to al of the North American Free overhaul bill to a $90 billion WASHINGTON - After a year remake the campaign finance his signature as a "Thanksgiving Trade Agreement. package of spending cuts to less marked by swings from confron- laws, a key item on President Day present" to a crime-weary Today, partly sunny. High Rep. Bob Livingston, R-La, weighty concerns. Among them tation to cooperation, Congress Clinton's agenda. The 255-175 public.
    [Show full text]
  • Watch/Listen to Najee and Meli'sa Morgan's 'In the Mood to Take It
    Link: http://www.eurweb.com/2013/11/watchlisten-to-najee-and-melisa-morgans-in-the-mood-to- take-it-slow/ Watch/Listen to Najee and Meli’sa Morgan’s ‘In The Mood To Take It Slow’ November 5, 2013Entertainment *Platinum-selling and Grammy-winning saxophonist Najee has released his new CD, The Morning After – A Musical Love Journey on Shanachie Entertainment. The new CD includes a tribute to his dear friend George Duke as well as a great track with Meli’sa Morgan. Check out the track with Meli’sa Morgan below called “In The Mood To Take It Slow.” About Najee Najee is a master storyteller. Whether the debonair multi-instrumentalist is engaged in a verbal or musical conversation, his alluring charisma has a way of seducing you into his world. A quadruple threat who is equally adept on soprano, tenor and alto saxophones and flute, Najee’s technical agility, grace, compositional prowess, unbridled passion, fearless genre bending and superior musicianship have made him one of the most sought after musicians of his generation. In a business where trends and artists come and go, Najee’s name is synonymous with innovation, consistency and the best in contemporary jazz. With two Platinum and four Gold albums under his belt, he is an icon whose musical vision spawned an entire new genre by fusing the music close to his heart (R&B and jazz). Three decades later he is showing that he is not done yet! Najee has collaborated with everyone from Prince and Quincy Jones to Stevie Wonder, Chaka Khan and Herbie Hancock.
    [Show full text]
  • Najee Ali' Was Dumped for Abusing His Wife Sentinel News Service Sentinel News Service Allegations Were False
    2017 2017 THE YEAR THE YEAR IN IN REVIEW REVIEW VOL. LXXVV, NO. 49 • $1.00 + CA. Sales Tax THURSDAY, DECEMBERSEPTEMBER 12 17,- 18, 2015 2013 VOL. LXXXI NO 52 $1.00 +CA. Sales Tax“For Over “For Eighty Over Eighty Years YearsThe Voice The Voice of Our of CommunityOur Community Speaking Speaking for for Itself Itself” THURSDAY, DECEMBER 28, 2017 NAN Confirms Ronald Eskew aka 'Najee Ali' was dumped for abusing his wife SENTINEL NEWS SERVICE SENTINEL NEWS SERVICE allegations were false. Ronald Eskew (AKA However, Rev. Tulloss 171 Members of Con- Najee Ali) has spent the and National Action Net- gress, led by Congress- past two weeks trying to work released an official woman Maxine Waters minimize and spin his statement confirming that (CA-43), Ranking Mem- dismissal from National the reports written by Jas- ber of the House Financial Action Network. He myne Cannick were in fact Services Committee, sent a has attacked his friend true. letter to the Deputy Attor- and loyal supporter, the Controversy, criminal ney General of the United Reverend K.W. Tulloss, and inappropriate behav- States, Rod J. Rosenstein, both in publicly and in ior are nothing new for Ali. to express their support private, while trying to He has been denounced for the investigation be- deflect blame for his own COURTESY PHOTO and even involved in both ing conducted by Special malicious actions and de- Ronald Eskew verbal and physical al- Counsel Robert S. Muel- mons. tercations with members COURTESY OF THE OFFICE OF REP. MAXINE WATERS ler, III. Last week, the Senti- tions made by Najee's wife of several organizations.
    [Show full text]
  • Brian Simpson's Midas Touch Strikes Gold on New Cd Out
    BRIAN SIMPSON’S MIDAS TOUCH STRIKES GOLD ON NEW CD OUT OF A DREAM JOINING HIM WITH ALL-STAR LINEUP NAJEE, DAVE KOZ, MAYSA, GRACE KELLY, NORMAN BROWN, MARC ANTOINE, MAURICE BROWN & MORE!!! Inspired keyboardist, composer, prolific studio musician and producer Brian Simpson is a master of all he purveys. His eloquent approach to playing, sophisticated harmonics sense, bluesy overtones, R&B flavor and keen sense on how to craft a song that stands the test of time have made him the go-to man for many. Through the years Simpson has been revered for his unparalleled ability to compose unforgettable melodies and irresistible grooves. “I never approach two songs the same way,” confesses Simpson. “When someone hums your song, it's the melody they are humming so as important as the groove is, the melody is still king.” Simpson’s soulful approach to the music has made him first call for many including Janet Jackson, Teena Marie, George Duke, Stanley Clarke and Dave Koz, for whom he has had the distinction of being musical director for close to two decades. A chart-topping musical chameleon who wrote the #1 R&B hit “The First Time” for Surface in the 1990s, Brian Simpson has a knack for churning out genre-bending timeless anthems. George Duke once said “What I love about Brian’s playing is his understanding that melody and groove are important.” Simpson’s approach is simple, “I’m following in the footsteps of those that laid the foundation of contemporary jazz music. The fusing of jazz and R&B is just what contemporary jazz is all about.” Simpson’s latest masterwork is the perfect amalgamation of music that is close to his heart - Jazz, R&B, Funk and Soul.
    [Show full text]
  • FOR IMMEDIATE RELEASE: Najee Returns with New Album “The Morning After - a Musical Love Journey”
    Media Contact: Aalyah Duncan, Alist Events Marketing, LLC E: [email protected] C: (404) 343-5306 FOR IMMEDIATE RELEASE: Najee Returns with New Album “The Morning After - A Musical Love Journey” New York, NY (Oct 15, 2013) – On Tuesday, October 22nd, two-time Grammy Award Nominee and international renowned jazz saxophonist, flautist, composer and arranger, Najee, will unveil his 15th studio album called The Morning After – A Musical Love Journey released by Shanachie Entertainment. The highly anticipated album produced by Demonte Posey, features special appearances by R&B vocalist Meli’sa Morgan and jazz bassist Brian Bromberg. Considered a diverse contemporary jazz project by the legendary saxophonist, “The Morning After” will give fans an insight into Najee’s journey and global experiences in music. As one of the top-selling jazz saxophonist of our generation, Najee continues to demonstrate his consistency to connect with various audiences throughout the world. Creating music at this level in his career is still exhilarating, as he states, “I am always evolving. As a musician the love of performing for people whether in-studio or live, is still a gratifying experience.” These experiences is what has catapulted him to craft an album that represents a traditional jazz impression along with encompassing the standard “smooth jazz” feel. The full title, The Morning After - A Musical Love Journey (in short “The Morning After”) showcases an array of compositions including the R&B hit In The Mood To Take It Slow, a sultry track accompanied by vocalist Meli’sa Morgan. The song has a flawless arrangement, which gives Meli’sa the platform to display her lower-octave range and phrasing, complimented by Najee’s regal sound on the tenor saxophone.
    [Show full text]
  • Detroit Jazz Magazine
    Link: http://www.detroitjazzmagazine.com/Articles/najee.html Detroit Jazz Magazine The Evolution of Smooth Published Oct 6, 2013 By Matt Ward One blustery late-fall evening at the Rochester Institute of Technology, my friends and I were wrapping up an Anime-club meeting with sesame chicken, garbage plates (an original Rochester, NY dish), and a fusillade of spirited debate at the roundtable, that turned (thanks to one guy who just bought some expensive headphones) to music, and musical tastes. Otaku generally have bad taste (I say this knowing I am one of these people—but I'm an anomaly. One garbage plate- loving anomaly.) A close friend, one who I had known since my sophomore year, turned to me and said, "You know something? I hate Jazz." He could've said his parents were mer-people from the deep oceans of the Jovian satellite Europa, it didn't matter to me; He was a Deadman. (At least that night. As I said before, otaku have bad taste.) Of course instead of asking, "Oh, you hate Jazz? What part?", I cursed him for a fool and stormed off into the night. He didn't say it to be hurtful, he was just expressing an opinion—one which many have expressed in ignorance; he had no idea the incalculable acres of wonderland he annexed for slaughter with that blanket statement. I didn't think it was possible before that point, but there were/are people who can actually hate Jazz. Really, all of it? There has been the smooth/traditional divide for years—(some part of me feels Smooth Jazz has been adopted by and marketed for people who don't get traditional, straight-ahead Jazz, much in the same way Toyota/Lexus makes cars for people who don't like driving…)—nevertheless, Smooth is an evolution of Traditional.
    [Show full text]
  • Hans Teuber Photo by Daniel Sheehan Letter from the Director Earshot Jazz a Mirror and Focus for the Jazz Community
    A Mirror and Focus for the Jazz Community January 2018 Vol. 34, No. 01 EARSHOT JAZZSeattle, Washington Hans Teuber Photo by Daniel Sheehan LEttER FROM thE DIRECTOR EARshOT JAZZ A Mirror and Focus for the Jazz Community Executive Director John Gilbreath Click! Managing Director Karen Caropepe Earshot Jazz Editor Caitlin Peterkin Contributing Writers Steve Griggs, Ian Gwin, Happy New Year, from all of us at Earshot Jazz! Jean Mishler, Paul Rauch Calendar Editors Jane Emerson & Caitlin Peterkin The cool thing about marking the Photography Daniel Sheehan New Year holiday is that it gives us Layout Karen Caropepe the sensibility and permission to Distribution Karen Caropepe & Earshot Jazz start, anything or everything. On volunteers the remix of Freedom Jazz Dance, Miles Davis can be heard telling send Calendar Information to: someone, “Just put it on the ONE!” 3429 Fremont Place N, #309 And here it is. Seattle, WA 98103 With most of us going through email / [email protected] our days (our years, our lives) with Board of Directors Danielle Leigh our noses down, and our heads full (President), John W. Comerford (Vice of worry and work, the “New Year” President), Sue Coliton (Secretary), Viren holiday can present us with a much Kamdar (Treasurer), Sheila Hughes, Chris needed, even if mainly symbolic, Icasiano, Ruby Smith Love, Jon Perrino, clean slate. The ways of the world munity. Among our resolutions for Diane Wah 2018 are: to increase performance will certainly remain as they are, Emeritus Board Members Clarence Acox, but we have an opportunity here opportunities for Seattle artists, convene information and planning Hideo Makihara, Kenneth W.
    [Show full text]